|
| ||
Frankenstein's Dream"Mummy, possest": Sadism and Sensibility in Shelley's FrankensteinAnne Williams, University of Georgia
|
||
|
| ||
Works Cited Barker-Benfield, G.J. The Culture of Sensibility: Sex and Society in Eighteenth-Century Britain. Chicago and London: Univ. of Chicago Press, 1992. Brooks, Peter. Reading for the Plot: Design and Intention in Narrative. New York: Knopf, 1984. Campbell, Joseph. The Masks of God: Primitive Mythology. New York: Viking, 1959. Cohen, Jeffrey Jerome, ed. Monster Theory: Reading Culture. Minneapolis and London: Univ. of Minnesota Press, 1996. Donne, John. Poetry and Prose. Ed. Frank J. Warnke. New York: Modern Library, 1967. Freud, Sigmund. Beyond the Pleasure Principle. Standard Edition. Trans. James Strachey, New York and London: W.W. Norton, 1961. Gilbert, Sandra M. and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven and London: Yale Univ. Press, 1979. Griffin, Susan. Pornography and Silence: Culture's Revenge Against Nature. New York: Harper & Row, 1981. Hilton, Nelson. Lexis Complexes: Literary Interventions. Athens, GA: Univ. of Georgia Press, 1995. Hogle, Jerrold E. "'Frankenstein' as neo-gothic: from the ghost of the counterfeit to the monster of abjection." Romanticism, History and the Possibilities of Genre: Re-forming literature 1789-1837. Eds. Tilottama Rajan and Julia M. Wright.Cambridge: Cambridge University Press, 1998. 176-212. Lau, Beth. "The Rime of the Ancient Mariner and Frankenstein." Samuel Taylor Coleridge and the Sciences of Life. Ed. Nicholas Roe. Oxford: Oxford University Press, 2001. 207-23. Lewis, M.G. The Monk. Oxford World Classics. New York: Oxford University Press, 1980. Martin, Mike, and Marsha Porter. Video Movie Guide 2001. New York: Ballantine Books, 2001. Moers, Ellen. Literary Women. Garden City, N.J.: Doubleday, 1976. Noble, Marianne. The Masochistic Pleasures of Sentimental Literature. Princeton, N.J.: Princeton University Press, 2000. ---. "An Ecstasy of Apprehension: The Gothic Pleasures of Sentimental Fiction." American Gothic: New Interventions in a National Narrative. Eds. Robert K. Martin and Eric Savoy. Iowa City: University of Iowa Press, 1998. 163-182. Poovey, Mary. The Proper Lady and the Woman Writer: Ideology as Style in the Works of Mary Wollstonecraft, Mary Shelley, and Jane Austen. Chicago and London: Univ. of Chicago Press, 1984. Rousseau, Jean Jacques. The Confessions and Correspondence, Including the Letters to Malherbes. The Collected Writings of Rousseau. Vol 5. Ed. Christopher Kelly, Roger D. Masters, and Peter G. Stillman. Trans. Christopher Kelley. Hanover and London: University Press of New England, 1995. Sade, Marquis de. Justine ou les malheurs de la vertu. Paris: Éditions Gallimard, 1981. Schaeffer, Neil. The Marquis de Sade: A Life. New York: Alfred A. Knopf, 1999. Shelley, Mary. Frankenstein. New York: Penguin Books, 1985. St. Clair, William. The Godwins and the Shelleys: A Biography of a Family. New York and London: W.W. Norton, 1989. Williams, Anne. Art of Darkness: A Poetics
of Gothic. Chicago and London: University of Chicago Press, 1995. |
|
|
Romantic Circles - Home / Praxis Series / Frankenstein's Dream / Anne Williams , "'Mummy, possest': Sadism and Sensibility in Shelley's Frankenstein" / Works Cited |