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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<date>2011-08-15</date>
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<idno type="nines">rce466</idno>
<idno type="edition">letterEEd.26.457</idno>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>National Library of Wales,
                        MS 4811D.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
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											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="457" type="letter">
<head>457. Robert Southey to <ref target="people.html#WynnCharlesWW">Charles Watkin
                        Williams Wynn</ref>, <date when="1799-11-28">28 November [1799]</date>
<note place="foot" resp="editors" type="headnote">MS: National Library of Wales,
                        MS 4811D<lb/>Unpublished.</note>
</head>
<opener>
<salute>My dear Wynn</salute>
</opener>
<p rend="indent1">
<hi rend="ital">Halto</hi> is the printers blunder.<note n="1" place="foot" resp="editors">‘God’s Judgement On A Bishop’, <title>Morning Post</title>,
                        27 November 1799, dealt with legends that surrounded Hatto I (c. 850–913;
                        Archbishop of Mainz, 891–913).</note> Bishop is my own wilful one – however
                    the Arch may be hammered on with very little tinker trouble. according to my
                    authority here – which is Coryat the Oddcombian<note n="2" place="foot" resp="editors">Thomas Coryat (1577–1617; <title>DNB</title>),
                            <title>Coryat’s Crudities Hastily Gobbled up in Five Months Travel to
                            France, Italy &amp;c</title> (London, 1611), pp. 571–572. Coryat was an
                        ‘Oddcombian’ because he was from Odcombe in Somerset.</note> – he was eat by
                        <hi rend="ital">Mice</hi> &amp; the Tower is called Mouse-Tower. read the
                    last stanza thus improved</p>
<lg type="stanza">
<l rend="indent4"> And in at the window &amp; in at the door</l>
<l rend="indent3"> And thro the wall by thousands they pour</l>
<l rend="indent4"> And down from the cieling, &amp; up from the floor</l>
<l rend="indent4"> From the right &amp; the left, from behind &amp; before</l>
<l rend="indent3"> From within &amp; without, from above &amp; below,</l>
<l rend="indent4"> And all at once to the Bishop they go.<note n="3" place="foot" resp="editors">This revised version was used in the
                            penultimate stanza of ‘God’s Judgement On A Bishop’ in <title>Annual
                                Anthology</title> (Bristol, 1800), p. 263.</note>
</l>
</lg>
<p rend="indent1"> This pain in my side troubles me – whether it be pleurisy – or
                    consumption – or some disease at heart for in that part it lies – I know not. I
                    am going to winter at Bristol for the sake of medical advice. this nervous fever
                    has left me very weak &amp; emaciated.</p>
<p rend="indent1">
<ref target="people.html#BedfordGrosvenorCharles">Bedfords</ref> extract is
                    curious. <del rend="strikethrough">Xx</del> I should like to trace its
                    historical foundation. I weave the story into Thalaba, which is the why I sent
                    for it.<note n="4" place="foot" resp="editors">On 24 October 1799 (Letter 450)
                        Southey had asked Bedford to find information about the garden of Aloaddin
                        or Aladeules. It was used in a note to <title>Thalaba the Destroyer</title>
                        (1801), Book 7, line 256.</note> Purchas relates it from Marco Polo.<note n="5" place="foot" resp="editors">Marco Polo (c. 1254–1324); Samuel Purchas
                        (c. 1577–1626; <title>DNB</title>), <title>Purchas his Pilgrimage</title>,
                        2nd edn (1614), pp. 237, 317.</note> I have prest into my service most of
                    the ingenious lies which I have found in travellers. Maundeville is worth
                        reading<note n="6" place="foot" resp="editors">Sir John Mandeville,
                            <title>The Voiage and Travaile of Sir John Maundeville</title> (London,
                        1727), pp. 340–344, 176–178. For the ‘faery falcon’ see also
                            <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 90–91.</note> – he will tell you of a Valley
                    where the Devils head always appears above ground – &amp; of a Faery Falcon
                    which whoso could watch for 7 days &amp; nights should have his wish cum multis
                    aliis quæ nunc perseribere longum est.<note n="7" place="foot" resp="editors">The Latin translates as ‘with many others which now it would be too lengthy
                        to describe in full.’</note>
</p>
<p rend="indent1"> I am going to work at Queen Mary<note n="8" place="foot" resp="editors">Southey’s proposed play on ‘The Days of Queen Mary’, set in
                        the time of Mary I (1516–1558; reigned 1553–1558; <title>DNB</title>); see
                            <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 190–192.</note> with all the little spirits I
                    now possess. we go to Bristol on Monday – unless I should have a relapse – which
                    I am fearful of.</p>
<p rend="indent1"> Heywood lies before me P. 600. the tale will do.<note n="9" place="foot" resp="editors">Thomas Heywood (1570s–1641; <title>DNB</title>),
                            <title>The Hierarchie of the Blessed Angells</title> (1635), p. 600,
                        relates the tale of a nobleman who feasted with the ‘divells of hell’.
