<?xml version="1.0" encoding="utf-8"?><TEI xmlns="http://www.tei-c.org/ns/1.0">
<teiHeader>
<fileDesc>
<titleStmt>
<title type="main">The Collected Letters of Robert Southey. Part 2: 1798-1803 </title>
<title type="subordinate">A Romantic Circles Electronic Edition</title>
<author>
<name>Southey, Robert, 1774-1843</name>
</author>
<editor>Lynda Pratt</editor>
<sponsor>Romantic Circles</sponsor>
<respStmt>
<resp>General Editor, </resp>
<name>Neil Fraistat</name>
</respStmt>
<respStmt>
<resp>General Editor, </resp>
<name>Steven E. Jones</name>
</respStmt>
<respStmt>
<resp>Technical Editor</resp>
<name>Laura Mandell</name>
</respStmt>
</titleStmt>
<editionStmt>
<edition>
<date>2011-08-15</date>
</edition>
</editionStmt>
<publicationStmt>
<idno type="nines">rce876</idno>
<idno type="edition">letterEEd.26.867</idno>
<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
<pubPlace>College Park, MD</pubPlace>
<date when="2011-08-15">August 15, 2011</date>
<availability status="restricted">
<p>Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated in any
												manner without authorization unless it is for purposes of criticism, comment, news reporting,
												teaching, and/or classroom use as provided by the Copyright Act of 1976, as amended.</p>
<p>Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted by the
												author/editor and may be shared only in accordance with the Fair Use provisions of U.S. copyright law.
												Except as expressly permitted by this statement, redistribution or republication in any medium
												requires express prior written consent from the author/editors and advance notification of Romantic
												Circles. Any requests for authorization should be forwarded to Romantic Circles:&gt;
												<address>
<addrLine>Romantic Circles</addrLine>
<addrLine>c/o Professor Neil Fraistat</addrLine>
<addrLine>Department of English</addrLine>
<addrLine>University of Maryland</addrLine>
<addrLine>College Park, MD 20742</addrLine>
<addrLine>fraistat@umd.edu</addrLine>
</address>
</p>
<p>By their use of these texts and images, users agree to the following conditions: <list>
<item>These texts and images may not be used for any commercial purpose without prior written
														permission from Romantic Circles.</item>
<item>These texts and images may not be re-distributed in any forms other than their current
														ones.</item>
</list>
</p>
<p>Users are not permitted to download these texts and images in order to mount them on their own servers.
												It is not in our interest or that of our users to have uncontrolled subsets of our holdings available
												elsewhere on the Internet. We make corrections and additions to our edited resources on a continual
												basis, and we want the most current text to be the only one generally available to all Internet users.
												Institutions can, of course, make a link to the copies at Romantic Circles, subject to our conditions
												of use.</p>
</availability>
</publicationStmt>
<sourceDesc>
<p>Huntington Library, HM 4841 .  Previously  published: J. W.
                        Robberds (ed.), A Memoir of the Life and Writings of the Late William
                            Taylor of Norwich, 2 vols (London, 1843), I, pp. 474-476 [in
                        part].</p>
<p>These letters were edited with the assistance of Carol Bolton, Tim Fulford and Ian Packer</p>
<p>For permission to publish the text of MSS in their possession, the editor wishes to thank the Beinecke Rare
											Books and Manuscript Library, Yale University; Berg Collection of English and American Literature, The New
											York Public Library, Astor, Lenox and Tilden Foundations; the Bodleian Library Oxford University; the
											British Library; Boston Public Library; the Syndics of Cambridge University Library; the Syndics of the
											Fitzwilliam Museum Cambridge; Haverford College, Connecticut; the Historical Society of Pennsylvania; the
											Hornby Library, Liverpool Libraries and Information Services; the Houghton Library, Harvard University;
											the John Rylands Library, Manchester; the Kenneth Spencer Research Library, University of Kansas; Luton
											Museum (Bedfordshire County Council); Massachusetts Historical Society; McGill University Library; the
											National Library of Scotland; the Newberry Library, Chicago; the New York Public Library (Pforzheimer
											Collections); the Pierpont Morgan Library, New York; the Public Record Offices of Bedford, Suffolk (Bury
