<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce534</idno>
<idno type="edition">letterEEd.26.525</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Cornell
                        University Library.  Previously  published: Joseph
                        Cottle, Early Recollections of the Late Samuel
                            Taylor Coleridge, 2 vols (London, 1837), II,
                        pp. 14–18; Joseph Cottle, Reminiscences of Samuel
                            Taylor Coleridge and Robert Southey (London,
                        1847), pp. 221–224; Adolfo Cabral (ed.), Robert
                            Southey: Journals of a Residence in Portugal
                            1800–1801 and a Visit to France 1838
                        (Oxford, 1960), pp. 87–89.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="525" type="letter">
<head>525. Robert Southey to <ref target="people.html#CottleJoseph">Joseph Cottle</ref>,
                        <date when="1800-05-09">9 May 1800</date>
<note place="foot" resp="editors" type="headnote">Address: To/
                            M<hi rend="sup">r</hi> Cottle/ Gloucester Street/
                        Brunswick Square/ Bristol/ Single <lb/>Stamped:
                        LISBON<lb/>Endorsement: 36 (114)<lb/>MS: Cornell
                        University Library<lb/>Previously published: Joseph
                        Cottle, <title>Early Recollections of the Late Samuel
                            Taylor Coleridge</title>, 2 vols (London, 1837), II,
                        pp. 14–18; Joseph Cottle, <title>Reminiscences of Samuel
                            Taylor Coleridge and Robert Southey</title> (London,
                        1847), pp. 221–224; Adolfo Cabral (ed.), <title>Robert
                            Southey: Journals of a Residence in Portugal
                            1800–1801 and a Visit to France 1838</title>
                        (Oxford, 1960), pp. 87–89.</note>
</head>
<lg type="stanza">
<l rend="indent3"> Dear Cottle, d’ye see</l>
<l rend="indent3"> In writing to thee</l>
<l rend="indent3"> I do it in rhyme</l>
<l rend="indent3"> That I may save time;</l>
<l rend="indent3"> Determined to say</l>
<l rend="indent3"> Without any delay</l>
<l rend="indent3"> Whatever comes first</l>
<l rend="indent3"> Whether best or worst.</l>
<l rend="indent3"> Alack poor me!</l>
<l rend="indent3"> When I was at sea,</l>
<l rend="indent3"> For I lay like a log</l>
<l rend="indent3"> As sick as a dog.</l>
<l rend="indent3"> And whoever this readeth</l>
<l rend="indent3"> Must pity poor <ref target="people.html#FrickerEdith">Edith</ref>
</l>
<l rend="indent3"> Indeed it was shocking,</l>
<l rend="indent3"> The vessel was fast rocking,</l>
<l rend="indent3"> The timbers all creaking,</l>
<l rend="indent3"> And when we were speaking</l>
<l rend="indent3"> It was to deplore</l>
<l rend="indent3"> That we were not on shore</l>
<l rend="indent2"> And to swear we would never go voyaging
                        more.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> The fear of our fighting<note n="1" place="foot" resp="editors">The alarm when the
                            passengers and crew of the packet, <hi rend="ital">King George</hi>, on which Southey was sailing,
                            feared that an approaching ship was a French cutter.
