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Caroline Bergvall reads “Mont Blanc” by Percy Bysshe Shelley (Accompanied with music by Mario Diaz de León, “Pervaded with that Ceaseless Motion”)

January 30th, 2006
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In this installment, Caroline Bergvall reads Percy Bysshe Shelly’s “Mont Blanc,” accompanied with music by Mario Diaz de León, “Pervaded with that Ceaseless Motion.” Bergvall is a poet and performance artist based in London, England. Her most recent collection of poetic and performance pieces, FIG (Goan Atom 2) has recently been published by Salt Publishing. Her CD of readings and audiotexts, Via: Poems 1994-2004 (Rockdrill 8 ) is available through Carcanet. She develops live readings, performances, collaborative pieces, both in Europe and in North America. She is Research Fellow at Dartington College of Arts (Devon) and co-Chair of the MFA Writing Faculty, Milton Avery School of the Arts, Bard College (NY). For more information about Bergvall click here. Mario Diaz de León is a composer currently living in Brooklyn, NY, where he writes chamber music for instruments and electronics, collaborates with Jay King in the audiovisual duo King/Diaz de León, and plays improvised music. He holds a B.M. in TIMARA (Technology in Music and Related Arts) from the Oberlin Conservatory, and is a recipient of the 2005 Meet the Composer / Van Lier Fellowship.

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listen to Bergvall’s unaccompanied reading of Section V


Percy Bysshe Shelley, “Mont Blanc: Lines Written in the Vale of Chamouni”

I

The everlasting universe of things
Flows through the mind, and rolls in rapid waves,
Now dark–now glittering–now reflecting gloom–
Now lending splendour, where from secret springs
The source of human thought its tributes bring
Of waters–with a sound but half its own,
Such as a feeble brook will oft assume,
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.

II

Thus thou, Ravine of Arve–dark, deep Ravine–
Thou many-colour’d, many-voiced vale,
Over whose pines, and crags, and caverns sail
Fast cloud-shadows and sunbeams: awful scene,
Where Power in likeness of the Arve comes down
From the ice-gulfs that gird his secret throne,
Bursting through these dark mountains like the flame
Of lightning through the tempest;–thou dost lie,
Thy giant brood of pines around thee clinging,
Children of elder time, in whose devotion
The chainless winds still come and ever came
To drink their odours, and their mighty swinging
To hear–an old and solemn harmony;
Thine earthly rainbows stretch’d across the sweep
Of the aethereal waterfall, whose veil
Robes some unsculptur’d image; the strange sleep
Which when the voices of the desert fail
Wraps all in its own deep eternity;
Thy caverns echoing to the Arve’s commotion,
A loud, lone sound no other sound can tame;
Thou art the path of that unresting sound–
Dizzy Ravine! and when I gaze on thee
I seem as in a trance sublime and strange
To muse on my own separate fantasy,
My own, my human mind, which passively
Now renders and receives fast influencings,
Holding an unremitting interchange
With the clear universe of things around;
One legion of wild thoughts, whose wandering wings
Now float above thy darkness, and now rest
Where that or thou art no unbidden guest,
In the still cave of the witch Poesy,
Seeking among the shadows that pass by
Ghosts of all things that are, some shade of thee,
Some phantom, some faint image; till the breast
From which they fled recalls them, thou art there!

III

Some say that gleams of a remoter world
Visit the soul in sleep, that death is slumber,
And that its shapes the busy thoughts outnumber
Of those who wake and live.–I look on high;
Has some unknown omnipotence unfurl’d
The veil of life and death? or do I lie
In dream, and does the mightier world of sleep
Spread far around and inaccessibly
Its circles? For the very spirit fails,
Driven like a homeless cloud from steep to steep
That vanishes among the viewless gales!
Far, far above, piercing the infinite sky,
Mont Blanc appears–still, snowy, and serene;
Its subject mountains their unearthly forms
Pile around it, ice and rock; broad vales between
Of frozen floods, unfathomable deeps,
And wind among the accumulated steeps;
A desert peopled by the storms alone,
Save when the eagle brings some hunter’s bone,
And the wolf tracks her there–how hideously
Its shapes are heap’d around! rude, bare, and high,
Ghastly, and scarr’d, and riven.–Is this the scene
Where the old Earthquake-daemon taught her young
Ruin? Were these their toys? or did a sea
Of fire envelop once this silent snow?
None can reply–all seems eternal now.
The wilderness has a mysterious tongue
Which teaches awful doubt, or faith so mild,
So solemn, so serene, that man may be,
But for such faith, with Nature reconcil’d;
Thou hast a voice, great Mountain, to repeal
Large codes of fraud and woe; not understood
By all, but which the wise, and great, and good
Interpret, or make felt, or deeply feel.

