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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<resp>General Editor, </resp>
<name>Neil Fraistat</name>
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<name>Laura Mandell</name>
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<date>2011-08-15</date>
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<idno type="nines">rce457</idno>
<idno type="edition">letterEEd.26.448</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="448" type="letter">
<head>448. Robert Southey to <ref target="people.html#MayJohn">John May</ref>, <date when="1799-10-20">20 October 1799</date>
<note place="foot" resp="editors" type="headnote">Address: [deletions and readdress in another hand] To/ John May Esq<hi rend="sup">r</hi>/ <del rend="strikethrough">Richmond Green/Surry</del>/ N<hi rend="sup">o</hi> 4 Tavistock Street/ Bedford Square/ London
                        Single<lb/>Stamped: CHRIST/CHURCH<lb/>Postmarks: F./ OCT 21/ 99; 9 OCLOCK/
                        OC. 21/ 99 NIGHT; Unpaid Penny Post<lb/>Endorsement: N<hi rend="sup">o</hi>
                        45. 1799/ Robert Southey/ No place 20 Oct:/ rec<hi rend="sup">d</hi>: 21
                            d<hi rend="sup">o</hi>/ ans<hi rend="sup">d</hi>: 13 March<lb/>MS:
                        Beinecke Library, GEN MSS 298, Series I, Box 1, folder
                        14<lb/>Unpublished.</note>
</head>
<opener>
<dateline rend="right">
<date when="1799-10-20">Sunday. Oct. 20. 99.</date>
</dateline>
<salute>My dear friend</salute>
</opener>
<p rend="indent1"> I should have acknowledged the receipt of the bill yesterday had
                    there been any post to London. there was no inconvenience whatever in our not
                    receiving it sooner.</p>
<p rend="indent1"> In about ten days our future habitation will be made habitable.
                    the former tenant has quitted – &amp; the carpenter &amp; the mason &amp; the
                    whitewashes &amp; the painter are busy in repairing the dilapidations of many
                    years. two beggarly cottages will soon be revolutionized into a decent dwelling.
                    these necessary alterations are not at our expences – the little improvement
                    which savour of luxury we set about ourselves as soon as we get in, such as
                    papering &amp; filling up an ugly corner with a convenient cupboard. the house
                    will be small, but large enough to be comfortable &amp; to have a spare bed
                    room, a sine qua non with me. the garden is a large piece of ground, &amp; quite
                    empty, so that I may please myself in filling it, &amp; have already in my head
                    allotted out its various divisions of potatoes, peas, cabbages, artichokes,
                    currant &amp; gooseberry bushes, &amp; the near turf plat where a few larger
                    fruit trees may be ornamentally planted – planting is a trifling expence, &amp;
                    I shall at least have the pleasure of seeing the trees grow – tho perhaps the
                    changes of life may prevent me from enjoying any other advantage. a spring rises
                    close by the garden &amp; fills a fishpond at the bottom. I mean to take much of
                    my due exercise in the useful employment of gardening, which will be putting out
                    time upon good interest.</p>
<p rend="indent1"> I mentioned to you if I recollect aright some time ago, that we
                    were uneasy respecting a <ref target="people.html#FrickerGeorge">brother of
                        Edith</ref>, who went to sea &amp; had not been heard of. after being driven
                    by storms into Spain &amp; walking thro that country into Portugal he is
                    returned. the boy is about fifteen, &amp; has been much neglected, but he is a
                    good boy, &amp; thoroughly sick of the sea life <del rend="strikethrough">x</del> which I believe he originally adopted rather from want of any
                    better employ than from inclination. As soon as we are settled I mean to send
                    for him, &amp; do what I can in the way of informing him, by setting about this
                    properly I can save time which is the most important thing. my after views are
                    to make a printer of him. because it is a business which he may exercise without
                    a long apprenticeship – &lt;which&gt; requires perhaps a smaller capital than
                    any other, &amp; because whenever he shall be able to exercise it I can at once
                    put into his hands three fourths of <del rend="strikethrough">that</del>
                    employment necessary for his support.</p>
<p rend="indent1"> I have made some progress in my metrical Romance, Thalaba the
