About the Author(s)

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Orrin Wang specializes in the study of both Romanticism and theory and is especially interested in how the two discourses converge. How that convergence speaks to the question of modernity is the focus of his first book, Fantastic Modernity: Dialectical Readings in Romanticism and Theory (Johns Hopkins UP, 1996). How that convergence is further expressed in Romantic and post-Romantic narratives of sensation and sobriety is the subject of his latest work, Romantic Sobriety: Sensation, Revolution, Commodification, History (Johns Hopkins UP, 2011), the winner of the 2011 Jean-Pierre Barricelli Prize for the year's best book in Romanticism studies. Wang has written on such figures as P.B. Shelley, Wordsworth, Keats, Wollstonecraft, Kant, Derrida, and Zizek and also teaches and studies the gothic. He is also the Series Editor of the award winning Romantic Circles Praxis Series. For a transcript of the words he spoke at Marshall Grossman's memorial, click here.

William J. Thomas Mitchell (born 1942) is the Gaylord Donnelley Distinguished Service Professor of English and Art History at the University of Chicago. He is also the editor of Critical Inquiry, and contributes to the journal October.

His monographs, Iconology (1986) and Picture Theory (1994), focus on media theory and visual culture. He draws on ideas from Sigmund Freud and Karl Marx to demonstrate that, essentially, we must consider pictures to be living things. His collection of essays What Do Pictures Want? (2005) won the Modern Language Association's prestigious James Russell Lowell Prize in 2005. In a recent podcast interview Mitchell traces his interest in visual culture to early work on William Blake, and his then burgeoning interest in developing a science of images. In that same interview he discusses his ongoing efforts to rethink visual culture as a form of life and in light of digital media. --from Wikipedia