											St Edmunds) and Northumberland, the Master and Fellows of Trinity College, Cambridge; the Society of
											Antiquaries of Newcastle upon Tyne; the Trustees of the William Salt Library, Stafford, the Wisbech and
											Fenland Museum; the University of Virginia Library.</p>
<p>A research grant from the British Academy made much of the archival work possible, as did support from the
											English Department of Nottingham Trent University.</p>
</sourceDesc>
</fileDesc>
<encodingDesc>
<editorialDecl>
<quotation>
<p>All quotation marks and apostrophes have been changed: " for “," for ”, ' for ‘, and ' for ’.</p>
</quotation>
<hyphenation eol="none">
<p>Any dashes occurring in line breaks have been removed.</p>
<p>Because of web browser variability, all hyphens have been typed on the U.S. keyboard.</p>
<p>Dashes have been rendered as a variable number of hyphens to give a more exact rendering of their
												length.</p>
</hyphenation>
<normalization method="markup">
<p>Southey's spelling has not been regularized.</p>
<p>Writing in other hands appearing on these manuscripts has been indicated as such, the content recorded
												in brackets.</p>
</normalization>
<normalization>
<p>&amp; has been used for the ampersand sign.</p>
<p>£ has been used for £, the pound sign</p>
<p>All other characters, those with accents, non-breaking spaces, etc., have been encoded in HTML entity
												decimals.</p>
</normalization>
</editorialDecl>
<classDecl>
<taxonomy corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E" xml:id="g">
<bibl>NINES categories for Genre and Material Form at
												http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
												2009-02-26</bibl>
<category xml:id="g1">
<catDesc>Architecture</catDesc>
</category>
<category xml:id="g2">
<catDesc>Artifacts</catDesc>
</category>
<category xml:id="g3">
<catDesc>Bibliography</catDesc>
</category>
<category xml:id="g4">
<catDesc>Collection</catDesc>
</category>
<category xml:id="g5">
<catDesc>Criticism</catDesc>
</category>
<category xml:id="g7">
<catDesc>Letters</catDesc>
</category>
<category xml:id="g6">
<catDesc>Drama</catDesc>
</category>
<category xml:id="g8">
<catDesc>Life Writing</catDesc>
</category>
<category xml:id="g9">
<catDesc>Politics</catDesc>
</category>
<category xml:id="g10">
<catDesc>Folklore</catDesc>
</category>
<category xml:id="g11">
<catDesc>Ephemera</catDesc>
</category>
<category xml:id="g12">
<catDesc>Fiction</catDesc>
</category>
<category xml:id="g13">
<catDesc>History</catDesc>
</category>
<category xml:id="g14">
<catDesc>Leisure</catDesc>
</category>
<category xml:id="g15">
<catDesc>Manuscript</catDesc>
</category>
<category xml:id="g16">
<catDesc>Reference Works</catDesc>
</category>
<category xml:id="g17">
<catDesc>Humor</catDesc>
</category>
<category xml:id="g18">
<catDesc>Education</catDesc>
</category>
<category xml:id="g19">
<catDesc>Music</catDesc>
</category>
<category xml:id="g20">
<catDesc>nonfiction</catDesc>
</category>
<category xml:id="g21">
<catDesc>Paratext</catDesc>
</category>
<category xml:id="g22">
<catDesc>Perodical</catDesc>
</category>
<category xml:id="g23">
<catDesc>Philosphy</catDesc>
</category>
<category xml:id="g24">
<catDesc>Photograph</catDesc>
</category>
<category xml:id="g25">
<catDesc>Citation</catDesc>
</category>
<category xml:id="g26">
<catDesc>Family Life</catDesc>
</category>
<category xml:id="g27">
<catDesc>Poetry</catDesc>
</category>
<category xml:id="g28">
<catDesc>Religion</catDesc>
</category>
<category xml:id="g29">
<catDesc>Review</catDesc>
</category>
<category xml:id="g30">
<catDesc>Visual Art</catDesc>
</category>
<category xml:id="g31">
<catDesc>Translation</catDesc>
</category>
<category xml:id="g32">
<catDesc>Travel</catDesc>
</category>
<category xml:id="g33">
<catDesc>Book History</catDesc>
</category>
<category xml:id="g34">
<catDesc>Law</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/people.xml">
<category xml:id="people">
<catDesc>Southey Letters: Biographies</catDesc>
</category>
</taxonomy>
<taxonomy corresp="http://www.rc.umd.edu/southey_letters/places.xml">
<category xml:id="places">
<catDesc>Southey Letters: Places</catDesc>
</category>
</taxonomy>
</classDecl>
</encodingDesc>
<profileDesc>
<textClass>
<catRef scheme="#genre" target="#g7 #g27"/>
<catRef scheme="#people" target="./people.html"/>
<catRef scheme="#places" target="./places.html"/>
</textClass>
</profileDesc>
<revisionDesc>
<change who="#LM" when="2011-08-15" n="4">
<label>Changed by</label>
<name>Laura Mandell</name>
<list>
