<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce577</idno>
<idno type="edition">letterEEd.26.568</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>British Library, Add MS
                        47890.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="568" type="letter">
<head>568. Robert Southey to <ref target="people.html#DanversCharles">Charles
                        Danvers</ref>, <date when="1801-02-17">17 February 1801</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi> Danvers/ 9. S<hi rend="sup">t</hi> James’s Place/ Kingsdown/
                        Bristol./ Single<lb/>Stamped: LISBON<lb/>MS: British Library, Add MS
                        47890<lb/>Unpublished.</note>
</head>
<opener>
<salute>Dear Danvers</salute>
</opener>
<p rend="indent1"> Your queries admit of no delay in answering them. Book 11 – 439 –
                    prow may be used for heel. – “Treasure-house for treasury –” the pun is worth
                    the alteration. <hi rend="ital">dead</hi> eye – because it was the eye of the
                        <hi rend="ital">deceased</hi> Solomon.<note n="1" place="foot" resp="editors">The following changes were all made in <title>Thalaba the
                            Destroyer</title> (1801): Book 11, line 439, ‘prow’; Book 12, line 484
                        ‘Treasure-house’. The phrase ‘dead eye’ was retained in Book 4, line
                        289.</note> my promise refers to Book 4 the beginning – where the spirit of
                    Zeinab says thou shalt behold me in the hour of death.<note n="2" place="foot" resp="editors">
<title>Thalaba the Destroyer</title> (1801), Book 4, line
                        22.</note> What is there awkward in </p>
<p rend="indent3"> Jahia’s, &amp; the blameless Barmecides – <note n="3" place="foot" resp="editors">
<title>Thalaba the Destroyer</title> (1801),
                        Book 5, line 81.</note>
</p>
<p>it means for whose name defiled by <del rend="strikethrough">blood x</del> the
                    blood of Jahia &amp; the Barmecides – &lt;Genius hath wrought salvation.&gt;
                        <note n="4" place="foot" resp="editors">
<title>Thalaba the Destroyer</title>
                        (1801), Book 5, line 82.</note>any alteration will hurt the sense. – the
                    other passages are better as they are.</p>
<p rend="indent1"> By this packet a duplicate of the new lines is sent – I sent it
                    to <ref target="people.html#WynnCharlesWW">Wynn</ref> desiring him, in case the
                    first copy may have been lost to frank it to you.<note n="5" place="foot" resp="editors">Southey to Wynn, 15 February 1801, Letter 567.</note>
</p>
<p rend="indent1"> You must be content with a hasty &amp; foul scrawl – your letter
                    is just received &amp; the packet sails tomorrow. I only write to answer the
                    queries, &amp; must hurry on. <ref target="people.html#CottleJoseph">Cottle</ref> ought a month ago to have received my judgement of Alfred<note n="6" place="foot" resp="editors">Joseph Cottle, <title>Alfred, an Epic
                            Poem, in Twenty Four Books</title> (1800).</note> – censure as diluted
                    as it well could be – condemnation &amp; water. the poem is worse than I
                    expected – yet I knew the British Critic<note n="7" place="foot" resp="editors">
<title>British Critic</title>, 16 (December 1800), 607-614.</note> to
                    be so beastly stupid that I half believed they would praise it.</p>
<p rend="indent1"> About <ref target="people.html#SoutheyHenryHerbert">Harry</ref>.
                    tho I had a hundred &amp; fifteen good reasons for rejoicing that he was to read
                    the Athanasian creed<note n="8" place="foot" resp="editors">Southey believed he
                        would have to use the £115 he received from Longmans for <title>Thalaba the
                            Destroyer</title> (1801) to pay for his brother, Henry Herbert
                        Southey’s, medical training. If Henry accepted his uncle Herbert Hill’s
                        suggestion that he become an Anglican clergyman and subscribe to the
                        Athanasian creed, a 5th-century statement of Christian orthodoxy, Southey
                        would be relieved of this expense.</note> – yet in my heart &amp; conscience
                    I <del rend="strikethrough">am</del> feel a more satisfactory pleasure at his
                    better choice. my information now comes from <ref target="people.html#HillHerbertUncle">my Uncle</ref> who returned yesterday,
                    &amp; from <ref target="people.html#TaylorWilliam">W<hi rend="sup">m</hi>
                        Taylors</ref> letter.<note n="9" place="foot" resp="editors">Taylor had
                        informed Southey of his brother’s decision to study medicine in a letter of
                        1 February 1801 (J.W. Robberds (ed.), <title>A Memoir of the Life and
                            Writings of the Late William Taylor of Norwich</title>, 2 vols (London,
                        1843), I, pp. 364-365).</note> my <ref target="people.html#HillHerbertUncle">Uncle</ref> makes up my 115£ – 200 guineas, which is the fee. 50£ more must
                    be paid at an after period for the Hospital study. the term 3½ years from Lady
                    day. the situation with a man of eminence<note n="10" place="foot" resp="editors">Philip Meadows Martineau (1752-1829), surgeon at the Norfolk
