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<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
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<name>Southey, Robert, 1774-1843</name>
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<editor>Lynda Pratt</editor>
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<p>British Library, Add MS 47890.  Previously  published:
                        Kenneth Curry (ed.), New Letters of Robert Southey, 2 vols
                        (London and New York, 1965), I, pp. 330-332 [dated October
                    1803].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
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<head>844. Robert Southey to <ref target="people.html#DanversCharles">Charles
                        Danvers</ref>, <date when="1803-10-19">[19 October 1803]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ M<hi rend="sup">r</hi> Danvers/ 4. Orchard Street/ Bristol./ Single. <lb/>Postmark: E/
                        OCT 24/ 1803<lb/>MS: British Library, Add MS 47890<lb/>Previously published:
                        Kenneth Curry (ed.), <title>New Letters of Robert Southey</title>, 2 vols
                        (London and New York, 1965), I, pp. 330-332 [dated October
                    1803].</note>
</head>
<opener>
<salute>Dear Carlos</salute>
</opener>
<p rend="indent1"> An hour to supper – &amp; I have run myself out of breath in a
                    spell at Madoc<note n="1" place="foot" resp="editors">Southey had finished a
                        version of <title>Madoc</title> in 1797-1799 and was revising it for
                        publication. It did not appear until 1805.</note> – so this job which has
                    been too long delayed shall be taken up as a relief. It is needless to repeat
                    what was said to you in my letter to <ref target="people.html#KingJohn">Rex</ref>
<note n="2" place="foot" resp="editors">Southey to John King, 28
                        September 1803, Letter 842.</note> – from whom I wonder at receiving no
                    letter &amp; am sadly afraid lest his silence should have some sad reason. Let
                        <ref target="people.html#MorganJohnJames">John Morgan</ref> settle my ballot
                        debt<note n="3" place="foot" resp="editors">Southey’s meaning is obscure.
                        However, this letter opens up the intriguing possibility that Southey’s name
                        had come up in the ballot to recruit troops for the newly constituted Army
                        of Reserve. It was common practice for men thus balloted to pay for a
                        substitute and <ref target="people.html#MorganJohnJames">Morgan</ref> may
                        have been arranging matters for Southey in Bristol.</note> &amp; do you
                    settle with him – the trifle in his hand will probably leave some trifling
                    balance in my favour. the ten pounds keep you &amp; we shall find ways &amp;
                    means for it. has Barry<note n="4" place="foot" resp="editors">A bookseller or
                        bookbinder in Bristol. Possibly Bartholomew Barry (fl. 1811) who later was a
                        bookseller at 21 High St., Bristol.</note> sent you the little book which he
                    was binding for me? the <hi rend="ital">Romances del Cid</hi>,<note n="5" place="foot" resp="editors">Juan de Escobar (dates unknown),
                            <title>Romancero e Historia del Cid Ruy Diez de Bivar en Language
                            Antigo</title> (1632), no. 3449 in the sale catalogue of Southey’s
                        library, where it is described as a ‘fine copy, in green morocco’.</note>
                    which was to be his “masterpiece.” Have you got my wolf-skin great coat?</p>
<p rend="indent1">
<ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> is taking the
                    gout-medicine – which I suppose will die his marrow bones red like madder, for
                    it makes every thing look bloody that comes out of him. beyond all doubt his
                    complaint is the gout – yet it will not come to a regular fit. &amp; as to what
                        <ref target="people.html#BeddoesThomas">Beddoes</ref> says of whipping &amp;
                    spurring with this medicine – taking glass after glass till he glows red hot –
                    it is utterly impossible unless he wishes to see his whole intestines in the
                    close stool. the children<note n="6" place="foot" resp="editors">The Coleridge
                        children, <ref target="people.html#ColeridgeDavidHartley">Hartley</ref>,
                            <ref target="people.html#ColeridgeDerwent"> Derwent </ref> and <ref target="people.html#ColeridgeSaraSTCdaughter"> Sara </ref>.</note> have
                    an influenza – which has attacked <ref target="people.html#ColeridgeSaraSTCdaughter">the youngest</ref> sorely.
                        <ref target="people.html#FrickerEdith">Edith</ref> has a sad cold in her
                    head, except this she is certainly better &amp; by day in proper spirits but at
                    night as may be supposed always opprest. Among many reasons why the middle class
                    are the best, I take one main cause to be that only in that class are the
                    maternal duties perfectly performed. the high neglect them – among the poor they
                    are accompanied with pain – I myself am in excellent health – never better &amp;
                    my eyes are recovering – either cured by time or by a mercurial ointment of M<hi rend="sup">r</hi> Edmundson<note n="7" place="foot" resp="editors"> John
                        Edmondson (fl. 1800-1820), a surgeon in Keswick.</note> (our apothecary who
                    is a right excellent man) </p>
<p rend="indent1"> Have you seen – or heard from <ref target="people.html#KingJohn">King</ref> of some damnable articles in the Morning Post to <del rend="strikethrough">prove</del> &lt;advise&gt; that we should give no
                    quarter to the French?<note n="8" place="foot" resp="editors">Leaders in the
                            <title>Morning Post</title>, 6-7 October 1803, which recommended ‘the
                        principle of no quarter’ to invading French troops and the ‘indiscriminate
                        slaughter’ of prisoners in English jails if they became ‘turbulent’.</note>
                    it really made <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref>
                    ill with vexation &amp; anger. he is preparing an answer.<note n="9" place="foot" resp="editors">Coleridge believed the articles to be by James
                        Mackintosh (1765-1832; <title>DNB</title>), see Coleridge to Thomas Poole,
                        14 October 1803, E.L. Griggs (ed.), <title>Collected Letters of Samuel
                            Taylor Coleridge</title>, 6 vols (Oxford, 1956-1971), II, 1016. He
                        abandoned his proposed ‘answer’ when he discovered their actual author was
                        someone else.</note> you may whisper to <ref target="people.html#KingJohn">King</ref> the secret history of this mystery of iniquity. the author<note n="10" place="foot" resp="editors">The author of the inflammatory articles
                        was Dennis O’Bryen (1755-1832; <title>DNB</title>).</note> is Irish – there
                    is reason to believe a rebel in his heart. hence a cursed &amp; devilish
                    manifesto designed to please &amp; irritate the people here &amp; to be actually
                    serviceable in France. I tell you this in confidence. The poem I wrote upon poor
                        Emmet<note n="11" place="foot" resp="editors">Robert Emmet (1778-1803;
                            <title>DNB</title>), Irish revolutionary, executed on 20 September 1803.
