<?xml version="1.0" encoding="utf-8"?>
<TEI xmlns="http://www.tei-c.org/ns/1.0">
 <teiHeader>
  <fileDesc>
   <titleStmt>
    <title type="main">Robert Bloomfield - Banks of the River Wye</title>
    <title type="subordinate">A Romantic Circles Electronic Edition</title>
    <author><name>Robert Bloomfield (1766–1823)</name></author>
    <editor>Tim Fulford</editor>
    <sponsor>Romantic Circles</sponsor>
    <respStmt>
     <resp>General Editor, </resp>
     <name>Neil Fraistat</name>
    </respStmt>
    <respStmt>
     <resp>General Editor, </resp>
     <name>Steven E. Jones</name>
    </respStmt>
    <respStmt>
     <resp>General Editor, </resp>
     <name>Carl Stahmer</name>
    </respStmt>
    <respStmt>
     <resp>Technical Editor</resp>
     <name>Laura Mandell</name>
    </respStmt>
   </titleStmt>
   <publicationStmt>
    <idno type="edition">MSJournal</idno>
    <publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
    <pubPlace>College Park, MD</pubPlace>
    <date when="2010-10-10">October 10, 2010</date>
    <availability status="restricted">
     <p rend="noCount">Material from the Romantic Circles Website may not be downloaded, reproduced or disseminated
      in any manner without authorization unless it is for purposes of criticism, comment, news
      reporting, teaching, and/or classroom use as provided by the Copyright Act of 1976, as
      amended.</p>
     <p rend="noCount">Unless otherwise noted, all Pages and Resources mounted on Romantic Circles are copyrighted
      by the author/editor and may be shared only in accordance with the Fair Use provisions of U.S.
      copyright law. Except as expressly permitted by this statement, redistribution or
      republication in any medium requires express prior written consent from the author/editors and
      advance notification of Romantic Circles. Any requests for authorization should be forwarded
      to Romantic Circles:&gt;
      <address><addrLine>Romantic Circles</addrLine><addrLine>c/o Professor Neil Fraistat</addrLine><addrLine>Department of English</addrLine><addrLine>University of Maryland</addrLine><addrLine>College Park, MD 20742</addrLine><addrLine>fraistat@umd.edu</addrLine></address></p>
     <p rend="noCount">By their use of these texts and images, users agree to the following conditions: <list>
       <item>These texts and images may not be used for any commercial purpose without prior written
        permission from Romantic Circles.</item>
       <item>These texts and images may not be re-distributed in any forms other than their current
        ones.</item>
      </list></p>
     <p rend="noCount">Users are not permitted to download these texts and images in order to mount them on their
      own servers. It is not in our interest or that of our users to have uncontrolled subsets of
      our holdings available elsewhere on the Internet. We make corrections and additions to our
      edited resources on a continual basis, and we want the most current text to be the only one
      generally available to all Internet users. Institutions can, of course, make a link to the
      copies at Romantic Circles, subject to our conditions of use.</p>
    </availability>
   </publicationStmt>
   <sourceDesc>
    <biblStruct>
     <analytic>
      <author>Tim Fulford</author>
      <title>Journal of a Ten Days' Tour</title>
     </analytic>
     <monogr>
      <title type="main">The Letters of Robert Bloomfield and His Circle</title>
      <title type="subordinate">A Romantic Circles Electronic Edition</title>
      <author><name>Robert Bloomfield (1766–1823)</name></author>
      <editor>Tim Fulford</editor>
      <imprint>
       <publisher>Romantic Circles</publisher>
       <pubPlace>University of Maryland</pubPlace>
      </imprint>
     </monogr>
    </biblStruct>
   </sourceDesc>
  </fileDesc>
  <encodingDesc>
   <editorialDecl>
    <quotation>
     <p rend="noCount">All quotation marks and apostrophes have been changed: " for "," for ", ' for ', and ' for
      '.</p>
    </quotation>
    <hyphenation eol="none">
     <p rend="noCount">Any dashes occurring in line breaks have been removed.</p>
     <p rend="noCount">Because of web browser variability, all hyphens have been typed on the U.S. keyboard</p>
     <p rend="noCount">Dashes have been rendered as —</p>
    </hyphenation>
    <normalization method="markup">
     <p rend="noCount">Bloomfield's spelling has not been regularized.</p>
     <p rend="noCount">Writing in other hands appearing on these manuscripts has been indicated as such, the
      content recorded in brackets.</p>
    </normalization>
    <normalization>
     <p rend="noCount">&amp; has been used for the ampersand sign.</p>
     <p rend="noCount">£ has been used for £, the pound sign</p>
     <p rend="noCount">All other characters, those with accents, non-breaking spaces, etc., have been encoded in
      HTML entity decimals.</p>
    </normalization>
   </editorialDecl>
   <classDecl>
    <taxonomy xml:id="g"
     corresp="http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E">
     <bibl>NINES categories for Genre and Material Form at
      http://www.performantsoftware.com/nines_wiki/index.php/Submitting_RDF#.3Cnines:genre.3E on
      2009-02-26</bibl>
     <category xml:id="g1">
      <catDesc>Architecture</catDesc>
     </category>
     <category xml:id="g2">
      <catDesc>Artifacts</catDesc>
     </category>
     <category xml:id="g3">
      <catDesc>Bibliography</catDesc>
     </category>
     <category xml:id="g4">
      <catDesc>Collection</catDesc>
     </category>
     <category xml:id="g5">
      <catDesc>Criticism</catDesc>
     </category>
     <category xml:id="g7">
      <catDesc>Letters</catDesc>
     </category>
     <category xml:id="g6">
      <catDesc>Drama</catDesc>
     </category>
     <category xml:id="g8">
      <catDesc>Life Writing</catDesc>
     </category>
     <category xml:id="g9">
      <catDesc>Politics</catDesc>
     </category>
     <category xml:id="g10">
      <catDesc>Folklore</catDesc>
     </category>
     <category xml:id="g11">
      <catDesc>Ephemera</catDesc>
     </category>
     <category xml:id="g12">
      <catDesc>Fiction</catDesc>
     </category>
     <category xml:id="g13">
      <catDesc>History</catDesc>
     </category>
     <category xml:id="g14">
      <catDesc>Leisure</catDesc>
     </category>
     <category xml:id="g15">
      <catDesc>Manuscript</catDesc>
     </category>
     <category xml:id="g16">
      <catDesc>Reference Works</catDesc>
     </category>
     <category xml:id="g17">
      <catDesc>Humor</catDesc>
     </category>
     <category xml:id="g18">
      <catDesc>Education</catDesc>
     </category>
     <category xml:id="g19">
      <catDesc>Music</catDesc>
     </category>
     <category xml:id="g20">
      <catDesc>nonfiction</catDesc>
     </category>
     <category xml:id="g21">
      <catDesc>Paratext</catDesc>
     </category>
     <category xml:id="g22">
      <catDesc>Perodical</catDesc>
     </category>
     <category xml:id="g23">
      <catDesc>Philosphy</catDesc>
     </category>
     <category xml:id="g24">
      <catDesc>Photograph</catDesc>
     </category>
     <category xml:id="g25">
      <catDesc>Citation</catDesc>
     </category>
     <category xml:id="g26">
      <catDesc>Family Life</catDesc>
     </category>
     <category xml:id="g27">
      <catDesc>Poetry</catDesc>
     </category>
     <category xml:id="g28">
      <catDesc>Religion</catDesc>
     </category>
     <category xml:id="g29">
      <catDesc>Review</catDesc>
     </category>
     <category xml:id="g30">
      <catDesc>Visual Art</catDesc>
     </category>
     <category xml:id="g31">
      <catDesc>Translation</catDesc>
     </category>
     <category xml:id="g32">
      <catDesc>Travel</catDesc>
     </category>
     <category xml:id="g33">
      <catDesc>Book History</catDesc>
     </category>
     <category xml:id="g34">
      <catDesc>Law</catDesc>
     </category>
    </taxonomy>
    <taxonomy corresp="people.xml/category">
     <category xml:id="people">
      <catDesc>Romantic Circles people: Bloomfield Letters</catDesc>
     </category>
    </taxonomy>
    <taxonomy corresp="places.xml/category">
     <category xml:id="places">
      <catDesc>Romantic Circles places: Bloomfield Letters</catDesc>
     </category>
    </taxonomy>
   </classDecl>
  </encodingDesc>
  <profileDesc>
   <textClass>
    <catRef target="#g5 #g21" scheme="#genre"/>
    <catRef target="#EEd.25.names" scheme="#people"/>
    <catRef target="#EEd.25.places" scheme="#places"/>
   </textClass>
  </profileDesc>
  <revisionDesc>
   <change n="6" when="2009-07-31" who="#AB">
    <label>Changed by</label>
    <name>Averill Buchanan</name>
    <list>
     <item>Final proofing</item>
    </list>
   </change>
   <change n="5" when="2009-06-08" who="#LM">
    <label>Changed by</label>
    <name>Laura Mandell</name>
    <list>
     <item>create image wrappers; run edition for last time through xslt.</item>
    </list>
   </change>
   <change n="4" when="2009-04-30" who="#AB">
    <label>Changed by</label>
    <name>Averill Buchanan</name>
    <list>
     <item>Proofing and TEI encoding of entire edition (further preliminary materials)</item>
    </list>
   </change>
   <change n="3" when="2009-03-30" who="#LM">
    <label>Changed by</label>
    <name xml:id="LM">Laura Mandell</name>
    <list>
     <item>XSLT Transforming</item>
    </list>
   </change>
   <change n="2" when="2009-03-20" who="#AB">
    <label>Changed by</label>
    <name xml:id="AB">Averill Buchanan</name>
    <list>
     <item>Proofing, re-coding letters, and TEI encoding of preliminary materials</item>
    </list>
   </change>
   <change n="1" when="2008-10-03" who="#JW">
    <label>Changed by</label>
    <name xml:id="KL">Kirstyn Leuner</name>
    <list>
     <item>TEI Encoding, first pass, all letters</item>
    </list>
   </change>
  </revisionDesc>
 </teiHeader>
 <text>
  <body>
   <div type="paratext">
    <head>JOURNAL of A TEN DAYS' TOUR FROM ULEY IN GLOUCESTERSHIRE, BY WAY of ROSS; Down the RIVER
     WYE to CHEPSTOW; ABERGAVENNY, BRECON, HEREFORD, MALVERN. &amp;c. &amp;c. -- Augst 1807 </head>
    <p rend="noCount">[A transcription of Bloomfield's prose journal of his Wye tour from the text as it appears,
     with his sketches and pasted-in maps and notes, in British Library Additional Manuscript 28267.
     The folio numbers on which the text and the sketches appear are indicated here within square
     brackets. Bloomfield's spelling and punctuation are preserved. His deletions are represented by
     words struckthrough; insertions above the line appear &lt;thus&gt;. The titles of Bloomfield's
     sketches appear in italics between square brackets at the appropriate places in the text]</p>
    
    <ab rend="noCount" rendition="#left">[<ref target="image1.html">f. 1</ref>]
     <figure rendition="#left"><graphic url="../images/f1Thumb.jpg" width="80px"></graphic></figure></ab>
    
