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				<title type="subordinate">A Romantic Circles PRAXIS Volume</title>
				<title level="a">About this Volume</title>
				<editor role="editor">Paul Youngquist</editor>
				<editor role="editor">Frances Botkin</editor>
				<sponsor>Romantic Circles</sponsor>
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					<name>Neil Fraistat</name>
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				<head>About this volume</head>
				<p rend="noCount">This volume of <title level="j">Romantic Circles Praxis Series</title>
					includes an editor's introduction by <ref target="#YoungquistAbout">Paul Youngquist</ref> and <ref target="#BotkinAbout">Frances Botkin</ref>, essays by <ref target="#TwaAbout">Lindsay J. Twa</ref>, <ref target=
						"#SzwydkyAbout">Lissette Lopez Szwydky</ref>, <ref target="#AlmeidaAbout">Joselyn Almeida</ref>, <ref target="#KennedyAbout">Dustin Kennedy</ref>, and <ref target="#SpeitzAbout">Michele Speitz</ref>.</p>
				
			<!-- Long volume abstract goes here -->
				<p rend="noCount">This Romantic Circles Praxis Volume moves the perspective of critical inquiry into British Romanticism from the Island (England) to the Islands (West Indies), considering the particular significance of the Atlantic—watery vortex of myriad economic and cultural exchanges, roaring multiplicity of agencies, and vast whirlpool of creative powers. Black Romanticism remembers a forgotten ancestry of British culture, recovering the vital agencies of diasporic Africans and creole cultures of the West Indies. It does so by practicing counter-literacy, reading the works of nation, empire, and colony against themselves to liberate the common cultures they occlude. The five essays presented here examine texts by or about Jean Jacque Dessalines, Juan Manzano, Jack Mansong, Mary Prince, and John Gabriel Stedman, following a circuitous route that begins in Africa and travels from Haiti, Jamaica, Cuba, Suriname, Bermuda, and Antigua to corresponding points in England, America, and the continent. The circulation of radically different adaptations of the “same” material provides new ways to understand the colonial Caribbean.</p>
				
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				<div type="section"><head>About the Design and Markup</head>
					<p rend="noCount">This volume was TEI-encoded by Michael Quilligan, a site manager for Romantic Circles. Laura Mandell transformed the TEI files into HTML by using modified versions
						of the transforms provided by the <ref target="http://www.tei-c.org/index.xml">TEI</ref>. TEI renders text archival quality for better preservation and future access.</p>
					
					<p rend="noCount">The image associated with this volume includes elements from <title level="a">Group of Negros, as imported to be sold for Slaves,</title> an illustration by William Blake from John Stedman's <title level="m">Narrative, of a Five Years' Expedition, against the Revolted Negroes of Surinam</title>. The original may be found <ref target="http://www.blakearchive.org/exist/blake/archive/object.xq?objectid=bb499.1.comeng.06">here</ref>, at the <ref target="http://www.blakearchive.org">Blake Archive</ref>.</p>
						<p rend="noCount">The HTML pages do not use frames but rather make extensive use
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				<div type="section"><head>About the Romantic Circles Praxis
					Series</head>
				
				<p rend="noCount">The <title level="j">Romantic Circles Praxis Series</title> is devoted to
					using computer technologies for the contemporary critical
					investigation of the languages, cultures, histories, and
					theories of Romanticism. Tracking the circulation of
					Romanticism within these interrelated domains of knowledge,
					<title level="j">RCPS</title> recognizes as its conceptual terrain a world
					where Romanticism has, on the one hand, dissolved as a
					period and an idea into a plurality of discourses and, on
					the other, retained a vigorous, recognizable hold on the
					intellectual and theoretical discussions of today.
					<title level="j">RCPS</title> is committed to mapping out this terrain with
					the best and most exciting critical writing of
					contemporary Romanticist scholarship.</p></div>
				
				<!-- Contributor bios here -->
				<div type="section"><head>About the Contributors</head>
				
					<p rend="noCount"><hi rend="bold">Paul Youngquist<anchor xml:id="YoungquistAbout"></anchor></hi> is Professor of English at University of Colorado a Boulder. His publications include <title level="m">Madness and Blake's Myth</title> (Pennsylvania State UP, 1990), <title level="m">Monstrosities: Bodies and British Romanticism</title> (Minnesota UP, 2003), and <title level="m">Cyberfiction: After the Future</title> (Palgrave, 2010).</p>
				