                        Southey’s poem, ‘A Lamentation’ was not published in the <title>Morning
                            Post</title>, but did appear in <title>The Iris</title> on 12 November
                        1803.</note> has not yet appeared &amp; perhaps will not in the M Post – for
                    I do not suspect the new Editor<note n="12" place="foot" resp="editors">Nicholas
                        Byrne (d. 1833), editor and part-owner of the <title>Morning Post</title>
                        1803-1833.</note> of much intellect or liberality. if it be delayed much
                    longer I shall send it to <ref target="people.html#TaylorWilliam">William Taylor</ref> for the Iris.</p>
<p rend="indent1"> No news of <ref target="people.html#SoutheyTom"> Tom</ref> tho I
                    look sharp for the Galateas prizes in the paper. <ref target="people.html#SoutheyHenryHerbert">Harry</ref> I see is made a
                    Lieutenant in the Norwich Volunteers. Of <ref target="people.html#SoutheyEdward">Killcrop</ref> I hear nothing, &amp; tho well pleased to be spared postage
                    for his letters yet wish to know whether he be still afloat, or has run home to
                        <ref target="people.html#TylerElizabeth">his Aunt</ref>. The news from
                    Lisbon is very ugly yet I always distrust newspaper news from Portugal never
                    having seen anything but ignorant report or mere lies. it is cruelly vexatious
                    to have ones letters taken.</p>
<p rend="indent1"> You will be glad to hear that I am hot upon Madoc – quite in my
                    full gallop mood. his whole narrative is now finished. without reckoning the
                    line-by-line alterations &amp; smaller insertions, there are about 800 new lines
                    of new matter added. I am now in the old fourth book &amp; still travel in open
                    having a clear country before me. there will be about fifty or fourscore lines
                    to add here containing an excommunication scene<note n="13" place="foot" resp="editors">The excommunication and exhumation scenes became
                            <title>Madoc</title> (1805), Part 1, Book 15.</note> – &amp; about as
                    many more in the old fifth book, about turning Owen Gwyneddh<note n="14" place="foot" resp="editors">Owen Gwynedd (1100-1170, Prince of Gwynedd
                        1137-1170; <title>DNB</title>). In legend, the father of Madoc.</note> out
                    of his grave in consequence. except this there is only to alter &amp; ornament
                    till I come to the seventh book. then I shall have about a thousand lines of new
                    story to insert in the place of that book &amp; inweave with the next. The poem
                    has hung so long upon my hands &amp; during so many ups &amp; downs of life that
                    I had almost become superstitious about it &amp; could hurry thro it with a sort
                    of fear. projected in 1789 &amp; begun in prose at that time – then it slept
                    till 1794 when I wrote a book &amp; half – another interval till 97 when it was
                    corrected &amp; carried on to the beginning of the fourth book – &amp; then a
                    gap again until the autumn of 1798 – from which time it went fairly on till it
                    was finished in your <ref target="people.html#DanversMrs">poor mothers</ref>
                    parlour on her little table. book by book I had read it to her – &amp; passage
                    by passage as they were written to <ref target="people.html#SoutheyMargaret">my
                        mother</ref> &amp; to <ref target="people.html#HillMargaret">Peggy</ref>.
                    this was done in July 99 – four years! – I will not trust it longer least more
                    changes befall &amp; I should learn to dislike it as a melancholy memento.</p>
<p rend="indent1"> Fine stormy weather, &amp; the winds make the finest
                    magic-lanthorn work upon the mountains that heart could wish. they lie before us
                    like a great scene which Nature is eternally painting. I saw to day a <del rend="strikethrough">xxxx</del> pillar of light slant down upon a single
                    green field at their feet, &amp; that field <del rend="strikethrough">xxxxx</del> &lt;was&gt; flooded with sunshine when the woods &amp;
                    mountains around were all dark &amp; clouded. it did not look like an earthly
                    landscape. the lake now is black &amp; chequerd with waves by the wind –
                    yesterday it was so dead a calm, that the woods &amp; fields were mirrored on
                    the water in so vivid a picture – that the lake seemed like a continuation of
                    the woods &amp; fields &amp; you would not have believed that it was water.</p>
<p rend="indent1"> God bless you Charles. Oh you must come to Keswick.</p>
<closer>
<signed rend="indent2"> R S.</signed>
</closer>
<lb/>
<postscript>
<p>I hope you have learnt some tidings of my poor books.</p>
<p rend="indent1">
<date when="1803-10-19">Wednesday night</date>.</p>
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