    <ab rend="center">JOURNAL</ab>
    <ab rend="center">of A</ab>
    <ab rend="center">TEN DAYS' TOUR</ab>
    <ab rend="center">FROM ULEY IN GLOUCESTERSHIRE, BY WAY</ab>
    <ab rend="center">of ROSS; Down the RIVER WYE to CHEPSTOW;</ab>
    <ab rend="center">ABERGAVENNY, BRECON, HEREFORD, MALVERN.</ab>
    <ab rend="center">&amp;c. &amp;c. --</ab>
    <ab rend="center">Aug<hi rend="superscript">st</hi> 1807</ab>

    <ab rend="noCount" rendition="#left">[<ref target="image2.html">f. 2</ref>]
     <figure rendition="#left"><graphic url="../images/f2Thumb.jpg" width="80px"></graphic></figure></ab>
    <ab rend="noCount" rendition="#left">[<ref target="image3.html">f. 3</ref>]
     <figure rendition="#left"><graphic url="../images/f3Thumb.jpg" width="80px"></graphic></figure></ab>
    <quote><lg type="stanza">
     <l rendition="#indent1">Note: In my 'Shooters Hill'<note n="1" place="foot" resp="editors">Lines 73 and
       79-80 of Bloomfield's poem 'Shooter's Hill', published in his third collection <title level="m">Wild
        Flowers</title> (1806).</note> I have said,</l>
     <l rendition="#indent3">'Of Cambrian Mountains still I dream'</l>
     <l rendition="#indent3">&amp;c. &amp;c. but,</l>
     <l rendition="#indent4">'Tis not for me to trace around</l>
     <l rendition="#indent4">The wonders of my native land'</l>
     <l rendition="#indent2">I find that it was through reading that poem that the tour was resolv'd </l>
     <l rendition="#indent2">on, at least that I became one of the party. My friends guess'd that I</l>
     <l rendition="#indent2">should like it, and they never form'd a better guess in their lives.</l>
    </lg>
    <lb/>
    <lg type="stanza">
     <l rendition="#indent3">Stouts Hill. Uley.</l>
     <l rendition="#indent4">Aug. 180</l>
    </lg></quote>
    <p rend="noCount"><ref target="places.html#Uley">Uley</ref> is situated in rather a singular
     valley, about seven miles from the <ref target="places.html#Severn">Severn</ref>. It appears to
     be surrounded by abrupt and woody hills, except on the north, where a bold promontory, with an
     old camp on its brow, calld the 'Berry,'<note n="2" place="foot" resp="editors">'Bury'] 'Berry'*
      *Bury or Berry the Saxon name for a hill particularly for one wholly or partially formed by
      ants RBC. [MS note in the hand of Robert Bransby Cooper].</note> lifts its bald head; and
     whose sides, yielding plenty of stone for building, are extremly steep. Yet they are not hills,
     but merely the terminations of the upland country of Gloucestershire termed the 'Cotswold
     Levels' and here they break suddenly into the vale of the <ref target="places.html#Severn"
      >Severn</ref>:<note n="3" place="foot" resp="editors">Severn] A marginal note in the MS reads '<ref
       target="unadoptedpassages.html">Insert giant Scoop'</ref>.</note> and the valley of <ref
      target="places.html#Uley">Uley</ref> is sunk so as to be approached by a stranger without the
     smallest suspicion of there being a valley before him. Cotswold is an immense Gloucester
     cheese, and <ref target="places.html#Uley">Uley</ref> valey is a half-pound notch cut in his
     side.</p>
    <p rend="noCount">The town of <ref target="places.html#Dursley">Dursley</ref> lies in the
     opening of the same valley, towards the Severn, and immediately under <ref
      target="places.html#StinchcombeHill">Stinchcomb Hill</ref>, one of the most remarkable of
     these bluff points, as standing majestically <emph>forward</emph> into the vale of <ref
      target="places.html#Severn">Severn</ref>, and consequently commanding a very extensive view in
     all directions, particularly down the stream, over Kingwood,</p>

    <ab rend="noCount" rendition="#left">[<ref target="image4.html">f. 4</ref>]
     <figure rendition="#left"><graphic url="../images/f4Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image5.html">f. 5</ref>]
     <figure rendition="#left"><graphic url="../images/f5Thumb.jpg" width="80px"></graphic></figure></ab> <p rend="noCount">Bristol, the mouth of the Wye, the Monmouthshire, and
      <ref target="places.html#BlackMountain">Black Mountains</ref>; the <ref
      target="places.html#DeanForest">Forest of Dean</ref>; May Hill; <ref
      target="places.html#Malvern">Malvern Hills</ref>, in Worcestershire; and the city of Gloster,
     &amp;c. — — — Both <ref target="places.html#Dursley">Dursley</ref> and <ref
      target="places.html#Uley">Uley</ref> are employ'd in the manufacture of Broad-cloth, and was I
     to abuse their Steam Engines, that fill so delightful a valey with smoke, they would probably
     begin reminding me of my coat, and not unlikely of the time when I was hampered to get one! I
     mean to let them alone!</p>
    <p rend="noCount">The village of <ref target="places.html#Owlpen">Owlpen</ref> stands under the
     hanging woods at the top of Uley Vale. It is very small, and near its curious and obscure
     church runs the little rill<note n="4" place="foot" resp="editors">At Dursley is a spring near the
      course of this stream, which turns a mill at the distance of fifty yards from its issuing from
      the ground. [Bloomfield's note].</note>, with several natural cascades, (the first I had ever
     seen), which, in its further progress, becomes of such importance to the clothiers. The Curate
     of <ref target="places.html#Uley">Uley</ref> preaches here once a fortnight, and he lately ran
     the hazard of his life by the falling of the sounding-board, which struck him a violent blow on
     the head.— The country immediately round this valley on the high ground, is every where
     intersected by stone walls; for stone, a brick thickness, more or less, is the invariable
     consequence of digging ten inches into the ground; they are merely piled, without morter,
     easily made, and as easily mended. A strange desolate appearance! In the valley there is no
     such thing. The verdure is of the most vivid green, and the uneven boundary of woods on the
     allmost perpendicular sides of the high grounds, form the finest amphitheatre I have ever seen.
     But hold! I am going down the Wye! </p>

    <ab rend="noCount" rendition="#left">[<ref target="image6.html">f. 6</ref>]
     <figure rendition="#left"><graphic url="../images/f6Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount"><ref target="places.html#BerkeleyCastle">Berkley Castle</ref>, &lt;distant 5
     miles,&gt; lies in sight from the heights; but I <del rend="strikethrough" hand="#dhl"
      >could</del> &lt;can&gt;not reach it at present in any of my expiditions, but have frequently
     thought of Gray, and the</p>
    <quote><lg type="stanza">
     <l rendition="#indent3">'Shrieks of an agonizing King.'<note n="5" place="foot" resp="editors">Line 56 of
       Thomas Gray's 'The Bard: A Pindaric Ode' (1757).</note></l>
    </lg></quote>
    <p rend="noCount">From <ref target="places.html#Dursley">Dursley</ref><note n="6" place="foot"
      resp="editors">Left Dursley at ten in the morning, August 17th. [Bloomfield's note].</note> to
     the Severn side at <ref target="places.html#Framelode">Framelode</ref>, the lowlands fall with
     a slow, gradual descent; The passage-house is finely situated, and the boats are fitted up for
     the conveying horses and carriages across the stream. The water of the <ref
      target="places.html#Severn">Severn</ref> is here but narrow, but owing to the occasional tides
     of uncommon height, the sands are extensive; the current is rapid. Barrow Hill is a charming
     spot, rising in the neck of a horseshoe form'd by the <ref target="places.html#Severn"
      >Severn</ref>, and <del rend="strikethrough" hand="#dhl"> gives</del> &lt;giving&gt; a great
     command of the country. Here we found plentifully the petrified shell of the Nautilus; and
     pebbles, which in the neighbourhood of <ref target="places.html#Uley">Uley</ref> are not seen,
     nor the least appearance of chalk, or flint. Horses, I observe, appear to be struck with a kind
     of tremulous submission on finding themselves floating; one Barge carried the seven. But to
     float each sociable, two barges were lash'd side by side, and the carriage placed across upon
     planks. One Boat of course carried all the party, and we were soon all on terrey-firma again,
     and climbing the high-ground, leaving May Hill on our right. Passd <ref
      target="places.html#Flaxley">Flaxley Abbey</ref>, the seat of Sir Thos Crawley. The woods on
     this estate are chiefly Oak, of good growth, and covering the side hills in a manner truly
     sublime. </p>
    <p rend="noCount">The road leads on by <ref target="places.html#Flaxley">Gun's Mills</ref>, and
     to <ref target="places.html#Mitcheldean">Mitcheldean</ref>, <del rend="strikethrough"
      hand="#dhl">the oldest town</del> situated in a most beautiful country, and whose church has a
     spire of uncommon height, and so slender as to make one tremble for the</p>

    <ab rend="noCount" rendition="#left">[<ref target="image7.html">f. 7</ref>]
     <figure rendition="#left"><graphic url="../images/f7Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image8.html">f. 8</ref>]
     <figure rendition="#left"><graphic url="../images/f8Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image9.html">f. 9</ref>]
     <figure rendition="#left"><graphic url="../images/f9Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">builder. Yet on entering the place it keeps no promises made at a distance, but is the Oldest
     Town (in appearance) that can be <del rend="strikethrough" hand="#dhl">found</del>
     &lt;imagined&gt;, singularly unpleasing to the eye. Here I observed a stone cross, almost
     perfect, having an upright stone on which the <del rend="strikethrough" hand="#dhl">cro</del>
     Image was formerly placed. ——</p>
    <p rend="noCount">During the ride from hence to <ref target="places.html#RossOnWye">Ross</ref>,
     had two or three peeps at the <ref target="places.html#Malvern">Malvern Hills</ref>, in
     Worcestershire, and the '<ref target="places.html#Skirrid">Skirit</ref>' and <ref
      target="places.html#SugarLoaf">Sugarloaf</ref> in Monmouthshire. — 'Bailey's Side' is a fine
     bold eminence on the left, cloathd with wood, with a range, or strata of Rock breaking through
     it, and forming a curious contrast with the green above and below. Penyard Hill, in the
     neighbourhood of <ref target="places.html#RossOnWye">Ross</ref>, is nearly of the same
     description, but is on every side covered by steep woods, so that they assert that no sparrows
     were ever known on the farm on its brow; This I think possible, as the sparrow is so entirely
     domestic, and avoids woods in general; and in this case his flight would be unusually long, and
     almost perpendicular.</p>
    <p rend="noCount">(Arrived at <ref target="places.html#RossOnWye">Ross</ref> at 7. evening)</p>
    <p rend="noCount"><ref target="places.html#RossOnWye">Ross</ref> is not a town to my fancy, in appearance
     perhaps it is the prevalence of Rock, and of Rock-stone in their buildings that gives it a kind
     of dreary look to one unused to such buildings. The church, with its taper spire, stands on
     elevated ground, and from &lt;it&gt; is a view of the River Wye winding eel-fashion, below.
     Many of the elms planted by 'Kyrle,' Pope's 'Man of Ross,'<note n="7" place="foot" resp="editors">The
      paragon of local philanthropy and emblem of the good moral life featured in Pope's third
      Epistle, 'To the Right Honourable Allen Lord Bathurst', lines 250-90, and note: 'The Person
      here celebrated, who with so small an estate actually performed all these good works, and
      whose true Name was almost lost (partly by the Title of the <title level="m">Man of Ross</title> given him
      by way of eminence, and partly by being buried without so much as an Inscription) was called
      Mr. <emph>John Kyrle</emph>. He died in the year 1724, aged 90, and lies interr'd in the
      Chancel of the Church of Ross in Herefordshire.'</note> are growing in the church yard and
     neighbourhood. The ruins of <ref target="places.html#WiltonCastle">Wilton Castle</ref> are seen
     across the stream in the oposite meadows, and a man in the churchyard very seriously informed
     us, that 'the said castle was knock'd down by <emph>cannon</emph>, in a great rebellion in the
     time of the <emph>Romans</emph>!'</p>
    <p rend="noCount">During my short stay at Ross, I called</p>