					<p rend="noCount">[<ref target="praxis.2011.youngquist.html">go to essay</ref>]</p>
					
					<p rend="noCount"><hi rend="bold">Frances Botkin</hi><anchor xml:id="BotkinAbout"></anchor> received her B.A. from the University of Illinois at Urbana-Champaign, and her M.A. and Ph.D. from the University of Illinois at Chicago. Her areas of expertise are British Romanticism, Caribbean literature, and gender studies.  She has presented papers and published articles on Maria Edgeworth, Sydney Owenson, William Wordsworth, Jane Austen, and Jack Mansong (a nineteenth-century Jamaican slave rebel). She is currently working on her book project: <title level="m">Rewriting the Colonial Caribbean: A Cultural History of Obi, or "Three-Finger'd Jack"</title>.</p>
					
					<p rend="noCount">[<ref target="praxis.2011.youngquist.html">go to essay</ref>]</p>
					
					<p rend="noCount"><hi rend="bold">Lindsay J. Twa<anchor xml:id="TwaAbout"></anchor></hi> is Assistant Professor of Art, and Director of the Eide/Dalrymple Gallery at Augustana College.  Her research focuses on the transnational artistic exchanges of African-American visual artists throughout the Black Atlantic.</p>
					
					<p rend="noCount">[<ref target="praxis.2011.twa.html">go to essay</ref>]</p>	
					
					<p rend="noCount"><hi rend="bold">Lissette Lopez Szwydky<anchor xml:id="SzwydkyAbout"></anchor></hi> received her Ph.D. in English and Women's Studies from Penn State University. Her dissertation, <title level="m">Adaptations: The London Stage as Entertainment Industry, 1790-1890</title>, is an investigation of nineteenth-century theatrical dramatizations of novels and their impact in shaping each novel's reception history.  She specializes in nineteenth-century literature (especially the gothic tradition), popular culture, and film adaptations.  Her most recent publication is "Victor Hugo's Notre-Dame de Paris on the Nineteenth-Century London Stage" (<title level="j">European Romantic Review</title> 21.4, 2010).</p>
					
					<p rend="noCount">[<ref target="praxis.2011.szwydky.html">go to essay</ref>]</p>
					
					<p rend="noCount"><hi rend="bold">Joselyn M. Almeida<anchor xml:id="AlmeidaAbout"></anchor></hi> is Assistant Professor of English at the Univesity of Massachusetts, Amherst. She is the author of <title level="m">Reimagining the Transatlantic, 1780-1890</title> (Aldershot: Ashgate, 2011), and editor of <title level="m">Romanticism and the Anglo-Hispanic Imaginary</title> (Amsterdam: Rodopi, 2010).</p>
					
					<p rend="noCount">[<ref target="praxis.2011.almeida.html">go to essay</ref>]</p>
					
					<p rend="noCount"><hi rend="bold">Dustin Kennedy<anchor xml:id="KennedyAbout"></anchor></hi> is currently a doctoral candidate in the English Department at Pennsylvania State University.  His dissertation investigates how depictions of revolt and Revolution were used to promote social change in the nineteenth century.</p>
					
					<p rend="noCount">[<ref target="praxis.2011.kennedy.html">go to essay</ref>]</p>

					<p rend="noCount"><hi rend="bold">Michele Speitz<anchor xml:id="SpeitzAbout"></anchor></hi> is a doctoral candidate in the department of English at the University of Colorado at Boulder. She has reviewed the <title level="m">New Writings of William Hazlitt</title> by Duncan Wu for <title level="j">Romanticism</title> and she is the author of <title level="a">Aural Chiaroscuro: The Emergency Radio Broadcast in Orson Welles’s <title level="m">The War of the Worlds</title></title>, <title level="j">English Language Notes: Special Issue, Time and the Arts</title> 46 (2008): 193-198. Her dissertation project is titled <title level="m">Technologies of the Sublime</title>.</p>
					
					<p rend="noCount">[<ref target="praxis.2011.speitz.html">go to essay</ref>]</p>
				
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