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Works Cited
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Benjamin, Walter. "The Task of the Translator. An Introduction to the Translation of Baudelaire's Tableaux parisiens." Illuminations. Ed. Hannah Arendt Trans. Harry Zohn. New York: Schocken, 1969. 69-82. Janowitz, Anne. "'A Voice from across the Sea': Communitarianism at the Limits of Romanticism." At the Limits of Romanticism. Essays in Cultural, Feminist, and Materialist Criticism. Eds. Mary A. Favret and Nicola J. Watson. Bloomington: Indiana UP, 1994. 83-100. ---. Lyric and Labour in the Romantic Tradition. Cambridge: Cambridge UP, 1998. Jones, Steven E. Shelley's Satire. Violence, Exhortation, and Authority. DeKalb: Northern Illinois UP, 1994. LaCapra, Dominick. Representing the Holocaust: History, Theory, Trauma. Ithaca: Cornell UP, 1994. Paley, Morton D. "Apocapolitics: Allusion and Structure in Shelley's Mask of Anarchy." Huntington Library Quarterly 54 (1991): 91-109. Shelley, Percy Bysshe. Shelley's Poetry and Prose. Eds. Donald H. Reiman and Sharon B. Powers. New York: W. W. Norton, 1977. Stoppard, Tom. The Real Thing. London: Faber and Faber, 1984. Wolfson, Susan J. Formal Charges. The Shaping of Poetry in British Romanticism. Stanford: Stanford UP, 1997. |
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Romantic Circles Praxis Series
Series Editors: Orrin Wang and John Morillo Volume Technical Editor: Mike Duvall |
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Romantic Circles - Home / Praxis Series / Reading Shelley's Interventionist Poetry, 1819-1820 / Scrivener, "Introduction" |