Sublime Teaching

Guest Editor: J. Jennifer Jones

Call for Papers: Sublime Teaching: Teaching as/through sublime (dis)identification

Proposals are invited for a new volume of the Romantic Pedagogy Commons on the sublime as pedagogical theory.

In the twenty-first century, notions of immersion associated with virtuality and digital technology are significant to discourse on aesthetic experience, the term "immersion" having, according to some, entirely superceded that of the sublime. In the face of computer-generated virtual reality, we might define the term immersion as the collapse of critical distance between the subject and object of the gaze. With that in mind, what kind of scene of instruction is built into the sublime experience, or is it antithetical to the teaching paradigm? Consider Socrates's dialogues, for instance. The great ones may be 90 percent about instruction (they are seminars), but then there is the 10 percent in which he soars out of the dialogue into sublime myth-telling.  In those moments, does he actually instruct, or is something else happening that leaves his students behind except possibly through a kind of identification/transference with the role of the teacher-who-leaves-his-students-in-the-dust? And how does all this sort with the notion of application? Can there be an applied sublime? Are "applied" and "immersive" the same, or related, in this context? Is there not just a transcendental but an immersive sublimity? Is there a contrast between transcendental and immersive teaching methods of sublimity?

You are invited to submit an essay proposal (with title and 500-word abstract) on the concept of teaching as sublime or on some other aspect of teaching and the sublime. Essays for this volume may vary in length from 3,000 to 10,000 words, and you should indicate the proposed length of your submission. Please submit your proposal to Jennifer Jones by December 31, 2006.

The online format of the Commons can accommodate publications which include resources such as sample syllabi, lesson plans, links to handouts, primary reading texts, or in-class exercises, web pages or samples of web-based student activities, full-color illustrations and designs, sound files, digital video, and so on. If you plan to use these kinds of elements, please include comments about your plans to do so in your proposal.  If you'd like to see examples of what's possible in this medium, you might take a look at the Romantic Circles Praxis volumes: <http://www.rc.umd.edu/praxis>, or the "Innovations" or "Ecology" issues of Romantic Pedagogy Commons, <http://www.rc.umd.edu/pedagogies/commons>

All submissions will be peer-reviewed. Romantic Circles editorial staff will adapt the code and design of essays and materials to site standards, so submissions may be in MS Word or HTML format. Final essays (and permissions) will need to be submitted to Jennifer Jones as e-mail attachments by April 1, 2007.

DEADLINE FOR SUBMISSION OF PROPOSALS:  December 31, 2006. Please submit your proposal to J. Jennifer Jones <jjjones@mail.uri.edu>.  If you have questions about the proposed volume, or wish to discuss possible topics, please contact the editor:

J. Jennifer Jones
University of Rhode Island
mailto:jjjones@mail.uri.edu


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