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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<idno type="nines">rce774</idno>
<idno type="edition">letterEEd.26.765</idno>
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<date when="2011-08-15">August 15, 2011</date>
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<sourceDesc>
<p>Department of Rare Books, Special
                        Collections and Preservation, River Campus Libraries,
                        University of Rochester, Robert Southey Papers
                        A.S727.  Not previously published.</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
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											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<div n="765" type="letter">
<head>765. Robert Southey to <ref target="people.html#MayJohn">John May</ref>, <date when="1803-03-09">9 March
                        1803</date>
<note place="foot" resp="editors" type="headnote">Address: To/ John May Esq<hi rend="sup">r</hi>/ Richmond Green/ Surry/ Single<lb/>Stamped:
                        BRISTOL<lb/>Postmarks: [partial] B / MAR/ 1803; 1803/
                        o’Clock<lb/>MS: Department of Rare Books, Special
                        Collections and Preservation, River Campus Libraries,
                        University of Rochester, Robert Southey Papers
                        A.S727<lb/>Unpublished.</note>
</head>
<opener>
<salute>My dear friend</salute>
</opener>
<p rend="indent1"> You have indeed had a trying season – but I
                    trust it is not now prematurely done when I thank God that
                    it has ended no worse. the loss of a child<note n="1" place="foot" resp="editors">John May’s second son,
                        Richard, was born on 11 February 1803, but died ten days
                        later.</note> is at all times a serious loss, but the
                    earlier it happens the less is the calamity. it is <del rend="strikethrough">th</del> in your case rather a
                    subtraction from future, than from present happiness. it is
                    better to see the bud wither, than to behold the blossom
                    cankered, or the fruit blighted. You have had so much to
                    apprehend that the real loss is comparatively little. Your
                    letter did not quite say that M<hi rend="sup">rs</hi>
                        May<note n="2" place="foot" resp="editors">Susanna
                        Frances Livius (1767-1830).</note> was out of danger –
                    &amp; in such cases one looks with some reliance for the
                    regular formula of words. your next will I trust be to this
                    effect – &amp; do not let it be long before it arrives.</p>
<p rend="indent1"> I have no connection with the Literary
                        Journal<note n="3" place="foot" resp="editors">The
                            <title>Literary Journal</title> (1803-1806) began
                        publication on 6 January 1803 as a sixteen-page weekly
                        magazine and was edited by James Mill (1773-1836;
                            <title>DNB</title>). John May had possibly
                        identified the ‘R.S.’, author of an article on
                        ‘Manners’, <title>Literary Journal</title>, 1 (6 January
                        1803), 15-20, as Southey, who had used this signature
                        elsewhere.</note> whereof you speak. the Prospectus
                    pleased me &amp; I bought the first number which did not.
                    they set out by the grave information that man is an animal
                    who requires food &amp; clothing<note n="4" place="foot" resp="editors">
<title>Literary Journal</title>, 1 (6
                        January 1803), [1].</note> – that same wise sentence has
                    been so often <del rend="strikethrough">xxxxx</del>
                    &lt;repeated&gt; in print, that the repetition now offends
                    me almost as much as the inanity of the thing itself. In
                        <del rend="strikethrough">that</del> the notice they
                    take of poetry<note n="5" place="foot" resp="editors">
<title>Literary Journal</title>, 1 (6 January
                        1803), 13, criticised ‘a tendency to corruption in our
                        taste, which obviously appears in an affected novelty of
                        versification and sentiment, which seems daily to gain
                        ground’.</note> in that number they make a sort of
                    declaration of war against me – which they are welcome to do
                    &amp; with perfect safety – I being a very Quaker in
                    literature. At present I am prest hard to supply the new
                    Annual Review,<note n="6" place="foot" resp="editors">
<title>Annual Review for 1802</title>, 1
                        (1803).</note> which will probably be more honestly done
                    than any of the other critical journals. <ref target="people.html#TaylorWilliam">William Taylor</ref>
                    is doing something for this also. You will find me close to
                    my text, very conscientious in good or evil censure, always
                    analytical, &amp; to the best of my judgement selecting the
                    most characteristic, or most important, or most interesting
                    passages of every book under <del rend="strikethrough">xx</del> examination. this is profitable labour, but
                    not pleasant for one capable of &amp; aspiring to better
                    things. When I am dead, &amp; my works estimated with no
                    personal reference, it will be regretted that I should ever
                    have been obliged to review dull books &amp; write dull
                    verses for a newspaper. yet I would not exchange such
                    journey-work for any professional employment.</p>
<p rend="indent1"> I shall not defend myself versus the Scotch
                        Review<note n="7" place="foot" resp="editors">The review
                        of <title>Thalaba the Destroyer</title> (1801) by <ref target="people.html#JeffreyFrancis">Francis
                            Jeffrey</ref> in <title>Edinburgh Review</title>, 1
                        (October, 1802), 63-83.</note> before any court but you
                    – but in that court I shall cast the plaintiff. in every
                    specific accusation against the plan of Thalaba <ref target="people.html#JeffreyFrancis">the critic</ref> is
                    wrong. Is he less so in his general attack of my system of
                    poetry? This is to be considered.</p>
<p rend="indent1"> There certainly is a design in the most part
                    of my poems to force into notice the situation of the poor,
                    &amp; to represent them as the victims of the present state
                    of society. the object is to make my readers think &amp;
                    feel – as for the old Antijacobine cry that it is to make
                    the poor rebellious that is too absurd to require answer.
