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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
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<name>Southey, Robert, 1774-1843</name>
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<p>Huntington Library, HM 4832 .  Previously 
                        published: J. W. Robberds (ed.), A Memoir of the
                            Life and Writings of the Late William Taylor of
                            Norwich, 2 vols (London, 1843), I, pp.
                        383-387.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
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											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="628" type="letter">
<head>628. Robert Southey to <ref target="people.html#TaylorWilliam">William Taylor</ref>,
                        <date when="1801-11-19">19 November 1801</date>
<note place="foot" resp="editors" type="headnote">Address: To/
                            M<hi rend="sup">r</hi> W<hi rend="sup">m</hi> Taylor
                            Jun<hi rend="sup">r</hi>/ Surry Street/ Norwich./
                        Single<lb/>Stamped [partial]: BRIDGE S<hi rend="sup">t</hi>/ Westmin <lb/>Postmark: [partial] N/
                        180<lb/>Endorsement: Ans<hi rend="sup">d</hi> 22
                        Nov<lb/>MS: Huntington Library, HM 4832<lb/> Previously
                        published: J. W. Robberds (ed.), <title>A Memoir of the
                            Life and Writings of the Late William Taylor of
                            Norwich</title>, 2 vols (London, 1843), I, pp.
                        383-387.</note>
</head>
<opener>
<salute>My dear friend – </salute>
</opener>
<p rend="indent1"> I have, perhaps &amp; probably, enough
                    interest in the Critical Review to insert any puff of decent
                    praise &amp; <del rend="strikethrough">long</del> brevity –
                    but there my interest ends. once I attempted to introduce a
                    friend there,<note n="1" place="foot" resp="editors">Probably either <ref target="people.html#RickmanJohn">John Rickman</ref> or <ref target="people.html#DavyHumphry">Humphry
                        Davy</ref>.</note> who would have been a very Goliath or
                        Samson<note n="2" place="foot" resp="editors">Two
                        biblical figures: Goliath was a giant (1
                            <title>Samuel</title> 17), Samson a man of great
                        strength (<title>Judges</title> 13-16).</note> – but no
                    notice was taken of my application. at present Hamilton<note n="3" place="foot" resp="editors">Samuel Hamilton (fl.
                        1790s-1810s) owner of the <title>Critical
                        Review</title>, 1799-1804.</note> sends me no books – I
                    conjecture because my account <del rend="strikethrough">is
                        far</del> has been long promised to come with them,
                    &amp; unhandsomely delayed, to use the softest word.</p>
<p rend="indent1"> Supposing a new Review were set on foot –
                    would you like to amuse your leisure by assisting it? I
                    could I think present such a list of names as would
                    encourage any bookseller to the adventure – if there were
                    but an approvable conductor – it is one of the schemes upon
                    which <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; I have speculated in conversation
                    – &amp; it made the distinguishing character of our scheme,
                    that Authors should be allowed to give an account of their
                    own works first, limited to a certain length, &amp; produce
                    extracts themselves. a little attention to decency would
                    secure it a<del rend="strikethrough">n</del> decided
                    advantage over the existing Journals. <ref target="people.html#DavyHumphry">Davy</ref> would be our
                    Chemist – for financial – commercial &amp; agricultural
                    subjects – I think <ref target="people.html#RickmanJohn">Rickman</ref> might be put down – a most original
                    minded &amp; strong headed man, who is quite my oracle. here
                    too we might find a nitch for poor <ref target="people.html#BurnettGeorge">Burnett</ref> –. a
                    manager seems the stumbling block – &amp; it is one which I
                    cannot remove. Phillips<note n="4" place="foot" resp="editors">Sir Richard Phillips (1767-1840;
                            <title>DNB</title>), publisher and proprietor of the
                            <title>Monthly Magazine</title>.</note> would at
                    once start it – but that would involve it with the
                        Aikin-family<note n="5" place="foot" resp="editors">
<ref target="people.html#AikinJohn">John Aikin</ref>,
                        editor of the <title>Monthly Magazine</title>,
                        1796-1807; his sister <ref target="people.html#BarbauldAnnaLetitia">Anna
                            Letitia Barbauld</ref>, poet, essayist and
                        children’s author; and his son <ref target="people.html#AikinArthur">Arthur Aikin</ref>,
                        scientist and writer. Later on, Arthur’s siblings joined
                        the family industry.</note> – &amp; we are oil &amp;
                    vinegar. all the shaking possible could never amalgamate two
                    particles. this scheme is not uppermost in my head – &amp;
                    yet I could take an interest in its success.</p>
<p rend="indent1"> If reviewing were as it ought to be, merely
                    analytical, or according to any fair &amp; written Canons of
                    Criticism – I should be glad to see <ref target="people.html#SoutheyHenryHerbert">Henry</ref> so
