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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<date>2011-08-15</date>
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<idno type="nines">rce702</idno>
<idno type="edition">letterEEd.26.693</idno>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>Beinecke Library, Osborn MSS
                        File ‘S’, Folder 14117.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
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											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="693" type="letter">
<head>693. Robert Southey to <ref target="people.html#DyerGeorge">George Dyer</ref>,
                        <date when="1802-07-12">12 July 1802</date>
<note place="foot" resp="editors" type="headnote">Address: George Dyer<lb/>MS: Beinecke Library, Osborn MSS
                        File ‘S’, Folder 14117<lb/>Unpublished.</note>
</head>
<opener>
<salute>Dear Dyer</salute>
</opener>
<p rend="indent1"> Your parcel arrived safely &amp; I will deliver the copies<note n="1" place="foot" resp="editors">Of Dyer’s <title>Poems and Critical
                            Essays</title> (1802).</note> duly. I have sent <ref target="people.html#BeddoesThomas">Beddoes’s</ref> by one who is in the
                    habit of seeing him which I am not. <ref target="people.html#EstlinJohnPrior">Estlins</ref> I will deliver myself &amp; leave Coatess<note n="2" place="foot" resp="editors">William Coates (dates unknown), was a Clifton
                        resident. He was known to Davy and Coleridge and was a subscriber to a
                        number of Bristol literary works. His brother was Matthew Mills Coates (d.1819) of the law firm Morgan and Coates, Small St, Bristol. Both brothers
                        were radicals and may have been related to John Prior Estlin’s first wife,
                        Mary Coates (1753-1783).</note> at his brothers for he is gone to France for
                    a long journey. for my own copy I have to thank you. your ‘Padlocked Lady’<note n="3" place="foot" resp="editors">George Dyer’s ‘The Padlocked Lady. A
                        Vision’, <title>Poems and Critical Essays</title>, 2 vols (London, 1802),
                        II, pp. 177-210.</note> is rather an unfortunate title – methinks you ought
                    to take it as sufficient praise that I can only find such a fault. Do you know
                    the riddle-my-riddle-my-ree of your Polly Whitehead &amp; Penelope Trotter<note n="4" place="foot" resp="editors">George Dyer’s ‘Funeral Procession of Polly
                        Whitehead’ and ‘A Monody on the Death of Penelope Trotter’, in his
                            <title>Poems and Critical Essays</title>, 2 vols (London, 1802), II, pp.
                        216-228 and 229-235.</note> quite puzzled my dull wit – till blind <ref target="people.html#TobinJamesWebbe">Tobin</ref> saw thro them!</p>
<p rend="indent1"> I have also to thank you for some trouble taken in the
                    Chattertonian business – which I hope is drawing to a close.<note n="5" place="foot" resp="editors">Southey and Joseph Cottle’s planned subscription
                        edition of Thomas Chatterton (1752-1770; <title>DNB</title>), eventually
                        published in 1803.</note> you will give your opinion to <ref target="people.html#CottleJoseph">Cottle</ref> as a weighty one upon all I
                    may have advised or suggested – for tho mine be a voice potential &amp; double
                    as the Dukes<note n="6" place="foot" resp="editors">
<title>Othello</title>, Act
                        1, scene 2, lines 13-14.</note> – I have not the least inclination to
                    exercise it autocratically. I am only Grand Turk in the business – <ref target="people.html#CottleJoseph">Cottle</ref> is Grand Vizir – &amp; you
                    shall either be a Bashaw with three tails<note n="7" place="foot" resp="editors">In the Ottoman empire, bashaws signified their status by the number of
                        horse tails on their standards; three tails indicated high rank. See Peter
                        Pindar [John Wolcot (c. 1738-1819; <title>DNB</title>)], <title>Tales of the
                            Hoy</title> (London, 1798), p. 58.</note> – or Aga of the
                        Janizaries<note n="8" place="foot" resp="editors">The chief of the standing
                        army of the Ottoman empire.</note> – which you like best – or Mufti.<note n="9" place="foot" resp="editors">In Sunni Islam, a scholar who is an
                        expounder and interpreter of Islamic law.</note>
</p>
<p rend="indent1"> I am hard at work – or rather have been hard at work – &amp; am
                    now idling in a sort of holy day with <ref target="people.html#SoutheyTom">my
                        brother</ref> who is just returned safe from the West Indies after having
                    escaped the fever &amp; the land crabs there, &amp; the bullets at
                        Copenhagen.<note n="10" place="foot" resp="editors">Tom Southey had been
                        slightly wounded at the Battle of Copenhagen, 2 April 1801; see the
                            <title>London Gazette</title> (15 April 1801).</note> mine are slow
                    labours – therefore the better.</p>
<p rend="indent1"> Our Ladies for whom you enquire are all well – we miss <ref target="people.html#BarkerMary">Miss Barker</ref> as you may suppose. indeed
                    I miss many London friends – but the quiet of the place – &amp; the fields &amp;
                    the noble old elms which I see from the window make me heartily rejoice that I
                    have escaped from the eternal noise &amp; filth of <ref target="places.html#Strand">the Strand</ref>. Your friends the Estlins<note n="11" place="foot" resp="editors">
<ref target="people.html#EstlinJohnPrior">John Prior</ref> and <ref target="people.html#EstlinMrs">Susannah
                            Estlin</ref>.</note> are well – I know not if there be any one else here
                    in whom you take interest enough to listen to their transactions – except indeed
                    Charles Fox<note n="12" place="foot" resp="editors">Charles Fox (c. 1740-1809;
                            <title>DNB</title>), orientalist, poet and parrot owner.</note> – he has
                    been doing something. a long Persian poem into blank verse which is to make two
                        volumes<note n="13" place="foot" resp="editors">Fox never published his
                        two-volume translations of Persian poetry.</note> – &amp; which I heartily
                    &amp; selfishly wish published – for he is too jealous ever to communicate any
                    of his knowledge before it is in print. this is foolish. if he had given me any
                    information by which I could have profited in Thalaba<note n="14" place="foot" resp="editors">Southey’s annotated Islamic romance <title>Thalaba the
                            Destroyer</title> (1801).</note> – I should have amply repaid him in a
                    note which would have advertized his book permanently.</p>
<p rend="indent1"> Remember me to such of my friends as you may see – I
                    particularize <ref target="people.html#LambCharles">Lamb</ref> &amp; <ref target="people.html#LambMaryAnne">his sister</ref>. <ref target="people.html#SewardAnna">Anna Seward</ref> I hear has been mixing oil
                    &amp; vinegar for me.<note n="15" place="foot" resp="editors">Anna
                        Seward’s critique of <title>Thalaba the Destroyer</title> (1801) had
                        appeared in <title>The Poetical Register, and Repository for Fugitive
                            Poetry, for 1801</title> (London, 1802), pp. 475-486.</note> I have not
                    seen her criticism – but I like her for honestly signing it, &amp; am more
                    pleased by her frankness than I can be offended by her censure.</p>
<closer>
<salute rend="indent1"> God bless you,</salute>
<salute rend="indent2"> yrs truly</salute>
<signed rend="indent3"> Robert Southey.</signed>
</closer>
<lb/>
<postscript>
<p>The Ladies desire their remembrances</p>
<p>
<date when="1802-07-12">July 12. 1802.</date>
</p>
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