                    the Poor do not read books of poetry upon fine paper, nor
                    are the poems addressed to their capacities of
                    understanding. the charge which the Scotch critic makes
                    applies to me far more than to <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> &amp; <ref target="people.html#WordsworthWilliam">Wordsworth</ref>
                    – for it is I who in the language of M<hi rend="sup">r</hi>
                        Canning<note n="8" place="foot" resp="editors">George
                        Canning (1770-1827; <title>DNB</title>), Foreign
                        Secretary 1807-1809, 1822-1827, Prime Minister 1827. A
                        leading contributor to the <title>Anti-Jacobin</title>
                        1797-1798.</note> &amp; M<hi rend="sup">r</hi>
                        Cobbet<note n="9" place="foot" resp="editors">William
                        Cobbett (1763-1835; <title>DNB</title>), editor of the
                            <title>Weekly Political Register</title> 1802-1835
                        and at this time a Tory. </note>am κατ
                        εξοχην<note n="10" place="foot" resp="editors">The Greek translates as ‘Par
                        excellence’.</note> the Jacobine poet. but you possess
                    every poem which I have ever<del rend="strikethrough">y</del> published. except some of those verses which
                    appeared without a name in the Morning Post &amp; were never
                    collected into the Anthology<note n="11" place="foot" resp="editors">
<title>Annual Anthology</title> (1799)
                        and (1800).</note> because they were too worthless –
                    &amp; very few indeed of these &lt;have&gt; any political or
                    moral tendency, if they had I should have reprinted them. I
                    will particularize my most marked poems – there is the first
                    Botany Bay Eclogue, the Soldiers Wife &amp; the Widow – in
                    the first volume.<note n="12" place="foot" resp="editors">
<title>Poems</title> (Bristol, 1797), pp. 77-82;
                        145-146; 147-148.</note> in the second the Complaints of
                    the Poor – the Victory<note n="13" place="foot" resp="editors">
<title>Poems</title>, 2 vols (Bristol,
                        1799), II, pp. 81-84; 174-176.</note> which poem has
                    been printed at Carlisle on a halfpenny sheet &amp; sold
                    about the North by the hawkers – &amp; this I consider the
                    highest &amp; most valuable mark of approbation that any of
                    my poems have ever yet received) &amp; that English Eclogue
                    called the Funeral, one of my very best productions.<note n="14" place="foot" resp="editors">‘The Funeral’,
                            <title>Poems</title>, 2 vols (Bristol, 1799), II,
                        pp. 202-205.</note> in the Anthology the Wedding.<note n="15" place="foot" resp="editors">
<title>Annual
                            Anthology</title> (London, 1800), pp.