                        and Norwich Hospital and a member of the Martineau family, prominent
                        Unitarians in Norwich.</note> – connected with <ref target="people.html#SoutheyHenryHerbert">Harrys</ref> friends &amp; in every
                    respect qualified to bring him forward. <del rend="strikethrough">xxxxx</del>
                    thus is he well settled but meantime there are his personal expences to be
                    supplied – his cloaths, washing, &amp; the money necessary to support a decent
                    equality among his friends – my <ref target="people.html#HillHerbertUncle">Uncle</ref> will do what he can – but he has deep drains in England, &amp;
                    it is to me that <ref target="people.html#SoutheyHenryHerbert">Harry</ref> must
                    look.</p>
<p rend="indent1"> The Boxes are arrived but not shore. the people thro whose <del rend="strikethrough">they</del> hands they must pass know not all the
                    eagerness &amp; uneasy impatience we feel for letters – not to mention our new
                    cloaths. there will doubtless be a letter from you &amp; as that will require an
                    answer I the less reluctantly send you this hasty sheet.</p>
<p rend="indent1"> If a ship offers I shall pack off my books to Bristol – our
                    alarms are now so general, that tho my fears are little, it is become prudent to
                    secure my worldly treasure. in that case you will get them thro the accursed
                    custom house, &amp; <ref target="people.html#DavyHumphry">Davy</ref> has
                    houseroom enough to lodge the unexpensive guests without inconvenience.</p>
<p rend="indent1"> As for <ref target="people.html#CottleJoseph">Cottles</ref>
                    version of the psalms<note n="11" place="foot" resp="editors">Joseph Cottle,
                            <title>A New Version of the Psalms of David</title> (1801).</note> – he
                    has had precedents enough in an absurd attempt. to paraphrase is to dilate, to
                    dilate is to weaken. What is fine in the Psalms cannot be improved by any new
                    dress. what is bad is not worth the attempt. it is sacrilege to spoil the good,
                    folly to meddle with the worthless. Of authors so very old the most naked
                    version is the most valuable. he has mangled Alfred – for which no Englishman
                    can excuse him – &amp; now he sets upon K. David!<note n="12" place="foot" resp="editors">David (c. 1040-970 BC, King of Israel c. 1010-970 BC),
                        traditionally regarded as the author of the <title>Psalms</title>.</note>
                    for which none but his Calvinists<note n="13" place="foot" resp="editors">Jean
                        Calvin (1509-1564), French-born Swiss theologian, whose writings provided
                        the official doctrine of the Baptist church to which Joseph Cottle
                        belonged.</note> will praise him. still there may be honours in store<del rend="strikethrough">x</del>. Samuel Wesley<note n="14" place="foot" resp="editors">Samuel Wesley (1766-1837; <title>DNB</title>), Methodist
                        hymn-writer.</note> may compose new tunes for the new Sternhold<note n="15" place="foot" resp="editors">Thomas Sternhold (1500-1549;
                        <title>DNB</title>), writer of the first metrical version of the
                            <title>Psalms</title> in English.</note> – <ref target="people.html#MoreHannah">Hannah More</ref> be the S<hi rend="sup">t</hi> Cecilia<note n="16" place="foot" resp="editors">St Cecilia (2nd
                        century), early Christian martyr and patron saint of music.</note> in
                    private – &amp; the “sweet singers”<note n="17" place="foot" resp="editors">The
                        ‘sweet singers’ were a radical religious group in Edinburgh in the
                        1680s.</note> of Broad Mead<note n="18" place="foot" resp="editors">Either
                        the Baptist chapel in Broad Mead, Bristol, founded in 1640, or the Methodist
                        New Chapel, founded in 1739 in the same area.</note> delight <ref target="people.html#CottleJoseph">Cottle</ref> with the anticipated choruses
                    of Methodist-Elysium. I am sorry to see some talents (for doubtless he possesses
                    them) &amp; great industry – alas for the wicked quarto proof thus eternally
                    misdirected. he ought to translate, for which his abilities are exactly adequate
                    – &amp; any given language might soon be acquired for that specific purpose. his
                    powers of versification fit him for the useful office.</p>
<p rend="indent1"> God bless you. commend us to our friends. a short list – but we
                    may particularize your <ref target="people.html#DanversMrs">Mother</ref> &amp;
                        <ref target="people.html#DavyHumphry">Davy</ref> – &amp; you may extend it
                    by the civility of some recollections to our acquaintance.</p>
<p rend="indent1"> I long for the box &amp; the proofs. they shall be kept
                    carefully.</p>
<closer>
<salute rend="indent1"> yrs affectionately</salute>
<signed rend="indent2"> R Southey.</signed>
</closer>
<postscript>
<p>
<date when="1801-02-17">Tuesday. Feb<hi rend="sup">y</hi>. 17. 1801. </date>
<address>
<placeName> Lisbon.</placeName>
</address>
</p>
</postscript>
</div>
</body>
</text>
</TEI>
