In the interview that comprises this volume, Anne Mellor recounts her determined commitment to rethinking Romanticism through the lens of gender. On the eve of retirement, Mellor continues to query our assumptions and preoccupations as Romanticists...
Susan B. Taylor, "Irish Odalisques and Other Seductive Figures: Thomas Moore's Lalla Rookh" The Containment and Re-deployment of English India, edited by Daniel J. O'Quinn
Micheal Farrell, The Madonna Irlanda, or "The Very First Real Irish Political Picture," 1977. 73 x 68 in. Hugh Lane Municipal Gallery of Art, Dublin. Reproduced by the kind permssion of the artist.
Published @ RC