IV

The fields, the lakes, the forests, and the streams,
Ocean, and all the living things that dwell
Within the daedal earth; lightning, and rain,
Earthquake, and fiery flood, and hurricane,
The torpor of the year when feeble dreams
Visit the hidden buds, or dreamless sleep
Holds every future leaf and flower; the bound
With which from that detested trance they leap;
The works and ways of man, their death and birth,
And that of him and all that his may be;
All things that move and breathe with toil and sound
Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquillity,
Remote, serene, and inaccessible:
And this, the naked countenance of earth,
On which I gaze, even these primeval mountains
Teach the adverting mind. The glaciers creep
Like snakes that watch their prey, from their far fountains,
Slow rolling on; there, many a precipice
Frost and the Sun in scorn of mortal power
Have pil’d: dome, pyramid, and pinnacle,
A city of death, distinct with many a tower
And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin
Is there, that from the boundaries of the sky
Rolls its perpetual stream; vast pines are strewing
Its destin’d path, or in the mangled soil
Branchless and shatter’d stand; the rocks, drawn down
From yon remotest waste, have overthrown
The limits of the dead and living world,
Never to be reclaim’d. The dwelling-place
Of insects, beasts, and birds, becomes its spoil;
Their food and their retreat for ever gone,
So much of life and joy is lost. The race
Of man flies far in dread; his work and dwelling
Vanish, like smoke before the tempest’s stream,
And their place is not known. Below, vast caves
Shine in the rushing torrents’ restless gleam,
Which from those secret chasms in tumult welling
Meet in the vale, and one majestic River,
The breath and blood of distant lands, for ever
Rolls its loud waters to the ocean-waves,
Breathes its swift vapours to the circling air

V

Mont Blanc yet gleams on high:–the power is there,
The still and solemn power of many sights,
And many sounds, and much of life and death.
In the calm darkness of the moonless nights,
In the lone glare of day, the snows descend
Upon that Mountain; none beholds them there,
Nor when the flakes burn in the sinking sun,
Or the star-beams dart through them. Winds contend
Silently there, and heap the snow with breath
Rapid and strong, but silently! Its home
The voiceless lightning in these solitudes
Keeps innocently, and like vapour broods
Over the snow. The secret Strength of things
Which governs thought, and to the infinite dome
Of Heaven is as a law, inhabits thee!
And what were thou, and earth, and stars, and sea,
If to the human mind’s imaginings
Silence and solitude were vacancy?

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Aaron Anstett reads “Hymn to Intellectual Beauty” by Percy Bysshe Shelley

January 23rd, 2006
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In this installment, Aaron Anstett reads “Hymn to Intellectual Beauty” by Percy Bysshe Shelley. Anstett is the author of Sustenance and No Accident, selected by Philip Levine for the 2004 Backwaters Press Prize. In his introduction, Levine wrote, “Aaron Anstett’s No Accident is here for anyone who needs to replenish the belief that American poetry is as healthy and useful as it ever was.” Anstett has held fellowships from the Iowa Writers’ Workshop and the Wisconsin Institute for Creative Writing. He currently lives in Colorado.

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Percy Bysshe Shelley, “Hymn to Intellectual Beauty”

I

THE AWFUL shadow of some unseen Power
Floats though unseen among us,—visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower,—
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,—
Like clouds in starlight widely spread,—
Like memory of music fled,—
Like aught that for its grace may be
Dear, and yet dearer for its mystery

II

Spirit of BEAUTY, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form,—where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o’er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom,—why man has such a scope
For love and hate, despondency and hope?

III

No voice from some sublimer world hath ever
To sage or poet these responses given—
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells—whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone—like mist o’er mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life’s unquiet dream.

IV

Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messenger of sympathies,
That wax and wane in lovers’ eyes—
Thou—that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not—lest the grave should be,
Like life and fear, a dark reality.

V

While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard—I saw them not—
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,—
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!

