<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce440</idno>
<idno type="edition">letterEEd.26.431</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Huntington Library, HM 4823 .  Previously  published: J. W.
                        Robberds (ed.), A Memoir of the Life and Writings of the Late William
                            Taylor of Norwich, 2 vols (London, 1843), I, pp. 291–294 [in
                        part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="431" type="letter">
<head>431. Robert Southey to <ref target="people.html#TaylorWilliam">William
                        Taylor</ref>, <date when="1799-09-01">[started before and continued on] 1 September
                        [1799]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi> William Taylor Jun<hi rend="sup">r.</hi>/ Surry Street./
                        Norwich./ Single<lb/>Stamped: [partial] TER<lb/>Postmark: [partial] A/
                        SEP<lb/>MS: Huntington Library, HM 4823<lb/> Previously published: J. W.
                        Robberds (ed.), <title>A Memoir of the Life and Writings of the Late William
                            Taylor of Norwich</title>, 2 vols (London, 1843), I, pp. 291–294 [in
                        part].</note>
</head>
<opener>
<dateline rend="right">
<address>
<placeName>
<ref target="places.html#Stowey">Stowey.</ref>
</placeName>
</address>
</dateline>
<salute>My dear friend</salute>
</opener>
<p rend="indent1"> Since the first of your unanswered letters<note n="1" place="foot" resp="editors">This letter is in answer to Taylor’s two letters
                        of 23 June and 16 August 1799; see J.W. Robberds (ed.), <title>A Memoir of
                            the Life and Writings of the Late William Taylor of Norwich</title>, 2
                        vols (London, 1843), I, pp. 283–291.</note> reached me I have had the many
                    employments of quitting one house – looking for another – &amp; tramping over
                    the country superadded to my ordinary round of business. what you said of <ref target="people.html#BurnettGeorge">Burnetts</ref> matrimonial attachment
                    made me smile – but I knew what <ref target="people.html#BurnettGeorge">George</ref> thought of the Lady, &amp; how manfully he had withstood all
                    the first approaches &amp; the battery of jellies, &amp; blancmange when the
                        <del rend="strikethrough">axxxxlx</del> sciatica had possession of his hip
                    &amp; she wanted possession of his heart.</p>
<p rend="indent1"> By this you must have received the Annual Anthology<note n="2" place="foot" resp="editors">
<title>Annual Anthology</title> (1799).</note> –
                    unless <ref target="people.html#CottleJoseph">Cottle</ref> has been more remiss
                    than usual. you will find all your pieces there except the Sapphics.<note n="3" place="foot" resp="editors">Taylor’s sapphics, ‘The Rovers Apology’ (sent to
                        Southey on 25 March 1799; see J.W. Robberds (ed.), <title>A Memoir of the
                            Life and Writings of the Late William Taylor of Norwich</title>, 2 vols
                        (London, 1843), I, p. 270) was omitted from <title>Annual Anthology</title>
                        (1799). But ‘A Topographical Ode’, pp. 1–9; ‘Dirge for him who will deserve
                        it’, pp. 36–37; ‘To the Burnie Bee’, pp. 64–66; ‘To the Rainbow’, p. 201;
                        ‘Lines written in the 16<hi rend="sup">th</hi> Century’, pp. 205–206;
                        ‘Parodied in the 18<hi rend="sup">th</hi> Century’, pp. 206–207; and ‘The
                        Seas’, pp. 233–236 were all published, under a variety of pseudonyms.</note>
                    these I meant to have returned you with some proffered smoothifications, but
                    found no leisure – so they lie over. my own pieces you will probably discover
                    under the anagrams Erthusyo &amp; Theoderit, sundry alphabetical signatures
                    &amp; no signatures at all.<note n="4" place="foot" resp="editors">‘Erthusyo’ is
                        ‘R Southey’ and ‘Theoderit’ is ‘The Editor’. Southey also used the initials
                        ‘R.S.Y.’, ‘R.’, ‘R.S.’ and ‘S.’ to sign some of his contributions to the
                            <title>Annual Anthology</title> (1799). Others were left
                        unsigned.</note> the Volume has cork enough to float its lead. it wants a
                    piece or two of more respectable length – &amp; there is a lack of epigrams
                    altogether. both these deficiencies will be guarded against in the next volume
                    which I hope to have ready for publication in January. there is a want also of
                    lyrical poems – your Topographical Ode<note n="5" place="foot" resp="editors">‘Topographical Ode’, <title>Annual Anthology</title> (Bristol, 1799), pp.