    <ab rend="noCount" rendition="#left">[<ref target="image10.html">f. 10</ref>]
     <figure rendition="#left"><graphic url="../images/f10Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image11.html">f. 11</ref>]
     <figure rendition="#left"><graphic url="../images/f11Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image12.html">f. 12</ref>]
     <figure rendition="#left"><graphic url="../images/f12Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">on an old acquaintance and fellow-tradesman, whom I had not seen for eleven years. He keeps a
     shoemaker's shop, oposite the Swan Inn, where we lodg'd.</p>
    <p rend="noCount">(Left Ross at 8. morning, 18th)</p>
    <p rend="noCount">At eight in the morning assembled to the number of ten, on board a pleasure Boat,<note n="8"
      place="foot" resp="editors">In taking this boat tour, Bloomfield was following in the wake of
     many earlier tourists. See Suzanne Matheson, '<ref target=" http://www.lib.umich.edu/enchanting-ruin-tintern-abbey-romantic-tourism-wales/introduction.html">Enchanting Ruin: Tintern Abbey and Romantic
      Tourism in Wales</ref>',</note>
     store'd with provisions, and Bottles, &amp;c. &amp;c. The sociables having been order'd forward
     to meet us at <ref target="places.html#Monmouth">Monmouth</ref> and <ref
      target="places.html#Chepstow">Chepstow</ref>.<note n="9" place="foot" resp="editors">Spent an hour
      on shore at Goodrich Castle. Pollett, the boat-man, informed me that he had often bought good
      cider for sixpence per gallon, and expected it as cheap this season. [Bloomfield's
      note].</note> But how shall I attempt to describe the natural beauties of this charming River,
     or the objects seen during the passage? I must not attempt it! a journal is not a vehicle of
     sufficient importance. My heart is brimfull of indescribable pleasure when I think on this day!
     Beauty in all its variety is perhaps its leading feature, But sublimity is paramount to all
     considerations at the passage under <ref target="places.html#ColdwellRocks">Coldwell
      Rocks</ref>, and round to <ref target="places.html#NewWeir">New Weir</ref>, and <ref
      target="places.html#GreatDoward">Great Doward</ref>, and thence on to <ref
      target="places.html#Monmouth">Monmouth</ref>. Every body knows that the Wye is exceedingly
     deep in places, and falls beautifully in others over ledges of Rocks, so as to form, not
     cascades, but rapids, where the water hurries along with a <emph>visible</emph> descent. It is
     winding in its course to a great degree, inconceivably pelucid, and in general, the hills rise
     majestically steep from its shores. </p>
    <p rend="noCount">We dined on board the Boat, on the right bank of the stream, near the spring
     called '<ref target="places.html#ColdwellRocks">Cold well</ref>' and here is a new-erected
     Monument in memory of a youth drowned here in sight of his parents! the inscription is long,
     and excellent, but I neglected to copy it<note n="10" place="foot" resp="editors">See Banks of Wye,
      Book I, lines 269-78: 'Close on the bank, and half o'ergrown, / Beneath a dark wood's sombrous
      frown, / A monumental stone appears, / Of one who in his blooming years, / While bathing
      spurn'd the grassy shore, / And sunk, midst friends, to rise no more; / By parents
      witness'd.––Hark! their shrieks! / The dreadful language horror speaks! / But why in verse
      attempt to tell / That tale the stone records so well?'</note> Permission for its erection was
     granted by Mr. Vaughan of Monmouth, the owner of the land; and though, for </p>

    <ab rend="noCount" rendition="#left">[<ref target="image13.html">f. 13</ref>]
     <figure rendition="#left"><graphic url="../images/f13Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image14.html">f. 14</ref>]
     <figure rendition="#left"><graphic url="../images/f14Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image15.html">f. 15</ref>]
     <figure rendition="#left"><graphic url="../images/f15Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image15v.html">f. 15v</ref>]
     <figure rendition="#left"><graphic url="../images/f15vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image16.html">f. 16</ref>]
     <figure rendition="#left"><graphic url="../images/f16Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image17.html">f. 17</ref>]
     <figure rendition="#left"><graphic url="../images/f17Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image18.html">f. 18</ref>]
     <figure rendition="#left"><graphic url="../images/f18Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image19v.html">f. 19v</ref>]
     <figure rendition="#left"><graphic url="../images/f19vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image20.html">f. 20</ref>]
     <figure rendition="#left"><graphic url="../images/f20Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">several reasons, I could individually wish the monument <emph>not there</emph>, I think it
     does honour to him to grant it, and though, as 'the Lord of <ref
      target="places.html#Courtfield">Courtfield</ref>,' I have condemnd his taste, I know nothing
     disrespectful of his heart. — <ref target="places.html#ColdwellRocks">Coldwell Rocks</ref>, on
     the Gloster side of the stream, are particularly grand and impressive, and the circumstance of
     having one of them baptized by my name, by the company, I have noticed elsewhere.<note n="11"
      place="foot" resp="editors">See <title level="m">Banks of Wye</title>, Book I, lines 329-36: 'The generous
      band, / That spread his board and grasp'd his hand, / In native mirth, as here they came, /
      Gave a bluff rock his humble name: / A yew-tree clasps its rugged base; / The boatman knows
      its reverend face; / With his memory and his fee, / Rests the result that time shall
      see.'</note>
    </p>
    <p rend="noCount">At the neck of a long horseshoe form'd by this river, the rocky eminence
     called '<ref target="places.html#SymondsYat">Symmons' Yat</ref>' obtrudes itself to a vast
     height between the two points of the approach of the river. Instead of going round with the
     boat, it is usual for the party to ascend the rocks from A to B where the ridge terminates in a
     high bank of perpendicular Rock not more than twenty yards wide, and to join the boat again at
      <ref target="places.html#NewWeir">new Wier</ref>. An old woman was our guide, who led us over
     this isthmus untill our bones ached.—Three of us outstript our companions, and finding they did
     not overtake us, I again left my two companions, and climbd a pathless way, with intent to
     reach the summit which I had missd. On nearly approaching the absolute perpendicular part of
     the cliff, I heard voices at the top, and hallow'd and soon found &lt;that&gt; the hindmost
     part of the company, had climbed the place before me. The old woman descended to become my
     pilot, and the view paid amply for the labour. On the down-stream side of this bank of rock
     lies the place called the '<ref target="places.html#NewWeir">New Wier</ref>,' or a kind of
     artificial means of keeping up the river, and accommodated by a lock. here we embarkd again,
     and lookd back on the scene with encreased interest, for here, projecting from the usual run of
     this rocky hill, stands allmost detachd, an upright tower of stone very aptly term'd the
     Cathedral, or the 'Minster Rock,' (I forget which) it is square and grotesque, and vast in its
     proportions. —— It was one of those charming days that gratify us with their serenity and</p>

    <ab rend="noCount" rendition="#left">[<ref target="image21v-22.html">ff. 21v-22</ref>]
     <figure rendition="#left"><graphic url="../images/f21vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image23-24.html">f. 23</ref>]
     <figure rendition="#left"><graphic url="../images/f23-f24Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image24.html">f. 24</ref>]
     <figure rendition="#left"><graphic url="../images/f24Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">peace. The clarionet sounded softly; yet the echo was perhaps the more enchanting. To
     describe all the beauties of the passage was not my intention was I ever so capable. There was
     one circumstance however that was to me curious. I had heard when at <ref
      target="places.html#RossOnWye">Ross</ref>, that the fishermen on this River, still used the
     identical kind of boat which Caesar has described in his commentaries<note n="12" place="foot"
      resp="editors">Describing in his <title level="m">Gallic Wars</title> his Spanish campaign of 49 B.C.,
      Caesar relates ordering his troops to make wickerwork boats covered with hides — similar to
      those seen on Roman forays into southwestern England.</note> as being used in his time by the
     natives of Britain, and I hoped for an opportunity of being convinced of its truth. When
     drawing near to <ref target="places.html#Monmouth">Monmouth</ref>, after passing <ref
      target="places.html#GreatDoward">Great Doward</ref>, and drinking at Martin's well, we came
     among some fishermen who were disturbing the water with long poles to dislodge the salmon. To
     accomplish this they occasionally used an infant kind of boat, which they carry with them in
     their large one. It holds but one person; is, as far as I can guess not more than 4 foot in
     length, goes with the broadest end foremost, is worked by a paddle, has no keel or rudder, and
     is formd of wickers only, and cover'd by an oil-skin outside to repel the water. The man
     paddles himself on shore, jumps out, and takes his boat at his back with great ease. It had a
     strange and even laughable appearance; It was impossible to keep the mind at home; it would
     compare infancy and maturity, a 'Corricle' or 'Corracal' with the 'Victory,'<note n="13" place="foot"
      resp="editors">Nelson's flagship at the Battle of Trafalgar of 1805, which was still a recent
      event and Britain's greatest defeat of Napoleonic France when Bloomfield was writing.</note>
     and a Wye fisherman to Nelson.<note n="14" place="foot" resp="editors">Nelson] Nelson* *See Gilpin
      [pencilled note on MS] Gilpin describes the coracle in his <title level="m">Observations on the River
       Wye, and several parts of South Wales, &amp;c. relative chiefly to picturesque beauty; made
       in the summer of the year 1770</title>, 2nd edn (London, 1789), p. 40.</note></p>

    <ab rend="noCount" rendition="#left">[<ref target="image24_2.html">f. 24</ref>]
     <figure rendition="#left"><graphic url="../images/f24_2Thumb.jpg" width="80px"></graphic></figure></ab>