                        119-126.</note> these have all one object in view. now
                    have I in any of these exaggerated human misery? or ascribed
                    it to wrong causes? or attempted to palliate the crimes of
                    the poor by the plea of necessity? <hi rend="ital">a
                        doctrine which I do not hold.</hi>
</p>
<p rend="indent1"> So much for the life &amp; soul of the
                    poetry. as for the body &amp; garb of it I &amp; the
                    Scotchmen differ about that also – tho in their last number
                    they assert all that I want them to admit, in their Review
                    of Boyds Dante.<note n="16" place="foot" resp="editors">Henry Boyd (1748/9-1832; <title>DNB</title>),
                            <title>The Divina Commedia, Consisting of the
                            Inferno, Purgatorio and Paradiso, Translated into
                            English Verse</title> (1802); reviewed in the
                            <title>Edinburgh Review</title>, 2 (January 1803),
                        307-314.</note> that poetry is distinct from metre,
                    &amp; may &amp; does exist without it. it follows that prose
                    &amp; poetry are not antithetic terms, but instead prose
                    &amp; metre. But the majority of Critics are for passing an
                    act of uniformity for all metrical language. &amp; my system
                    is to “suit the word to the action.” for dialogue – for the
                        <del rend="strikethrough">language</del>
                    &lt;expression&gt; of natural feeling, natural language must
                    be appropriate, &amp; it should be as little distorted from
                    the natural sequence as possible. When the Poet himself
                    speaks it is different – my palace-work – my jewelry – my
                    paradise – my music – if these have not a gala-dress of
                    language, I know not in what Potosi<note n="17" place="foot" resp="editors">City in South America famous for the
                        wealth of its silver mines.</note> the riches of
                    language are to be found. </p>
<p rend="indent1"> The single phrases to which they object are
                    not worth defending. I could point out fifty worse
                    instances, for they have overlooked the real defects &amp;
                    blotches in the poem, &amp; some of the passages to which
                    they object are in themselves very good.</p>
<lb/>
<lg type="stanza">
<l rend="indent3"> I have taken him food for charity</l>
<l rend="indent3"> And never a word he spake.</l>
<l rend="indent3"> But yet so ghastly he lookd</l>
<l rend="indent3"> That I have awakend at night – <note n="18" place="foot" resp="editors">
<title>Thalaba
                                the Destroyer</title> (1801), Book 8, lines
                            12-15; censured by Francis Jeffrey (1773-1850;
                                <title>DNB</title>) in <title>Edinburgh
                                Review</title>, 1 (October, 1802),
                        69.</note>
</l>
</lg>
<lb/>
<p>
<del rend="strikethrough">xxx</del> this passage they have
                    selected for censure – &amp; here they have left off without
                    adding the line which finishes the sentence &amp; gives it
                    all its force – “With the dream of his [MS torn] &lt;ghastly
                        eyes”&gt;<note n="19" place="foot" resp="editors">
<title>Thalaba the Destroyer</title> (1801), Book
                        8, line 16.</note> this is dishonest criticism –
                    wilfully dishonest – it is as if some atheistical anatomist
                    were to examine a leg distinct from the body, &amp; abuse
                    the mechanism of the disjointed lim[MS torn]</p>
<p rend="indent1">
<ref target="people.html#HillHerbertUncle">My Uncle</ref>
                    has been confined with a cold &amp; cough since Xmas – to
                    which, he said in his last letter, he saw no end. This has
                    made me anxious about him – let me hear if you receive any
                    accounts of him. <ref target="people.html#FrickerEdith">Edith</ref> is better than she has for some time been.
                        <ref target="people.html#SoutheyMargaretEdithdau">your
                        goddaughter</ref> in excellent health, spirits &amp;
                    temper. a better tempered child I never saw – &amp; her
                    spirits are almost too high – she is all life &amp;
                    motion.</p>
<p rend="indent1"> I hope soon to hear of M<hi rend="sup">rs</hi> Mays more certain &amp; more speedy amendment.
                        <hi rend="ital">possibly</hi> to see her in April – for
                    it is possible that I may be obliged to visit London
                    Libraries before I can <del rend="strikethrough">write</del>
                    finish the preface to Amadis<note n="20" place="foot" resp="editors">Southey’s translation of <title>Amadis of
                            Gaul</title> (1803).</note> – but this I shall
                    endeavour to avoid.</p>
<closer>
<salute rend="indent1"> God bless you –</salute>
<salute rend="indent2"> your affectionate friend</salute>
<signed rend="indent3"> Robert Southey.</signed>
</closer>
<postscript>
<p>I also read the Iris.<note n="21" place="foot" resp="editors">Norwich newspaper which William
                            Taylor had begun publishing on 5 February
                            1803.</note>
</p>
<p>March 9. 1803.</p>
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