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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
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<date>2011-08-15</date>
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<idno type="nines">rce759</idno>
<idno type="edition">letterEEd.26.750</idno>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
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<div n="750" type="letter">
<head>750. Robert Southey to <ref target="people.html#ColeridgeSamuelTaylor">Samuel
                        Taylor Coleridge</ref> [fragment], <date when="1803-01-12">12 January 1803
                        </date>
<note place="foot" resp="editors" type="headnote">Location:
                        Victoria University Library, Toronto, Coleridge
                        Collection<lb/>Unpublished.<lb/>Note on MS: the MS survives as 4 separate
                        fragments.</note>
</head>
<opener>
<dateline rend="right">
<date when="1803-01-12">Wednesday night. 12 Jan<hi rend="sup">y</hi>.
                            1803</date>
</dateline>
</opener>
<p rend="indent1"> By your own account, dear <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref>, it seems that
                    your most violent attacks are the effect of imprudence. long foot journeys in a
                    stormy country are foolish experiments for an invalid. here in the west I have
                    given them up &amp; probably I am the haler man of the two. if you go abroad,
                    well. if you do not I wish &amp; not wholly from selfish motives that you [MS
                    missing] think of removing here. because the climate is far milder, &amp; <del rend="strikethrough">the</del> the best [MS missing] view at Sea Mills.<note n="1" place="foot" resp="editors">Harbour north-west of Bristol, used for
                        bathing and with fine views up the Avon gorge.</note> should we get [MS
                    missing] </p>
<lb/>
<p>[MS missing] With respect to your letters upon Fox<note n="2" place="foot" resp="editors">Coleridge’s two ‘Letters’ to Charles James Fox (1749-1806;
                            <title>DNB</title>) in the <title>Morning Post</title>, 4 November 1802
                        and 9 November 1802.</note> I have only a feeling of pain &amp; sorrow that
                    you should attack a man who has already too many enemies, &amp; for whom I feel
                    a kind of affectionate veneration. not having seen either those letters – or
                        <del rend="strikethrough">any</del> indeed any thing like regular news for
                    these six months, you will conceive how incapable I must now be of judging. [MS
                    missing]</p>
<lb/>
<p>[MS missing] Now for myself. I should like – no that’s a lie! – but I should find
                    it very convenient to be again in the pay of <ref target="people.html#StuartDaniel">Stuart</ref>.<note n="3" place="foot" resp="editors">Southey had regularly written poems for the <title>Morning
                            Post</title> in 1798-1799. He contributed three poems in late 1801 and
                        another thirteen in 1803.</note> my expences are heavier than I can bear.
                    both <ref target="people.html#FrickerEdith">Edith</ref> &amp; myself are
                    personally most honourably oeconomic – but I am drained at every pore. <ref target="people.html#SoutheyHenryHerbert">Harry</ref> is still an expence to
                    me. <ref target="people.html#SoutheyTom">Tom</ref> is with me. within the last
                    twelvemonths I have paid more than an hundred pounds for <ref target="people.html#SoutheyMargaret">my poor mother</ref> &amp; poor <ref target="people.html#HillMargaret">Peggy</ref> – (I <del rend="strikethrough">xxxx</del> &lt;may&gt; tell you that their loss has gone deeper than it
                    ought. or than any one believes.) – it is hard to be called from two such works
                    as my poem<note n="4" place="foot" resp="editors">Probably <title>Madoc</title>;
                        Southey had written a fifteen-book version in 1797-1799 and by 1803 was
                        correcting this for publication. A heavily revised version appeared in
                        1805.</note> &amp; my history<note n="5" place="foot" resp="editors">Southey’s unfinished ‘History of Portugal’.</note> to write newspaper
                    verses. but if <ref target="people.html#StuartDaniel">Stuart</ref> will employ
                    me – I am at his service – &amp; you will serve me by telling him so – unless
                    you think he wants no such help now for his columns. there is a sort of
                    desperado pride in feeling that [MS missing] </p>
<lb/>
<p>[MS missing] These Booksellers &amp; their Newspapers! their prospectus<note n="6" place="foot" resp="editors">Probably the <title>Literary
                            Journal</title> (1803-1806), which began publication on 6 January 1803
                        as a sixteen-page weekly magazine. Its editor was James Mill (1773-1836;
                            <title>DNB</title>). Southey, badly nettled by the <title>Edinburgh
                            Review</title>’s attack on <title>Thalaba the Destroyer</title> (1801),
                        saw the critique of ‘a tendency to corruption in our taste, which obviously
                        appears in an affected novelty of versification and sentiment, which seems
                        daily to gain ground’ (<title>Literary Journal</title>, 1 (6 January 1803),
                        13), as aimed at himself; see Southey to John May, 9 March 1803, Letter
                        765.</note> is the most <del rend="strikethrough">xxxxxxx</del> degrading
                    insult that literature has ever sustained. some meddler has paragraphed me as
                    translator of Amadis – tho it cost me forty pounds to conceal it.<note n="7" place="foot" resp="editors">See, for example, <title>Annual Review for
                            1803</title>, 2 (1804), 597.</note> I still am trying to conceal it –
                    &amp; have sent <ref target="people.html#LongmanThomas">Longman</ref> &amp; <ref target="people.html#ReesOwen">Rees</ref> this paragraph for their blackguard
                    “literary” papers.</p>
<p rend="indent1"> We understand that the translation of Amadis de Gaul ascribed to
                        M<hi rend="sup">r</hi> Southey is the work of a M<hi rend="sup">r</hi>
                    Southwell. mistakes have frequently been made between the names Sotheby<note n="8" place="foot" resp="editors">William Sotheby (1757-1833;
                            <title>DNB</title>), poet and translator.</note> &amp; Southey. it is
                    rather remarkable that another name so similar should occur in the literary
                    world.</p>
<p rend="indent1"> Now if you will make the Morning Post <hi rend="ital">suspect
                        Sotheby</hi> before John Southwell Esq [MS missing]</p>
<lb/>
<p>[MS missing] I can struggle: &amp; if it please God to spare my health &amp;
                    sight I can get thro that &amp; all other drudgery, &amp; still leave two
                        works<note n="9" place="foot" resp="editors">
<title>Joan of Arc</title>
                        (1796) and (1798) and <title>Thalaba the Destroyer</title> (1801).</note>
                    behind me that shall show what I <del rend="strikethrough">would</del> might
                    have done in affluence.</p>
<p rend="indent1"> That’s a serious paragraph – &amp; in a tone which I am little
                    used to. <del rend="strikethrough">for</del> to put my spirits in tune let me
                    speak of Madoc.<note n="10" place="foot" resp="editors">Southey had finished a
                        version of <title>Madoc</title> in 1797-1799. He was revising it for
                        publication, though it did not appear until 1805.</note> Every night –
                    because I cannot see to search badly printed folios – Madoc is my resource.
