<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce467</idno>
<idno type="edition">letterEEd.26.458</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>.  Previously 
                        published: Kenneth Curry (ed.), New Letters of
                            Robert Southey, 2 vols (London and New York,
                        1965), I, pp. 205–207.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="458" type="letter">
<head>458. Robert Southey to <ref target="people.html#MayJohn">John May</ref>, <date when="1799-11-29">29 November[–1
                        December] 1799</date>
<note place="foot" resp="editors" type="headnote">Address: To/ John May Esq<hi rend="sup">r</hi>/ 4. Tavistock Street/ Bedford Square/
                        London/ Single<lb/>Stamped: RINGWOOD<lb/>Postmark: D/
                        DEC 2/ 99<lb/>Endorsement: N<hi rend="sup">o</hi> 46
                        1799/ Robert Southey/ No place Nov<hi rend="sup">r</hi>:
                        29- 1 Dec<hi rend="sup">r</hi>/ rec<hi rend="sup">d</hi>: 2 d<hi rend="sup">o</hi>/ ans<hi rend="sup">d</hi>: 24 d<hi rend="sup">o</hi>
<lb/>MS:
                        Brotherton Library, University of Leeds<lb/> Previously
                        published: Kenneth Curry (ed.), <title>New Letters of
                            Robert Southey</title>, 2 vols (London and New York,
                        1965), I, pp. 205–207.</note>
</head>
<opener>
<dateline rend="right">
<date when="1799-11-29">Friday Night. Nov. 29.
                            99.</date>
</dateline>
</opener>
<p rend="indent1"> Your letter, my dear friend, gave me great
                    pleasure. I have myself found happiness in marriage, &amp;
                    therefore rejoice that you are about to be married.<note n="1" place="foot" resp="editors">John May married
                        Susanna Frances Livius (1767–1830) on 12 December
                        1799.</note> a man who reasons as well as feels cannot
                    but chuse well.</p>
<p rend="indent1"> Marriage has anchored me. it has given my
                    affections a home, a resting place. I could write over my
                    door with Ariosto</p>
<p rend="indent3"> Inveni portum. Spes &amp; Fortuna
                        valete!<note n="2" place="foot" resp="editors">The Latin
                        can be translated as ‘I have reached the port, hope and
                        fortune farewell.’ It is a Latin version of a Greek
                        original and in this form was used in Alain-Rene
                        Lesage’s (1668–1747), <title>Gil Blas</title> (1715–35),
                        Book 9 as the inscription over the hero’s door on his
                        retirement. Ariosto (1474–1533), a poet Southey much
                        admired, wrote a quite different Latin verse to be
                        placed above the door of the house he bought for his old
                        age: ‘Parva, sed apta mihi; sed nulli obnatia; sed non/
                        Sordida; parta meo sed tamen acre domus’. This can be
                        translated as ‘Small, yet it suits me; is of no offence/
                        Was built, not meanly, at my own expense’ – an
                        inappropriate inscription for Southey, who never owned,
                        let alone built, a house.</note>
</p>
<p>with no hopes or fears to agitate I pass a tranquil &amp;
                    satisfied life, writing &amp; reading in the room with <ref target="people.html#FrickerEdith">Edith</ref> &amp; <ref target="people.html#SoutheyMargaret">my mother</ref>,
                    not imposing upon them the restraint of silence, &amp; often
                    awaking from my employments to be sensible that I am not a
                    single being. Of the essentials to happiness I want but one
                    – health. &amp; of that I live daily in hope.</p>
<p rend="indent1"> You would ere this have heard from me &amp;
                    received the extracts from Stowes Chronicle – (for it is
                    Stowe that I ignorantly quoted by the <hi rend="ital">editors</hi> name)<note n="3" place="foot" resp="editors">John Stow’s (1525–1605;
                            <title>DNB</title>)’ <title>Annales, or a General
                            Chronicle of England from Brute until the Present
                            Yeare of Christ 1580</title> (1580) was updated and
                        continued after Stow’s death by Edmund Howes (dates
                        unknown) in 1615 and 1631. Southey had used this volume
                        in the notes to <title>Joan of Arc</title> (1798),
                        making use of a copy belonging to Charles Biddlecombe;
                        see Robert Southey to [Charles Biddlecombe], 16 October
                        1797, <title>The Collected Letters of Robert Southey.
