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Archive for August, 2006

Robin Beth Schaer reads “To Sleep” by John Keats

August 28th, 2006
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In this installment, Robin Beth Schaer reads “To Sleep” by John Keats. Schaer is the recipient of a fellowship from the Virginia Center for the Creative Arts and has been nominated for a Pushcart Prize. Her work has appeared in Rattapallax, Denver Quarterly, Guernica, Painted Bride Quarterly, and Barrow Street, among others. She was educated at Colgate University and Columbia University, and has taught literature and writing at Columbia University and Cooper Union. She works at the Academy of American Poets and lives in New York City.

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John Keats, “To Sleep”

O SOFT embalmer of the still midnight!
Shutting with careful fingers and benign
Our gloom-pleased eyes, embower’d from the light,
Enshaded in forgetfulness divine;
O soothest Sleep! if so it please thee, close,
In midst of this thine hymn, my willing eyes,
Or wait the amen, ere thy poppy throws
Around my bed its lulling charities;
Then save me, or the passèd day will shine
Upon my pillow, breeding many woes;
Save me from curious conscience, that still lords
Its strength for darkness, burrowing like a mole;
Turn the key deftly in the oilèd wards,
And seal the hushèd casket of my soul.

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Sarah Gridley reads an excerpt from “Childe Harold’s Pilgrimage” [Canto Four, Stanzas 178-186] by George Gordon, Lord Byron

August 21st, 2006
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In this installment, Sarah Gridley reads an excerpt from “Childe Harold’s Pilgrimage” by George Gordon, Lord Byron. Gridley was educated at Harvard University, where she earned her BA in English and American Literature, and at the University of Montana, where she earned an MFA in poetry in 2000. Her first collection of poems, Weather Eye Open, was published in the New California Poetry Series by the University of California Press, Berkeley. Her poems have appeared in the Beloit Poetry Journal, jubilat, Journal 1913, VOLT, and elsewhere. She works at the Patten Free Library in Bath, Maine.

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George Gordon, Lord Byron, an excerpt from “Childe Harold’s Pilgrimage” [Canto Four, Stanzas 178-186]

CLXXVIII.

There is a pleasure in the pathless woods,
There is a rapture on the lonely shore,
There is society where none intrudes,
By the deep Sea, and music in its roar:
I love not Man the less, but Nature more,
From these our interviews, in which I steal
From all I may be, or have been before,
To mingle with the Universe, and feel
What I can ne’er express, yet cannot all conceal.

CLXXIX.

Roll on, thou deep and dark blue Ocean — roll!
Ten thousand fleets sweep over thee in vain;
Man marks the earth with ruin — his control
Stops with the shore; — upon the watery plain
The wrecks are all thy deed, nor doth remain
A shadow of man’s ravage, save his own,
When for a moment, like a drop of rain,
He sinks into thy depths with bubbling groan,
Without a grave, unknelled, uncoffined, and unknown.

CLXXX.

His steps are not upon thy paths, — thy fields
Are not a spoil for him, — thou dost arise
And shake him from thee; the vile strength he wields
For earth’s destruction thou dost all despise,
Spurning him from thy bosom to the skies,
And send’st him, shivering in thy playful spray
And howling, to his gods, where haply lies
His petty hope in some near port or bay,
And dashest him again to earth: — there let him lay.

CLXXXI.

The armaments which thunderstrike the walls
Of rock-built cities, bidding nations quake,
And monarchs tremble in their capitals.
The oak leviathans, whose huge ribs make
Their clay creator the vain title take
Of lord of thee, and arbiter of war;
These are thy toys, and, as the snowy flake,
They melt into thy yeast of waves, which mar
Alike the Armada’s pride, or spoils of Trafalgar.

CLXXXII.

Thy shores are empires, changed in all save thee —
Assyria, Greece, Rome, Carthage, what are they?
Thy waters washed them power while they were free
And many a tyrant since: their shores obey
The stranger, slave, or savage; their decay
Has dried up realms to deserts: not so thou,
Unchangeable save to thy wild waves’ play —
Time writes no wrinkle on thine azure brow —
Such as creation’s dawn beheld, thou rollest now.