                        Southey did not turn this into a poem, though he had previously made use of
                        Heywood’s book in the supernatural ballads ‘Donica’ and ‘Rudiger’, both
                        published in <title>Poems</title> (1797).</note> there is another in the
                    Sphynx of Heidfeldius.<note n="10" place="foot" resp="editors">Johannes Heidfeld
                        (1563–1629), <title>Sextum Renata, Renovata ac Longe Ornatius Etiam, Quam
                            Anquam Autea Exculta Sphinx Theologica-Philosophica</title>
                        (1612).</note> of a man who sold his soul at a tavern to a strange man – the
                    famous single combat in France between the man &amp; the dog would balladize,
                    but I want documents – &amp; names.<note n="11" place="foot" resp="editors">The
                        story that in France in c. 1400 the Chevalier Maquer murdered a man called
                        Montdidier. Montdidier’s greyhound found the corpse and accused Maquer by
                        attacking him. In a trial by combat between the man and the dog, Maquer was
                        overpowered, confessed to his crime and was executed; see
                            <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, p. 197.</note> Thalaba you will like I think – if
                    you will endure the metre ecce exemplum.<note n="12" place="foot" resp="editors">The Latin translates as ‘behold an example’.</note>
</p>
<lg type="stanza">
<l rend="indent3"> Who shall seek thro Araby</l>
<l rend="indent5"> Hodeirahs dreaded son?</l>
<l rend="indent3"> They mingle the arrows of chance,</l>
<l rend="indent3"> The lot of Abdaldar is drawn.</l>
<l rend="indent3"> Thirteen moons must wax &amp; wane</l>
<l rend="indent3"> Ere his quest he may relinquish.</l>
<l rend="indent3"> He must visit every tribe</l>
<l rend="indent6"> That roams the desert wilderness or dwells,</l>
<l rend="indent6"> Beside perennial streams, till he has found</l>
<l rend="indent3"> The boy whose blood alone</l>
<l rend="indent3"> Can quench that fated fire.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent6"> A ring of crystal formd Abdaldar bore,</l>
<l rend="indent3"> The powerful gem condensed</l>
<l rend="indent3"> Primæval dews that upon Caucasus</l>
<l rend="indent5"> Felt the first winters frost.</l>
<l rend="indent5"> Ripening there it lay beneath</l>
<l rend="indent3"> Rock above rock &amp; mountain ice up-piled</l>
<l rend="indent3"> On mountain, till the mighty mass assumed</l>
<l rend="indent3"> So huge its bulk, the oceans azure hue.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent5"> With this he sought the inmost den</l>
<l rend="indent3"> There where the image of dark Eblis stood</l>
<l rend="indent5"> And by it burnt the eternal flame</l>
<l rend="indent3"> Like waters gushing from some channelld rock</l>
<l rend="indent3"> Full thro a narrow opening, from a chasm</l>
<l rend="indent5"> The eternal flame streamd up.</l>
<l rend="indent5"> No eye beheld the <del rend="strikethrough">xxxxx</del>
                        fount</l>
<l rend="indent5"> Of that up-flowing flame,</l>
<l rend="indent3"> That blazed self nurtured, &amp; for ever, there.</l>
<l rend="indent3"> It was no mortal element. the Abyss</l>
<l rend="indent3"> Supplied it, from the fountains at the first</l>
<l rend="indent3"> Prepared, in the heart of earth it lives &amp; glows</l>
<l rend="indent3"> Her vital heat, till at the day decreed</l>
<l rend="indent3"> The voice of God shall let its billows loose,</l>
<l rend="indent3"> To deluge oer with no abating flood</l>
<l rend="indent3"> The consummated world, that thro the heaven</l>
<l rend="indent3"> Thenceforth must roll, the penal orb of fire.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent5"> Unturband &amp; unsandalld there</l>
<l rend="indent5"> Abdaldar stood before the flame,</l>
<l rend="indent5"> And held the ring beside, &amp; spake</l>
<l rend="indent3"> The language that the Elements obey.</l>
<l rend="indent3"> The obedient flame detached a portion forth</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> That in the crystal entering, was condensed</l>
<l rend="indent3"> Gem of the gem, its living eye of fire.</l>
<l rend="indent5"> When the hand that wears the spell</l>
<l rend="indent6"> Shall touch the destined boy</l>
<l rend="indent6"> Then shall that eye be quenchd,</l>
<l rend="indent6"> And the freed element</l>
<l rend="indent4"> Fly to its sacred &amp; remembered spring.<note n="13" place="foot" resp="editors">An early version of <title>Thalaba the
                                Destroyer</title> (1801), Book 2, lines 223–272.</note>
</l>
</lg>
<p>This ring with a little hell-fire set in it, is a very <del rend="strikethrough">material</del> &lt;important&gt; ring. the regular blank verse is not
                    usually so much mingled with the shorter lines in the dialogue (for part is
                    dramatic) I employ it, &amp; in parts that require a loftier tone.</p>
<p rend="indent1"> God bless you. I am an unlucky fellow to have the heartache, with
                    every reason &amp; inclination to be happy.</p>
<closer>
<salute rend="indent1"> yrs affectionately</salute>
<signed rend="indent2"> Robert Southey</signed>
</closer>
<postscript>
<p>
<address>
<placeName>
<ref target="places.html#Burton">Burton</ref>.</placeName>
</address>
<date when="1799-11-28">Thursday 28 Nov.</date>
</p>
<p>All the imprecations of Ernulphus on my Biographer!<note n="14" place="foot" resp="editors">Possibly a reference to Southey’s biography in
                                <title>Public Characters of 1799–1800</title> (London, 1799), pp.
                            224–231. Ernulphus (c. 1040–1124, Bishop of Rochester 1115–1124) was
                            famous for a Latin curse, used in the excommunication rite.</note>
</p>
</postscript>
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