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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Huntington Library,
                        HM 4826 .  Previously  published: J. W. Robberds (ed.), A Memoir of
                            the Life and Writings of the Late William Taylor of Norwich, 2
                        vols (London, 1843), I, pp. 322–327. </p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
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											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="486" type="letter">
<head>486. Robert Southey to <ref target="people.html#TaylorWilliam">William
                        Taylor</ref>, <date when="1800-02-03">[c. 3 February 1800]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi> W<hi rend="sup">m</hi> Taylor Jun<hi rend="sup">r</hi>/ Surry
                        Street/ Norwich./ Single<lb/>Postmarks: BRISTOL/ FEB 3 1800; B/ FEB 3/ 1800
                        <lb/>Endorsement: Ans<hi rend="sup">d</hi> 7 Feb<lb/>MS: Huntington Library,
                        HM 4826 <lb/>Previously published: J. W. Robberds (ed.), <title>A Memoir of
                            the Life and Writings of the Late William Taylor of Norwich</title>, 2
                        vols (London, 1843), I, pp. 322–327. </note>
</head>
<opener>
<salute>My dear friend</salute>
</opener>
<p rend="indent1"> I thank you for your Eclogue.<note n="1" place="foot" resp="editors">William Taylor’s ‘The Show, an English Eclogue, in
                        hexameters’, <title>Annual Anthology</title> (Bristol, 1800), pp.
                        200–210.</note> with the beginning I have often been pleased, &amp; the
                    remainder pleases me not less. Some lines will not scan – Men who against Kings
                    &amp;c – is a foot short. Surely the dome of the Invalides – a foot too long,
                    &amp;, We poor Jews when it went, in the same fault. I have scannd these lines
                    so often as to be satisfied the error is not in my toning. In Hexameters of a
                    loftier tone I should object to <del rend="strikethrough">such</del> the placing
                    a verb like “batter” at the end of one line &amp; the “down” at the beginning of
                    the next – as it is almost splitting a word: but in this place the effect is
                    rather good than otherwise. I think you estimate rightly the powers of this
                    metre. perhaps no other is so well adapted for the sort of domestic poetry, if
                    the term be understandable, in which I believe Voss has written his Luise.<note n="2" place="foot" resp="editors">Johann Heinrich Voss (1751–1826),
                            <title>Luise</title> (1795).</note> I have sometimes thought
                        Mohammed<note n="3" place="foot" resp="editors">Muhammad (570–632), Prophet
                        of Islam, subject of a proposed poem in hexameters by Southey and Coleridge;
                        see <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 18–20.</note> too high a subject for the metre
                    – &amp; Robin Hood<note n="4" place="foot" resp="editors">Legendary medieval
                        outlaw. For Southey’s interest in him as a subject for poetry see
                            <title>Common-Place Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, p. 215. He later collaborated on a Robin Hood poem
                        with Caroline Bowles (1786–1854; <title>DNB</title>). It was never finished;
                        a fragment was published in 1847 by Bowles, by then Southey’s widow.</note>
                    a better hero for a hexametrical poem.</p>
<p rend="indent1"> The second Anthology<note n="5" place="foot" resp="editors">
<title>Annual Anthology</title> (1800).</note> is very far advanced,
                    eleven sheets being printed. the sooner therefore, you send me the correction of
                    the halting lines, the better. you asked me in a former letter, &amp; I forgot
                    to answer the question, if epigrams were admissible. – every thing except
                    translations, &amp; I reserve the few epigrams already collected to go together
                    near the end of the book.<note n="6" place="foot" resp="editors">
<title>Annual
                            Anthology</title> (Bristol, 1800), pp. 267–272. All seventeen epigrams
                        were by Southey, Coleridge or <ref target="people.html#TobinJamesWebbe">James Webbe Tobin</ref>.</note>
</p>
<p rend="indent1">
<ref target="people.html#SoutheyHenryHerbert">Harry</ref> is much improved in
                    manners &amp; in mind since my visit to Yarmouth. I am however uneasy lest he
                    should contract habits of expensiveness, &lt;of&gt; which it will be difficult
                    to divest himself, &amp; which if indulged must be subversive of independance
                    &amp; perhaps integrity. my attempts to correct this are rather by example, than
                    by precept. you have considerable influence &lt;over him,&gt; &amp; I say this
                    to you that you may bear in mind his failing &amp; his danger. make but
                    independance his pride, &amp; he will do well. you will perhaps smile to hear
                    that the first book that ever seriously influenced my opinions &amp; my conduct
                    was the Manual of Epictetus.<note n="7" place="foot" resp="editors">Epictetus
                        (55–135), Greek Stoic philosopher. His works are known through his pupil
                        Lucius Flavius Arrianus’s (c. 86–after 146) <title>Enchiridion</title>, or
                        ‘Handbook’ of Epictetus’s thought.</note>
<ref target="people.html#SoutheyHenryHerbert">Harry</ref> is very quick – he has
                    talents enough if well directed, to render himself useful &amp; respectable. the
                    marks of genius are not, I think, to be found in <del rend="strikethrough">there</del> him. Do you approve the plan of sending him to a German
                    University after <del rend="strikethrough">x</del> previous studies chemical
                    &amp; anatomical in England?</p>
<p rend="indent1"> I am seriously thinking of quitting England in search of health.