CLXXXIII.

Thou glorious mirror, where the Almighty’s form
Glasses itself in tempests; in all time,
Calm or convulsed — in breeze, or gale, or storm,
Icing the pole, or in the torrid clime
Dark-heaving; — boundless, endless, and sublime —
The image of Eternity — the throne
Of the Invisible; even from out thy slime
The monsters of the deep are made; each zone
Obeys thee: thou goest forth, dread, fathomless, alone.

CLXXXIV.

And I have loved thee, Ocean! and my joy
Of youthful sports was on thy breast to be
Borne like thy bubbles, onward: from a boy
I wantoned with thy breakers — they to me
Were a delight; and if the freshening sea
Made them a terror — ’twas a pleasing fear,
For I was as it were a child of thee,
And trusted to thy billows far and near,
And laid my hand upon thy mane — as I do here.

CLXXXV.

My task is done — my song hath ceased — my theme
Has died into an echo; it is fit
The spell should break of this protracted dream.
The torch shall be extinguished which hath lit
My midnight lamp — and what is writ, is writ —
Would it were worthier! but I am not now
That which I have been — and my visions flit
Less palpably before me — and the glow
Which in my spirit dwelt is fluttering, faint, and low.

CLXXXVI.

Farewell! a word that must be, and hath been —
A sound which makes us linger; yet, farewell!
Ye, who have traced the Pilgrim to the scene
Which is his last, if in your memories dwell
A thought which once was his, if on ye swell
A single recollection, not in vain
He wore his sandal-shoon and scallop shell;
Farewell! with him alone may rest the pain,
If such there were — with you, the moral of his strain.

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Anne Rouse reads Percy Bysshe Shelley’s “Ode to the West Wind”

August 14th, 2006
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In this installment, Anne Rouse reads Percy Bysshe Shelley’s “Ode to the West Wind.” Rouse, a native Virginian, lives in Hastings, England. She was Literary Fund Visiting Writing Fellow at Queens University, Belfast as well as at the University of Glasgow from 2000-02. Her poems have appeared in the Atlantic, The Times Literary Supplement, Poetry, the London Review of Books and other journals. Her three collections are published by Bloodaxe Books.

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Percy Bysshe Shelley, “Ode to the West Wind”

I

O WILD West Wind, thou breath of Autumn’s being
Thou from whose unseen presence the leaves dead
Are driven like ghosts from an enchanter fleeing,

Yellow, and black, and pale, and hectic red,
Pestilence-stricken multitudes! O thou
Who chariotest to their dark wintry bed

The wingèd seeds, where they lie cold and low,
Each like a corpse within its grave, until
Thine azure sister of the Spring shall blow

Her clarion o’er the dreaming earth, and fill
(Driving sweet buds like flocks to feed in air)
With living hues and odours plain and hill;

Wild Spirit, which art moving everywhere;
Destroyer and preserver; hear, O hear!

II

Thou on whose stream, ‘mid the steep sky’s commotion,
Loose clouds like earth’s decaying leaves are shed,
Shook from the tangled boughs of heaven and ocean,

Angels of rain and lightning! there are spread
On the blue surface of thine airy surge,
Like the bright hair uplifted from the head

Of some fierce Mænad, even from the dim verge
Of the horizon to the zenith’s height,
The locks of the approaching storm. Thou dirge

Of the dying year, to which this closing night
Will be the dome of a vast sepulchre,
Vaulted with all thy congregated might

Of vapours, from whose solid atmosphere
Black rain, and fire, and hail, will burst: O hear!

III

Thou who didst waken from his summer dreams
The blue Mediterranean, where he lay,
Lull’d by the coil of his crystàlline streams,

Beside a pumice isle in Baiæ’s bay,
And saw in sleep old palaces and towers
Quivering within the wave’s intenser day,

All overgrown with azure moss, and flowers
So sweet, the sense faints picturing them! Thou
For whose path the Atlantic’s level powers

Cleave themselves into chasms, while far below
The sea-blooms and the oozy woods which wear
The sapless foliage of the ocean, know

Thy voice, and suddenly grow gray with fear,
And tremble and despoil themselves: O hear!

