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This paper presents some thoughts on the antagonism
between nineteenth-century European liberalism (taken
here in its broadest sense as a self-regulating
narrative of economic and civic progress) and the
simultaneously spreading idioms of cultural pessimism,
anti-rationalism, and decadence. Behind these two
ideological strata stands a more fundamental tension
between a modern conception of political liberty with
its supplemental language of rights, on the one hand,
and an alternately mystical or mournful reflection on
modern freedom and the metaphysical costs of modernity,
on the other. Representative voices of the latter would
include Burke, Coleridge, Carlyle, Schopenhauer,
Burckhardt, Wagner, Flaubert, Dostoevsky, Tolstoy,
Nietzsche, Thomas Mann, and Spengler (to name but the
most conspicuous). My central contention with regard to
these writers' pessimistic conceptions of freedom and
their overall anti-modern pathos is that we ought to
read them less as a separate current opposing
the dominant narrative of nineteenth-century liberalism
and its identification with rights, institutions, and
the competitive individualism they foster than as a
Blakean contrary surfacing within and disrupting the
master narrative of nineteenth-century liberalism. What
accounts for the aesthetic force and pervasive appeal
of Romantic conservatism, cultural pessimism and/or
neo-Stoicism within the industrial, nationalist, and
imperialist phase of European modernity is something
that liberalism's rights-based theory of social and
economic organization was unable to
accommodate—namely, the metaphysical dilemma of
freedom.
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At the heart of nineteenth-century liberalism, the
political and economic self-description and
self-legitimation of which is furnished in various
inflections by Locke, Smith, Paine, Thelwall, Bentham,
and Mill, we find two central notions—that of
individual self-generation (epigenesis) and
that of historical caesura (epoche), according
to which, as Thomas Paine puts it, "every generation
is, and must be, competent to all the purposes which
its occasions require, . . . [for] the living, and not
the dead, are to be accommodated" (Paine 42). It is in
the languages of "bourgeois radicalism" (as Isaac
Kramnick has called it) that political legitimation and
economic expediency converge most fully, a phenomenon
articulated forecefully in Marx's and Engels's paean to
the revolutionary force and infinite resourcefulness of
capital with its "constant revolutionizing of
production, uninterrupted disturbance of all social
conditions, everlasting uncertainty and agitation"
(Marx and Engels 224). In transposing the
self-originating and iconoclastic force of the
Cartesian cogito into the domain of political
and economic life and so melting "all that is solid
into thin air," the classical liberalism of Hume, Smith
and, even more so, the Whig radicals of the 1790s,
construed liberty as the absence of external
constraints on individuals' pursuit of their contingent
motives. Accounting for the status of these motives
within a broader social framework or general theory of
the polis was no longer a recognized
obligation for either homo economicus or
homo politicus. Hence Hume's and Smith's
influential construction of sympathy as a kind of
virtual social compound supplants, as John Milbank puts
it, "the irreducible primacy of an inherently ethical
end or telos and . . . ground[s] the moral in
something specifically pre-moral, natural and
sub-rational," just as the virtues of justice are now
anchored in "force of habit" in the "regular exercise
of property and contractual laws, so that we perceive
that we have an 'interest' in justice" (Milbank
29).
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Pared down to the mere lubricant for a means-end
rationality whose most dogmatic form would be that of
utilitarianism (as in Bentham, Ricardo, and Mill),
"liberty" thus is defined as the sum total of so many
disaggregated "rights." Just as the accent in James
Steuart is on "wage-labor as a mode of
discipline, not as a mode of freedom" (Milbank
35), the rights of life, property, and contract serve
one purpose only, namely, to facilitate the pursuit of
so many discrete and non-negotiable "motives." It is
therefore quite inconceivable, as Bentham bluntly
states, that "the word right can have a
meaning without a reference to ultility," for what
possible "motive . . . can a man have to pursue the
dictates of it" (Bentham 7)? In its radical,
utilitarian inflection, Liberalism's strength lies in
its unwavering, indeed wholly unreflected commitment to
a notion of process as interminable, self-regulating,
and essentially non-transparent to the individual
agents who advance it. What Max Weber would later
scrutinize with growing alarm as the hegemonic role of
Zweckrationalität in the modern,
bureaucratic nation-state already troubles Hegel in
1807. For in constricting the notion of "value" to mean
solely a given thing or notion's ability to accommodate
an end forever deferred to a hypostatized future,
utilitarianism's strictly instrumental concept of
rationality treats a given thing as something pure and
absolute, to be sure—albeit only as "absolute
for an other." It constitutes "pure insight,
not as such, but insight conceived by it in
the form of an object." Hegel sees it steeped in an
unacknowledged, unreflected, and hence dangerous
metaphysics. Impelled by what Charles Taylor has
described as the "ethics of inarticulacy," the
"punctual or neutral self" on whose opaque agency
utilitarianism and liberalism are premised in turn
defines its own private pursuits by appealing to a
likewise unreflected notion of "utility" as the new and
exclusive criterion of value and meaning. Having pared
the Aristotelian notion of "ends" down to merely
intuited "motives" and fantasized outcomes and mediated
both through a strictly formal notion of utility,
Bentham's skeletal rendition of classical liberalism
can locate utility only in an object outside
its punctual agent whose self "is defined in
abstraction from any constitutive concerns" and whose
"only constitutive property is self-awareness" (Taylor
49). Hence, as Hegel puts it, utilitarianism does
indeed constitute a "metaphysics, but not as yet the
comprehension of it. [It] is still a predicate of the
object, [and] not itself a subject" (Hegel 354).
