<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce873</idno>
<idno type="edition">letterEEd.26.864</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>.  Previously  published:
                        Kenneth Curry (ed.), New Letters of Robert
                            Southey, 2 vols (London and New York, 1965),
                        I, pp. 343-344 [in part; verses not reproduced;
                        published as one letter with that to Thomas Southey, 14
                        December 1803].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="864" type="letter">
<head>864. Robert Southey to <ref target="people.html#SoutheyTom">Thomas Southey</ref>,
                        <date when="1803-12-09">[9-]10 December
                        [1803]</date>
<note place="foot" resp="editors" type="headnote">Address: To/ Lieutenant Southey/ H. M.
                        S. Galatea/ Cove of Cork./ Only Single <lb/>Stamped:
                        KESWICK/ 298<lb/>Postmark: DE/ 13/
                        1803<lb/>Endorsements: 15 Dec 1803; 14 Dec 1803<lb/>MS:
                        British Library, Add MS 47890<lb/>Previously published:
                        Kenneth Curry (ed.), <title>New Letters of Robert
                            Southey</title>, 2 vols (London and New York, 1965),
                        I, pp. 343-344 [in part; verses not reproduced;
                        published as one letter with that to Thomas Southey, 14
                        December 1803].</note>
</head>
<lg type="stanza">
<l rend="indent3"> He who led the bretheren:</l>
<l rend="indent4"> A living man was he</l>
<l rend="indent3"> And yet he shone the brightest</l>
<l rend="indent4"> Of all the company.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> Before the steps of the altar</l>
<l rend="indent4"> Each one bowed his head,</l>
<l rend="indent3"> And then with heavenly voice they
                        sung,</l>
<l rend="indent4"> The service of the dead.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> And who are ye, ye blessed Saints?</l>
<l rend="indent4"> The Father Confessor said,</l>
<l rend="indent3"> And for what happy soul sing ye</l>
<l rend="indent4"> The service of the dead.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> These are the souls of our bretheren in
                        bliss</l>
<l rend="indent4"> The Martyrs five are we</l>
<l rend="indent3"> And this is our Father Francisco,</l>
<l rend="indent4"> Among us bodily.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> We are come hither to perform</l>
<l rend="indent4"> Our promise to the Queen,</l>
<l rend="indent3"> Go thou to King Alfonso</l>
<l rend="indent4"> And say what thou hast seen.</l>
</lg>
<lb/>
<lg type="stanza">
<l rend="indent3"> There was loud knocking at the door</l>
<l rend="indent4"> As the heavenly vision fled</l>
<l rend="indent3"> And the porter call’d for the
                        Confessor</l>
<l rend="indent4"> To tell him the Queen was dead. <note n="1" place="foot" resp="editors">He who led ... was
                            dead: Verse written in double columns, probably in
                            Edith Southey’s hand. The final six stanzas from
                            ‘Queen Urraca And The Five Martyrs of Morocco’,
                                <title>Morning Post</title>, 1 September
                            1803.</note>
</l>
</lg>
<p rend="center">____________</p>
<p rend="indent1"> If this be not a true story, Hermano
                        mio,<note n="2" place="foot" resp="editors">The
                        Portuguese translates as ‘my brother’.</note> then there
                    must have been liars in the world, for the Five Martyrs are
                    in high odour at this present day &amp; their reliques still
                    revered in the church of Santa Cruz at Coimbra where I have
                    seen them with a whole host of others equally valuable.<note n="3" place="foot" resp="editors">Southey had visited
                        Coimbra in March 1801.</note> In point of ballad
                    language I have written nothing better than this. Someday
                    perhaps I shall make up a volume of poems upon Spanish &amp;
                    Portugueze history. Garci Ferrandez<note n="4" place="foot" resp="editors">‘Garci Ferrandez’ was dated ‘Bristol,
                        1801’ in <title>The Poetical Works of Robert
                            Southey</title>, 10 vols (London, 1837-1838), VI, p.