                    correction is very laborious work – &amp; I correct most rigorously –
                    compressing &amp; weeding at every fresh perusal. it [MS missing]</p>
<lb/>
<p>[MS missing] I will tel[MS missing] will <del rend="strikethrough">xxxx</del> net
                    me above [MS missing] procuring 300 names. I shall not announce this till the
                    [MS missing] that is for a last transcription &amp; revisal. this will float me
                    – &amp; but float [MS missing] for I am in the mud. To my history<note n="11" place="foot" resp="editors">Southey’s unfinished ‘History of
                        Portugal’.</note> if I can ever get leisure for it I [MS missing] for
                    independance. that will have a certain sale for its subject [MS missing] but
                    general <del rend="strikethrough">xxxxx</del> a deep [MS missing]ubject. I
                    cannot [MS missing] story to inweave [MS missing] </p>
<lb/>
<p>[MS missing] approbation. slow sale. [MS missing] get rid off. it will be as bad
                    as the Odyssey in th[MS missing] which is difficult. the destruction of the
                    superstition of the friendly tribe. &amp; all th[MS missing]cription is to be
                    added. I wish you were near me while it went thro the press. my poetical creed
                    shall be given in a preface<note n="12" place="foot" resp="editors">The preface
                        to <title>Madoc</title> (London, 1805) did not expound Southey’s ‘poetical
                        creed’, but it did reject the ‘degraded title of Epic’ (p. ix).</note> – if
                    that may be called a creed which will be rather an abjuration of the articles of
                    common faith. it will be dedicated to <ref target="people.html#WynnCharlesWW">Wynn</ref> &amp; the pleasure I shall feel in <del rend="strikethrough">xxx</del> that dedication is in truth the chief reason why I wish so soon
                    to publish it. <note n="13" place="foot" resp="editors">
<title>Madoc</title>
                        (1805) was dedicated to Wynn.</note>
</p>
<p rend="indent1"> Chatterton is out. <del rend="strikethrough">xxxxxx xxxxxxx
                        xxxxxxx xxxxx</del> What think you of a “List of Chattertons Bristol friends
                    &amp; acquaintance, with their professions as far as they can be ascertained?”
                        <note n="14" place="foot" resp="editors">Southey and Joseph Cottle,
                            <title>The Works of Thomas Chatterton</title>, 3 vols (London, 1803),
                        III, p. 494.</note>
</p>
<p rend="indent3"> e.g. T. Carey – a pipe maker.</p>
<p rend="indent3"> – Smith – a player [MS missing]</p>
<lb/>
<p>[MS missing] They wanted me to edite a newspaper at Norwich<note n="15" place="foot" resp="editors">In December 1802, William Taylor had offered
                        Southey the editorship of <title>The Iris</title>, a newspaper that Taylor
                        was involved in setting up in Norwich.</note> for a hundred a year. but I
                    m[MS missing] be in the West. I love <ref target="people.html#TaylorWilliam">W<hi rend="sup">m</hi> Taylor</ref> – but will stay by <ref target="people.html#DanversCharles">Charles Danvers</ref>. the <ref target="people.html#DanversMrs">Lady</ref> lives on &amp; lives comfortably
                    by the courtesy of Nature – &amp; I believe loves me [MS missing] to her own
                    children. &amp; I love her better than I wish – for she will be a loss to me –
                    [MS missing] next to him of Antwerp. My great friend &amp; companion in this
                        <del rend="strikethrough">city</del> wide city is [MS missing] dog Cupid, my
                    own god-son. Oh if you could but see that little God of Love [MS missing] I have
                    a book binder too so gloriously stupid that he is become a great favourit[MS
                    missing] poor Hort<note n="16" place="foot" resp="editors">William Jillard Hort
                        (1764-1849) a Unitarian minister who taught in the school run by John Prior
                        Estlin. He was the addressee of Coleridge’s ‘To the Rev. W. J. H.’,
                            <title>Poems on Various Subjects</title> (London and Bristol, 1796), pp.
                        [12]-14.</note> has been dreadfully ill &amp; is sadly pulled down. the den
                    of the Fox<note n="17" place="foot" resp="editors">Charles Fox (c. 1740-1809;
                            <title>DNB</title>), poet, translator and neighbour of Southey in
                        Bristol.</note> stinks worse than ever. [MS missing] is our news external.
                    the news internal is like your own – tribulation of tripes. take care of
                    yourself [MS missing]</p>
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<signed rend="indent1"> RS</signed>
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