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Romanticism and the Insistence of the AestheticSubjecticity
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Works CitedAbrams, M.H. The Mirror and the Lamp. Oxford: Oxford University Press, 1953. Adorno, Theodor W. "Zu Subjekt und Objekt," in Gesammelte Schriften 10.2 (Frankfurt am Main: Suhrkamp. 1977. For an English version of the essay, see "Subject and Object" in The Adorno Reader, ed. Brian O'Connor. Oxford: Blackwell's, 2000, 137-151. Balfour, Ian. The Rhetoric of Romantic Prophecy (Stanford: Stanford University Press, 2002). Bate, Jonathan. "Shakespeare and Original Genius," in Genius: The History of an Idea, ed. Penelope Murray (Oxford: Blackwell, 1989), pp. 76-97. Bate, Walter Jackson. The Burden of the Past. New York: W.W. Norton, 1972. Benveniste, Emile. Problems in General Linguistics, trans. Mary Elizabeth Meek. Coral Gables, Fla.: University of Miami Press, 1971. Bloom, Harold. The Anxiety of Influence. New York and London: Oxford University Press, 1973. Bone, Drummond. "The Emptiness of Genius: Aspects of Romanticism," in Genius: The History of an Idea, pp. 113-27. Celan, Paul. Gesammelte Werke 3, ed. Beda Allemann and Stefan Reichert. Frankfurt am Main: Suhrkamp, 2000. Deleuze, Gilles. Kant's Critical Philosophy: The Doctrine of the Faculties, trans. Hugh Tomlinson. Minneapolis: University of Minnesota Press, 1993. De Man, Paul. "Sign and Symbol in Hegel's Aesthetics," in Aesthetic Ideology, ed. Andrzej Warminski. Minneapolis: University of Minneapolis Press, 1996, 91-104. ---. "Phenomenality and Materiality in Kant," in Aesthetic Ideology, 70-90. Derrida, Jacques."Parergon," in Truth in Painting, trans. Geoffrey Bennington and Ian Macleod. Chicago: University of Chicago Press, 1987. Gasché, Rodolphe. The Idea of Form: Rethinking Kant's Aesthetics. Stanford: Stanford UP, 2002. Goetschel Willi. Constituting Critique: Kant's Writing as Critical Praxis. Durham: Duke University Press, 1994. Guyer, Paul. Kant and the Claims of Taste. Cambridge: Cambridge UP, 1997. Jürgen Habermas, The Structural Transformation of the Public Sphere, trans. Thomas Burger. Cambridge, Ma.: MIT Press, 1991. Henrich, Dieter. Aesthetic Judgment and the Moral Image of the World. Stanford: Stanford UP, 1992. Kant, Immanuel. Kritik der Urteilskraft in Werkausgabe, Vol. X. Frankfurt am Main: Sukrkamp, 1977. English: The Critique of Judgement, trans. James Creed Meredith. Oxford: Clarendon Press, 1978. William Keach, Shelley's Style. New York and London: Methuen, 1984. Keats, John. Selected Letters of John Keats, ed. Grant F. Scott. Revised edition. Cambridge, Ma.: Harvard University Press, 2002. Lyotard, Jean-François. Leçons sur l'Analytique du sublime (Paris: Galilée, 1991).English version: Lessons on the Analytic of the Sublime, trans. Elizabeth Rottenberg. Stanford: Stanford UP, 1994. Nancy, Jean-Luc. le discours de la syncope. Paris: Aubier Flammarion, 1973. Pyle, Forest. The Ideology of Imagination: Subject and Society in the Discourse of Romanticism. Stanford: Stanford UP, 1995. Shelley, Percy. Shelley's Prose or The Trumpet of a Prophecy, ed. David Lee Clark. Albuquerque: University of New Mexico, 1966. Terada, Rei. Feeling in Theory: Emotion after the "Death of the Subject". Cambridge, Ma: Harvard University Press, 2001. Wasserman, Earl. Shelley: A Critical Reading. Baltimore and London: Johns Hopkins University Press, 1971.
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