                        121. However, it does not seem to have been published
                        until <title>Edinburgh Annual Register for 1809</title>,
                        2 vols (Edinburgh, 1811), II, pp. 637-641.</note> – the
                    Monodrama of Florinda<note n="5" place="foot" resp="editors">‘Monodrama. Florinda’, <title>The Iris</title>, 21 July
                        1804.</note> – S<hi rend="sup">t</hi> Athendius &amp;
                    the Pope<note n="6" place="foot" resp="editors">‘A True
                        Ballad Of A Pope’, <title>Morning Post</title>, 4
                        February 1803.</note> with this &amp; the Ramiro<note n="7" place="foot" resp="editors">‘King Ramiro’,
                            <title>Morning Post</title>, 9 September
                        1803.</note> would go a good way towards it.<note n="8" place="foot" resp="editors">This project was not
                        realised.</note>
</p>
<p rend="indent1"> I have been very much vexed by <ref target="people.html#SoutheyEdward">Edward</ref>. As if
                    he had not behaved sufficiently ill already there came
                    yesterday a letter, by the handwriting &amp; shape from some
                    very low tradesman – inclosing a draft on me for acceptance
                    for five pounds thirteen shillings, saying that <ref target="people.html#SoutheyEdward">M<hi rend="sup">r</hi> E. S.</ref> had informed the holder I was
                    advised. this letter had been directed to Bristol. As you
                    may suppose I was as much perplexed as provoked – on
                    consulting &amp; deliberating what to do I determined not to
                    accept the bill, that a lesson now may save him from one of
                    more serious consequences hereafter. &amp; in fact if I once
                    suffered him to begin the boy has so little shame &amp; so
                    little principle that I should never be safe. To the holder
                    I said that I was at a loss to conceive what circumstances
                    could have justified a respectable tradesman in cashing a
                    bill for a boy of fifteen. <ref target="people.html#SoutheyEdward">Edward</ref> will be
                    obliged to refund what money is left or return what articles
                    he may have bought – &amp; the fright &amp; mortification
                    will do him good – if any thing can do him good, but indeed
                    I have &amp; long have had a very hopeless opinion of him.
                    Clothes he cannot have wanted, having had a plain suit just
                    before he went to sea, – nor if he did want them can he be
                    excused for procuring them without any consent or knowledge
                    &amp; taking up money in my name with a lie in his mouth
                    that I was advised. </p>
<p rend="indent1"> To him I said that for every worthy purpose
                    he might depend upon my assistance &amp; exertion to the
                    utmost of <del rend="strikethrough">power</del> my power but
                    that I never would become an accomplice in any wrong action
                    that he might commit by conniving or abetting it when done.
                    I had before sent him a one pound bill to pay for his
                    washing (for it was not right to trust him with more) &amp;
                    should as soon as ever a ship could be obtained, supply him
                    with means to get on board. this lesson will teach him that
                    I can act decidedly. – </p>
<p rend="indent1"> I think it very probable that when he is
                    again got on board, he will again leave his situation &amp;
                    go to <ref target="people.html#TylerElizabeth">his
                        Aunt</ref> – that they will quarrel again that at last
                    he will turn sharper or strolling-player. his destiny will
                    be better than his deserts if he ends in the last. You I
                    know will hope better things, but I cannot shut my eyes nor
                    disbelieve my own intuitive fore feelings. When <ref target="people.html#HillHerbertUncle">my Uncle</ref>
                    returned last from England he said to me he never knew a boy
                    like him turn out well, or <del rend="strikethrough">xx</del> be good for anything. if you knew how very
                    reservd <ref target="people.html#HillHerbertUncle">my
                        Uncle</ref> is respecting any of his family you would
                    feel how strongly he must have been impressed to say
                    this.</p>
<p rend="indent1"> When he gets on board if he continues I will
                    take care to supply him tho I pinch myself let me know what
                    you should think sufficient to allow him. pinched I shall be
                    to do it – for <ref target="people.html#SoutheyHenryHerbert">Harry</ref> is a heavy weight upon me – &amp; I am
                    already much in debt to <ref target="people.html#MayJohn">John May</ref> on his account. he himself has no
                    feeling upon the subject, but spends away &amp; incurs
                    debts, careless so they &lt;be&gt; paid with what difficulty
                    the money is to be f<del rend="strikethrough">aid</del>ound.
                    I hope he will mend at Edinburgh as he promises – but I have
                    little faith in his promises.</p>
<p>
<date when="1803-12-10">Saturday Dec. 10.</date> So far I had
                    written yesterday. this evening a Gunsmith of Exeter sends
                    me another draft of <ref target="people.html#SoutheyEdward">Edward</ref> for three pounds – &amp; the boy himself
                    incloses me besides all this a Taylor bill of eleven pounds
                    sixteen – to show me he says that he has not been
                    extravagant. It is indeed very fortunate that I acted as I
                    did in the first instance.</p>
<p rend="indent1"> God bless you <ref target="people.html#SoutheyTom">Tom</ref>. I am grieved
                    to fret &amp; fever you as this needs must do. write – &amp;
                    expect to hear again – I trust on pleasanter subjects in a
                    few days.</p>
<closer>
<salute rend="indent1"> yrs affectionately RS. </salute>
<signed rend="indent2">
<ref target="people.html#FrickerEdith">Ediths</ref>
                        love.</signed>
</closer>
</div>
</body>
</text>
</TEI>