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Not only does the "bad infinity" (schlechte
Unendlichkeit) of utilitarianism instrumentalize
all things within a general and unreflected economy of
exchange (namely, as accommodating contingent motives
with their varying degrees of utility); it also
instrumentalizes consciousness itself. Unconstrained
by, indeed necessarily opposed to, any normative set of
ends or social frameworks, classical liberalism's model
of individual, competitive agency understands its
flourishing to be premised on the absence of external
constraints and obligations and on its positively
merging utilitarianism's notions of "instrumentality"
and "efficiency." Yet in carving out the space of
opportunity by appealing to liberty as the sum total of
"rights," classical liberalism forgets that its own
ideological justification, too, is driven by
historically contingent and ephemeral circumstances. As
Alasdair McIntyre remarked some time ago, the language
of rights invariably appeals to "the existence of a
socially established set of rules" that "only come into
existence at particular historical periods under
particular social circumstances" (McIntyre 67). Not
only does the language of rights manifestly coincide
with the rise of economic and political liberalism and
utilitarianism, but its putative universality has been
reduced to a value-free formalism.
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Invoking the pivotal role of Hobbes, Hannah Arendt
thus speaks of a "process of never-ending accumulation
of power necessary for the protection of a never-ending
accumulation of capital [that] determined the
'progressive' ideology of the late nineteenth century..
The realization that power accumulation was the only
guarantee for the stability of so-called economic laws"
established a new conception of history as limitless
progress, one that "not only did not want the liberty
and autonomy of man, but was ready to sacrifice
everything and everybody to supposedly superhuman laws
of history" (Arendt 191-192). Aided by the new
discourses and methods of speculative dialectics,
statistics, probabilistic theory, and an array of
evolutionary paradigms, individual agency proves most
efficient when least cognizant of the deep structural
logic of which it is but one fleeting manifestation.
Arendt observes that "public life takes on the
deceptive aspect of a total of private interests as
though these interests could create a new quality
through sheer addition. All the so-called liberal
concepts of politics . . . simply add up private lives
and personal behavior patterns and present the sum as
laws of history, or economics, or politics" (Arendt
192). If, as Marx put it, "the modern bourgeoisie is
itself the product of a long course of development
[das Produkt eines langen Entwicklungsganges]"
(Marx 1977, 223), the trajectory in question involves
the continual recalibration of means and ends whereby
initially conceived goals or outcomes, once attained,
are treated as the material base for further and
equally transient objects of conquest. In such a world,
there are no longer any "ends" but only mutations of
capital awaiting future investment.
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Inevitably, then, all frameworks and norms had to
yield to the iconoclastic and self-certifying
rationality of historical and economic progress. It was
Marx, above all, who clearly grasped and forcefully
articulated how the shift from an intentional to a
systemic paradigm of rationality would eventually merge
capital with "the species-being of man" and, in so
doing, render "both nature and the intellectual
faculties of his species into a being that is alien to
him" (Marx 1977, 81-82). Nineteenth-century
liberalism's conception of historical process as
inexorable, instrumental, and self-regulating thus
presupposes the constitutive blindness of individual
agents to the deep structural significance of their
economic, social, and cultural practices and pursuits.
Indeed, it is this very non-transparency of
the dialectical process to its individual
agents—be it Hegel's "natural consciousness" or
Marx's competitive and delusively "free"
bourgeois—that guarantees its forward momentum
and eventual articulation as a history of progress. At
the same time, such a model leaves its individual
agents in a metaphysically precarious and volatile
position. Already in his 1844 economic manuscripts,
Marx's musing that "the production of human activity as
labor—that is, as an activity wholly
alien to itself and non-transparent to consciousness
and expressive life alike—the abstract
existence of man as a merely laboring being"
carries within itself the perpetual risk that the
latter "may on any given day crash down from the
determinate nothingness into absolute nothingness, into
his social and hence actual non-being."[1]
The lack of any stable, supra-individual framework (an
issue to which I'll return at the end of this paper) is
the price paid for the intrinsic volatility of capital
itself which, as Marx was to analyze in exhaustive
detail later on, realizes its local purposes and
macro-historical mission by metastasizing into myriad
forms, a process facilitated by so many free,
competitive, and uncomprehending individuals.