    <p rend="noCount">After an uninterrupted day of rational enjoyment we reachd <ref target="places.html#Monmouth"
      >Monmouth</ref>, at half-past seven in the evening; eleven hours and a half on the water.</p>
    <p rend="noCount">(Monmouth at ½ past seven)</p>
    <p rend="noCount">Monmouth [f. 26] (as the birthplace of Henry the 5th) may be considerd as a
     high curiosity to the Antiquarian; but as we were obliged, on account of meeting the tide in
     our way to <ref target="places.html#Chepstow">Chepstow</ref>, to start at 6 the following
     morning, no great attention could be paid to the town. The place of his birth, the castle, is
     nearly all demolish'd (Or else in the dark <del rend="strikethrough" hand="#dhl"> we</del>
     &lt;you&gt; could not find it says the antiquarian;—) They have a Noble Statue of him over the
     Market House.</p>
    <p rend="noCount">Left Monmouth at 6 in the morning, Wedy 19)</p>
    <p rend="noCount">The sun strove to overlook the steeps of wood that enclosd us in, skirting our
     misty, and delightfully indistinct passage down the River. The day rose, the mists dispersed,
     and we met the tide just before we reachd the Village of <ref target="places.html#Llandoga"
      >Landauga</ref>, where the cottages rise one over the other in a manner particularly pleasing
     against the morning sun. The reach of the river that commands the village of <ref
      target="places.html#Llandoga">Landauga</ref>, exemplified in a striking manner that peculiar
     appearance which we had notic'd often on the water this morning, and the preceding day. Viz.
     where the water was bounded by high ground, and at the same time <emph>seemingly
      terminated</emph> by as high, or higher; it <del rend="strikethrough" hand="#dhl">seemd</del>
     &lt;appeared&gt; to decline from the eye, and to loose its natural horizontal level by running
     extreemly <emph>downhill into the opposing emminence</emph>. We know that a River has in
      <emph>reality</emph> its natural declension, but this is a very strong and decided optical
     deception; and it pleased me not a little.</p>
    <p rend="noCount">Through the long reach below Ethels wier, </p>

    <ab rend="noCount" rendition="#left">[<ref target="image25.html">f. 25</ref>]
     <figure rendition="#left"><graphic url="../images/f25Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image26.html">f. 26</ref>]
     <figure rendition="#left"><graphic url="../images/f26Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image27v.html">f. 27v</ref>]
     <figure rendition="#left"><graphic url="../images/f27vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image28.html">f. 28</ref>]
     <figure rendition="#left"><graphic url="../images/f28Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">the water became turbid and slugish, until the tide turnd, and then it ran furiously down,
     and soon brought us in sight of the Ruins of <ref target="places.html#TinternAbbey">Tintern
      Abby</ref>. A place so often described by pen and by pencil,<note n="15" place="foot" resp="editors"
      >Among the descriptions of Tintern Abbey known to Bloomfield was Wordsworth's <title level="a">Lines. Composed
      a few miles above Tintern Abbey, on revisiting the banks of the Wye during a tour. July 13,
      1798</title> (1798) for he was an early admirer of <title>Lyrical Ballads</title> (see his letters of
      19 April 1801 and of 2 September 1802 and (letters <ref
       target="http://www.rc.umd.edu/editions/bloomfield_letters/HTML/letterEEd.25.52.html">52</ref>
      and <ref target="http://www.rc.umd.edu/editions/bloomfield_letters/HTML/letterEEd.25.94.html"
       >94</ref> of <title level="m">The Letters of Robert Bloomfield and his Circle</title>, ed. Tim Fulford
      and Lynda Pratt). Gilpin's <title>Observations on the River Wye</title> and Charles Heath's
      guidebook <title>Historic and Descriptive Accounts of the Ancient and Present State of Tintern
       Abbey</title> (1803) helped establish the abbey's fame as a picturesque location. By 1807, it
      had been portrayed in watercolour by Edward Dayes and James Ward, among others. See the
      website <title level="a"><ref target="http://www.lib.umich.edu/enchanting-ruin-tintern-abbey-romantic-tourism-wales/introduction.html">Tintern Abbey and Romantic Tourism in Wales</ref></title>
      </note>
     that I will not attempt it; only remarking that it must have been a place of extreem beauty,
     and is now a place that strikes the eye, and fixes on the soul something like the shackles of
     superstition; yet I would hope that reverence for an old place of devotion is something
     deserving a better name. The door was open'd suddenly, and the effect instantaneously
     overpowerd us all in different ways! It is grandeur in a place where it would be least
     expected; a memorial of wealth and population now unseen in its neighbourhood. The burial place
     of <ref target="people.html#Strongbow">Strong-bow</ref>, the conqueror of Ireland, &amp;c. Most
     of the party sat down and took sketches of the interior; but I found it above my reach, and so
      <anchor xml:id="104Psalm"/>gave vent to my feelings by singing, for their amusement and my
     own, the 104th Psalm.<note n="16" place="foot" resp="editors">The text of the 104th Psalm from the
      King James Bible: <quote><lg type="stanza">
       <l rendition="#indent1">Bless the LORD, O my soul. O LORD my God, thou art very great; thou art
        clothed with honour and majesty.</l>
       <l rendition="#indent1">Who coverest thyself with light as with a garment: who stretchest out the
        heavens like a curtain: </l>
       <l rendition="#indent1">Who layeth the beams of his chambers in the waters: who maketh the clouds
        his chariot: who walketh upon the wings of the wind:</l>
       <l rendition="#indent1">Who maketh his angels spirits; his ministers a flaming fire: </l>
       <l rendition="#indent1">Who laid the foundations of the earth, that it should not be removed for
        ever. </l>
       <l rendition="#indent1">Thou coveredst it with the deep as with a garment: the waters stood above
        the mountains. </l>
       <l rendition="#indent1">At thy rebuke they fled; at the voice of thy thunder they hasted away. </l>
       <l rendition="#indent1">They go up by the mountains; they go down by the valleys unto the place
        which thou hast founded for them. </l>
       <l rendition="#indent1">Thou hast set a bound that they may not pass over; that they turn not again
        to cover the earth. </l>
       <l rendition="#indent1">He sendeth the springs into the valleys, which run among the hills. </l>
       <l rendition="#indent1">They give drink to every beast of the field: the wild asses quench their
        thirst. </l>
       <l rendition="#indent1">By them shall the fowls of the heaven have their habitation, which sing
        among the branches. </l>
       <l rendition="#indent1">He watereth the hills from his chambers: the earth is satisfied with the
        fruit of thy works. </l>
       <l rendition="#indent1">He causeth the grass to grow for the cattle, and herb for the service of
        man: that he may bring forth food out of the earth; </l>
       <l rendition="#indent1">And wine that maketh glad the heart of man, and oil to make his face to
        shine, and bread which strengtheneth man's heart. </l>
       <l rendition="#indent1">The trees of the LORD are full of sap; the cedars of Lebanon, which he hath
        planted; </l>
       <l rendition="#indent1">Where the birds make their nests: as for the stork, the fir trees are her
        house. </l>
       <l rendition="#indent1">The high hills are a refuge for the wild goats; and the rocks for the
        conies. </l>
       <l rendition="#indent1">He appointed the moon for seasons: the sun knoweth his going down. </l>
       <l rendition="#indent1">Thou makest darkness, and it is night: wherein all the beasts of the forest
        do creep forth. </l>
       <l rendition="#indent1">The young lions roar after their prey, and seek their meat from God. </l>
       <l rendition="#indent1">The sun ariseth, they gather themselves together, and lay them down in
        their dens. </l>
       <l rendition="#indent1">Man goeth forth unto his work and to his labour until the evening. </l>
       <l rendition="#indent1">O LORD, how manifold are thy works! in wisdom hast thou made them all: the
        earth is full of thy riches. </l>
       <l rendition="#indent1">So is this great and wide sea, wherein are things creeping innumerable,
        both small and great beasts. </l>
       <l rendition="#indent1">There go the ships: there is that leviathan, whom thou hast made to play
        therein. </l>
       <l rendition="#indent1">These wait all upon thee; that thou mayest give them their meat in due
        season. </l>
       <l rendition="#indent1">That thou givest them they gather: thou openest thine hand, they are filled
        with good. </l>
       <l rendition="#indent1">Thou hidest thy face, they are troubled: thou takest away their breath,
        they die, and return to their dust. </l>
       <l rendition="#indent1">Thou sendest forth thy spirit, they are created: and thou renewest the face
        of the earth. </l>
       <l rendition="#indent1">The glory of the LORD shall endure for ever: the LORD shall rejoice in his
        works. </l>
       <l rendition="#indent1">He looketh on the earth, and it trembleth: he toucheth the hills, and they
        smoke. </l>
       <l rendition="#indent1">I will sing unto the LORD as long as I live: I will sing praise to my God
        while I have my being. </l>
       <l rendition="#indent1">My meditation of him shall be sweet: I will be glad in the LORD. </l>
       <l rendition="#indent1">Let the sinners be consumed out of the earth, and let the wicked be no
        more. Bless thou the LORD, O my soul. Praise ye the LORD.</l>
      </lg></quote>
     </note> And though no 'fretted vault'<note n="17" place="foot" resp="editors">Thomas Gray, 'Elegy
      Written in a Country Churchyard' (1751), line 39.</note> remains to harmonize the sound, it
     soothd me into <del rend="strikethrough" hand="#dhl">those</del> &lt;that&gt; state of mind
     which is most to be desired. We tarried here until the last <del rend="strikethrough"
      hand="#dhl">moment</del> &lt;minute&gt; of our allowance of time; the tide was ebbing, and if
     suffer'd to ebb too far, some of the rapids further down would not have boasted sufficient
     depth to have floated us to <ref target="places.html#Chepstow">Chepstow</ref>. We took a
     hearty, but hasty breakfast, and I rather think the Welsh girl who waited upon us was not sorry </p>

    <ab rend="noCount" rendition="#left">[<ref target="image29v.html">f. 29v</ref>]
     <figure rendition="#left"><graphic url="../images/f29vThumb.jpg" width="80px"></graphic></figure></ab>
    <ab rend="noCount" rendition="#left">[<ref target="image30.html">f. 30</ref>]
     <figure rendition="#left"><graphic url="../images/f30Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">to get rid of her company. We had been more than three hours on the water; and we shall
     remember the <ref target="places.html#TinternAbbey">Tintern</ref> Breakfast with pleasure if
     any part of our company go there, or meet each other again. —Though in this latter part of our
     voyage the water was not so lovely an object in itself, yet the grandeur of the scenery
     increased upon us every moment. The Rocks calld 'Winlass leap,' and '<ref
      target="places.html#LoversLeap">lovers leap</ref>,' and the more exalted eminence of <ref
      target="places.html#Windcliff">Wind Cliff</ref>, in itself worth going an hundred miles to
     see. These, with the detached Rocks like buttrasses, called the '<ref
      target="places.html#TwelveApostles">twelve apostles</ref>', and an infinity of minor beauties
     made themselves admired and respected on either side, untill we reachd <ref
      target="places.html#Chepstow">Chepstow</ref> Castle and Bridge; where we quitted the Wye with
     &lt;a&gt; regret, that those will best appreciate; who have witnessed its power to enchant, and
     &lt;seen&gt; the objects in its course. </p>
    <p rend="noCount">(arrived at <ref target="places.html#Chepstow">Chepstow</ref> about one)</p>
    <p rend="noCount">The Castle of <ref target="places.html#Chepstow">Chepstow</ref> stands on the Bank of the Wye
     immediately on the brink of a perpendicular rock of vast height. It appears to have been a <del
      rend="strikethrough" hand="#dhl">place</del> &lt;fortress&gt; of uncommon strength. Here
     Martin (the Regicide) as he is calld, was long confined by Charles ye Second, and one of the
     towers bears his name.<note n="18" place="foot" resp="editors">Henry Marten, one of those
      Parliamentarians who signed Charles I's death warrant, was, after the Restoration, imprisoned
      in Chepstow castle until his death in 1680.</note> Here each of the party found abundance of
     exercise for the mind and for the pencil, but having passed '<ref
      target="places.html#Windcliff">Wind cliff</ref>' on our way down the river, we now visited it
     by</p>

