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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<date when="2011-08-15">August 15, 2011</date>
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<p>Huntington Library, HM 4825 .  Previously 
                        published: J. W. Robberds (ed.), A Memoir of the
                            Life and Writings of the Late William Taylor of
                            Norwich, 2 vols (London, 1843), I, pp.
                        302–305 [in part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
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											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="452" type="letter">
<head>452. Robert Southey to <ref target="people.html#TaylorWilliam">William Taylor</ref>,
                        <date when="1799-10-27">27 October 1799</date>
<note place="foot" resp="editors" type="headnote">Address: To/
                            M<hi rend="sup">r</hi> W<hi rend="sup">m</hi> Taylor
                            Jun<hi rend="sup">r</hi>/ Surry Street/ Norwich./
                        Single<lb/>Stamped: CHRIST/ CHURCH<lb/>Postmark: E/ OCT
                        28/ 99<lb/>Endorsement: Ans<hi rend="sup">d</hi> 1
                        Nov<lb/>MS: Huntington Library, HM 4825 <lb/>Previously
                        published: J. W. Robberds (ed.), <title>A Memoir of the
                            Life and Writings of the Late William Taylor of
                            Norwich</title>, 2 vols (London, 1843), I, pp.
                        302–305 [in part].</note>
</head>
<p rend="indent1"> You give me a more favourable account of
                        Mackintosh<note n="1" place="foot" resp="editors">James
                        Mackintosh (1765–1832; <title>DNB</title>), Scottish
                        writer and politician, had gradually retreated from the
                        radical views expressed in <title>Vindiciae Gallicae: a
                            Defence of the French Revolution and its English
                            Admirers</title> (1791). He had been visiting
                        Norwich; see Taylor to Southey, 18 October 1799, J.W.
                        Robberds (ed.), <title>A Memoir of the Life and Writings
                            of the Late William Taylor of Norwich</title>, 2
                        vols (London, 1843), I, pp. 297–298.</note> than I have
                    been accustomed to receive. <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> has seen much of him at the
                        Wedgewoods.<note n="2" place="foot" resp="editors">In
                        1798 Mackintosh had married Catherine Allen (d. 1830),
                        sister-in-law of Josiah Wedgwood II (1769–1843) and John
                        Wedgwood (1766–1844) of the Wedgwood pottery
                        manufacturers.</note> he describes him as acute in
                    argument, more skilful in detecting the logical errors of
                    his adversary than in propounding truth himself, – a man
                    accustomed to the gladiatorship of conversation, a literary
                    fencer who parrys better than he thrusts. I suspect that in
                    praising Jeremy Taylor<note n="3" place="foot" resp="editors">Jeremy Taylor (1613–1667;
                            <title>DNB</title>), clergyman and author of
                            <title>The Rule and Exercises of Holy Living</title>
                        (1650) and the <title>Rule and Exercises of Holy
                            Dying</title> (1651).</note> &amp; in over-rating
                    him, he talks after <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref>, who is a heathen in literature &amp;
                    ranks the old bishop among his demigods. I am not enough
                    conversant with his writings to judge how accurately <del rend="strikethrough">he</del> &lt;you&gt; appreciate him
                    – the Holy Living &amp; Dying every body knows – &amp; it
                    has splendid parts; – his Ductor Dubitantium<note n="4" place="foot" resp="editors">Jeremy Taylor, <title>Ductur
                            Dubitantium, or The Rule of Conscience in All Her
                            General Measures</title> (1660). Southey possessed a
                        1671 edition of this work, no. 2670 in the sale
                        catalogue of his library.</note> I procured just before
                        <del rend="strikethrough">leaving Bristol</del> my
                    departure from Bristol &amp; it lies in my unopened baggage.
                    what <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> values in these old writers is their
                    structure of paragraph, where sentence is built upon
                    sentence with architectural regularity, each resting upon
                    the other like the geometrical stairs at S<hi rend="sup">t</hi> Pauls.</p>
<p rend="indent1"> In <ref target="people.html#DavyHumphry">Davys</ref> verses I see aspirations after genius &amp;
                    powers of language, all that can be expected in so young a
                    writer. did I promise more? but it is my common fault
                    usually to over-rate whatever I am newly acquainted with.
                    Towards the close of the Sons of Genius<note n="5" place="foot" resp="editors">Humphry Davy, ‘The Sons of
                        Genius’, <title>Annual Anthology</title> (Bristol,
                        1799), pp. 93–99, signed ‘D. 1796’.</note> there are
                    some fine stanzas – as a whole it is tedious &amp; feeble –
                    but it was the production of eighteen – <ref target="people.html#DavyHumphry">Davy</ref> is a
                    surprizing young man &amp; one who by his unassumingness,
                    his open warmth of character, &amp; his all-promising
                    talents, soon conciliates ones affections. he writes me that
                    two paralytic patients have been cured by the gazeous oxyd
                    of azote<note n="6" place="foot" resp="editors">Nitrous
                        oxide, or ‘laughing gas’.</note> – the beatific gas for
                    discovering which if he had lived in the time of the old
                    Persian Kings, he would have received the reward proposed
                    for the inventing a new pleasure.<note n="7" place="foot" resp="editors">Marcus Tullius Cicero (106–43 BC),
                            <title>Tusculanae Quaestiones</title> (45 BC), 5.7
                        claimed the Persian emperor Xerxes (c. 520–465 BC,
                        Emperor of Persia 486–465 BC) had offered a reward to
                        any philosopher who could invent a new pleasure. Nobody
                        claimed the reward.</note> – the goose &amp; gooseberry
                    bush are mine.<note n="8" place="foot" resp="editors">
<title>Annual Anthology</title> (Bristol, 1799),
                        Sonnet VI, ‘To a Goose’ (p. 136) and Sonnet XV, ‘That
                        gooseberry-bush attracts my wandering eyes’ (p.
