Abstract

Concerning the Spiritual in Hogg’s Art

Is there a place for the spiritual in literature? James Hogg's long poem The Queen’s Wake and his sprawling prose narrative The Three Perils of Man appear to literalize an affirmative response by giving play to spirits and other supernatural phenomena. And yet, Hogg’s answer may actually be no, if only because “literature” as imagined by his friend and rival, Walter Scott, downgrades spiritual intensities to the status of cultural differences from everyday life. Hogg did not divide up the world in quite that way, a point with implications not only for the idea of the spiritual, but also, and especially, for literature.