Notwithstanding their profound and well-known
differences, Hegel and Marx both find in dialectics a
logical framework that allows them to articulate the
rationality of a supra-historical process—the
plot of freedom—that can be advanced only by
individual agents and only at the price of remaining
essentially opaque to them. The advancement of the
material narrative of history thus appears to rest on
the terminal loss of meta-narrative perspectives now
reserved solely for the closeted expertise of
"critique."
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For Hannah Arendt, it is this opaque, "unconscious,"
or "repressed" element, this lack of conceptual and
expressive clarity that is positively constitutive of
bourgeois liberalism and at the same time accounts for
the ideological susceptibility of the so-called "free
bourgeois individual" to the totalitarian utopias of
the twentieth century. Echoing Marx's analyses and
presaging Charles Taylor's critique of liberalism's
"ethics of inarticulacy," Arendt thus sees imperialism
as the extension of classical economic liberalism, even
as this later phase also reveals the entirely partial
and self-serving status of modern "rights" and
"liberties" within its expansionist master-narrative.
It is above all the long shadow of Hobbes that looms
large in Arendt's diagnoses of the transition from
classical liberalism to bourgeois imperialism and from
the Enlightenment's deliberative to utilitarianism's
instrumental paradigm of rationality. In what she calls
"the conquest of the state by the nation" during the
nineteenth century, we find "hardly a single bourgeois
moral standard which has not been anticipated by the
unequaled magnificence of Hobbes's logic. He gives an
almost complete picture, not of Man but of the
bourgeois man: 'reason is nothing but Reckoning'; 'a
free Subject, a free Will' . . . [are] words . . .
without meaning" (Arendt 186). It is here that the full
conflict between the operational logic and the public
claims, between the grammatical structure and
propositional content of liberalism's language of
self-legitimation comes into full view. Let me close,
then, by adumbrating one particularly forceful instance
of anti-Liberal and anti-progressive thinking, namely,
Arthur Schopenhauer's 1839 Prize Essay on the
Freedom of the Will.
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To the official self-image of modern
Liberalism—viz., a progressive, secular nation
whose economic expansion and civic progress is driven
by literate, industrious, and self-possessed
competitive individuals—Schopenhauer is surely
the politically incorrect other par
excellence. An essentialist, necessitarian, and
neo-Stoic pessimist, Schopenhauer is quick to separate
his inquiry from theories of "liberty" and "rights,"
which "only refers to an ability, that is,
precisely to the absence of physical obstacles
to the actions of the animal" (Schopenhauer 4).
Instead, his 1839 essay focuses on "moral freedom,"
which concerns the relationship between the will and
its rational, self-conscious individual. Once the
question becomes whether "the will itself [is]
free," the concept of freedom, "which one had hitherto
thought of only in reference to the ability to
act, [is] now brought in relation to
willing" (Schopenhauer 5). The customary
assertion of the self-possessed and entrepreneurial
self of classical liberalism—"I can do what I
will"—hardly helps answer the underlying
question, namely, "whether the will itself is free" and
whether "you can also will what you will"
(Schopenhauer 6). Forever secondary and
re-active to the primary determinant of the
will, self-consciousness can only respond to the
affective cues ("repugnance, detesting, feeling,
fearing, being angry, hating, mourning, suffering,
etc.") that enter "immediately" into it as "something
agreeable or disagreeable to the will." It is, as
Schopenhauer puts it, "very greatly, properly speaking
even exclusively, concerned with the will"
(11). For the self-conscious individual to say "I can
will, and when I will an action, the movable limbs of
my body will at once and inevitably carry it out the
moment I will it" is to define freedom strictly as
"being able to do in accordance with the will"
(14). Yet there's the rub; for even as
"self-consciousness asserts the freedom of
doing under the presupposition of
willing," Schopenhauer reminds us that "what
we have inquired about is the freedom of
willing" (14). To the extent that it is
claimed as an attribute by and for self-consciousness,
modern freedom only allows individuals to act in
accordance with motives whose appeal to the will is
logically prior and hence inaccessible to any
deliberation.
