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ObiTheatrical Forms, Ideological Conflicts, and the Staging of ObiJeffrey N. Cox, University of Colorado at Boulder
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Works Cited Aldridge, Ira. Memoir and Theatrical Career of Ira Aldridge, The African Roscius. London: Onwhyn, 1848. Avery, Emmett L., Charles Beecher Hogan, Arthur H. Scouten, George Winchester Stone, and William Van Lennep, eds. The London Stage 1660-1800. 5 parts, 11 vols. Carbondale: University of Southern Illinois Press, 1960-68. Bickerstaffe, Isaac. The Padlock. Slavery, Abolition, and Emancipation: Writings in the British Romantic Period. Eds. Peter J. Kitson and Debbie Lee. Vol 5. London: Pickering & Chatto, 1999. Burling, William J. The Summer Theater in London, 1661-1820, and the Rise of the Haymarket Theatre. Madison: Farleigh Dickinson Press; London: Associated University Presses, 2000. Cockrell, Dale. Demons of Disorder: Early Blackface Minstrels and Their World Cambridge: Cambridge University Press, 1997. Colman, George, the Younger. Testimony. "Report from the Select Committee Appointed to Inquire into the laws Affecting Dramatic Literature" (1832). Irish University Press Series of British Parliamentary Papers, Stage and Theatre. Vol 1. Shannon: Irish University Press, 1968. 66. Connoly, L. W. The Censorship of the English Drama 1737-1824. San Marino, CA: Huntington Library, 1976. Cox, Jeffrey. "Ideology and Genre in the British Antirevolutionary Drama in the 1790s," ELH 58 (1992): 579-610 ---. Introduction. Slavery, Abolition, and Emancipation: Writings in the British Romantic Period. Eds. Peter J. Kitson and Debbie Lee. Vol 5. London: Pickering & Chatto, 1999. xxi-xxiii. Earle, William, Jr. "Advertisement." Obi; or, The History of Three Fingered Jack. 2nd ed. Worcester: Isaiah Thomas, Jr., 1804. 97. Gates, Henry Louis, Jr. The Signifying Monkey: A Theory of African-American Literary Criticism. Oxford: Oxford University Press, 1988. ---. Figures in Black: Words, Signs, and the "Racial" Self. Oxford: Oxford University Press, 1987. Genovese, Eugene. From Rebellion to Revolution: Afro-American Slave Revolts in the Making of the New World. 2nd Ed. New York: Vintage, 1981. Hill, Errol. The Jamaican Stage 1655-1900. Amherst: University of Massachusetts Press, 1992. Hoskins, Robert, with Eileen Southern. Introduction. "Obi; or, Three-Fingered Jack." Music for London Entertainment. Series D, Vol 4. London: Stainer and Bell, 1996. James, C.L.R. The Black Jacobins: Toussaint L'Ouverture and the San Domingo Revolution. New York: Vintage, 1963. Lhamon, W. T. Raising Cain: Blackface Performance from Jim Crow to Hip Hop. Cambridge, MA: Harvard University Press, 1998. Lott, Eric. Love and Theft: Blackface Minstrelsy and the American Working Class. New York: Oxford University Press, 1993. Marshall, Herbert, and Mildred Stock. Ira Aldridge, The Negro Tragedian. Carbondale: Southern Illinois University Press; London: Feffer & Simmons, Inc., 1958. Mayer, David. Harlequin in His Element. Cambridge, MA: Harvard University Press, 1969. Moseley, Benjamin. A Treatise on Sugar, with Miscellaneous Medical Observations. London: G. G. and J. Robinson, 1799; rev. ed. 1800. Nicholson, Watson. The Struggle for a Free Stage in London. 2nd Ed. New York: Benjamin Blon, 1966. Richardson, Alan. "Romantic Voodoo: Obeah and British Culture, 1797-1807," Studies in Romanticism 32 (Spring 1993). 5-12. Rzepka, Charles J. "Thomas De Quincey's 'Three Fingered Jack': The West Indian Origins of the 'Dark Interpreter'," European Romantic Review 8 (Spring 1997). 117-38. Sutcliffe, Barry. Introduction. Plays by
George Colman the Younger and Thomas Morton. Cambridge: Cambridge
University Press, 1983. |
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