<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce763</idno>
<idno type="edition">letterEEd.26.754</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Huntington Library, HM 4838 .  Previously 
                        published: J. W. Robberds (ed.), A Memoir of the
                            Life and Writings of the Late William Taylor of
                            Norwich, 2 vols (London, 1843), I, pp.
                        444-447 [in part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="754" type="letter">
<head>754. Robert Southey to <ref target="people.html#TaylorWilliam">William Taylor</ref>,
                        <date when="1803-01-23">23 January 1803</date>
<note place="foot" resp="editors" type="headnote">Address: To/
                            M<hi rend="sup">r</hi> W<hi rend="sup">m</hi> Taylor
                            Jun<hi rend="sup">r</hi>/ Surry Street/
                        Norwich<lb/>Postmarks: BRISTOL/ JAN 23 1803; B/ JAN 24/
                        1803<lb/>Endorsement: Ans<hi rend="sup">d</hi> 6
                        Feb<lb/>MS: Huntington Library, HM 4838<lb/> Previously
                        published: J. W. Robberds (ed.), <title>A Memoir of the
                            Life and Writings of the Late William Taylor of
                            Norwich</title>, 2 vols (London, 1843), I, pp.
                        444-447 [in part].</note>
</head>
<p rend="indent1"> Henrys brother does not cease to sympathize
                    with <ref target="people.html#SoutheyHenryHerbert">Henrys</ref> gratitude to <ref target="people.html#BurnettGeorge">Burnett</ref>. <ref target="people.html#BurnettGeorge">Burnett</ref> has
                    quarrelled with me – not I with him; &amp; one motive of my
                    writing about it to you was that he might understand no
                    angry feeling existed in me, &amp; that whenever he recovers
                    his common sense he may know I have never lost mine. Mimosa
                    Sensibility is not among the seeds that have thriven in me.
                    there has not been hot-house nurture enough for such weeds,
                    such parlour-window exotics.</p>
<p rend="indent1">
<ref target="people.html#SoutheyHenryHerbert">Harry</ref>
                    will never be an oeconomist that I have long known. I am so
                    by principle &amp; by necessity, − I hope he will never have
                    such lessons as I had, being sure that he would never profit
                    by them so well. it is not the virtue of any of my
                    relations, except <ref target="people.html#HillHerbertUncle">my Uncle</ref> – to whom in spite of such different
                    views &amp; opinions, <del rend="strikethrough">I</del> my
                    feelings &amp; character bear a very strong family likeness.
                    but this vexes me in <ref target="people.html#SoutheyHenryHerbert">Harry</ref>
                    &amp; always did, &amp; always will while I care any thing
                    about him. if he be ever wealthy he will be lavish – not
                    liberal. if he be poor God help him!</p>
<p rend="indent1"> Your Prospectus<note n="1" place="foot" resp="editors">Taylor’s prospectus for the new Norwich
                        newspaper, <title>The Iris</title>, which began
                        publication on 5 February 1803.</note> has the mark of
                    the beast. I should have known it had &lt;it&gt; been for a
                    York or an Exeter paper to be yours: &amp; excellently good
                    it is. Success to you. I wish I had advertisements to send
                    you – or any thing else.<note n="2" place="foot" resp="editors">Southey did occasionally contribute poems
                        to <title>The Iris</title> in 1803-1804, including ‘A
                        Lamentation’, 12 November 1803 and ‘Monodrama.
                        Florinda’, 21 July 1804.</note> But in plain truth all
                    this poor brain can spin must go to market. I am reviewing
                    for <ref target="people.html#LongmanThomas">Longman</ref> –
                    reviewing for Hamilton.<note n="3" place="foot" resp="editors">Samuel Hamilton (fl. 1790s-1810s), owner
                        of the <title>Critical Review</title> 1799-1804.</note>
                        translating<note n="4" place="foot" resp="editors">Southey’s translation of <title>Amadis of Gaul</title>
                        (1803).</note> – perhaps about again to versify for the
                    Morning Post<note n="5" place="foot" resp="editors">Southey
                        contributed thirteen poems to the <title>Morning
                            Post</title> in 1803, beginning on 4 February with
                        ‘A True Ballad of a Pope’.</note> – drudge – drudge –
                    drudge. Do you know Quarles Emblem of the Soul<note n="6" place="foot" resp="editors">Francis Quarles (1592-1644;
                            <title>DNB</title>), <title>Emblemes</title> (1635),
                        Book 5, Emblem 9, pp. 276-279. The book is no. 2311 in
                        the sale catalogue of Southey’s library.</note> that
                    tries to fly but is chained by the leg to Earth? for myself
                    I could do easily. but not easily for others – &amp; there
                    are more claims than one upon me. But in spite of your
                    Prospectus &amp; all the possible advantages of a party
                    newspaper in a county where parties are nearly equal I
                    cannot be satisfied that William Taylor should be a
                    newspaper editor – that he who should be employed in
                    preparing dishes for the daintiest palates – should be
                    making wash for the swine. few men have his talents, fewer
                    still his learning, &amp; perhaps no other his leisure
                    joined to these advantages. from him an opus magnum might –
                    ought to be expected. Coleridge &amp; I must drudge for
                    newspapers from necessity – but it should not be your
                    choice. I remember Edward Taylor<note n="7" place="foot" resp="editors">Edward Taylor (1784-1863;
                            <title>DNB</title>), later a lecturer and writer on
                        music. Taylor worked on <title>The Iris</title>.</note>
                    as a fine open-faced boy – Stephen Weever Browne<note n="8" place="foot" resp="editors">Stephen Weaver Browne
                        (1769-1832), Norwich-born Unitarian Minister.</note> as