                    Destroyer. a poem from which I expect credit &amp; emolument. it will give me
                    pleasure to read it to you when you visit <ref target="places.html#Burton">Burton</ref>. the extent will be ten books, of which the fourth is nearly
                    finished. it will probably be ready for publication in the spring. The second
                        Anthology<note n="1" place="foot" resp="editors">
<title>Annual
                            Anthology</title> (1800).</note> soon goes to press – this is a work
                    which chiefly interests me as it is connected with many friends – a <del rend="strikethrough">sort of</del> memorial of those who are distant. These
                    then are my employments, I wish I could give you as good an account of my health
                    – but that certainly does not improve.</p>
<p rend="indent1"> My opinions upon all important subjects have long since ceased to
                    fluctuate. I repose upon Christianity, aware of the arguments against it, &amp;
                    flinging like JJ Rousseau, the weight of hope into the scale of reason.<note n="2" place="foot" resp="editors">Jean Jacques Rousseau (1712–1778), ‘Letter
                        to Voltaire’, 18 August 1756.</note> there is a preponderance of argument in
                    its favour certainly, yet I perceive my own belief more the effect of volition
                    than conviction; my reason might possibly be biased from it, but my affections
                    could not. it is adapted to my wants &amp; to my wishes, it is a matter of
                    feeling with me. – is not this faith in its true meaning? – the mysteries
                    attached to the orthodox creed shock my reason &amp; disgust me. to define the
                    Deity, is to increase Atheism. the Athanasian &amp; Nicene creeds<note n="3" place="foot" resp="editors">Statements of Christian orthodoxy from the 4th
                        or 5th centuries.</note> make me imagine Atheism comparitively wise &amp;
                    pious – but I walk abroad &amp; see the Deity in all things – I close my eyes
                    &amp; I feel his presence. surely this is faith.</p>
<p rend="indent1"> So far you will readily comprehend me – but you will not perhaps
                    understand how my political opinions are founded upon feelings precisely the
                    same. I examine the extremes of society &amp; know that they are not fitted to
                    the nature of man – that both extremes necessarily deprave him. I am &lt;too&gt;
                    metaphysical <del rend="strikethrough">enough</del> &lt;not&gt; to know that our
                    characters are for the most part the effect of surrounding circumstances, &amp;
                    I am too pious to believe that God can have made us naturally sinful, therefore
                    necessarily wretched. hence the love of equality which is rooted in my heart
                    &amp; blended with all <del rend="strikethrough">xx xx</del> my associations. I
                    see evil produced by existing establishments &amp; know that it might be better
                    &amp; am with all the ardour &amp; sincerity of my soul a Republican. On all
                    points that <del rend="strikethrough">may</del> can come into action there is
                    little difference between us. with most of my friends I agree in some essential
                    point, scarcely with any in all.</p>
<closer>
<salute rend="indent2"> God bless you.</salute>
<salute rend="indent3"> yrs with affection</salute>
<signed rend="indent4"> Robert Southey.</signed>
</closer>
<postscript>
<p>Keenan<note n="4" place="foot" resp="editors">John Keenan (fl. c. 1780–1819),
                            Irish portrait painter, then living in Exeter. Keenan painted two
                            portraits of Southey.</note> paints miniatures – &amp; very beautifully.
                        of the likeness I cannot judge having only seen the pictures. in his larger
                        portraits he is very succesful. have you seen a poem called Gebir?<note n="5" place="foot" resp="editors">Walter Savage Landor,
                                <title>Gebir</title> (1798), although the poem was published
                            anonymously.</note> it appears to me the miraculous work of a Madman.
                        the fine parts in it are like flashes of lightning at midnight – a picture
                        of which the greater part is indistinguishably dark, but all that you can
                        distinguish – the unsurpassable strokes of Rafael or Buonarotti.<note n="6" place="foot" resp="editors">Raphael Sanzio (1483–1520) and Michelangelo
                            di Lodovico Buonarotti Simoni (1475–1564), both Italian renaissance
                            painters.</note>
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