Act 1

Line 4	rears ] lifts   Cleave 1835      close window
Line 16 sd	his Door. ] the door.  Cleave 1835
	[To him ]  Works 1860 close window
Line 17	HOB CARTER  ] Enter HOB CARTER. (To TYLER.)  Cleave 1835 close window
Line 21	Aye, we ]  e   Hone 1817 close window
Line 90	r——s!—  ]   ruffians!  Works 1860, Cleave 1835 close window
Line 90 sd	and  ]   &  Works 1860   close window
Line 152	Walter?  ]   Tyler   Mendam 1850   close window
Line 231-232	(Cry without.)/ Liberty! liberty!/(Enter Mob, HOB CARTER, &c.)/ (Cry) Liberty! liberty!— No Poll tax!—No War!   ]    [Cry without, "Liberty! Liberty!" Enter Mob, /Hob Carter, &c., crying, "Liberty! liberty! / No poll-tax! no war!"]   Works 1860
	(Cry without. Liberty, Liberty!)/Enter HOB CARTER, Mob, &c. (Crying—Liberty! Liberty!—/No Poll-Tax! No War!)    Cleave 1835 close window
Line 288 sd	END OF THE FIRST ACT  ]   Works 1860, Mendam 1850 close window
Act 2
Line 1 sd	Scene—Blackheath ]   SCENE I—Blackheath   Works 1860 close window
Line 32	"name" is unclear in the Sherwin edition, but all other witnesses affirm this reading. close window
Line 39	has ]   hast  Works 1860 close window
Line 95	soft ]   sweet  Cleave 1835 close window
Line 112	made ye so ]   made you so    Mendam 1850 close window
Line 131	Shew ]   Show  Works 1860   close window
Line 150 sd	SCENE CHANGES TO THE TOWER  ] SCENE II.— The Tower  Works 1860
	SCENE CHANGES TO THE TOWER./KING RICHARD, ARCHBISHOP OF CANTERBURY, SIR JOHN TRESILIAN, WALWORTH,/PHILPOT. ]   SCENE—The Tower./ KING RICHARD, ARCHBISHOP OF CANTERBURY, SIR JOHN/TRESILIAN, PHILPOT, &c.  Cleave 1835 close window
Line 156	yield  ]   grant  Works 1860, Cleave 1835 close window
Line 189 sd	SCENE— SMITHFIELD.] Works 1860 SCENE III.—Smithfield. close window
Lines 234-235	Petitioning for pity is most weak,/ The sovereign people ought to demand justice.  ] Petitioning for pity is most weak,/ The sovereign people ought to demand justice.   Works 1860, Mendam 1850 close window
Line 259	food ]  good  Works 1860   close window
Line 290	beseems]  becomes  Mendam 1850   close window
Line 295 sd	END OF ACT THE SECOND ]   Works 1860, Mendam 1850 close window
Act 3
Line 1 sd	SCENE—SMITHFIELD.]   SCENE I.—Smithfield   Works 1860
	PIERS (meeting JOHN BALL)  ]  Piers (to John Ball). Works 1860
	Piers. (To John Ball.)  Cleave 1835 close window
Line 24	expiate ]  remedy  Works 1860 close window
Line 34	benefit  ]   remedy   Cleave 1835 close window
Line 48	heart-emoving  ]   heart-moving  Mendam 1850, Cleave 1835 close window
Line 62	Not  ] Nor   Cleave 1835 close window
Line 74	to ]  unto Mendam 1850 close window
Line 81	the wretch  ] a wretch  Works 1860 close window
Line 92	(Cry without) —The Charter!—the Charter!  ] [Cry without, "The charter! the charter!"  Works 1860 close window
Line 108 sd	HERALD ] Herald ( continues)  Works 1860 close window
Line 110	anyways  ]  anywise  Mendam 185 close window
Line 122 sd	Exit Herald, &c. HOB, PIERS, and /JOHN BALL, remain.  ] [Exit Herald, &c.  Works 1860
	Exit Herald, &c.  Cleave 1835 close window
Lines 169-170	Fain would I die in peace to hope thee safe./ I shall soon join thee, Tyler!—  ]   And let me have the hope to sweeten death/ That thou, at least, hast 'scaped.  Works 1860 close window
Line 172	vows ] word  Works 1860 close window
Line 175 sd	(Seizes JOHN BALL. ]   Works 1860, Cleave 1835 close window
Line 180 sd	(They lead off JOHN BALL—the tumult/increases—Mob fly across the Stage—/the Troops pursue them—loud cries and/shouts.)  ]
	[Leading him off. / Mob fly across the stage; the troops pursue them; /tumult increases; loud cries and shouts.   Works 1860
	(Leading him off.)/(Mob fly across the stage—the troops pursue them—tumult increases / loud cries and shouts.)   Cleave 1835
	SCENE—WESTMINSTER HALL ]  SCENE II.— Westminster Hall.  Works 1860 close window
Line 267	sunshine ]   sun shine  Works 1860 close window
Line 269	ought ]  aught  Works 1860 close window
Line 270	the death  ]   death  Works 1860 close window
Line 301	round ]  around Works 1860 close window
Line 311 sd	THE END. ] Works 1860
	Finis    Hone 1817 close window

Introduction] Works 1860   Southey provides his own introduction in which he refutes the notion that his change from his radical youth to his Tory adulthood was somehow inappropriate and refuses to apologize for his "juvenile" work .

Hone 1817 The Hone 1817 edition contains a "New Preface Suitable to Recent Circumstances" as well as additional excerpts from David Hume's History of England. The preface makes a considerable mockery of Southey's turn from his radical past to his conservative place as Poet Laureate for the current monarchy. Similar contemporary reactions can be found in the critical heritage section of the archive.