    <ab rend="noCount" rendition="#left">[<ref target="image31.html">f. 31</ref>]
     <figure rendition="#left"><graphic url="../images/f31Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image32.html">f. 32</ref>]
     <figure rendition="#left"><graphic url="../images/f32Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image32v.html">f. 32v</ref>]
     <figure rendition="#left"><graphic url="../images/f32vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image33.html">f. 33</ref>]
     <figure rendition="#left"><graphic url="../images/f33Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">land, through the grounds of — Wells,<note n="19" place="foot" resp="editors">Nathaniel Wells,
      enriched by plantations in the West Indies, bought the Piercefield estate in 1802.</note> Esq.
     of <ref target="places.html#Piercefield">Persfield</ref>, pursuing a wooded walk for about two
     miles, immediately on the edge of the rocks that overhang the Wye, at nearly one end of this
     natural terrace, is the precipice called '<ref target="places.html#LoversLeap">Lovers
      Leap</ref>', down which the eye descends with a fearful complacency, as a thick wood covers
     the bottom ground. they told us that its height was about sixty yards, I should guess it more.
     An iron railing protects the walk at top, and the descent is as steep as a wall. '<ref
      target="places.html#Windcliff">Wind Cliff</ref>', as seen by the map, is somthing further up
     the stream, and is magnificently grand. The fantastic turns of the Wye, with its amphitheatre
     of woods, seemed diminishd; but, if possible, increasd in beauty. The <ref
      target="places.html#Severn">Severn's</ref> mouth; the Holmes, in its channel; the shipping at
      <ref target="places.html#Kingroad">King-road</ref>, and all the country from below Bristol
     upwards untill Gloucester was lost in mist, is compleatly under the eye. It is here calld the
     second view in england, and by Lord North<note n="20" place="foot" resp="editors">Frederick North, 2nd
      Earl of Guilford (1732-92): Prime Minister under George III, during the American War of
      Independence. Stayed at Mount Edgcombe in 1766.</note> was preferd to '<ref
      target="places.html#MountEdgecumbe">Mount Edgecomb</ref>.' </p>
    <p rend="noCount">The accompanying view of '<ref target="places.html#Windcliff">Wind
     Cliff</ref>' is taken from a part of <ref target="places.html#Chepstow">Chepstow</ref> Castle,
     and it will give an additional idea of its magnitude if you observe that you do not see the
     river at its foot, but look over very high ground, round which the water comes from the right
     towards the centre of the drawing. If you look on the map from <ref
      target="places.html#Chepstow">Chepstow</ref> Castle to <ref target="places.html#Windcliff"
      >Wind Cliff</ref>, the whole will be understood.<note n="21" place="foot" resp="editors">From
      Chepstow Castle to Windcliff the river crosses the line of sight four times [Bloomfield's
      note].</note> This drawing is done </p>

    <ab rend="noCount" rendition="#left">[<ref target="image34v.html">f. 34v</ref>]
     <figure rendition="#left"><graphic url="../images/f34vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image35.html">f. 35</ref>]
     <figure rendition="#left"><graphic url="../images/f35Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">by <ref target="people.html#CooperRobert">R. B. Cooper, Esq</ref>. a principal in our party,
     who uses his pencil with great freedom and expidition. I prize it on his, and every account.
     ——— We spent a delightful and social evening at the Beaufort Arms at <ref
      target="places.html#Chepstow">Chepstow</ref>, and retired to rest, but not till we had walked
     to the Castle by Moonlight, where we found an owl hooting lustily from the Battlements of <ref
      target="places.html#MartensTower">Martin's Tower</ref>. We all stood to listen! and to admire!
     and certainly no imagination can form an object and a scene half so impressive.</p>
    <p rend="noCount">(Thursday 20th, at Chepstow)</p>
    <p rend="noCount">The whole of this morning was spent in a thorough examination of the Ruin'd
     Castle, but the time was too short; Many good drawings were made, and I attempted one amongst
     the rest; The joists of the floors in <ref target="places.html#MartensTower">Martin's
      Tower</ref> are still existing and are of solid Oak, about a foot square. It appears
     unaccountable to me how, even by the lapse of ages, nutriment enough can be found for shrubs of
     so large a growth as are flourishing between the outer and inner ramparts of these towers, and
     on the top of the wall of course. This gangway, once the place of the defenders of the fortress
     and its centinels, is now an absolute wild: a mixture of Brambles, Hazel, Ash, Beech, and fruit
     trees, from twenty to thirty feet high at least. The whole area of the Chappel which I was much
     taken with, (though the man in attendance called it the banqueting-room) is coverd with
     thriving underwood. The look out from its large windows must have been allmost dreadful, as
     that wall stands on, and is, in truth the continuation of a perpendicular cliff, <del
      rend="strikethrough" hand="#dhl">as</del> &lt;much&gt; high&lt;er&gt; as than the building
     itself.</p>

    <ab rend="noCount" rendition="#left">[<ref target="image36.html">f. 36</ref>]
     <figure rendition="#left"><graphic url="../images/f36Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image37v.html">f. 37v</ref>]
     <figure rendition="#left"><graphic url="../images/f37vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image38v.html">f. 38v</ref>]
     <figure rendition="#left"><graphic url="../images/f38vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image39.html">f. 39</ref>]
     <figure rendition="#left"><graphic url="../images/f39Thumb.jpg" width="80px"></graphic></figure></ab>

    <p rend="noCount">The bridge at <ref target="places.html#Chepstow">Chepstow</ref> is very narrow, (belonging to
     the two counties) and the flooring is composed of oak planks only on which both hoofs and
     wheels batter along in a singular manner. The planks are not fastened otherwise than at each
     end by an upright peg, on which, in case of high tides, they have room to lift up ten or twelve
     inches without loosing their places.</p>
    <p rend="noCount">(Thursday, left <ref target="places.html#Chepstow">Chepstow</ref> at twelve,
     for <ref target="places.html#RaglanCastle">Ragland</ref> and <ref
      target="places.html#Abergavenny">Abergany</ref>)</p>
    <p rend="noCount">About noon left <ref target="places.html#Chepstow">Chepstow</ref>, and the Wye and proceeded
     on to <ref target="places.html#RaglanCastle">Ragland</ref>, where there is another immense
     castle, in some respects in better preservation than that we had left; but it <del
      rend="strikethrough" hand="#dhl">appears</del> &lt;has not&gt; so commanding a situation, and
     appears more like a Barronial residence than an impregnable fortress. Here is the largest
     growth of Ivy I have ever seen. The whole compass of the Walls are nearly compleat. But I
     cannot possibly enter into particulars in a flying journal like this. We spent two hours
     amongst the ruins; and in a kind of cellaring, the archd way leading to which has partly fallen
     in, a country woman who offerd her services and information, informd us that, when a light is
     carried in, it is soon extinguish'd, and that they say it is because of damps; but for her part
     she was inclined to believe with many of her neighbours, that the devil was there. In this
     building a gigantic stem of Ivy has pushed awry the fine fluted work of the kitchen window, and
     seems to set iron and stone at defiance. The largest elm I have ever seen growing, is found in
     the yard or grounds of the castle. ——</p>
    <p rend="noCount">We drove on for <ref target="places.html#Abergavenny">Abergavenny</ref>, where
     we arrived about 9 at night, having the '<ref target="places.html#SugarLoaf">Sugarloaf</ref>'
     Mountain,' '<ref target="places.html#Skirrid">The Skirrid-Vawr</ref>,' and '<ref
      target="places.html#Blorenge">Blorench</ref>' </p>

    <ab rend="noCount" rendition="#left">[<ref target="image40.html">f. 40v</ref>]
     <figure rendition="#left"><graphic url="../images/f40vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image41.html">f. 41</ref>]
     <figure rendition="#left"><graphic url="../images/f41Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">catching the rays of the setting sun, as we came towards them. It was a noble sight! </p>
    <p rend="noCount">(<ref target="places.html#Abergavenny">Abergavenny</ref>, &lt;arrived at&gt; 9
     at night)</p>
    <p rend="noCount">(Friday, 21st)</p>
    <p rend="noCount">I am now writing in my bedroom at <ref target="places.html#Abergavenny">Abergany</ref> before
     breakfast, with the <ref target="places.html#SugarLoaf">sugarloaf Mountain</ref> in view of my
     window, and before night we shall be on his brow. ———</p>
    <p rend="noCount">I have now discover'd that the hill I saw from my window is not the <ref
      target="places.html#SugarLoaf">Sugar loaf</ref>, but one of much inferior size. With ten in
     company, and <del rend="strikethrough" hand="#dhl">two</del> &lt;three&gt; servants, it
     requir'd some little order and contrivance to get us all up so rugged a way, and to such a
     distance. We found that as sociables and common carriages could not pass the narrow, stony, and
     precipitate lanes that lead up to the high ground, the best way would be to hire a carriage on
     purpose, that would carry half our party. We learn'd that a man in the neighbourhood was in the
     habbit of carrying strangers to the top of the <ref target="places.html#SugarLoaf">Sugar
      loaf</ref>, and <del rend="strikethrough" hand="#dhl">the hills in the neighbourhood</del>
     &lt;the <ref target="places.html#Skirrid">Skirid</ref>, and <ref target="places.html#Blorenge"
      >Blorench</ref>, &amp;c.&gt; and that his conveyance was a common open cart, fitted up with
     occasional seats for the purpose, and drawn by three little scrambling poneys. The driver and
     owner is a red-fac'd little fellow named powel, who lives on his own small property, and is
     perhaps, one of those we might call yeomen, or what in the north are termd, statesmen. In this
     cart were stowed six of us, the rest rode single horses, chiefly fitted with side saddles for
     the accommodation of the ladies, who occasionally </p>