                    employed. as it is I doubt his knowledge, &amp; should
                    scruple to introduce a boy of eighteen to such an employment
                    – if it were in my power. a foolish scruple perhaps when the
                    work is so foolishly done. I have ever apprehended a
                    disposition to expence in <ref target="people.html#SoutheyHenryHerbert">Henry</ref>. he
                    will be fortunate if it does not involve him hereafter in
                    distress. <ref target="people.html#SoutheyHenryHerbert">Henry</ref> I think has talents – not genius. I have
                    often felt a silent displeasure at his want of reserve – his
                    forwardness, with his person, that fault will not generally
                    offend – yet it is likely to make him many every-day
                    common-place sort of friends, &amp; to repel those whose
                    friendship is valuable. – If he can make any thing by
                    writing for hire, of course it would please me – I wish him
                    to learn to write – &amp; profit is perhaps the only
                    adequate motive. He is reading Italian – could he criticise
                    the authors he reads in that language decently enough for
                    insertion in the Dissenters Obituary – alias, the Monthly
                    Magazine? some two or three years back there &lt;were&gt;
                    some Zoilan<note n="6" place="foot" resp="editors">Having
                        the characteristics of Zoilus (c. 400-320 BC), Greek
                        grammarian and Cynic philosopher who was believed to
                        have criticised Homer. His name became a byword for
                        critical severity.</note> – but really able papers<note n="7" place="foot" resp="editors">See <title>Monthly
                            Magazine</title>, 8 (August 1799), 440-442; 8
                        (December 1799), 870-872. The letters were signed
                        ‘G.T.’.</note> hewing down the laurels from the graves
                    of Dante &amp; Petrarch &amp; Ariosto.<note n="8" place="foot" resp="editors">Dante Alighieri (c.
                        1265-1321), <title>Divine Comedy</title> (1308-1321);
                        Francesco Petrarca (1304-1374), <title>Il
                            Canzoniere</title> (1327-1368); Ludovico Ariosto
                        (1474-1533), <title>Orlando Furioso</title>
                        (1532).</note> it would exercise him well to see what
                    could be said in defence of the Orlando. – I know his love
                    for such books – to trace the history &amp; progress of that
                    noble story would amuse him &amp; his notes would swell into
                    a tolerable size. Turpin<note n="9" place="foot" resp="editors">Archbishop Turpin, 8th-century Archbishop
                        of Reims, and reputed author of the 12th-century
                        forgery, <title>Historia de Vita Caroli Magni et
                            Rolandi</title>, an early source for the story of
                        Orlando.</note> – Boyardo<note n="10" place="foot" resp="editors">Matteo Boiardo (1441-1494), Italian poet,
                        whose <title>Orlando Innamorato</title> (1495) provided
                        the early history of the hero of Ariosto’s
                            <title>Orlando Furioso</title>.</note> in his own
                    dress &amp; that of Berni<note n="11" place="foot" resp="editors">Francesco Berni (1497-1536), Italian poet
                        whose revised version of Boiardo’s <title>Orlando
                            Innamorato</title> was published in 1541.</note> –
                    the scyons round the root of Ariosto – these books would
                    induce a love of research – the Spanish part of the history
                    the Ronscesvalles poems<note n="12" place="foot" resp="editors">The battle of Roncesvalles in the
                        Pyrenees in 778 was a minor affair, in which part of the
                        rearguard of Charlemagne’s (742-814; King of the Franks
                        768-814, Holy Roman Emperor 800-814) army was defeated
                        by local Basque forces. In legend it became the site of
                        the last stand of the hero, Roland, and the paladins of
                        Charlemagne (of whom Orlando was one). There is an
                        alternative Spanish tradition in which Roland was
                        defeated by the legendary hero Bernardo del Carpio,
                        whose deeds were most famously commemorated in Bernardo
                        de Balbuena (1561-1627), <title>El Bernardo</title>
                        (1624).</note> – he might look to me for – you have
                    these hints as they arise, − &amp; will know better than I
                    can do how far<del rend="strikethrough">a</del> my scheme is
                    fit for <ref target="people.html#SoutheyHenryHerbert">Henry</ref> &amp; whether he be capable of it.</p>
<p rend="indent1"> Thal<hi rend="ital">l</hi>aba – as you will
                    have the double l – to please your ear – take it in spite of
                    my eye – has not been monthly-reviewed. I alluded to the
                    reviews of the Anthology<note n="13" place="foot" resp="editors">See <title>Monthly Review</title>, 33
                        (December 1800), 364-366. Further examples can be found
                        in the <title>Anti-Jacobin Review</title>, 6 (June
                        1800), 215-216; and <title>Critical Review</title>, 30
                        (December 1800), 426-431.</note> &amp; to the
                    sprinklings of abuse in other articles – I learn from its
                    publication that novelty is not always a source of pleasure.