                            Part 1</title>, Letter 263. Possibly, he was making
                        use of Biddlecombe’s library again, in order to provide
                        some information for John May.</note> but that I have
                    had a fit of illness. a complaint in my bowels reduced me
                    very much – &amp; I was ill able to bear exhaustion. it left
                    me a nervous fever – &amp; for a fortnight I was unable
                    either to write or read ten minutes together. I am recovered
                    – but only to feel a worse symptom. a pain at the heart, –
                    so settled that I do not think it right any longer to delay
                    consulting those medical persons to whom I can trust myself
                    – we are therefore going to Bristol on Monday.</p>
<p rend="indent1"> What this pain bodes I am at a loss to
                    conjecture. any affection of the heart would necessarily
                    affect the circulation – &amp; of this I am not sensible.
                    for pleurisy I have not blood enough, or general health. if
                    it be a consumptive symptom I shall remove to a warmer
                    climate. one thing cheers me, it has to day &amp; yesterday
                    been less painful – possibly it may be an inflammation, now
                    abating.</p>
<p rend="indent1"> To day I had letter from Lisbon. I had
                    mentioned to <ref target="people.html#HillHerbertUncle">my
                        Uncle</ref> a wish to write the History of
                        Portugal.<note n="4" place="foot" resp="editors">Southey’s never-completed ‘History of Portugal’.</note>
                    he likes the idea, but thinks I cannot do it here, &amp;
                    that it requires too much time. possibly I may be driven to
                    Lisbon &amp; so one objection removed. These are the only
                    day dreams I indulge in – daily finding more &amp; more
                    pleasure in study &amp; composition I look on to future
                    works as the great source of happiness. I shall apply myself
                    shortly to the correction of Madoc<note n="5" place="foot" resp="editors">The fifteen-book version of
                            <title>Madoc</title> (1797–1799).</note> – not for
                    publication – but because I feel the uncertainty of a life
                    which an insurer could not think worth much, &amp; would
                    leave that as a post obit bond for my family; – <del rend="strikethrough">&amp;</del> I trust it would be a
                    valuable one. I thought to have seen you here this Xmas –
                    &amp; now I am quitting the place. this is unfortunate. you
                    know not with what reluctance I remove – our garden is just
                    trimmd up – my books are about me – I have learnt my way in
                    the dark about the house, &amp; I have a companion in <ref target="people.html#RickmanJohn">Rickman</ref> who
                    interests me. it is true at Bristol I have one of my dearest
                        friends<note n="6" place="foot" resp="editors">Possibly
                            <ref target="people.html#DanversCharles">Charles
                            Danvers</ref>.</note> &amp; several persons who are
                    more than acquaintance – but going to consult a physician is
                    but a heartless motive for a journey. We shall be with a
                    friend till we can suit ourselves in lodgings. you will
                    direct there to <ref target="people.html#DanversMrs">M<hi rend="sup">rs</hi> Danvers</ref>’s. 9. S<hi rend="sup">t</hi> James’s Place. <ref target="places.html#KingsdownParade">Kingsdown</ref>.
                    Bristol. forget not to tell me when &amp; where you
                    settle.</p>
<lb/>
<p>&lt;Sunday&gt; As you may imagine we are now much employed. I
                    have been labouring at my review work – work of which the
                    payment is by far the most agreable part. also I have been
                    obliged to make <del rend="strikethrough">th</del> necessary
                    extracts from my books as I shall no longer have them at
                    hand. my side is less painful – but I frequently feel the
                    intermittent pulse, – a symptom in itself little important,
                    but which added to the others makes me suspect some local
                    diseas[MS torn]</p>
<closer>
<salute rend="indent1"> God bless you.</salute>
<salute rend="indent2"> yrs affectionately</salute>
<signed rend="indent3"> Robert Southey.</signed>
</closer>
</div>
</body>
</text>
</TEI>