    <ab rend="noCount" rendition="#left">[<ref target="image42v.html">f. 42v</ref>]
     <figure rendition="#left"><graphic url="../images/f42vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image43.html">f. 43</ref>]
     <figure rendition="#left"><graphic url="../images/f43Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">relieved each other. The cart was abundantly stored with provisions, wine, Bottled ale, and
     fruit, and every thing that could render the expidition agreeable and joyous. In this style,
     the whole cavalcade left the Angel Inn at <ref target="places.html#Abergavenny">Abergany</ref>,
     and excited a great deal of mirth. The roads up the mountain are such as nothing could have
     passed but a cart. Brambles, honeysuckles, and hazelnuts, rap'd us on the head as we jolted up
     the courses of the winter's torrents, for every lane is a water-course. <ref
      target="places.html#Blorenge">Blorench</ref> seem'd to rise in greater sublimity as we
     ascended the lower hills, or base of the <ref target="places.html#SugarLoaf">Sugar loaf</ref>.
      '<ref target="places.html#Skirrid">Skirid Vawr</ref>' was on our right, but the day was hazy,
     and the prospect not so extensive as it sometimes is. We reach'd the top of the woody part of
     this high ground, and then had a fairer view of the peak, or summit of the Sugar Loaf '<ref
      target="places.html#SugarLoaf">Pen y Vale</ref>,' which I understand to mean the 'head of the
     vale' and which sombody has since baptized by the more melting name of the '<ref
      target="places.html#SugarLoaf">Sugar-loaf</ref>.' I here took to my feet and steerd directly
     for the summit, while most of the party went slowly round with the cart: But young purnell
     Cooper rode his <ref target="people.html#CooperRobert">father's</ref> horse, amidst the rocks
     and fragments allmost to the summit, where the poor animal trembled and neigh'd for his
     companions. I gained the brow by regular and temperate exertion, for I had learned a lesson
     from <ref target="places.html#SymondsYat">Symmons' Yat</ref>, gathering whimburys or winberrys
     in my way and resting on the grotesque and immense fragments of Rocks, which appear to have
     rolled down from the top; which is compos'd of allmost entire rock, and is not a sharp, but a
     long narrow ridge, of about one hundred yards wide.<note n="22" place="foot" resp="editors">Cox's
      History of Monmouthshire calls it two hundred wide, by a quarter of a mile long; I think, from
      recollection, that it is not so much [Bloomfield's note]. Bloomfield refers to <ref
       target="people.html#CoxeWilliam">William Coxe</ref>, <title level="m">An Historical Tour in
       Monmouthshire: Illustrated with views by Sir R. C. Hoare, Bart. A New Map of the County, and
       other Engravings</title> (London, 1801).</note> It was not possible to drive the cart to the </p>

    <ab rend="noCount" rendition="#left">[<ref target="image44v.html">f. 44v</ref>]
     <figure rendition="#left"><graphic url="../images/f44vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image45.html">f. 45</ref>]
     <figure rendition="#left"><graphic url="../images/f45Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">top, so while all the party climb'd to the eminence, the driver took a circuit, and the
     servants relieved each other in the necessary duty of holding the horses, and enjoy'd the scene
     by turns. —— We all sat on the soft green, or rather brown heath or Ling; and from a spring
     just below the rocky summit had some excellent water. From this sublime eminence the eye ranges
     over others still higher, and the &lt;blue mists hanging over the horizon, gave to the&gt; long
     line of intersecting mountains the appearance of a sea of hills. We had left beauty behind,
     here was nothing but sublimity! and I think that mirth would be the last feeling likely to be
     excited in such a situation. The air was remarkably fresh and invigorating; some few drops of
     rain fell, which were most likely not known in the country below. We left the summit with
     regret. At a considerable way from the more rocky part of the hill, in our descent, a cloth was
     spread on the moss beside a rivulet, the horses tied to a thorn, and the cold <del
      rend="strikethrough" hand="#dhl">collation</del> &lt;repast&gt; enjoy'd with a mutual
     thankfulness, that is seldom found in a hall amidst the clattering of knives and plates. Again
     &lt;we mounted&gt; the Welsh sociable, and descended by another road, though as to declivity
     not a whit better than the other. We at length reachd the turnpike road to <ref
      target="places.html#Abergavenny">Abergany</ref>, and returnd to the Inn after an excursion
     that having been long promised and expected, could hardly have been despensed with, and which
     from the universal gratification it gave, appears now it is over, to have been a principal
     ingredient in dish of our pleasures. </p>
    <p rend="noCount">(At <ref target="places.html#Abergavenny">Abergavenny</ref>, Saturday 22d)</p>

    <ab rend="noCount" rendition="#left">[<ref target="image46.html">f. 46</ref>]
     <figure rendition="#left"><graphic url="../images/f46Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image47v.html">f. 47v</ref>]
     <figure rendition="#left"><graphic url="../images/f47vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image48.html">f. 48</ref>]
     <figure rendition="#left"><graphic url="../images/f48Thumb.jpg" width="80px"></graphic></figure></ab>

    <p rend="noCount">(Abergany. 22)</p>
    <p rend="noCount">This morning we strolled round the remains of <ref
      target="places.html#Abergavenny">Abergany Castle</ref>, It is very much gone to decay, but
     from the eminence where once stood the keep, the hill called '<ref
      target="places.html#Blorenge">Blorench</ref>' on the other side the river <ref
      target="places.html#Usk">Usk</ref>, and the '<ref target="places.html#SugarLoaf">Pen vale
      Hills</ref>,' which we had ascended the preceding day, presented themselves in a new and
     magnificent point of view. The morning was inclined to be stormy, and the point of the <ref
      target="places.html#SugarLoaf">Sugar-loaf</ref>, and great part of his sides could not be
     seen. The clouds hung round him, and rolld in dark volumes about his stony girdle. We waited
     untill the sun acquired more power, and saw his head emerge with all the majesty of a
     monarch.</p>
    <p rend="noCount">(left <ref target="places.html#Abergavenny">Abergany</ref> at eleven)</p>
    <p rend="noCount">This day's journey was to take us to <ref target="places.html#Brecon">Brecon</ref>, by way of
      <ref target="places.html#Crickhowell">Crickhowel</ref>; At the latter place refreshd by the
     way. here likewise are &lt;seen&gt; some remains of a castle, and <del rend="strikethrough"
      hand="#dhl">likewise</del> the ruins of an old mansion, once belonging to the <del
      rend="strikethrough" hand="#dhl">Earles</del> Earls of Pembroke. The people partake strongly
     of the welsh character, and many of them cannot speak english.— Three miles further on, turnd
     out of the high road to see the remains of <ref target="places.html#TretowerCastle">Tre-tower
      Castle</ref>, which stands rather singularly in a deep valley. Here an upright woman, a
     hundred years old, askd charity, and said her name was 'Jane Edwards.'<note n="23" place="foot"
      resp="editors">Jane Edwards: See <title level="m">The Banks of Wye</title>, Book III, lines 345-60: <quote><lg
       type="stanza">
       <l rendition="#indent6">E'en thou, </l>
       <l rendition="#indent3">JANE, with the placid silver brow, </l>
       <l rendition="#indent3">Know'st not the day, though thou hast seen</l>
       <l rendition="#indent3">A hundred springs of cheerful green, </l>
       <l rendition="#indent3">A hundred winters' snows increase </l>
       <l rendition="#indent3">That brook, the emblem of thy peace. </l>
       <l rendition="#indent3">Most venerable dame! and shall </l>
       <l rendition="#indent3">The plund'rer, in his gorgeous hall,</l>
       <l rendition="#indent3">His fame, with Moloch-frown prefer, </l>
       <l rendition="#indent3">And scorn thy harmless character, </l>
       <l rendition="#indent3">Who scarcely hear'st of his renown, </l>
       <l rendition="#indent3">And never sack'd or burnt a town? </l>
       <l rendition="#indent3">But should he crave, with coward cries,</l>
       <l rendition="#indent3">To be Jane Edwards when he dies, </l>
       <l rendition="#indent3">Thou'lt be the CONQUEROR, old lass, </l>
       <l rendition="#indent3">So take thy alms, and let us pass.</l>
      </lg></quote></note> An old shoe-maker answered in Welsh a great many inquiries, through an
     interpreter, his son, who could speak English, but roughly. From hence to </p>

    <ab rend="noCount" rendition="#left">[<ref target="image49.html">f. 49</ref>]
     <figure rendition="#left"><graphic url="../images/f49Thumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image50.html">f. 50</ref>]
     <figure rendition="#left"><graphic url="../images/f50Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount"><ref target="places.html#Brecon">Brecon</ref> was a most enchanting ride. <ref
      target="places.html#Crickhowell">Crickhowel</ref> mountain, and several others were coverd
     with clouds that travel'd along on their summits, and these clouds illuminated by the declining
     sun! and nearer to <ref target="places.html#Brecon">Brecon</ref>, the grotesque and abrupt
     cluster of points, called the '<ref target="places.html#PenYFan">Vann</ref>' were still more
     enveloped and in clouds of the most terrific and dark hue. Reach'd the Golden Lion at <ref
      target="places.html#Brecon">Brecon</ref>, at 9.— </p>
    <p rend="noCount">(Brecon at Nine. 22d) </p>
    <p rend="noCount">Mr. Morgan, the Recorder of <ref target="places.html#Brecon">Brecon</ref>,
     being related to <ref target="people.html#CooperRobert">father's</ref> of our party, we sup'd
     there, and next day</p>
    <p rend="noCount">(Sunday 23)</p>
    <p rend="noCount">Attended service at church, and heard some excellent voices in the organ lofft, full of
     simple pathos and feeling. The service is performed in Welsh at three in the afternoon for the
     accommodation of those who do not speak english. And another kind of <emph>accomodation</emph>
     is afforded the young men of the country, by the recruiting Sergeants; they expose their bills
     of invitation, with their offer of eleven guineas Bounty, in english and in welsh, side by
     side! Who would loose a soldier by neglecting to let him know that you want him.? Between the
     church and Dinner hour <ref target="people.html#LloydBakerThomasJ">Mr Floyd Baker</ref> and
     self on horseback, visited an old British <emph>intrenchment</emph>, so deemd (I believe) by
     the late Mr. King,<note n="24" place="foot" resp="editors">Edward King (1734/5-1807), antiquary and
      author of <title level="m">Munimenta Antiqua, or, Observations on Ancient Castles, Including Remarks on
       the … Progress of Architecture … in Great Britain, and on the … Change in … Laws and
       Customs</title>, 4 vols (London, 1799-1806).</note> the antiquarian, it consists of a triple
     bank round the brow of a hill—And not more than three miles from Brecon, and for the on the
     same</p>

    <ab rend="noCount" rendition="#left">[<ref target="image51.html">f. 51</ref>]
     <figure rendition="#left"><graphic url="../images/f51Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">side of the town, at a Farm now termed 'the <ref target="places.html#YGaer">Gaer</ref>'<note n="25"
      place="foot" resp="editors">Gaer,] Gaer* *Gaer or Caer signifies a xxxx or Military Station MB
      [pencilled MS note in another hand].</note> are the remains of a Roman Wall, &lt;still&gt; so
     perfect as not to have wholly lost the outer, or facing stones. This appears to have been a
     Roman station, of some importance.<note n="26" place="foot" resp="editors">importance] importance*
      *Julius Frontinus came to Caerleon about the year of Christ 70, and brought with him the
      second legion of Augustus, call'd 'victrix'. He was succeeded by Agricola. / Jones's
       <title level="m">His. Brecknock</title> [MS note]. The note refers to Theophilus Jones, <title level="m">A History
       of the County of Brecknock</title>, 2 vols (Brecon, 1805-09).</note> Mr. Price, a very civil
     and intelligent farmer on the spot, gave us every information in his power, and seem'd to enjoy
     it. A paved Roman road crosses his orchard, only cover'd by grass. A small lamp, found on the
     premises, is in possession of Mrs. Price. And several very perfect Roman Bricks, are turn'd up
     by the plough, all stamp'd while the clay was wet, as the work of the second Legion of
     Augustus, as I have endeavour'd to show in the scetch. </p>
    <p rend="noCount">In the wild, bushy lane, leading down to 'the <ref target="places.html#YGaer"
      >Gaer</ref>' stands a stone (perhaps 5 foot high, and 3 wide, by 6in thick,) calld 'Marn
     Morinion' or 'the Maiden's Stone.' It has had 3 lines of inscription, now so effaced, that <ref
      target="people.html#LloydBakerThomasJ">Mr B</ref>. could only make out a few words, but we
     learn'd that the whole is decipher'd, and is in the possession of a gentleman at Brecon. In
     front are two figures, once rais'd from the surface, but now batter'd away nearly to a flat.
     That on the right, (looking at the drawing) appears to have been a Roman soldier with the dress
     like a Highland philibeg, or petticoat. the other figure I think was a female, but the position
     of their arms is not to be made out; and though the figures in my sketch<note n="27" place="foot"
      resp="editors">From Welsh Heritage website <title level="a"><ref target="http://www.gtj.org.uk/en/small/item/GTJ61024/">Gathering the Jewels</ref></title>: 'The Maiden Stone or Maen y Morwynion, a
      large carved stone found at Brecon Gaer Roman fort near Brecon, and now in Brecknock Museum
      and Art Gallery. The badly weathered carving represents a Roman citizen and his wife'.
      <ref target="http://www.gtj.org.uk/en/small/item/GTJ61024/">Bloomfield's sketch</ref> was engraved and published in
       <title level="j">The Antiquarian &amp; Topographical Cabinet</title> (1809).</note> appear so very
     imperfect, I doubt they are too perfect rather, to be strictly just to the original. </p>
    <p rend="noCount">A spot close </p>

