Praxis Series
Romantic Circles

Romanticism and the Insistence of the Aesthetic

Subjecticity
(On Kant and the Texture of Romanticism)

Ian Balfour, York University

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Works Cited

Abrams, M.H. The Mirror and the Lamp. Oxford: Oxford University Press, 1953.

Adorno, Theodor W. "Zu Subjekt und Objekt," in Gesammelte Schriften 10.2 (Frankfurt am Main: Suhrkamp. 1977.  For an English version of the essay, see "Subject and Object" in The Adorno Reader, ed. Brian O'Connor. Oxford: Blackwell's, 2000, 137-151.

Balfour, Ian. The Rhetoric of Romantic Prophecy (Stanford: Stanford University Press, 2002).

Bate, Jonathan. "Shakespeare and Original Genius," in Genius: The History of an Idea, ed. Penelope Murray (Oxford: Blackwell, 1989), pp. 76-97.

Bate, Walter Jackson. The Burden of the Past. New York: W.W. Norton, 1972.

Benveniste, Emile. Problems in General Linguistics, trans. Mary Elizabeth Meek. Coral Gables, Fla.: University of Miami Press, 1971. 

Bloom, Harold.  The Anxiety of Influence. New York and London: Oxford University Press, 1973.

Bone, Drummond. "The Emptiness of Genius: Aspects of Romanticism," in Genius: The History of an Idea, pp. 113-27.

Celan, Paul. Gesammelte Werke 3, ed. Beda Allemann and Stefan Reichert. Frankfurt am Main: Suhrkamp, 2000.

Deleuze, Gilles. Kant's Critical Philosophy: The Doctrine of the Faculties, trans. Hugh Tomlinson. Minneapolis: University of Minnesota Press, 1993.

De Man, Paul. "Sign and Symbol in Hegel's Aesthetics," in Aesthetic Ideology, ed. Andrzej Warminski.  Minneapolis: University of Minneapolis Press, 1996, 91-104. 

---. "Phenomenality and Materiality in Kant," in Aesthetic Ideology, 70-90.

Derrida, Jacques."Parergon," in Truth in Painting, trans. Geoffrey Bennington and Ian Macleod.  Chicago: University of Chicago Press, 1987.

Gasché, Rodolphe. The Idea of Form: Rethinking Kant's Aesthetics. Stanford: Stanford UP, 2002.

Goetschel Willi. Constituting Critique: Kant's Writing as Critical Praxis. Durham: Duke University Press, 1994.

Guyer, Paul.  Kant and the Claims of Taste. Cambridge: Cambridge UP, 1997.

Jürgen Habermas, The Structural Transformation of the Public Sphere, trans. Thomas Burger. Cambridge, Ma.: MIT Press, 1991.

Henrich, Dieter. Aesthetic Judgment and the Moral Image of the World. Stanford: Stanford UP, 1992.

Kant, Immanuel. Kritik der Urteilskraft in Werkausgabe, Vol. X. Frankfurt am Main: Sukrkamp, 1977. English: The Critique of Judgement, trans. James Creed Meredith. Oxford: Clarendon Press, 1978.

William Keach, Shelley's Style. New York and London: Methuen, 1984.

Keats, John. Selected Letters of John Keats, ed. Grant F. Scott. Revised edition. Cambridge, Ma.: Harvard University Press, 2002.

Lyotard, Jean-François. Leçons sur l'Analytique du sublime (Paris: Galilée, 1991).English version: Lessons on the Analytic of the Sublime, trans. Elizabeth Rottenberg. Stanford: Stanford UP, 1994.

Nancy, Jean-Luc. le discours de la syncope. Paris: Aubier Flammarion, 1973.

Pyle, Forest. The Ideology of Imagination: Subject and Society in the Discourse of Romanticism. Stanford: Stanford UP, 1995.

Shelley, Percy. Shelley's Prose or The Trumpet of a Prophecy, ed. David Lee Clark. Albuquerque: University of New Mexico, 1966.

Terada, Rei. Feeling in Theory: Emotion after the "Death of the Subject". Cambridge, Ma: Harvard University Press, 2001.

Wasserman, Earl. Shelley: A Critical Reading. Baltimore and London: Johns Hopkins University Press, 1971.



Romantic Circles Praxis Series
Series Editor: Orrin N. C. Wang
Volume Technical Editor: Kate Singer

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