                    one who had always a good humourd laugh ready on demand. –
                    Pray send me your Iris – I care so little about news that to
                    have it regularly once a week will be adding to my stock of
                    knowledge, besides I would have your amber-stones gnat in my
                    cabinet.</p>
<p rend="indent1"> Thalaba<note n="9" place="foot" resp="editors">
<title>Thalaba the Destroyer</title>
                        (1801).</note> shall be severely corrected. yet am I a
                    dull dog if the story be obscure &amp; can only say with
                        <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> intelligibilia – non intellectum
                        adfero.<note n="10" place="foot" resp="editors">‘Things
                        capable of being understood – not that I exercise any
                        understanding’; a popular saying of Coleridge’s, used,
                        for example, in his <title>Poems</title>, 3rd edn
                        (London, 1803), p. x.</note> – which I pray you quote
                    for me to those who do not understand it. metrical faults I
                    confess in all abundance – but my “ands” my ‘μεrs &amp;
                        δεs’<note n="11" place="foot" resp="editors">‘On the one
                        hand, and on the other’.</note> have their use – they
                    soften the abruptness of lyrical transition &amp; connect
                    the parts. the Garden of Irem history has been long
                    condemned – so has all in Book 9 after the chain of Thalaba
                    is loosed.<note n="12" place="foot" resp="editors">
<title>Thalaba the Destroyer</title> (1801), Book
                        1, lines 180-633; Book 9, lines 539-662.</note>
</p>
<p rend="indent1"> I will endeavour to find leisure from so many
                    employments of will or of want to send you Madoc<note n="13" place="foot" resp="editors">Southey’s revisionist epic,
                        eventually published in 1805.</note> book by book as it
                    proceeds, that you may find faults in time. it is now
                    fourteen years since I fixd upon the subject. in 1792 I
                    began to collect materials – in 94 began the poem –
                    recommenced it 97 – finishd it 99 – &amp; am now pulling it
                    down &amp; building a better edifice on the same ground. I
                    am ambitious of your praise &amp; of that of men like you
                    who judge feelingly &amp; knowingly. &amp; of the praise of
                    those who judge feelingly without knowledge – but for the
                    tiers etat the middle class who want feeling &amp; only
                    pretend to knowledge, it would not be easy to express the
                        <del rend="strikethrough">xxxxxx xxxxx xxxxxxx</del>
                    &lt;indifference with&gt; which their praise or their
                    censure <del rend="strikethrough">can excite in</del>
                    &lt;effects&gt; me.</p>
<p rend="indent1"> Your letter gave me the first intimation of
                        D<hi rend="sup">r</hi> Sayers book.<note n="14" place="foot" resp="editors">Frank Sayers (1763-1817;
                            <title>DNB</title>), <title>Poems, Containing
                            Sketches of Northern Mythology, &amp;c</title>, 3rd
                        edn (1803). The first edition appeared in 1790, the
                        second in 1792.</note> thank him for me. it is now just
                    ten years since I bought the dramatic Sketches – the first
                    book I was ever master of money enough to order at a <del rend="strikethrough">boo</del> country booksellers. the
                    Runic Mythology will come under my hands in its turn. of the
                    Celtic there is not enough recoverable to afford
                        materials.<note n="15" place="foot" resp="editors">Part
                        of Southey’s never-achieved plan to write on all the
                        world’s mythologies. For his ideas for Runic and Celtic
                        poems, see <title>Common-Place Book</title>, ed. John
                        Wood Warter, 4 series (London, 1849–1850), IV, pp.
                        11-12.</note> perhaps D<hi rend="sup">r</hi> Sayer has
                    not chosen his subjects well. the tale of Moina<note n="16" place="foot" resp="editors">Sayers’s ‘Moina, a Tragedy’
                        first published in his <title>Dramatic Sketches of the
                            Ancient Northern Mythology</title> (London, 1790),
                        pp. 26-82.</note> would have done equally well for a
                    Hindoo-drama – or a Peruvian one.</p>
<p rend="indent1"> farewell. the other half the note is inclosed
                    – &amp; you may tell <ref target="people.html#SoutheyHenryHerbert">Harry</ref>
                    that the five shillings have been paid to <ref target="people.html#BurnettGeorge">Burnett</ref>. we are
                    still house-hunting – “foxes have holes &amp;c – you know
                    the text<note n="17" place="foot" resp="editors">
<title>Matthew</title> 8: 20: ‘The foxes have
                        holes, and the birds of the air have nests; but the Son
                        of man hath not where to lay his head’.</note> – but I
                    cannot find a den. <ref target="people.html#SoutheyMargaretEdithdau">my
                        child</ref> is well: we are obliged – sorely against all
                    inclination, to wean her for <ref target="people.html#FrickerEdith">her mothers</ref>
                    sake, who I am afraid has suffered materially by suckling
                    her longer than she had strength. this vexes me &amp; hangs
                    upon my spirits. however the rising &amp; falling of my
                    spirits is never very perceptible to others. I can keep the
                    equal countenance – &amp; almost the equal mind.</p>
<closer>
<salute rend="indent1"> God bless you</salute>
<signed rend="indent2"> Robert Southey.</signed>
<lb/>
<date when="1803-01-23">Sunday 23 Jan<hi rend="sup">y</hi>.
                        1803.</date>
</closer>
<postscript>
<p>I expect <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> here this week on his way to France
                        &amp; Italy with <ref target="people.html#WedgwoodThomas">Thomas
                            Wedgewood</ref> – that is if <ref target="people.html#WedgwoodThomas">W.</ref> lives
                        to go – or keeps his mind till March. </p>
</postscript>
</div>
</body>
</text>
</TEI>