    <ab rend="noCount" rendition="#left">[<ref target="image52v.html">f. 52v</ref>]
     <figure rendition="#left"><graphic url="../images/f52vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image53.html">f. 53</ref>]
     <figure rendition="#left"><graphic url="../images/f53Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">in the neighbourhood of <ref target="places.html#Brecon">Brecon</ref>, calld the 'Priory
     Groves,' the property of Lord Camden, forms a beautiful walk for the town's people, a stream
     makes its way over a number of rocky obstructions in a deep valley below, keeping a continual
     murmur, though allmost entirely hid by the trees. </p>
    <p rend="noCount">(Left <ref target="places.html#Brecon">Brecon</ref> Monday morning, 24th)</p>
    <p rend="noCount">This day's journey was to take us to <ref target="places.html#Hereford">Hereford</ref>. we
     could not attempt to climb '<ref target="places.html#PenYVan">the Vann</ref>' in the
     neighbourhood, esteem'd the highest in South Wales; and which, during our Sunday's ride and
     this morning were continually cap'd by clouds. (N.B. Price, the farmer, said he could almost to
     a certainty foretel rain, by the appearance of the clouds on the Vann.) Mr and Mrs Morgan in
     their own chariot accompanied us as far as Hay; in the way to which town stands the remains of
      <ref target="places.html#BronllysCastle">Bronyliss Castle</ref>, one tower of which is nearly
     perfect, except the floors. The walls of this tower are about eleven feet thick. The farmer on
     the spot, makes use of it for a hay loft; and he has destroy'd great part of the other walls
     and ruins to have the materials to fence his yard and build a stable! This form'd a pleasing
     subject for the pencil, and my companions enjoyd it, During which, I was thinking of the River
     Wye, and filling my pockets with Nuts. The <ref target="places.html#Severn">Severn</ref>, and
     the Wye, both take their rise from the mountain of <ref target="places.html#Plynlimon"
      >Plenlimon</ref>. <ref target="places.html#HayOnWye">Hay</ref>, where we dined, stands on the
     Wye, and we felt a kind of unaccountable affection for the stream that had in its lower
     progress given us so much pleasure. Here is likewise fine remains of a castle; and in the
     churchyard we observed a <emph>new grave</emph> strew'd with flowers! It is a Welsh custom, and
     they are </p>

    <ab rend="noCount" rendition="#left">[<ref target="image54v.html">f. 54v</ref>]
     <figure rendition="#left"><graphic url="../images/f54vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image55.html">f. 55</ref>]
     <figure rendition="#left"><graphic url="../images/f55Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">often not strewn, but <emph>planted</emph> on the grave; and carefully weeded by the
     surviving friends of the deceased. In this case we only observed <del rend="strikethrough"
      hand="#dhl">only</del> &lt;one&gt; sprig of sweet-briar <emph>growing</emph>. It was a
     beautiful, sad, and impressive sight; which will make me detest the unhallow'd mob of bones in
      <ref target="places.html#BunhillFields">Bunhill fields</ref> more than I ever did before. let
     me be buried any where but in a croud! </p>
    <p rend="noCount">Here we parted with our <ref target="places.html#Brecon">Brecon</ref> friends,
     and proceeded onwards, passing on the steep bank of the Wye the poor remains of <ref
      target="places.html#CliffordCastle">Clifford Castle</ref>, said to be the birthplace of Fair
      Rosamond.<note n="28" place="foot" resp="editors">Rosamund Clifford (before 1150-c. 1176): King Henry
      II's mistress, supposedly killed by his Queen Eleanor of Aquitaine. Legends also suggest Henry
      built for her a lodge at Woodstock with a labyrinth-garden as her bower. She is the subject of
      the <title level="m">Ballad of Fair Rosamund</title> by Thomas Delaney and the <title level="m">Complaint of
       Rosamund</title> by Samuel Daniel.</note> Cross'd the Wye a few miles further on, and then had
     it on our right, during an uninterrupted ride to <ref target="places.html#Hereford"
      >Hereford</ref>.</p>
    <p rend="noCount">(At <ref target="places.html#Hereford">Hereford</ref>, Monday night) </p>
    <p rend="noCount">During the whole ride the harvest was in all its glory. Orchards abound on each side of the
     road and overhang the highway as plentifully as elms do in Suffolk; and the greatest crop is
     hanging on the trees that has been known for many years. </p>
    <p rend="noCount"><ref target="places.html#Hereford">Hereford</ref> is a clean lively city. We
     lodged at the New Inn, and in the same house was residing the young Roscius, Wm Betty.<note n="29"
      place="foot" resp="editors">Young Roscius, William Henry Betty (1791-1874) a boy actor who
      achieved great fame at Covent Garden during the 1804 and 1806 seasons, playing adult roles,
      including Romeo and Hamlet, Norval in John Home's <title level="m">Douglas</title>, and Rollo in
       <title level="m">Pizarro</title>, leading him to be compared to the celebrated Roman comic actor Quintus
      Roscius Gallus.</note> He play'd Achmet<note n="30" place="foot" resp="editors">Achmet was a role
      taken by Betty in the popular play <title level="m">Barbarossa</title> (1755) by John Brown. Betty
      appeared in the play first in 1804.</note> on the evening of our arrival, but I declined a
     squeeze on so hot an evening. I saw him in the Inn yard in the morning; a well-made youth of
     about 5ft 6in — a good, but surely not by any means an expressive countenance. I beg his pardon
     if I am wrong. He mounted his horse with a kind of toldarol gaiety, and gallop'd out of the
     yard. ——— The tower of the <ref target="places.html#Hereford">cathedral</ref></p>

    <ab rend="noCount" rendition="#left">[<ref target="image56.html">f. 56</ref>]
     <figure rendition="#left"><graphic url="../images/f56Thumb.jpg" width="80px"></graphic></figure></ab>

    <p rend="noCount">has a strange, <emph>squaddy</emph> appearance, being exceedingly large, with turrets too
     small, and the height not according well with the proportion of the building.<note n="31" place="foot"
      resp="editors">Since writing the above, I have found the following memorandum in the 'Tablet
      of Memory:' Hereford Cathedral nearly destroyed by the fall of its tower, September the 10th,
      1786 [Bloomfield's note, referring to the events of Easter Monday, 1786, when the west tower
      fell, ruining the west front and parts of the nave. James Wyatt (1746-1813) was called in to
      plan restoration, resulting in the supporting of arches by new columns].</note> The interior
     is elegant, and contains many very old monuments. But amongst the oddest particulars of this
     church is the circumstance of its having two of the immense arches under the tower in the
     interior of the church, <emph>supported</emph> by an upright pillar dividing at the top, so as
     to destroy the beauty of the arch, and make a singular appearance. These pillars are
     comparatively modern, and surely there must have been some other cause, not now apparent, to
     induce any architect to attempt so paradoxical a fancy, as to support an arch <emph>from
      beneath</emph>. </p>
    <p rend="noCount">(Left <ref target="places.html#Hereford">Hereford</ref> at 11. on Tuesday)</p>
    <p rend="noCount">This day's journey was to take us from <ref target="places.html#Hereford">Hereford</ref> to
     the <ref target="places.html#Malvern">Malvern Hills</ref>, and <ref
      target="people.html#LloydBakerThomasJ">Mr F. B</ref>. having to call on his friend, Mr.
     Hopton, of Canfrone, part of the company drove on for <ref target="places.html#Ledbury"
      >Ledbury</ref>, where we proposed meeting there again. Mr. Hopton has a house of no common
     sort. it is very large, and fitted up in the first style of elegance, not fantastically modern.
     Here we dined; and in the true spirit of old english hospitality, the venerable old squire
     asked if we liked 'good beer'? and orderd the servant to bring a bottle of 'seventy-seven.' I
     found that this beer was three years old, when it was, at the above date, put into bottles, and
     was consequently brew'd when I was 8 years old. ———</p>
    <p rend="noCount">We joind our party at <ref target="places.html#Ledbury">Ledbury</ref>, and proceeded on for
      <ref target="places.html#Malvern">Malvern Hills</ref>. Evening came on apace, and darkness
     overtook us as we cross'd the Hills, and turned to the left towards Malvern Wells. The road is
     but narrow, [<ref target="image57.html">f. 57</ref>] and runs on the side of the Hills, giving
     us a starlight view of &lt;the&gt; descent below us, and of the emminence, not to say Mountain,
     above. We reached the Well House, but they were, with all their appendages, full of company; no
     beds could be had. Drove down to the town of Great Malvern, and received the same answer there!
     not even a sitting-room could be had for refreshment! except an offer, (which was eventually
     declined), and which we learned was made by Sir Robert Staples, of the use of his rooms for an
     hour. It was eight miles further to Worcester, and the horses tired, and &lt;now&gt; very dark.
     Every effort was made to procure accomodations, which at last was accomplishd, by procuring
     beds at private houses, &amp;c. —This caused more mirth than disappointment; for every one
      <emph>set out at first</emph> with a determination to be pleased. I lodged at a shop which was
     the post office; and being debarred from the accomodating articles that wait upon my beard, I
     learnd that I could be shaved by a man in the house, and so it proved, for the post office man
     was the shaver! though I took him from weighing tea and cheese. He was a surly old fellow, a
     little on one side, and so was his house; for the flooring of my bedroom was more out of level
     than I ever slep'd on before. It was solid oak, and I dare say perfectly sound; though a large
     fracture, and there being no plaster below it, shew'd me the ostlers and maids at early
     breakfast below me. One of the ostlers snuffled a good deal in his speech; the other was a wit;
     and the maids (if they were such) were a tolerable match for them. ——This morning, having no
     breakfast-room, had a table set in a garden, and the sun shining bright upon the craggy hills
     just above us, made it a beautiful and singular scene. We took two </p>

