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				<title type="main">Robert Bloomfield: The Inestimable Blessing of Letters</title>
				<title type="subordinate">A Romantic Circles PRAXIS Volume</title>
				<editor role="editor">John Goodridge</editor>
				<editor role="editor">Bridget Keegan</editor>
				<sponsor>Romantic Circles</sponsor>
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					<resp>General Editor,</resp>
					<name>Neil Fraistat</name>
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					<resp>General Editor,</resp>
					<name>Steven E. Jones</name>
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					<resp>Technical Editor</resp>
					<name>Laura Mandell</name>
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					<resp>Praxis Editor</resp>
					<name>Orrin N.C. Wang</name>
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				<publisher>Romantic Circles, http://www.rc.umd.edu, University of
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				<date when="2011-08-01">August 1, 2011</date>
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            <addrLine>c/o Professor Neil Fraistat</addrLine>
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				<head>About this volume</head>
				<p rend="noCount">This volume of <title level="j">Romantic Circles Praxis
						Series</title> includes an editor's introduction by <ref
						target="#GoodridgeAbout">John Goodridge</ref> and <ref target="#KeeganAbout"
						>Bridget Keegan</ref>, essays by <ref target="#FulfordAbout">Tim
						Fulford</ref>, <ref target="#DenneyAbout">Peter Denney</ref>, <ref
						target="#HaywoodAbout">Ian Haywood</ref>, and <ref target="#KeeganAbout"
						>Bridget Keegan</ref>.</p>

				<!-- Long volume abstract goes here -->
				<p rend="noCount">Robert Bloomfield's letters document one artist’s struggles (and
					sometimes his victories) to share his unique voice and vision; the online
					publication of his extant letters (a companion to this collection of essays)
					reveals new and exciting insights into Bloomfield the artist and the man. The
					essays included in this collection highlight and draw attention to aspects of
					Bloomfield's literary production that would likely not be possible without the
					full access to his letters that the edition provides, and make a strong case for
					why Bloomfield continues to be worthy of study. They suggest how much more
					remains to be said about this prolific poet.</p>

				<!-- Change name of encoder here -->
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					<head>About the Design and Markup</head>
					<p rend="noCount">This volume was TEI-encoded by Dave Rettenmaier and Michael
						Quilligan, site managers for Romantic Circles. Laura Mandell transformed the
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					<p rend="noCount">The image associated with this volume includes elements from
						Dave Rettenmaier's original, now retired, design for <title level="m"><ref
								target="http://romantic.arhu.umd.edu/editions/bloomfield_letters/"
								>The Letters of Robert Bloomfield and his Circle</ref></title>,
						available elsewhere on this site.</p>
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				<div type="section">
					<head>About the Romantic Circles Praxis Series</head>

					<p rend="noCount">The <title level="j">Romantic Circles Praxis Series</title> is
						devoted to using computer technologies for the contemporary critical
						investigation of the languages, cultures, histories, and theories of
						Romanticism. Tracking the circulation of Romanticism within these
						interrelated domains of knowledge, <title level="j">RCPS</title> recognizes
						as its conceptual terrain a world where Romanticism has, on the one hand,
						dissolved as a period and an idea into a plurality of discourses and, on the
						other, retained a vigorous, recognizable hold on the intellectual and
						theoretical discussions of today. <title level="j">RCPS</title> is committed
						to mapping out this terrain with the best and most exciting critical writing
						of contemporary Romanticist scholarship.</p>
				</div>

				<!-- Contributor bios here -->
				<div type="section">
					<head>About the Contributors</head>

					<p rend="noCount"><hi rend="bold">John Goodridge<anchor xml:id="GoodridgeAbout"
							/></hi> is Professor of English at Nottingham Trent University and the
						author of <title level="m">Rural Life in Eighteenth-Century English
							Poetry</title> (Cambridge UP, 1995). He is a Fellow of the English
						Association, an Academic Advisor to the Robert Bloomfield Society, and
						Vice-President of the John Clare Society. He is the Editorial Director of
						Trent Editions and the General Editor of two <title level="m">English
							Labouring-Class Poets</title> series (2003 and 2006). His new study of
							<title level="m">John Clare, Poetry and Community</title> is forthcoming
						from Cambridge.</p>

					<p rend="noCount">[<ref target="praxis.2011.goodridge-keegan.html">go to
							essay</ref>]</p>

					<p rend="noCount"><hi rend="bold">Bridget Keegan</hi><anchor
							xml:id="KeeganAbout"/> is Professor of English at Creighton University.
						She is the author of <title level="m">British Labouring-Class Nature Poetry,
							1730-1837 </title>(Palgrave, 2008) and has edited several works
						including, with John Goodridge and Simon White, <title level="m">Robert
							Bloomfield: Lyric, Class, and the Romantic Canon</title> (Bucknell UP,
						2006).</p>

					<p rend="noCount">[<ref target="praxis.2011.keegan.html">go to essay</ref>]</p>

					<p rend="noCount"><hi rend="bold">Tim Fulford</hi><anchor xml:id="FulfordAbout"
						/> is a Professor at Nottingham Trent University. He is the editor, with
						Lynda Pratt, of <ref
							target="http://romantic.arhu.umd.edu/editions/bloomfield_letters/"
								><title level="m">The Letters of Robert Bloomfield and his
								Circle</title></ref> and of <ref
							target="http://romantic.arhu.umd.edu/editions/southey_letters/"><title
								level="m">The Collected Letters of Robert Southey</title></ref>
						(both online at <emph>Romantic Circles</emph>). His most recent monograph is
							<emph>Romantic Indians</emph> (Oxford, 2006).</p>

					<p rend="noCount">[<ref target="praxis.2011.fulford.html">go to essay</ref>]</p>

					<p rend="noCount"><hi rend="bold">Peter Denney<anchor xml:id="DenneyAbout"
							/></hi> recently completed his Ph.D. in the Centre for Eighteenth
						Century Studies at the University of York. His thesis, <title level="a"
							>Silencing the Poor: Soundscape, Landscape, and Society in
							Eighteenth-Century Britain,</title> examined how the rise of picturesque
						landscape aesthetics influenced contemporary perceptions of the acoustic
						environment, focusing particularly on polite attitudes to the sound of
						plebeian culture. He is currently a Lecturer at Griffith University,
						Australia.</p>

					<p rend="noCount">[<ref target="praxis.2011.denney.html">go to essay</ref>]</p>

					<p rend="noCount"><hi rend="bold">Ian Haywood<anchor xml:id="HaywoodAbout"
							/></hi> is Professor of English at Roehampton University, London. His
						most recent books are <title level="m">Bloody Romanticism: Spectacular
							Violence and the Politics of Representation 1776-1832</title> (Palgrave,
						2006) and <title level="m">The Revolution in Popular Literature: Print,
							Politics and the People 1790-1860</title> (Cambridge University Press,
						2004). He is currently working on a series of articles on Romantic-period
						caricature, and editing (with John Seed) a collection of essays on the
						Gordon Riots, to be published by Cambridge University Press. </p>

					<p rend="noCount">[<ref target="praxis.2011.haywood.html">go to essay</ref>]</p>
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