<item>XSLT Transforming after latest corrections</item>
</list>
</change>
<change who="#LM" when="2011-07-06" n="3">
<label>Changed by</label>
<name xml:id="LM">Laura Mandell</name>
<list>
<item>XSLT Transforming</item>
</list>
</change>
<change who="#AB" when="2011-03-20" n="2">
<label>Changed by</label>
<name>Averill Buchanan</name>
<list>
<item>corrections from proofing</item>
</list>
</change>
<change who="#AB" when="2011-02-21" n="1">
<label>Changed by</label>
<name xml:id="AB">Averill Buchanan</name>
<list>
<item>Part II added</item>
</list>
</change>
</revisionDesc>
</teiHeader>
<text>
<body>
<div n="867" type="letter">
<head>867. Robert Southey to <ref target="people.html#TaylorWilliam">William
                        Taylor</ref>, <date when="1803-12-11">11 December 1803</date>
<note place="foot" resp="editors" type="headnote">Address: To/ W<hi rend="sup">m</hi> Taylor Jun<hi rend="sup">r</hi>/ Surry Street/ Norwich./
                        Single<lb/>Stamped: KESWICK/ 298<lb/>Endorsement: Ans<hi rend="sup">d</hi>
                        5<lb/>MS: Huntington Library, HM 4841 <lb/>Previously published: J. W.
                        Robberds (ed.), <title>A Memoir of the Life and Writings of the Late William
                            Taylor of Norwich</title>, 2 vols (London, 1843), I, pp. 474-476 [in
                        part].</note>
</head>
<opener>
<salute>My dear friend</salute>
</opener>
<p rend="indent1"> I have delayed writing to you far overlong. &amp; somewhat
                    ungratefully after all the trouble you have taken, the services you have
                    rendered &amp; the kindnesses you have bestowed upon <ref target="people.html#SoutheyHenryHerbert">Harry</ref>. I was vexed at his
                        removal<note n="1" place="foot" resp="editors">Henry Herbert Southey had
                        enrolled at the University of Edinburgh in November 1803.</note> – sadly
                    vexed that his own conduct should have rendered inevitable a step which I knew
                    would produce considerable uneasiness &amp; embarrasment to <ref target="people.html#HillHerbertUncle">my Uncle</ref> as well as myself.
                    There is a want of feeling in his conduct which I cannot easily pardon, for he
                    knew how difficultly I live, &amp; how <ref target="people.html#HillHerbertUncle">his Uncle</ref> has always been
                    beggared by his family. but it was always in his nature – &amp; I fear will
                    never get out of it. he writes now as if he felt his situation &amp; of course I
                    say nothing to him of the past – nor shall I think of it except only as it does
                    make me fearful for the future. – Meantime a far worse business has taken place
                    with respect to my younger brother. I placed him in the navy, by his own choice
                    &amp; against my opinion &amp; advice. <ref target="people.html#TylerElizabeth">his mad Aunt</ref> has persuaded him to leave <del rend="strikethrough">him</del> it, &amp; he after most inexcusably taking this step has
                    quarrelled with her, got into some gentlemans<note n="2" place="foot" resp="editors">John Barham Foster-Barham (1763-1822), a wealthy merchant in
                        the West India trade and partner in Plummer, Barham &amp; Co. How Edward
                        Southey had made his acquaintance is unclear.</note> house at Exeter, &amp;
                    there is buying clothes, a fowling piece &amp;c, &amp; drawing upon me for
                    payment – in short actually commencing swindler at fifteen. Bills to the amount
                    of twenty pounds have been sent down to me here – which I have of course
                    protested. that business he &amp; <ref target="people.html#TylerElizabeth">his
                        Aunt</ref> &amp; his new friend may settle as they can. I am endeavouring to
                    get him into the navy again if possible, − &amp; if not to send him in some
                    merchantship some long voyage – for if he do not take the sea, he will become a
                    sharper unless he should happily turn strolling player – which would now be the
                    best thing that could happen.</p>
<p rend="indent1"> I am fitting Madoc<note n="3" place="foot" resp="editors">Southey
                        had completed a version of <title>Madoc</title> in 1797-1799 and was
                        revising it for publication. It did not appear until 1805.</note> for