                        145).</note>
</p>
<p rend="indent1"> Perhaps it is the consciousness of a
                    garrulous tendency in writing that impels me with such
                    decided &amp; almost exclusive choice to narrative poetry.
                    the few books of the Italia Liberata<note n="9" place="foot" resp="editors">Gian Giorgio Trissino (1478–1550),
                            <title>La Italia Liberata da Gothi</title>
                        (1547–8).</note> which I read at <ref target="places.html#Norwich">Norwich</ref>, did me more
                    service towards correcting this fault than any other lesson
                    could have done. in Madoc I think I have avoided it.
                    sometimes too it is serviceable, wherever there are passages
                    of prominent merit. there should be a plain around the
                    pyramids. As a poet I consider myself as out of my
                    apprenticeship, &amp; having learnt the command of my tools.
                    if I live I may, &amp; believe I shall, make a good workman,
                    but at present I am only a promising one. it is an
                    unfavourable circumstance that my writings are only
                    subjected to the criticism of those persons whose tastes are
                    in great measure formed upon mine, &amp; who are prepared to
                    admire whatever I may write.</p>
<p rend="indent1"> I have now extracted the kernel of the
                        Zend-Avesta.<note n="10" place="foot" resp="editors">Southey had been reading Abraham-Hyacinthe Anquetil Du
                        Perron (1731–1805), <title>Zend-Avesta</title> (1771), a
                        French translation of the sacred writings of
                        Zoroastrianism.</note> the outline of the mythology is
                    fine – &amp; well adapted for poetry because the system is
                    comprehensible. How the Hindoo fables could ever appear
                    poetical to Sir William Jones<note n="11" place="foot" resp="editors">Sir William Jones (1746–1794;
                            <title>DNB</title>), one of Britain’s foremost
                        orientalists.</note> is to me inconceivable. their
                    intricacy unfits them. much as the ground has been travelled
                    over I doubt whether any one could trace the outline of a
                    map. the <del rend="strikethrough">Runic x System</del>
                        Edda<note n="12" place="foot" resp="editors">The
                        13th-century ‘Poetic Edda’, an Icelandic collection of
                        poens, contains most that is known of Norse
                        mythology.</note> is the most magnificent of all these
                    systems – if indeed it ever was more than a poets creed. I
                    will one day graft a story upon it to contrast with the
                    Oriental picture in Thalaba.</p>
<p rend="indent1"> My frequent movements have hitherto prevented
                    me from attacking the Noachide,<note n="13" place="foot" resp="editors">Johann Jakob Bodmer (1698–1783),
                            <title>Die Noachide</title> (1751). Southey probably
                        did not finish it until 26 March 1800, and then
                        dismissed it as a ‘bad poem’; see <title>Common-Place
                            Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, p. 2.</note> Dictionaries would
                    have swoln my travelling package too much. now however I
                    will force my way thro &amp; endeavour <del rend="strikethrough">xxx</del> soon to return you a book
                    which I have already detained too long. </p>
<p rend="indent1"> Inclosed is the remaining half of the bill.
                    it was the cause of my writing. In passing thro Dorchester I
                    visited <ref target="people.html#WakefieldGilbert">Gilbert
                        Wakefield</ref>, whom I found in good health &amp;
                    spirits – &amp; probably Massena<note n="14" place="foot" resp="editors">Jean-Andre Massena (1758–1817), French
                        general, commander during the French victory at the
                        Second Battle of Zurich, 25–26 September 1799.</note>
                    has improved his spirits since. in politics he seemed to
                    have the comfortable faith of an optimist. for myself I have
                    the longing after peace which yo[MS torn] may imagine an
                    invalid feels, who wants to visit the South of France &amp;
                    Italy. the bell ringing for peace should be the signal for
                    my departure.</p>
<p rend="indent1">
<ref target="people.html#BurnettGeorge">Burnett</ref> I
                    suppose is gone for Edinburgh. – We have found <ref target="people.html#SoutheyTom">Tom</ref>. his capture
                    was a newspaper report – he is returned to Plymouth after a
                    long cruise.<note n="15" place="foot" resp="editors">Newspaper reports confirmed <ref target="people.html#SoutheyTom">Tom Southey</ref>’s
                        ship, the <hi rend="ital">Sylph</hi>, had not been
                        captured, but had safely returned to Plymouth after a
                        long cruise; see, for example, <title>Morning
                            Chronicle</title>, 26 October 1799.</note>
</p>
<closer>
<salute rend="indent1"> God bless you.</salute>
<salute rend="indent2"> yrs affectionately</salute>
<signed rend="indent3"> Robert Southey.</signed>
</closer>
<postscript>
<p>
<address>
<placeName>
<ref target="places.html#Burton">Burton</ref>.</placeName>
</address>
<date when="1799-10-27">Oct. 27. 1799.</date>
</p>
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