<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce437</idno>
<idno type="edition">letterEEd.26.428</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>British Library, Add
                        MS 30928.  Previously  published: John Wood Warter
                        (ed.), Selections from the Letters of Robert
                            Southey, 4 vols (London, 1856), I, pp. 78–80
                        [in part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="428" type="letter">
<head>428. Robert Southey to <ref target="people.html#DanversCharles">Charles
                        Danvers</ref>, <date when="1799-08-20">20 August
                        1799</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi>
                        Danvers./ 9. S<hi rend="sup">t</hi> James’s Place/
                        Kingsdown/ Bristol./ Single<lb/>MS: British Library, Add
                        MS 30928<lb/>Previously published: John Wood Warter
                        (ed.), <title>Selections from the Letters of Robert
                            Southey</title>, 4 vols (London, 1856), I, pp. 78–80
                        [in part].</note>
</head>
<opener>
<dateline rend="left">
<date when="1799-08-20">August 20. 99.</date>
</dateline>
<salute>My dear Danvers</salute>
</opener>
<p rend="indent1"> I write to you from <ref target="places.html#Stowey">Stowey</ref> &amp; at the
                    same table with <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref>. this will surprize you – I know not
                    whether you will be equally surprized to hear that Lloyd
                    reported as many unfavourable accounts of me to <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> – as he did of <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> to me – &amp; manufactured
                    conversations &amp; speeches wholly out of his brain. for
                    this I have the authority of <ref target="people.html#PooleThomas">Poole</ref> – &amp; his
                    own Letters. they believe him mad – I wonder &amp; learn to
                    be sceptical.</p>
<p rend="indent1"> However here I am, &amp; have been some days
                    wholly immersed in conversation. in one point of view <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; I are bad companions for each
                    other, without being talkative I am conversational, the
                    hours slip away &amp; the ink dries upon the pen in my
                    hand.</p>
<p rend="indent1">
<ref target="people.html#FrickerEdith">Edith</ref> is very
                    much better. I have seen Ilfracombe &amp; find its beauty
                    consists wholly in the shore scenery – the country is wild
                    open &amp; naked, so we shall go to the South of Devon at
                    once – &amp; set out on Monday or Tuesday next to Sidmouth.
                    the <ref target="people.html#ColeridgeSamuelTaylor">Coleridges</ref> are going to Ottery, which is only
                    five miles from Sidmouth so we travel together.</p>
<p rend="indent1"> I have seen the Valley of Stones. imagine a
                    vale, almost narrow enough to be called a coombe running
                    between two ranges of hills. on the left the hills are
                    covered with turf. the vale is sprinkled with stones among
                    fern, only in one place piled grotesquely or at any height –
                    yet presenting a singular appearance. the magnificence lies
                    on the Northern side – the hills here are without turf or
                    soil, stript of their vegetable earth – compleatly naked –
                    the very bones of the earth. here the bare stones assume a
                    thousand strange shapes of ruins. I ascended the highest
                    point. at the summit two huge stones inclining against each
                    other formed a portal. in this I lay down. a little platform
                    of level turf – the only piece I saw spread before me. about
                    two yards long, &amp; then the eye fell immediately upon the
                    sea, a giddy depth. you cannot conceive a spot more strange,
                    more impressive. I never before felt the whole sublimity of
                    solitude.</p>
<p rend="indent1"> What could have been the origin of this
                    valley? the valley itself is very high above the sea – but
                    if it be the effect of water, &amp; I can conceive no other
                    possible agent, the same inundation which bared the summit
                    of these heights must necessarily have flooded all the lower
                    lands in the kingdom. but even the opposite hills to which I
                    could have shot an arrow are clothed with soil &amp;
                    vegetation. possibly a water spout might have produced this
                    effect. As a poet I could form hypotheses in plenty, but to
                    my shame I am no naturalist. I could learn no tradition –
                    the people do not even suspect the Devil of having had any
                    hand in it.</p>
<p rend="indent1"> At the alehouse in the adjoining village I
                    met with the father of Lean – your reading-society man.<note n="1" place="foot" resp="editors">Unidentified.</note>
                    he claimed acquaintance with me, on the score of his sons
                    knowing me! I found him a plain unaffected intelligent old
                    man, he gave me a good deal of local information, showed me
                    several of the best points of view, &amp; invited me to his
                    home at Wivelscombe – he is a seller of all things – &amp;
                    travels twice or thrice a year round Exmoor with a cart full
                    of goods. these villages which are shut out from all the
                    world &amp; inaccessible by carriages have no shops to
                    supply themselves from &amp; when Lean enters one of them
                    his arrival is proclaimed in form at the church door.</p>
<p rend="indent1"> Lymouth a village about a mile from the
                    Valley of Stones is a place of unequalled beauty. excepting
                    the Arrabida &amp; Cintra I have seen nothing superiour to
                    it. two rivers – you know the down-hill rivers of Devonshire
                    – that make one long water-fall all the way – two rivers
                    from two coombes join at Lymouth, &amp; where they join
                    enter the sea, &amp; the sea makes but one <del rend="strikethrough">murmur</del> roar with the rivers.
                    the one coombe is richly wooded – the other naked &amp;
                    stoney. from the eminence which juts out between them is one
                    of the noblest views I ever saw – the two coombes &amp;
                    their rivers – their junction – the little village of
                    Lymouth &amp; the sea – here boundless &amp; with the
                    variety of sea colours. the road down to Lymouth is dreadful
                    a narrow path more than a mile in descent on the brink of a
                    precipice with the sea below. a mound of earth about two
                    feet high secure the foot traveller but it is gloriously
                    terrific.</p>
<p rend="indent1"> I have no time to day to write to <ref target="people.html#SoutheyMargaret">my mother</ref> or
                        <ref target="people.html#CottleJoseph">Cottle</ref>.
                    desire <ref target="people.html#CottleJoseph">Cottle</ref>
                    to send me down three small anthologies here immediately,
                    &amp; for <ref target="people.html#PooleThomas">Mr
                        Poole</ref> in the same <del rend="strikethrough">bx</del> parcel Bayntons book on Ulcers.<note n="2" place="foot" resp="editors">Three copies of the
                            <title>Annual Anthology</title> (1799), and a new
                        edition of Thomas Baynton’s (1761–1820)
                            <title>Descriptive Account of a New Method of
                            Treating Old Ulcers of the Legs</title>, first
                        published in 1797, but reissued in Bristol in
                        1799.</note> desire him too when a <hi rend="ital">frank</hi> comes for me not to <hi rend="ital">inclose</hi> it again &amp; make me pay double for what
                    would else cost nothing. if he has left out the word
                    “Annual” the title page shall be cancelled. it is the one
                    word needful, but I hope you have prevented him.</p>
<p rend="indent1"> God bless you. remember us affectionately to
                    your mother.</p>
<closer>
<salute rend="indent2"> yrs truly</salute>
<signed rend="indent3"> R Southey.</signed>
</closer>
</div>
</body>
</text>
</TEI>