    <ab rend="noCount" rendition="#left">[<ref target="image57v.html">f. 57v</ref>]
     <figure rendition="#left"><graphic url="../images/f57vThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image58.html">f. 58</ref>]
     <figure rendition="#left"><graphic url="../images/f58Thumb.jpg" width="80px"></graphic></figure></ab>
    <p rend="noCount">saddle-horses for the Ladies, and all together began to ascend the highest peak of Old <ref
      target="places.html#Malvern">Malvern</ref>. It was laborious work! This majestic view has been
     many hundred times described better than I can do it here. I will however remark, that the <ref
      target="places.html#Malvern">Malvern Hills</ref> are a range that rise in comparatively a flat
     country and therefore command an extraordinary view. Amongst the round of objects which we
     deliberately observed, are, on the Welsh side, and turning round to the right; the <ref
      target="places.html#SugarLoaf">Sugar Loaf</ref>; the <ref target="places.html#Skirrid"
      >Skirit</ref>; the <ref target="places.html#BlackMountain">Black Mountains</ref>; the City of
      <ref target="places.html#Hereford">Hereford</ref>; Clay Hills, and the <ref
      target="places.html#Wrekin">Wreaken</ref> in Shropshire; Winbury Hills—The <ref
      target="places.html#Lickey">Lickey</ref>— <ref target="places.html#HagleyGroves">Hagley
      park</ref>— Worcester City (8 miles)—Malvern Abbey just below—the whole valey of Stratford on
     Avon, very distant—<ref target="places.html#BredonHill">Bredon Hill</ref>— The long heights of
      Cotswold—<ref target="places.html#UptonBridge">Upton Bridge</ref>— &lt;down towards the&gt;
     Severn's mouth, and allmost to the ocean! A ditch along the ridge of the hills, marks the
     boundary between the counties of Gloucester and <ref target="places.html#Hereford"
      >Hereford</ref>. I think if I lived on the spot I should climb the hills about twice a week
     for six months, and then be able to give a tolerable account of the scene. Delightful <ref
      target="places.html#Malvern">Malvern</ref>!! I have said above that we all climbed the hill;
     but <ref target="people.html#LloydBakerMary">Mrs F B</ref>. though she had reached the summit
     of '<ref target="places.html#SugarLoaf">Pen y Vale</ref>' in a state (and far advanced) that
     'all women would wish to be who love their lords,'<note n="32" place="foot" resp="editors">Cf. John
      Home, <title level="m">Douglas, a Tragedy</title> (1756), Act I, scene i: 'As women wish to be who love
      their lords'.</note> was, I doubt, <emph>deterred</emph> from this attempt; for I am sure her
     spirit would <emph>never</emph> fail if her reason approved. The old abby church at <ref
      target="places.html#Malvern">Malvern</ref>, reminds one of a man <del rend="strikethrough"
      hand="#dhl">Lost xx</del> in a deep decline, and yet retaining about him all that can attest
     his former strength and vigour. The woman who exhibited what was there to be seen was much
     better informd than many in a similar situation and gave the most unaffected detail I have ever
     heard. The whole fabric is uncommonly damp and discoloured; and unless something is done to
     arrest the scythe of Time, the roof will soon be <del rend="strikethrough" hand="#dhl"
      >xxxx</del> on the floor.</p>
    <p rend="noCount">(Left <ref target="places.html#Malvern">Malvern</ref> for <ref
      target="places.html#Tewkesbury">Tewkesbury</ref> Wednesday at one) </p>
    <p rend="noCount">Leaving <ref target="places.html#Malvern">Malvern Hills</ref>, no other striking scenes <del
      rend="strikethrough" hand="#dhl">which any</del> presented themselves except works of art,
     which, though I affect not to disregard, I am not so much taken with, or able or willing to
     describe. From the summit of <ref target="places.html#Malvern">Malvern</ref>, we had observed
      <ref target="places.html#UptonBridge">Upton Bridge</ref> in the valley, and now pass'd it in
     the road to Tewkesbury.<note n="33" place="foot" resp="editors"><del rend="strikethrough" hand="#dhl"
       >The Avon flows into the Severn at <ref target="places.html#Tewkesbury"
       >Tewkesbury</ref></del> [Bloomfield's note].</note> On entering the latter place, I was
     uncommonly surprised, and delighted with the noble appearance of the streets. A width and
     length, and clearness, and great respectability that I had not been at all apprised of. <ref
      target="places.html#BuryStEdmunds">Bury St. Ed</ref>. I had always esteem'd a fine clean town,
     but the street by which we entered <ref target="places.html#Tewkesbury">Tewkesby</ref> is at
     least twice, and at places thrice as wide as the Abby-gate Stt, and 4 times its length, a more
     respectable street than <ref target="places.html#Holborn">Holboun</ref>. The Stratford Avon
     over which we pass'd, falls into the <ref target="places.html#Severn">Severn</ref> at <ref
      target="places.html#Tewkesbury">Tewkesbury</ref>. The Abby Church has of late years been
      beautified<note n="34" place="foot" resp="editors">In the church books of Tewkesbury, which have been
      preserved for a long time back, are the following entries—'A. D. 1378, paid for the "Players
      Geers" six sheep-skins for Christ's garments.' And in an inventory recorded in the same book,
      1585, are these words—'and order <emph>eight heads of hair for the Apostles, and ten beards,
       and a face or visor, for the</emph> DEVIL.' <title level="j">Monthly Mirror</title>, [October] 1807 [269]
      [Bloomfield's note].</note> and repaired by Mr Wyatt;<note n="35" place="foot" resp="editors">James
      Wyatt (1746-1813) 'the destroyer': architect who carried out controversial remodelling work at
      Hereford and Salisbury cathedrals as well as at Tewkesbury.</note> and as to pulpit and seats
     is the neatest that can be imagined. Prince Edward, son of Edward ye 4th Henry the Sixth, said
     to be murder'd by Richard after the battle of <ref target="places.html#Tewkesbury"
      >Tewkesby</ref>, lies here in the centre of the church, with a small brass inscription. This
     evening was spent with a peculiar pleasure, which we had been promised from our first setting
     out. <ref target="people.html#CooperRobert">Mr. R. B. Cooper</ref> had with him his MS poem
     (unfinishd), &lt;in&gt; which he describes his neighbour '<ref
      target="places.html#StinchcombeHill">Stinchcomb Hill</ref>'— He read it with very good effect,
     and it spoke most amply for its subject and its author. I hope some day to see it finish'd.
     Here likewise took place a [<ref target="image58v.html">f. 58v</ref>] general exhibition and
     comparison of notes and sketches and much good will, <del rend="strikethrough" hand="#dhl"
      >and</del> &lt;with&gt; allowances for the bad, and enjoyment of the good. </p>
    <p rend="noCount">(Left <ref target="places.html#Tewkesbury">Tewkesbury</ref> Thursday morning,
     for Gloucester, and home)</p>
    <p rend="noCount">It was agreed to proceed this last day's journey by way of <ref
      target="places.html#Cheltenham">Cheltenham</ref>, and thence to Gloucester to dinner. <ref
      target="places.html#Cheltenham">Cheltenham</ref> appears to be an increasing town, full of
     dashing shops, and full of what is often called Life, (i.e.) high life. I am not qualified to
     judge of high life, and may be laughed at for my strictures, but as I never feel happy in <ref
      target="places.html#BondStreet">Bond street</ref>, I see no reason that I should here. The
     visitors seem distrest for somthing to do, and I know &lt;of&gt; no calamity equal to it. I
     proposed calling on <ref target="people.html#JennerEdward">Doctor Jenner</ref> who join'd our
     party in the walks, and sent a <ref target="places.html#Cheltenham">Cheltenham</ref> gift for
     my wife, which shall remain in my family with his former tokens between us<note n="36" place="foot"
      resp="editors">Jenner's gifts to Bloomfield were acknowledgements for the pro-vaccination poem
       <title level="m">Good Tidings; or, News from the Farm</title> that Bloomfield, at Jenner's instigation,
      published in 1804. They included a silver inkstand.</note> —The prince was at Cheltenham, and
     though the votaries of fashion follow him as gnats do a horse, to sting him, or to be lashd to
     death, I Found all moralists, and all thinkers, through the whole <del rend="strikethrough"
      hand="#dhl">xxxxx</del> &lt;town&gt; speak of him with a shake of the head, and a humbled, and
     negative kind of exultation—I hope the feeling will last as long as truth and history. Spent
     about 3 hours at <ref target="places.html#Cheltenham">Cheltenham</ref>, and drove on for
     Gloucester, where we dined at three at the King's Head. The Cathedrial is beauty itself.
     Westminster is black and venerable, Canterbury is gigantic, and mix'd in its beauties, but
     this, and particularly the Tower, is a noble and lovely object. We look at it as we would at a
     beautiful woman, without cessation, and without tiring. Gloucester Cathedrial is the burial
     place of Robert of Normandy, and of Edward ye Second, murder'd at <ref
      target="places.html#BerkeleyCastle">Berkeley</ref>.— The city is fine, and is a busy scene,
     but I was more struck with Tewkesbury. From Gloucester we proceeded for home, which we reached
     about nine at night; </p>
    <quote><lg type="stanza">
     <l rendition="#indent3">'Nor stop'd, till where we first got up</l>
     <l rendition="#indent4">We did again get down.'— <note n="37" place="foot" resp="editors">William Cowper,
       'The Diverting History of John Gilpin; Showing how he Went Farther than he Intended, and Came
       Safe Home Again' (1782), stanza 62.</note></l>
    </lg></quote>

    <p rend="noCount"><ref target="places.html#Dursley">Dursley</ref> and <ref target="places.html#Uley">Uley</ref>
     as I have said already are singularly beautiful as to situation, yet such is the force of a set
     of new Ideas, that the most facitious individuals of the party &lt;now&gt; thought their
     beauties tame, because they were compared with what we had seen. I have imbibed the highest
     degree of affection for all the individuals of the party, from the most natural cause in the
     world—because they all seem'd glad to give me pleasure— and I shall forget them all—when my
     grave is strewn with Flowers. </p>
    <ab rendition="#indent3"> R Bloomfield </ab>

    <p rend="noCount">N. B. Before I left the country, visited <ref target="places.html#BerkeleyCastle">Berkeley
      Castle</ref>, and gained much comparative information from here observing a Castle still
     habitable and perfect, with all the characteristics of a Castle which I had so repeatedly seen
     in a state of dilapidation. The room where Edward was murderd has a horrid kind of appearance. </p>
    <p rend="noCount">I returnd to London by way of Oxford, and spent a day there for fear I should never have such
     another chance. But to tell <emph>here</emph> of Oxford sights, great and highly interesting as
     they are, will never do. I leave the task to hands more methodical and more able</p>
    <ab rendition="#indent3">And am most glady at the end of my transcribing duty</ab>
    <ab rendition="#indent3">R. B.</ab>

    <ab rend="noCount" rendition="#left">[<ref target="image59title.html">f. 59</ref>]
     <figure rendition="#left"><graphic url="../images/f59titleThumb.jpg" width="80px"></graphic></figure></ab>

    <ab rend="noCount" rendition="#left">[<ref target="image59map.html">f. 59 map</ref>]
     <figure rendition="#left"><graphic url="../images/f59mapThumb.jpg" width="80px"></graphic></figure></ab>

   </div>
  </body>
 </text>
</TEI>