                    either to wait till Autumn &amp; then revisit Lisbon, or to employ the summer in
                        <del rend="strikethrough">xxxx</del> travelling thro Vienna to Trieste.
                    something I must do lest habits of sickliness affect my mind as well as body. I
                    use stimulants enough – from porter to the gaseous oxyd,<note n="8" place="foot" resp="editors">Nitrous oxide, or ‘laughing gas’.</note> &amp; certainly am
                    better for them – indeed unable to do without them. My employments are perforce
                    contracted. I have given up rhyming a guineas-worth a week for the Morning Post.
                    it was become an oppression which harrassed me. With Thalaba<note n="9" place="foot" resp="editors">
<title>Thalaba the Destroyer</title>
                        (1801).</note> I proceed leisurely, &amp; therefore it is a pleasure &amp;
                    relief. eight books are written to my own mind well; when it is compleated &amp;
                    corrected I will send you the manuscript.</p>
<p rend="indent1"> To return to the hexameters – the structure which Klopstock
                        disapproves<note n="10" place="foot" resp="editors">Friedrich Gottlieb
                        Klopstock (1724–1803), German poet. Klopstock disapproved of a dactyl and
                        spondee as the second and third foot of a hexameter; see Taylor to Southey,
                        December 1799, J.W. Robberds (ed.), <title>A Memoir of the Life and Writings
                            of the Late William Taylor of Norwich</title>, 2 vols (London, 1843), I,
                        p. 312.</note> is to my ear then only unpleasant, when a pause in the sense
                    makes it perceptible, &amp; then it is equally offensive in any of the four
                    first feet. I recollect but one instance in the fragment of Mohammed – Disturbs
                    him – so deep his attention. the pause, breaks the dactyl into a trochee. you
                    are right I think in recommending the long syllable-ending to precede the
                    superfluous beginning one of the next line, &amp; this liberty seems inevitable.
                    I meant it to be read Waš thȳ spīrīt. the “Souňds
                    thāt rung” make a licentious foot – an amphimacer – &amp; for these <del rend="strikethrough">are</del> anomalies a preface must plead excuse &amp;
                    demand acquittal. I sent you all that I have written &amp; you must not forget
                    that they are the apprencticeship-verses. it is evident that their perceptible
                    harmony is obtained by no forced accent or unnatural construction of language.
                    they would very soon become as easy to me &amp; as wieldable as blank verse.
                    &amp; when Thalaba is finished I shall certainly give them the trial of a long
                    and important poem. Whether Mohammed be a hero likely to blast a poem in a
                    Christian country is doubtful. my Mohammed will be, what I believe the Arabian
                    was in the beginning of his career, sincere in enthusiasm – &amp; it would
                    puzzle a casuist to distinguish between the belief of inspiration &amp; the
                    actual impulse. from <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> I am promised the half, &amp; we divided the books
                    according as their subjects suited us – but I expect to have nearly the whole
                    work. his ardour is not lasting, &amp; the only inconvenience that his
                    dereliction can occasion will be that I shall write the poem in fragments &amp;
                    have to seam them together at last. the action ends with the capture of Mecca.
                    the mob of his wives are kept out of sight – &amp; only[MS torn] the
                        Egyptian<note n="11" place="foot" resp="editors">Maria al-Qibtiyya (d. 637)
                        Egyptian Christian slave who became Muhammad’s wife or concubine.</note>
                    introduced. Ali<note n="12" place="foot" resp="editors">Ali ibn Abi Talib
                        (598/600–661), cousin and son-in-law of Muhammad; Caliph 656–661.</note> is
                    of course my hero – &amp; if you will recollect the prominent characters of Omar
                    &amp; Abubeker &amp; Hamza<note n="13" place="foot" resp="editors">Umar
                        (586/590–644; Caliph 634–644); Abu Bakr As-Siddiq (573–634; Caliph 632–634);
                        Hamza ibn Abd al-Muttalib 568/572–625), key early followers of
                        Muhammad.</note> you will see variety enough. Among the Koreish are Amron
                    &amp; Caled.<note n="14" place="foot" resp="editors">The Quraysh were the
                        dominant tribe in Mecca. Khalid ibn al-Walid (592–642) and Amr ibn al-Ab (c.