                        1–9.</note> stands alone. excepting that &amp; The Seas<note n="6" place="foot" resp="editors">‘The Seas’, <title>Annual Anthology</title>
                        (Bristol, 1799), pp. 233–236.</note> &amp; some of my own Inscriptions,<note n="7" place="foot" resp="editors">
<title>Annual Anthology</title> (Bristol,
                        1799), pp. 67–76 contained seven inscriptions by Southey.</note>
<del rend="strikethrough">x</del> the
                    serious pieces are very inferiour to those of a lighter cast. should you have
                    recognized my hand in the amorous effusions of Abel Shufflebottom?<note n="8" place="foot" resp="editors">
<title>Annual Anthology</title> (Bristol, 1799),
                        pp. 218–226 contained four ‘Love Elegies’ ascribed to Abel
                        Shufflebottom.</note>
</p>
<p rend="indent1"> The Dom Daniel<note n="9" place="foot" resp="editors">An early
                        version of <title>Thalaba the Destroyer</title> (1801); see
                            <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 181–188.</note> I have begun, &amp; run the
                    first heat of my course. a book &amp; half are done &amp; in the irregular blank
                    verse which I have ever had a hankering after since I first fed upon Dr Sayers
                        Sketches.<note n="10" place="foot" resp="editors">Frank Sayers,
                            <title>Dramatic Sketches of the Ancient Northern Mythology</title>
                        (1790).</note> I shall defend my choice with arguments unanswerable, to my
                    conception. if I succeed in the remainder of the poem equally well, the metre
                    will I think become popular, &amp; involve me in the guilt of begetting
                    numberless imitators.</p>
<p rend="indent1">
<ref target="people.html#DavyHumphry">Davy</ref> is an extraordinary young man
                    &amp; much may be expected from him. you will see by his poems (they are signed
                        D.)<note n="11" place="foot" resp="editors">
<title>Annual Anthology</title>
                        (Bristol, 1799), ‘The Sons of Genius’, pp. 93–99; ‘The Song of Pleasure’,
                        pp. 120–125; ‘Ode to St Michael’s Mount, in Cornwall’, pp. 172–176; ‘The
                        Tempest’, pp. 179–180. In addition, Davy signed his own name to ‘Extract
                        from an unfinished Poem on Mounts-Bay’, pp. 281–286.</note> germs of genius,
                    &amp; powers likely to lead their possessor to eminence however directed. they
                    were written when he was very young – indeed he is now but just one &amp;
                    twenty. You have probably heard from <ref target="people.html#BurnettGeorge">Burnett</ref> an account of his most wonderful discovery, the wonder
                    working gazeous oxyd of azote<note n="12" place="foot" resp="editors">Nitrous
                        oxide, or ‘laughing gas’.</note> – for it is not yet christened &amp; the
                    old name must be used. I am affected by a smaller quantity than any person who
                    has yet taken it. it produces first in me an involuntary &amp; idiotic laughter,
                    highly pleasurable &amp; ridiculous. immediately a warmth &amp; a fullness flows
                    from my head thro every limb &amp; my finger &amp; toe-tips tingle &amp; my
                    teeth seem<del rend="strikethrough">d</del> to vibrate with delight. the last symptom is a feeling of strength
                    &amp; an impulse to exert every muscle. for the remainder of the day it left me
                    with increased hilarity &amp; with my hearing taste &amp; smell certainly more
                    acute. I conceive this gas to be the atmosphere of Mohammeds Paradise.<note n="13" place="foot" resp="editors">According to <title>Qu’ran</title> 47: 15
                        the air of the Islamic Paradise is perfumed.</note>
</p>
<lb/>
<p>
<date when="1799-09-01">Sept. 1.</date> Ottery S<hi rend="sup">t</hi> Mary.