                            It turned out to be HMS <hi rend="ital">Endymion</hi>.</note>
</l>
<l rend="indent3"> Did put her a fright in,</l>
<l rend="indent3"> And I had alarms</l>
<l rend="indent3"> For my legs &amp; my arms,</l>
<l rend="indent3"> When the matches were smoking</l>
<l rend="indent3"> I thought twas no joking,</l>
<l rend="indent3"> And tho honor &amp; glory</l>
<l rend="indent3"> And fame were before me,</l>
<l rend="indent3"> Twas a great satisfaction</l>
<l rend="indent3"> That we had not an action,</l>
<l rend="indent3"> And I felt somewhat bolder</l>
<l rend="indent2"> When I knew that my head might remain on
                        my shoulder.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> But o twas a pleasure</l>
<l rend="indent3"> Exceeding all measure,</l>
<l rend="indent3"> On the deck to stand</l>
<l rend="indent3"> And look at the land!</l>
<l rend="indent3"> And when I got there</l>
<l rend="indent3"> I vow &amp; declare</l>
<l rend="indent3"> The pleasure was even</l>
<l rend="indent3"> Like getting to <del rend="strikethrough">xxx</del> heaven.</l>
<l rend="indent3"> I could eat &amp; drink </l>
<l rend="indent3"> As you may think</l>
<l rend="indent3"> I could sleep at ease.</l>
<l rend="indent3"> Except for the fleas.</l>
<l rend="indent3"> But still the sea feeling,</l>
<l rend="indent3"> The drunken reeling,</l>
<l rend="indent3"> Did not go away</l>
<l rend="indent3"> For more than a day</l>
<l rend="indent3"> Like a cradle the bed</l>
<l rend="indent3"> Seemed to rock my head,</l>
<l rend="indent3"> And the room &amp; the town</l>
<l rend="indent3"> Went up &amp; down.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> My <ref target="people.html#FrickerEdith">Edith</ref> here</l>
<l rend="indent3"> Thinks all things queer</l>
<l rend="indent2"> And some things she likes well</l>
<l rend="indent3"> But then the street</l>
<l rend="indent3"> She thinks not neat</l>
<l rend="indent2"> And does not like the smell.</l>
<l rend="indent3"> Nor do the fleas</l>
<l rend="indent3"> Her fancy please,</l>
<l rend="indent2"> Altho the fleas like her,</l>
<l rend="indent3"> They at first view</l>
<l rend="indent3"> Fell merrily to,</l>
<l rend="indent2"> For they made no demur.</l>
<l rend="indent3"> But oh the sight!</l>
<l rend="indent3"> The great delight</l>
<l rend="indent2"> From this my window west!</l>
<l rend="indent3"> This view so fine,</l>
<l rend="indent3"> This scene divine!</l>
<l rend="indent2"> The joy that I love best!</l>
<l rend="indent3"> The Tagus here</l>
<l rend="indent3"> So broad &amp; clear</l>
<l rend="indent3"> Blue in the clear blue noon –</l>
<l rend="indent3"> And it lies light</l>
<l rend="indent3"> All silver white</l>
<l rend="indent2"> Under the silver moon!</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> Adieu adieu</l>
<l rend="indent3"> Farewell – to you –</l>
<l rend="indent2"> Farewell my friend so dear</l>
<l rend="indent3"> Write when you may</l>
<l rend="indent3"> I need not say</l>
<l rend="indent2"> How gladly we shall hear.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> I leave off rhyme – </l>
<l rend="indent3"> And so next time</l>
<l rend="indent2"> Prose writing you shall see – </l>
<l rend="indent3">
<del rend="strikethrough">Rhy</del> But &lt;in&gt; rhyme
                        or prose</l>
<l rend="indent3"> Dear Joseph knows – </l>
<l rend="indent2"> The <del rend="strikethrough">xxxx</del>
                        &lt;same old&gt; friend in me.</l>
</lg>
<lb/>
<p rend="indent1"> So God bless you. &amp; our love to your
                    sisters &amp; <ref target="people.html#Cottlefamily">mother
                        &amp; father</ref> &amp; <ref target="people.html#CottleAmos">Amos</ref> &amp; <ref target="people.html#Cottlefamily">Robert</ref>, with
                    whom I would shake hands if I could reach so far. &amp; how
                    comes on Alfred?<note n="2" place="foot" resp="editors">Joseph Cottle, <title>Alfred, An Epic Poem. In
                            Twenty-Four Books</title> (1800).</note>
</p>
<closer>
<signed rend="indent1"> R.S.</signed>
</closer>
<postscript>
<p>Lisbon. <date when="1800-05-09"> May 9. 1800.</date>
</p>
</postscript>
</div>
</body>
</text>
</TEI>
