 |
"Soundings of Things Done": The
Poetry and Poetics of Sound in the Romantic Ear
and Era
Edited by Susan J. Wolfson |
| This forum attends to the sounding sense of
Romantic poetry, both thematically (a poetics of sound) and sensually/phonically
(the poetry of sound and the sound of poetry). With and introduction
by Susan J. Wolfson, and essays by Susan
J. Wolfson, James Chandler,
Garrett Stewart, and Adam Potkay. |
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The
Fall of Robespierre (1794),
by Samuel Taylor
Coleridge and Robert
Southey
Edited by
Daniel
E.
White,
with
Sarah
Copland
and
Stephen
Osadetz |
| This
edition provides an annotated
text of the play, supplemented
by a wide range of literary
and journalistic materials
that offer contexts in
which to understand the
work's place in relation
to the authors' politics,
the transmission and reception
of news, and the role
of Robespierre within
English political culture. |
|
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Romanticism
and the New Deleuze
Edited
by
Ron
Broglio |
| This
volume summarizes and
utilizes the arc of Gilles
Deleuze's work while turning
it towards Romantic writers,
providing a thoughtful
intervention in Romantic
criticism. With an introduction
by Robert
Mitchell and Ron
Broglio,
and essays by Robert
Mitchell, Ron Broglio,
David Baulch,
and David
Collings. |
|
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New
Letters from Charles
Brown to Joseph Severn (1821-42).
Edited by
Grant
F.
Scott
and
Sue
Brown |
|
A collection of 46 letters published in full for the first time, shedding new light on the life and character of Charles Brown and the most important friendship in the Keats Circle, as well as Keats’s complex legacy to his friends. |