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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<resp>General Editor, </resp>
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<date>2011-08-15</date>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
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<p>A research grant from the British Academy made much of the archival work possible, as did support from the
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<div n="725" type="letter">
<head>725. Robert Southey to <ref target="people.html#CottleJoseph">Joseph Cottle</ref>,
                        <date when="1802-10-06">6 October 1802</date>
<note place="foot" resp="editors" type="headnote">Address:
                            M<hi rend="sup">r</hi> Cottle<lb/>Watermark: crown
                        on shield, K.G. below <lb/>Endorsement: <del rend="strikethrough">163</del> 65 <lb/>MS:
                        Department of Rare Books, Special Collections and
                        Preservation, River Campus Libraries, University of
                        Rochester, Robert Southey Papers
                        A.S727<lb/>Unpublished.</note>
</head>
<p rend="indent1"> I have got the proof<note n="1" place="foot" resp="editors">The proof of Cottle’s and Southey’s
                            <title>The Works of Thomas Chatterton</title>
                        (1803).</note> from <ref target="people.html#EstlinJohnPrior">Estlin</ref>. where
                    the reading in your writing is best a pen is drawn thro the
                    text &amp; vice versa. one word I have marked submissa<note n="2" place="foot" resp="editors">submissa: circled in
                        MS.</note> because neither he nor I understand it – I
                    have this moment found it out – a note of admiration is
                    wanting.</p>
<p rend="indent1"> You will see that in my advertisement<note n="3" place="foot" resp="editors">Almost certainly an
                        advertisement for the Chatterton edition drafted by
                        Southey and intended to be incorporated into Longman and
                        Rees’s announcements of forthcoming and recent
                        publications. The text of the published advertisement
                        can be found in <title>The Annual Review for
                            1802</title>, 1 (1803), p. 975.</note> I take no
                    notice of <ref target="people.html#CroftHerbert">Sir Herbert
                        Croft</ref>. why make my fingers stink by cracking a
                    bug? if you find that any thing is omitted which ought to
                    have been said – you may say it in a preface of your own. of
                    course the new pieces are noted in the Contents.<note n="4" place="foot" resp="editors">All the newly published
                        pieces in <title>The Works of Thomas Chatterton</title>
                        (1803) were marked with an asterisk against their title
                        in the contents pages of the three volumes.</note> I
                    recollect no other contribution to mention. cram them in if
                    you do. we should not be sparing of such praise. I think I
                    have made <ref target="people.html#HaslewoodJoseph">Haslewood</ref> happy.</p>
<p rend="indent1"> The inclosed letter to <ref target="people.html#DyerGeorge">Dyer</ref> contains a
                    guinea for two copies of his poems. This is the safest mode
                    of sending it.</p>
<p rend="indent1"> I suppose you will let Sheppard<note n="5" place="foot" resp="editors">The Bristol-based bookseller
                        and stationer William Sheppard (fl. 1790s-1820s).</note>
                    manage the copies here. I shall pay for two – for <ref target="people.html#HillHerbertUncle">my Uncle</ref>
                    &amp; <ref target="people.html#SoutheyTom">brother</ref>. my
                    own I am fairly entitled to – to balance the expence of
                    postage for half a thousand letters.</p>
<p rend="indent1"> Charles Fox<note n="6" place="foot" resp="editors">Charles Fox (c. 1740-1809;
                            <title>DNB</title>), poet and orientalist. His book,
                        a two-volume set of translations of Persian verse, did
                        not find a publisher.</note> is in London. I wish he may
                    find encouragement for his book – which is a curious one,
                    &amp; he says, is very faithfully rendered.</p>
<p rend="indent1">
<ref target="people.html#KingJohn">King</ref> is very
                    desirous to see the proof of his drawing<note n="7" place="foot" resp="editors">John King’s sketch,
                        ‘Interior of the Room in Redcliff Church where Rowleys
                        Manuscripts were said to have been deposited’, appeared
                        as the frontispiece in <title>The Works of Thomas
                            Chatterton,</title> 3 vols (London, 1803), II,
                        unpaginated.</note> –</p>
<closer>
<salute rend="indent1"> God bless you – </salute>
<salute rend="indent2"> Edith’s remembrance – yours
                        affectionately</salute>
<signed rend="indent3"> RS.</signed>
<lb/>
<date when="1802-10-06">October 6. 1802.</date>
</closer>
<postscript>
<p>N.B. A Mr Lomax<note n="8" place="foot" resp="editors">Mr
                            Lomax (dates unknown) had sent Southey £2 for a copy
                            of <title>The Works of Thomas Chatterton</title>
                            (1803), edited by Southey and Joseph Cottle. In the
                            list of subscribers at the beginning of volume 1 he
                            was described as ‘Mr. J. Lomax, one Copy, 2<hi rend="ital">l</hi>.’ He might have been either
                            the merchant James Lomax or John Lomax, both of whom
                            lived in Bold St, off Hanover St, Liverpool in
                            1800.</note> of Liverpool has paid £2-0-0- for his
                        copy. this must be remembered when the copies are sent
                        off. M<hi rend="sup">rs</hi> Newton has had the
                            money.<note n="9" place="foot" resp="editors">N.B.
                            ... money: Written at the top of fol. 1r. Mary
                            Newton (1749-1804) was the sister of Thomas
                            Chatterton (1752-1770;
                        <title>DNB</title>).</note>
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