                    publication – hoping by its profit to clear off a debt which I owe <ref target="people.html#MayJohn">May</ref> almost wholly on <ref target="people.html#SoutheyHenryHerbert">Harrys</ref> account. <ref target="people.html#MayJohn">May</ref> is an excellent good man &amp; has as
                    sincere a respect for me as I have for him. I am disposed to try whether or no
                    it be practicable to publish it on my own account by subscription, &amp; thus
                    have the whole profits myself – which the booksellers will else share – but I
                    will try this without publishing my intention, &lt;at first,&gt; because a
                    public failure would be <del rend="strikethrough">lessen</del> unpleasant &amp;
                    perhaps lessen the marketable value of the ware when I should be obliged to
                    carry it to a chapman. If you can get me a few names I am sure you will. a
                    quarto for a guinea – the money on delivery of the book. I shall print it next
                    winter – &amp; then having built my monument – if it were not for this history
                    of mine<note n="4" place="foot" resp="editors">Southey’s unfinished ‘History of
                        Portugal’.</note> – I should feel &amp; think that my work was done.</p>
<p rend="indent1"> We are fixed here for some time – indeed I trust till we fix
                    decidedly. Will you be our guest in the summer? you will see <ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> (who much desires
                    to see you) &amp; <ref target="people.html#WordsworthWilliam">Wordsworth</ref>,
                    − &amp; if <ref target="people.html#SoutheyHenryHerbert">Harry</ref> should not
                    come here to meet you, &amp; you should like to advance to Edinburgh I will
                    accompany you there. It is a long way truly – but the place deserves a second
                    visit, &amp; would reclaim you from some of your Netherlandish heresies.</p>
<p rend="indent1"> The Iris<note n="5" place="foot" resp="editors">The Norwich
                        newspaper which Taylor edited 1803-1804.</note> is not only a very
                    interesting paper, but is now the only interesting one. Your ballad of the Old
                        Woman<note n="6" place="foot" resp="editors">William Taylor’s ‘A Tale of
                        Wonder’ (his version of the story of ‘The Old Woman of Berkeley’) appeared
                        in <title>The Iris</title>, 29 October 1803.</note> had some excellent parts
                    in it. the conception has far more power of fancy than mine, mine<note n="7" place="foot" resp="editors">‘A Ballad, Shewing How An Old Woman Rode Double,
                        and Who Rode Before Her’, <title>Poems</title>, 2 vols (Bristol, 1799), II,
                        pp. [143]-160.</note> indeed is the mere narration of the ‘true story.’ but
                    your language wants ease &amp; perspicuity, &amp; there is a mixture of the
                    ludicrous &amp; the shocking, which instead of amalgamating into the grotesque
                    has curdled – each remaining seperate &amp; yet polluted. Still it is a fine
                    poem, &amp; most evidently the work of an extraordinary man. I regret that the
                    poor Anthology<note n="8" place="foot" resp="editors">
<title>Annual
                            Anthology</title> (1799) and (1800).</note> is discontinued, for it
                    would have given me great pleasure to have seen it in those types &amp; on that
                    paper.</p>
<p rend="indent1">
<ref target="people.html#ColeridgeSamuelTaylor">Coleridge</ref> is going into
                    Devonshire to winter for his health. I know not when any of his works will
                    appear – &amp; tremble lest an untimely death should leave me the task of
                    putting together the fragments of his materials – which in sober truth I do
                    believe would be a &lt;more&gt; serious loss to the world of literature than it
                    ever sufferd from the wreck of antient science.</p>
<closer>
<salute rend="indent1"> God bless you – </salute>
<salute rend="indent2"> yrs very affectionately</salute>
<signed rend="indent3"> Robert Southey.</signed>
<date when="1803-12-11">Sunday. Dec 11. 1803.</date>
</closer>
</div>
</body>
</text>
</TEI>