                    Devonshire.</p>
<p>This letter has lain unfinished while I have been rambling over this country. a
                    country which appears to me to have received more encomiums than it deserves.
                    after coming from the North of Somersetshire every thing appears flat &amp;
                    uninteresting. I am about to house myself at Exeter for a few weeks, till our
                    habitation in Hampshire be vacant. there is a literary society at Exeter<note n="14" place="foot" resp="editors">The Exeter Reading Society, or Society of
                        Gentlemen at Exeter, founded in 1792. Its members published <title>Essays by
                            a Society of Gentlemen at Exeter</title> (1796).</note> – D’Israeli –
                    Hole – &amp; Dr Downmans<note n="15" place="foot" resp="editors">Isaac D’Israeli
                        (1766–1848; <title>DNB</title>); Richard Hole (1746–1803;
                        <title>DNB</title>); and Hugh Downman (1740–1809; <title>DNB</title>). The
                        latter’s <title>Poems to Thespia</title> (1781) contain examples of his
                        sonnets.</note> who writes sonnets in blank verse. but they are a sort of
                    monsters in literature, all furiously ministerial, even to intolerance of those
                    who think otherwise – so the door is shut upon me, &amp; I have no inclination
                    to knock – even tho it should then be opened. with my own employment &amp; the
                    vicinity of <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> the
                    want of society is not to be felt. – I was to tell you from <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> that a statue to
                    the memory of Burger has been lately erected in some tea-gardens at Gottingen –
                    badly designed &amp; executed &amp; in a strange place, but it shows his
                        popularity.<note n="16" place="foot" resp="editors">Gottfried August Burger
                        (1748–1794), German poet. Coleridge described in detail the statue in his
                        memory, representing the ‘Genius of Germany weeping over an urn’, in a
                        letter to Taylor of 25 January 1800 (E.L. Griggs (ed.), <title>Collected
                            Letters of Samuel Taylor Coleridge</title>, 6 vols (Oxford, 1956–1971),
                        I, p. 565).</note> if this be worth mentioning in your necrology &amp; not
                    too late I will get for &lt;you&gt; the description of the monument which has
                    escaped my memory. <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> is about to produce the Life of Lessing<note n="17" place="foot" resp="editors">Gotthold Ephraim Lessing (1729–1781). Coleridge
                        did not finish his ‘Life of Lessing’.</note> a subject which will comprehend
                    the Literary history of Germany.</p>
<p rend="indent1"> I am sorry you have abdicated the office of literary
                        Director,<note n="18" place="foot" resp="editors">Taylor had finished
                        writing reviews for the <title>Monthly Review</title>.</note> for the
                    Republic has need of your services. a good Reviewer is the rarest of writers,
                    for unless he have leisure &amp; inclination the ablest hands scrawl thro it
                    sadly. I have a sort of selfish sorrow too – for <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; I mean to
                    march an army of Hexameters into the country, &amp; it will be unfortunate to
                    have all the strong places in the hands of our enemies. we have chosen the story
                    of Mohammed<note n="19" place="foot" resp="editors">Coleridge and Southey’s plan
                        for a jointly-written poem in hexameters on Muhammad (570–632), the Prophet
                        of Islam, did not make much progress; see <title>Common-Place Book</title>,
                        ed. John Wood Warter, 4 series (London, 1849–1850), IV, pp. 18–20. A
                        fragment by Southey was published posthumously in <title>Oliver Newman: a
                            New-England Tale</title> (London, 1845), pp. 113–116; and 14 lines by
                        Coleridge in <title>The Poetical Works of S. T. Coleridge</title>, 3 vols
                        (London, 1834), II, p. 68.</note> – N.B. no reflection on Klopstock.<note n="20" place="foot" resp="editors">Friedrich Gottlieb Klopstock (1724–1803)
                        devoted 25 years to writing his epic poem, <title>Messias</title> (1773),
                        about the life of Christ.</note> the subject is very fine &amp; we have
                    squeezed it into a sufficient oneness. but remember this is a Secret Expedition
                    till the Manifesto accompany the troops. &lt;we must bully like Generals – but
                    argue somewhat better.&gt;</p>
<p rend="indent1"> Gather me at your leisure a few flowers for the Anthology.<note n="21" place="foot" resp="editors">
<title>Annual Anthology</title>
                        (1800).</note>
</p>
<closer>
<salute rend="indent1"> God bless you – </salute>
<salute rend="indent2"> yrs truly</salute>
<signed rend="indent3"> Robert Southey.</signed>
</closer>
<postscript>
<p>direct at M<hi rend="sup">r</hi> Tuckers – Fore. Street Hill. Exeter.<note n="22" place="foot" resp="editors">Possibly the retired stationer and
                            bookseller Richard Tucker (fl. 1779–1784), whose business had occupied
                            premises on Fore-Street, Exeter.</note> I shall remain here till
                            Michaelmas.<note n="23" place="foot" resp="editors">Southey could not
                            take possession of his rented house at <ref target="places.html#Burton">Burton</ref> until 29 September 1799.</note>
</p>
</postscript>
</div>
</body>
</text>
</TEI>
