A recent media turn in Romantic studies has foregrounded the ballad—and poetry more generally—as a privileged site for understanding how questions about medium and mediality feature in the writing of the period. But do such questions feature in the era’s prose genres, as well? And is it possible to talk about a medium of Romantic prose as Celeste Langan and Maureen N. McLane talk about a medium of Romantic poetry? In this essay, I suggest that the answer to both of these questions is “yes,” and to show this I turn to the prose tales of James Hogg, a Romantic-period writer who not only recognized bonds of affinity between metrical and prose composition, but also understood ballads and tales to be versions—interchangeable, in a sense—of each other. Like the ballad, I argue, the tale, too, can be understood as a “hybrid oral and textual practice” (in Paula McDowell’s words), a prose form that exhibits a subtle self-consciousness about its own medial status.