                    for if my ear be not as unsusceptible of poetry as it is of
                    music – that metre is more perceptible than common blank
                    verse – &amp; more readable by common readers, because the
                    pause is more made out for them.</p>
<p rend="indent1"> I design soon to draw out the scheme of my
                    Hindoo Romance<note n="14" place="foot" resp="editors">For
                        Southey’s plan for the <title>Curse of Kehama</title>
                        (1810), see <title>Common-Place Book</title>, ed. John
                        Wood Warter, 4 series (London, 1849–1850), IV, pp.
                        12-15.</note> &amp; lay it upon your dissecting table.
                    fault-finding with the story would be serviceable to it,
                    &amp; alteration would be attended with little trouble as
                    the first book is not finished. you &amp; I differ upon one
                    great article of poetical belief – the use of machinery. in
                    Milton &amp; in Klopstock<note n="15" place="foot" resp="editors">John Milton (1608-1674;
                            <title>DNB</title>), <title>Paradise Lost</title>
                        (1667); Friedrich Gottlieb Klopstock (1724-1803),
                            <title>Der Messias</title> (1748-1773).</note> (God
                    forgive me for yoking two such names together! <del rend="strikethrough">sxxkxx Mxxxx</del> Ulysses<note n="16" place="foot" resp="editors">In various
                        post-Homeric writings, the Greek hero Ulysses was said
                        to have yoked a donkey and an ox to his plough in order
                        to prove he was mad and therefore unfit to take part in
                        the Trojan wars.</note> &lt;did not&gt; plough<del rend="strikethrough">ed xxxxt</del> with two more
                    dissimilar beasts –) the Supernaturals are the agents – the
                    figures – not the wires. thus also in &lt;the&gt; Romances
                    of my future manufactory. Indra – Yamen &amp; the Sorgon
                        Spirits<note n="17" place="foot" resp="editors">In
                        Southey’s interpretation of Hindu mythology, Indra is
                        the King of the gods, Yamen is the god of death, and
                        Sorgon is a paradise; see <title>Common-Place
                            Book</title>, ed. John Wood Warter, 4 series
                        (London, 1849–1850), IV, pp. 12-15.</note> – the two
                    families of Light &amp; Darkness – the Gods &amp; Heroes of
                        Valhalla<note n="18" place="foot" resp="editors">Abode
                        of the gods in Norse mythology.</note> – these are to be
                    the acting as well as aiding personages of the tale. For
                        Madoc<note n="19" place="foot" resp="editors">Southey
                        had completed a version of <title>Madoc</title> in
                        1797-1799 and was revising it for publication. It did
                        not appear until 1805.</note> I assume a higher tone
                    &amp; demand a higher place.</p>
<p rend="indent1"> You think me better situated than at Palermo.
                    I do not feel the advantage. Southern climate is very much
                    to me – it blends with all my comforts &amp; makes no
                    inconsiderable part of them. moreover the utmost probable
                    hope now is [MS torn] decent income in Ireland – &amp;
                    surely Sicily is the more interesting &amp; more lovely
                    Island, in as much as an orange garden is better than a
                    patch of potatoes in a bog. my wish would be to settle in
                    Portugal of all other possible situations – but that is not
                    possible – at least not now – so I take what I can get,
                    &amp; grumble at nothing but my compulsory residence in
                    London which I do loathe &amp; abhor with all my moral &amp;
                    physical feelings.</p>
<closer>
<salute rend="indent1"> farewell.</salute>
<salute rend="indent2"> yrs</salute>
<signed rend="indent2"> R Southey.</signed>
<lb/>
<date when="1801-11-19">Thursday. Nov<hi rend="sup">r</hi>
                        19. 1801.</date>
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