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				<title type="subordinate">A Romantic Circles PRAXIS Volume</title>
				<title level="a">About this Volume</title><editor>Eric Eisner</editor>
				<sponsor>Romantic Circles</sponsor>
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					<resp>General Editor,</resp>
					<name>Neil Fraistat</name>
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					<resp>General Editor,</resp>
					<name>Steven E. Jones</name>
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					<resp>Technical Editor</resp>
					<name>Laura Mandell</name>
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					<resp>Praxis Editor</resp>
					<name>Orrin N.C. Wang</name>
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				<publisher>Romantic Circles, http://www.rc.umd.edu, University of Maryland</publisher>
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				<date when="2010-11-01">November 1, 2010</date>
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            <addrLine>c/o Professor Neil Fraistat</addrLine>
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				<head>About this volume</head>
				<p rend="noCount">This volume of <title level="j">Romantic Circles Praxis Series</title>
					includes an editor's introduction by <ref target="#EisnerAbout">Eric Eisner</ref>, essays by <ref target="#WatsonAbout">Nicola J. Watson</ref>, <ref target=
						"#TuiteAbout">Clara Tuite</ref>, <ref target="#SchoenfieldAbout">Mark Schoenfield</ref>, and
					<ref target="#BrewerAbout">David A. Brewer</ref>.</p>
				
			<!-- Long volume abstract goes here -->
				<p rend="noCount">Romantic-era fans collected autographs, souvenirs, portraits and relics of celebrity writers, artists, performers and athletes; pored over gossip-filled periodicals and newspaper notices; imitated celebrities' fashion statements; fantasized about becoming friends or lovers with celebrities; got caught up in "crazes" for persons and texts; created fan fiction, wrote fan mail and formed communities of like-minded devotees. Analyzing fan practices across a range of cultural contexts, the essays in this volume will explore how the concept of "fandom" can help us make sense of the role of various audiences in the cultural activity and cultural productions of the Romantic period.</p>
				
				<!-- Change name of encoder here -->
				<div type="section"><head>About the Design and Markup</head>
					<p rend="noCount">This volume was TEI-encoded by Michael Quilligan, a site manager for Romantic Circles. Laura Mandell transformed the TEI files into HTML by using modified versions
						of the transforms provided by the <ref target="http://www.tei-c.org/index.xml">TEI</ref>. TEI renders text archival quality for better preservation and future access. This is the first <title level="j">RCPS</title> volume to be so encoded.</p>
					
					<p rend="noCount">The image associated with this volume is by cartoonist Kate Beaton, creator of the webcomic <title level="m"><ref target="http://www.harkavagrant.com/">Hark! A Vagrant</ref></title>, and is used with her kind permission; the original sketch can be found <ref target="http://beatonna.livejournal.com/115730.html">here.</ref></p>
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				<div type="section"><head>About the Romantic Circles Praxis
					Series</head>
				
				<p rend="noCount">The <title level="j">Romantic Circles Praxis Series</title> is devoted to
					using computer technologies for the contemporary critical
					investigation of the languages, cultures, histories, and
					theories of Romanticism. Tracking the circulation of
					Romanticism within these interrelated domains of knowledge,
					<title level="j">RCPS</title> recognizes as its conceptual terrain a world
					where Romanticism has, on the one hand, dissolved as a
					period and an idea into a plurality of discourses and, on
					the other, retained a vigorous, recognizable hold on the
					intellectual and theoretical discussions of today.
					<title level="j">RCPS</title> is committed to mapping out this terrain with
					the best and most exciting critical writing of
					contemporary Romanticist scholarship.</p></div>
				
				<!-- Contributor bios here -->
				<div type="section"><head>About the Contributors</head>
				
					<p rend="noCount"><hi rend="bold">Eric Eisner<anchor xml:id="EisnerAbout"></anchor></hi> is Associate Professor of English at George Mason University. He is the author of <title level="m">Nineteenth-Century Poetry and Literary Celebrity</title> (Palgrave, 2009), and is currently working on projects on Keats and contemporary poetry and on reading communities in British Romanticism.</p>
				
					<p rend="noCount">[<ref target="praxis.2010.eisner.html">go to essay</ref>]</p>
					
					<p rend="noCount"><hi rend="bold">Nicola J. Watson<anchor xml:id="WatsonAbout"></anchor></hi> is a specialist in romantic literature and culture, and author of <title level="m">Revolution and the Form of the British Novel 1790-1825</title> (OUP, 1994), <title level="m">England's Elizabeth: An Afterlife in Fame and Fantasy</title> (OUP, 2002), and <title level="m">The Literary Tourist: Readers and Places in Romantic and Victorian Britain</title> (Palgrave, 2006). She is the editor of two collections of essays, the first with Mary Favret, <title level="m">At the Limits of Romanticism: Essays in Cultural, Material, and Feminist Criticism</title> (IUP, 2004) and <title level="m">Literary Tourism and Nineteenth-century Culture</title> (Palgrave, 2009), along with an edition of Scott's <title level="m">The Antiquary</title> for Oxford World's Classics and many essays.</p>
					
					<p rend="noCount">[<ref target="praxis.2010.watson.html">go to essay</ref>]</p>	
					
					<p rend="noCount"><hi rend="bold">Clara Tuite<anchor xml:id="TuiteAbout"></anchor></hi> is Senior Lecturer in English at the University of Melbourne. She is the author of <title level="m">Romantic Austen: Sexual Politics and the Literary Canon</title> (Cambridge University Press, 2002), and co-editor, with Gillian Russell, of <title level="m">Romantic Sociability: Social Networks and Literary Culture in Britain, 1770—1840</title> (Cambridge University Press, 2002) and, with Claudia L. Johnson, of <title level="m">A Companion to Jane Austen</title> (Blackwell, 2009). She is currently completing a monograph entitled <title level="a">Proverbial Notorious: Lord Byron and the Rites of Scandalous Celebrity.</title></p>
					
					<p rend="noCount">[<ref target="praxis.2010.tuite.html">go to essay</ref>]</p>
					
					<p rend="noCount"><hi rend="bold">Mark Schoenfield<anchor xml:id="SchoenfieldAbout"></anchor></hi> is Professor of English at Vanderbilt University. He is the author of <title level="m">British Periodicals and Romantic Identity: The "Literary Lower Empire"</title> (Palgrave Macmillan, 2008) and <title level="m">The Professional Wordsworth: Law, Labor, and the Poet's Contract</title> (U of Georgia P, 1996).</p>
					
					<p rend="noCount">[<ref target="praxis.2010.schoenfield.html">go to essay</ref>]</p>

					<p rend="noCount"><hi rend="bold">David A. Brewer<anchor xml:id="BrewerAbout"></anchor></hi> is Associate Professor of English at The Ohio State University, the author of <title level="m">The Afterlife of Character, 1726-1825,</title> and the editor of a forthcoming Broadview Edition of Richard Brinsley Sheridan's <title level="m">The Rivals</title> and George Colman the Elder's <title level="m">Polly Honeycombe</title>.  He is currently working on the uses to which authorial names were put in the eighteenth-century Anglophone world.</p>
					
					<p rend="noCount">[<ref target="praxis.2010.brewer.html">go to essay</ref>]</p>
				
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