                        583/9–664) were military commanders in the tribe and were initially hostile
                        to Muhammad.</note> from Maracci’s curious prolegomena to his refutation of
                    the Koran<note n="15" place="foot" resp="editors">Lodovico Maracci,
                            <title>Alcorani Textus Universus ex Correctioribus Arabum Exemplaribus
                            Summa Fide, atque Pulcherrimis Charecteribus Descriptus, ... in Latinum
                            Translatus</title>, 2 vols (Padua, 1698), II, part 2, pp. 76–77 and
                        appendix. This material was used as a note in <title>Thalaba the
                            Destroyer</title> (1801), Book 11, line 114.</note> I have collected
                    many obscure facts for the narrative. Still however tho the plan is well formed
                    &amp; interesting I fear it would not give the hexameters a fair chance. a more
                    popular story, &amp; one requiring not the elevation of thought &amp; language
                    which this demands would probably succeed better. a sort of pastoral epic, which
                    is one of my boy-plans yet unexecuted. there is no need to make enemies to the
                    poem, when the metre will have so many. give me your judgement upon this point
                    which it is almost time to decide, for a few weeks will finish Thalaba.</p>
<p rend="indent1"> I should have been glad of your D<hi rend="sup">r</hi>
                        Faustus.<note n="16" place="foot" resp="editors">William Taylor’s unfinished
                        ballad on Dr Faustus, the legendary German who made a pact with the devil
                        (Taylor to Southey, December 1799, J.W. Robberds (ed.), <title>A Memoir of
                            the Life and Writings of the Late William Taylor of Norwich</title>, 2
                        vols (London, 1843), I, p. 327).</note> in general these Beelzebub stories
                    require a mixture of the ludicrous with the terrific, which it is difficult, if
                    possible, to avoid. I have been reprehended for writing such tales, because they
                    encouraged superstition – an idle remark, − for surely making free with the
                    Devil is not the way to preserve his respectability.</p>
<p rend="indent1"> You probably learnt from <ref target="people.html#ColeridgeSamuelTaylor">Coleridges</ref> letter the
                    rascally conduct of Sheridan about your Norwich riots.<note n="17" place="foot" resp="editors">Coleridge’s letter to William Taylor, 25 January 1800, E.L.
                        Griggs (ed.), <title>The Collected Letters of Samuel Taylor
                            Coleridge</title>, 6 vols (Oxford, 1956–1971), I, pp. 564–566. It
                        mentioned an ‘Extract of a Letter from Norwich, Saturday, January 18 1800’,
                        published anomymously in the <title>Morning Post</title>, 22 January 1800,
                        but written by the Whig playwright and politician, Richard Brinsley Sheridan
                        (1751–1816; <title>DNB</title>). The ‘Extract’ gave an account
                        of conflicts between local radicals and the 9th Regiment of Foot, in which
                        the conduct of the soldiers was highly praised.</note> at Bristol we have
                    always something new in the way of chemical experiment. <ref target="people.html#DavyHumphry">Davy</ref> has been very busy in examining
                    the effects of the different gasses in respiration, &amp; the oxygen-mania must
                    I think be exploded by them. he has ascertained that <del rend="strikethrough">by</del> &lt;in&gt; breathing pure oxygen, less oxygen is absorbed than in
                    breathing common air. I wish you knew the young man – I never saw one who
                    promised so much, who possessed so compleatly the <del rend="strikethrough">power</del> powers which make a great man.</p>
<p rend="indent1"> Another campaign – &amp; another expedition!<note n="18" place="foot" resp="editors">A new invasion of the Continent by an
                        Anglo-Russian expedition, following on the invasion of Holland in 1799,
                        was being widely rumoured at this time.</note> Amen. so be it! &amp; if
                    bleeding be a cure for frenzy, I think this promises to <del rend="strikethrough">sanity</del> &lt;make&gt; the people of England
                    sane.</p>
<closer>
<salute rend="indent1"> farewell.</salute>
<signed rend="indent2"> yrs Robert Southey.</signed>
</closer>
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