VI

I vowed that I would dedicate my powers
To thee and thine—have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love’s delight
Outwatched with me the envious night—
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou—O awful LOVELINESS,
Wouldst give whate’er these words cannot express.

VII

The day becomes more solemn and serene
When noon is past—there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm—to one who worships thee,
And every form containing thee,
Whom, SPIRIT fair, thy spells did bind
To fear himself, and love all human kind.

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Joshua Weiner reads “Composed upon Westminster Bridge, Sept. 3, 1802″ by William Wordsworth

January 16th, 2006
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In this installment, Joshua Weiner reads “Composed upon Westminster Bridge, Sept. 3, 1802” by William Wordsworth. Weiner’s collections of poetry include The World’s Room (2001) and From the Book of Giants (2006). He was a Joseph Brodsky Rome Prize Fellow in Literature at the American Academy in Rome and his writing has appeared in numerous publications, including The Nation, Best American Poetry, and The Threepenny Review. He currently lives in Washington, DC.

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William Wordsworth, “Composed upon Westminster Bridge, Sept. 3, 1802″

EARTH has not anything to show more fair:
Dull would he be of soul who could pass by
A sight so touching in its majesty:
This City now doth, like a garment, wear
The beauty of the morning; silent, bare,
Ships, towers, domes, theatres, and temples lie
Open unto the fields, and to the sky;
All bright and glittering in the smokeless air.
Never did sun more beautifully steep
In his first splendour, valley, rock, or hill;
Ne’er saw I, never felt, a calm so deep!
The river glideth at his own sweet will:
Dear God! the very houses seem asleep;
And all that mighty heart is lying still!

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Robert Thomas reads “On first looking into Chapman’s Homer” by John Keats

January 9th, 2006
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In this installment, Robert Thomas reads “On first looking into Chapman’s Homer” by John Keats. Thomas’s Door to Door (Fordham University Press, 2002) was chosen by Yusef Komunyakaa as the winner of the Poets Out Loud Prize.  He received a 2003 poetry fellowship from the National Endowment for the Arts, and his poem “Quarter Past Blue” appeared in the 2004 Pushcart Prize anthology.  His most recent book of poems, Dragging the Lake, is forthcoming from Carnegie Mellon University Press.  He has an MFA from Warren Wilson College. He and his wife live in South San Francisco.  Learn more about Thomas’s work here.

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John Keats, “On first looking into Chapman’s Homer”

Much have I travell’d in the realms of gold,
And many goodly states and kingdoms seen;
Round many western islands have I been
Which bards in fealty to Apollo hold.
Oft of one wide expanse had I been told
That deep-brow’d Homer ruled as his demesne:
Yet did I never breathe its pure serene
Till I heard Chapman speak out loud and bold:
Then felt I like some watcher of the skies
When a new planet swims into his ken;
Or like stout Cortez, when with eagle eyes
He stared at the Pacific—and all his men
Look’d at each other with a wild surmise—
Silent, upon a peak in Darien.

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Ira Sadoff reads “London” by William Blake

January 2nd, 2006
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In this installment, Ira Sadoff reads “London” by William Blake. Sadoff is the author of seven collections of poetry, most recently Grazing and Barter. (To hear him read his poem “IRAN/IRAQ,” from this collection, please click here.) He is also the author of a novel, Uncoupling, and The Ira Sadoff Reader (poems, stories, and essays). His work has been widely anthologized, appearing in both The Harper Anthology of American Literature and St. Martin’s Introduction to Literature; he has received grants from the Guggenheim Foundation and the NEA and has taught at the University of Virginia, the Iowa Writer’s Work Shop, and the M.F.A. program at Warren Wilson College. Currently, he teaches at Colby College and is a core faculty member at New England College’s low-residency M.F.A. program. For more information on his work, see here or here.

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William Blake’s “London”

I wander thro’ each charter’d street,
Near where the charter’d Thames does flow,
And mark in every face I meet
Marks of weakness, marks of woe.

In every cry of every Man,
In every Infant’s cry of fear,
In every voice, in every ban,
The mind-forg’d manacles I hear.

How the Chimney-sweeper’s cry
Every black’ning Church appalls;
And the hapless Soldier’s sigh
Runs in blood down Palace walls.

But most thro’ midnight streets I hear
How the youthful Harlot’s curse
Blasts the new born Infant’s tear,
And blights with plagues the Marriage hearse.

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