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ObiObi in New York: Aldridge and the African GrovePeter Buckley, The Cooper Union for the Advancement of
Science and Art
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Works Cited Buckley, Peter G. "The Place to Make an Artist Work: William Sidney Mount and New York City." Catching the Tune: William Sidney Mount and Music. Ed. Janice Armstrong. Brooklyn: Brooklyn Museum, 1983. Collins, John. "American Drama in Anti-Slavery Agitation, 1792-1861." Diss. University of Iowa, 1963. Hamm, Charles. Yesterdays: Popular Song in America. New York: W.W. Norton and Company, 1979. 114-116. Hatch, James. "Here Comes Everybody: Scholarship and Black Theatre History." Interpreting the Theatrical Past: Essays in the Historiography of Performance. Eds. Thomas Postlewait and Bruce A. McConachie. Iowa City: University of Iowa Press, 1989). 158-159. Hay, Samuel. African-American Theater: A Historical and Critical Analysis. New York: Cambridge University Press, 1994. Hodge, Francis. "Charles Mathews Reports on America." Quarterly Journal of Speech 36 (December 1950). MacDonald, Joyce Green. "Acting Black: Othello, Othello Burlesques, and the performance of blackness." Theatre Journal 46 (May 1994) Mahar, William J. Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture. University of Illinois Press, 1998. Marshall, Herbert and Mildred Stock. Ira Aldridge, The Negro Tragedian. Carbondale: Southern Illinois University Press, 1958 Mathews, Charles. "Mr. Mathews's Trip to America." Mr. Mathews at Home. Philadelphia: Simon Probaco, 1824. McAllister, Marvin Edward. "'White people do not know how to behave at entertainments designed for ladies and gentlemen of colour': A History of New York's African Grove/African Theatre." Diss. Northwestern University, 1997. Nathan, Hans. Dan Emmett and the Rise of Early Negro Minstrelsy. Norman: University of Oklahoma Press, 1962. Odell, George C. D. Annals of the New York Stage. New York: Columbia University Press, 1927. White, Shane. Somewhat More Independent. Athens, GA: University of Georgia Press, 1991. |
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