IV

If I were a dead leaf thou mightest bear;
If I were a swift cloud to fly with thee;
A wave to pant beneath thy power, and share

The impulse of thy strength, only less free
Than thou, O uncontrollable! if even
I were as in my boyhood, and could be

The comrade of thy wanderings over heaven,
As then, when to outstrip thy skiey speed
Scarce seem’d a vision—I would ne’er have striven

As thus with thee in prayer in my sore need.
O! lift me as a wave, a leaf, a cloud!
I fall upon the thorns of life! I bleed!

A heavy weight of hours has chain’d and bow’d
One too like thee—tameless, and swift, and proud.

V

Make me thy lyre, even as the forest is:
What if my leaves are falling like its own?
The tumult of thy mighty harmonies

Will take from both a deep autumnal tone,
Sweet though in sadness. Be thou, Spirit fierce,
My spirit! Be thou me, impetuous one!

Drive my dead thoughts over the universe,
Like wither’d leaves, to quicken a new birth;
And, by the incantation of this verse,

Scatter, as from an unextinguish’d hearth
Ashes and sparks, my words among mankind!
Be through my lips to unawaken’d earth

The trumpet of a prophecy! O Wind,
If Winter comes, can Spring be far behind?

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Geoffrey Brock reads “A Song About Myself” by John Keats

August 7th, 2006
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In this installment, Geoffrey Brock reads “A Song About Myself” by John Keats. Brock is the author of Weighing Light (Ivan R. Dee, 2005) and the translator of books by Cesare Pavese, Roberto Calasso, and Umberto Eco. He has held a Wallace Stegner Fellowship, an NEA Fellowship, and a Guggenheim Fellowship, and he is on the faculty of the Programs in Creative Writing and Translation at the University of Arkansas. His website is www.geoffreybrock.com.

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John Keats, “A Song About Myself”

I.

There was a naughty boy,
A naughty boy was he,
He would not stop at home,
He could not quiet be-
He took
In his knapsack
A book
Full of vowels
And a shirt
With some towels,
A slight cap
For night cap,
A hair brush,
Comb ditto,
New stockings
For old ones
Would split O!
This knapsack
Tight at’s back
He rivetted close
And followed his nose
To the north,
To the north,
And follow’d his nose
To the north.

II.

There was a naughty boy
And a naughty boy was he,
For nothing would he do
But scribble poetry-
He took
An ink stand
In his hand
And a pen
Big as ten
In the other,
And away
In a pother
He ran
To the mountains
And fountains
And ghostes
And postes
And witches
And ditches
And wrote
In his coat
When the weather
Was cool,
Fear of gout,
And without
When the weather
Was warm-
Och the charm
When we choose
To follow one’s nose
To the north,
To the north,
To follow one’s nose
To the north!

III.

There was a naughty boy
And a naughty boy was he,
He kept little fishes
In washing tubs three
In spite
Of the might
Of the maid
Nor afraid
Of his Granny-good-
He often would
Hurly burly
Get up early
And go
By hook or crook
To the brook
And bring home
Miller’s thumb,
Tittlebat
Not over fat,
Minnows small
As the stall
Of a glove,
Not above
The size
Of a nice
Little baby’s
Little fingers-
O he made
‘Twas his trade
Of fish a pretty kettle
A kettle-
A kettle
Of fish a pretty kettle
A kettle!

IV.

There was a naughty boy,
And a naughty boy was he,
He ran away to Scotland
The people for to see-
There he found
That the ground
Was as hard,
That a yard
Was as long,
That a song
Was as merry,
That a cherry
Was as red,
That lead
Was as weighty,
That fourscore
Was as eighty,
That a door
Was as wooden
As in England-
So he stood in his shoes
And he wonder’d,
He wonder’d,
He stood in his
Shoes and he wonder’d.

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