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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<sourceDesc>
<p>Bodleian Library, MS Eng. Lett. c.
                        23.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
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											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="723" type="letter">
<head>723. Robert Southey to <ref target="people.html#BedfordGrosvenorCharles">Grosvenor
                        Charles Bedford</ref>, <date when="1802-10-05">5 October
                        [1802]</date>
<note place="foot" resp="editors" type="headnote">Address:
                        To/ G C Bedford Esq<hi rend="sup">r</hi>/ Exchequer /
                        Westminster <lb/>Postmark: [partial] BRISTOL/ OCT
                        5<lb/>Endorsement: 5 Octb<hi rend="sup">r</hi>
                        1801<lb/>MS: Bodleian Library, MS Eng. Lett. c.
                        23<lb/>Unpublished.<lb/>Dating note: Misdated 1801 by
                        Southey.</note>
</head>
<opener>
<salute>Dear Grosvenor</salute>
</opener>
<p rend="indent1"> I was absent when your last letter arrived –
                    hunting a house in South Wales – for after all Cumberland
                    will not do – &amp; if my present treaty<note n="1" place="foot" resp="editors">Southey was negotiating a
                        lease on a house called <ref target="places.html#MaesGywn">Maes Gwyn</ref>, near
                        Neath.</note> end well – you will be a nearer neighbour
                    by a hundred miles.</p>
<p rend="indent1"> first to my picture. Keenan<note n="2" place="foot" resp="editors">John Keenan (fl. 1780-1819),
                        Irish painter. He had met Southey in Exeter in
                        1799.</note> painted it – then lodging at a M<hi rend="sup">r</hi> Kleboes<note n="3" place="foot" resp="editors">Unidentified.</note> (name on the door)
                    Gerard Street – Soho. he means to exhibit it next year. I do
                    not wish it to be engraved – I should object to it – unless
                    Keenan got enough by it to remedy the objection on that
                    account – for he is a worthy man struggling with the
                    world.</p>
<p rend="indent1"> next – no by the Lord – something else first.
                    your friend Smith<note n="4" place="foot" resp="editors">Thomas Woodroffe Smith (c. 1747-1811), a wealthy Quaker
                        merchant who lived at Stockwell Park, Surrey, near the
                        Bedfords. In 1789 he married, as his second wife, Anne
                        Reynolds (dates unknown) of Carshalton.</note> desired
                    me to send him all my operas.<note n="5" place="foot" resp="editors">i.e. all of Southey’s published
                        works.</note> he returned me a very handsome letter
                    &amp; two ten pound notes.</p>
<p rend="indent1"> next then – I shall &amp; will go on with
                        Kehama<note n="6" place="foot" resp="editors">
<title>The
                            Curse of Kehama</title>, published in 1810. Southey
                        had begun drafting Book 2 on 4 June 1802.</note> – &amp;
                    will send you it by letters full – &amp; will begin the
                    first letter forthwith &amp; without delay, &amp; will write
                    you all the primary ideas about it – &amp; you shall have
                    the first letter by Saturday – So help me – Amen. But
                        history<note n="7" place="foot" resp="editors">Southey’s
                        unfinished ‘History of Portugal’.</note> has almost
                    monopolized me – &amp; you know I have a money getting
                        job<note n="8" place="foot" resp="editors">Southey’s
                        translation of <title>Amadis of Gaul</title>
                        (1803).</note> in hand – a sixty pound piece of
                    journeywork that massacres a good deal of time else I should
                    have raised my hurricane before now, &amp; made my
                    Glendouver, &amp; ridden my Crocodile, &amp; set my Temple
                    on Fire &amp; perhaps have gone to Hell – &amp; turned
                    Heaven topsy-turvy.<note n="9" place="foot" resp="editors">Incidents in <title>The Curse of
                    Kehama</title>.</note>
</p>
<p rend="indent1"> I am sorry about the old house at Brixton.
                    for I have known it long enough to regret its going to a
                        stranger.<note n="10" place="foot" resp="editors">The
                        Bedfords had presumably sold their house in Brixton,
                        near London, the place where in 1793 Southey had
                        completed the first draft of <title>Joan of
                        Arc</title>.</note>
</p>
<p rend="indent1"> Oh send me the snake necklace.</p>
<p rend="indent1"> Hero &amp; Leander<note n="11" place="foot" resp="editors">Tragic lovers from Greek mythology whose
                        story had been popular with poets and dramatists.
                        Bedford had published a translation of Musaeus’ (fl. c.
                        early 6th century) <title>The Loves of Hero and
                            Leander</title> (1797).</note> – I will send you
                    piecemeals about them. for I have never had all my books at
                    hand to connect an account – &amp; when you think there are
                    enough they may be tacked together.</p>
<p rend="indent1"> I care not so much what you are about – as
                    that you should be about something – some classical business
                    probably of more self-amusement than use. that sort of
                    literature is like the ring in Hyde Park<note n="12" place="foot" resp="editors">A part of Hyde Park, London,
                        much used by horses and carriages and a popular
                        recreation place for the fashionable.</note> – I would
                    ride thro it once – &amp; no more. there is nothing to glean
                    there.</p>
<p rend="indent1"> You guess right. I do most villainously
                    miscall <ref target="people.html#SoutheyMargaretEdithdau">young Margaret</ref>. her usual name is the Doctor. for
                    as Doctor Dodd<note n="13" place="foot" resp="editors">Dr
                        William Dodd (1729-1777; <title>DNB</title>), clergyman
                        and man of letters who was hanged for forgery – hence
                        his exit ‘alive &amp; kicking’.</note> made his exit in
                    like manner did she enter – all alive &amp; kicking. the
                    Doddity of her motion discovers itself when she is being
                    washed &amp; dressed, to most advantage. She can make as
                    much noise as I can almost – I sing to her till she cries –
                    N.B. this <del>was</del> &lt;is&gt; a philosophical
                    experiment. tickle her nose with a feather to teach her
                    sensations, &amp; put my thumb in her mouth – because it
                    must be as nice as her own. What a change in a house &amp;
                    in the whole oeconomy does one of these helpless little ones
                    make!</p>
<p rend="indent1"> I have been to visit <ref target="people.html#SoutheyJohn">my rich Uncle</ref> at
                    Taunton. a strange old man whom I had not seen for six &amp;
                    twenty years. he was very civil, &amp; I was somewhat made
                    melancholy to see a man of good sense &amp; good feeling
                    whose affections &amp; talents are all rusted &amp; ruined
                    &amp; whose death will cost no tear to any living being.</p>
<p rend="indent1">
<ref target="people.html#SoutheyTom">Toms</ref> remembrance.
                        <ref target="people.html#FrickerEdith">Ediths</ref>
                    also.</p>
<closer>
<salute rend="indent2"> God bless you. </salute>
<signed rend="indent3"> RS.</signed>
<lb/>
<date when="1802-10-05">Tuesday. Oct 5. 1801.</date>
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