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What's more, the entire Cartesian axiom of
reflexive, deliberative self-possession—of
rational agents examining and then choosing this or
that course of action—is itself illusory: "to
imagine that, in a given case, opposite acts of will
are possible . . . [is to] confuse wishing with
willing; [people] can wish opposite things,
but can will only one of them; and which one
it is is first revealed to self-consciousness by
the deed" (Schopenhauer 15). While enjoying an
"infinitely wider range of view" (30) than the animal,
the human agent is free in only the most relative and
conditional sense. Driven by motives rather than
instincts, the human being can represent to himself the
motives whose influence he feels on his will in any
order he likes. In this way "he certainly is
relatively free, namely from the immediate
compulsion of objects that are present through
intuition" (31). Yet this does not fundamentally
change the determinacy of action by a given motive:
"its advantage lies merely in the length of the guiding
wire" (31). For to construe the mere absence of a
readily identifiable, intuitively present motive as
positive evidence of a "free will" is to assert ex
negativo the existence of something that will
ultimately prove absurd on its own terms. In fact, the
axiom of "a free will . . . determined by nothing at
all" (8) merely confirms that "clear thinking is at an
end," since the proposition in question asserts "an
effect without a cause" (40). To make a purely formal
appeal to an absent "determinacy" is a
meaningless proposition, since to talk of
"determination" (or lack thereof) can signify only if
the claim itself is acknowledged to have been licensed
by a specific framework of possible meanings.
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As Schelling had argued in his 1809 essay on "Human
Freedom," some notion of "essence" and "ground" is
fundamentally indispensable for the work of philosophy.
Although he writes less in the tradition of Boehme than
that of Epictetus and Seneca, Schopenhauer echoes
Schelling's claim that "in the final and highest
instance there is no other Being than Will. Will is
primordial Being [ Wollen ist Urseyn ]"
(Schelling 26). Most famously, of course, it is
Schopenhauer who posits the will as the very essence of
the human. Inasmuch as "every existentia
presupposes an essentia" (Schopenhauer 51),
the empirical reality of human (deliberative) action
rests on the tacit, indeed inscrutable premise of the
"real self, the true kernel of his being; it therefore
constitutes the ground of his consciousness, as
something absolutely given and existing beyond which he
cannot go.. Therefore to ask him whether he could will
otherwise than he does is tantamount to asking him
whether he could be different from what he himself is;
and this he does not know" (18). Characteristically,
Schopenhauer drives home this crucial point with a few
succinct metaphors, as when he speaks of the will's
essential role vis-à-vis the self-conscious,
deliberate human agent: the human agent is "like a crab
in its shell" (44), a noble projection encrusted within
a primitive hard casing. Flagging the exalted scope and
ambition of the intellect (logic, concepts, thoughts,
etc.), Schopenhauer cautions that for the
self-conscious subject "great brightness and clarity"
do indeed present themselves, albeit only
"outside; but inside it is dark, like
a well-blackened telescope. No principle a
priori illuminates the night of its own interior;
these lighthouses shine only outward" (19).
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The will thus names every human's unconditional,
holistic, and strongly evaluative take on the world.
Yet "world" here means not some distinct correlate of
perception, deliberation, and a host of intermediate
steps taken according to the principle of causality.
Rather, it is at all times already something
ontologically "given," a "framework" within which alone
specific perceptions are able to acquire significance
and so delineate possible avenues for human practice.
Schopenhauer's entire conception thus is diametrically
opposed to Cartesianism's and classical liberalism's
ontology of in-der-Welt-sein, which is built
on the cogito as a self-originating and
supposedly value-neutral point of departure. By
premising its concept of "world" (or an
all-encompassing framework by some other name) on an
originary act of reflexive self-possession, Cartesian
epistemology and the political philosophy of classical
liberalism revolve a model of agency constituted ex
negativo—that is, defined by the alleged
absence of any inner pre-determination. At the same
time, that very subjectivity exhibits a fierce
commitment to taking possession of a world avowedly
"separate" and "indifferent" through its methodical
cultivation of skepticism. The modern self is thus
defined by its utopian journey towards reacquiring the
world it had disavowed on principle, namely, as the
determinate "other" of its countless acts of negative
predication (i.e., Descartes' dubito). In
transposing that pure method to the realm of political
economy, the classical liberalism of Locke, Smith, and
Hume reconstitutes skeptical prevarication as
progressive acquisition. As an inherently temporalized
agency, subjectivity in the eighteenth century is
plotted as a trajectory of self-creation whose
perennially emergent self discovers itself happily to
be free from the interference of either inner
presuppositions or external constraints.
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Hobbes's dismissive view of the free will as an
illusion held two distinct and momentous implications,
only one of which liberalism was prepared to
acknowledge. He posits that individuals prove acutely
responsive to motives long before self-consciousness
has the opportunity to grasp and evaluate these motives
in the form of intersubjective representations.
Conceding the absence of a rational framework a
priori, the Scottish political economists and
their utilitarian successors thus argue for the
self-regulation of reason as a framework that will
eventually and involuntarily be distilled from
the unchecked pursuit of so many interests and motives.
Yet while that projected rational framework operates as
a Benthamite fiction or Kantian "regulative
idea"—that is, as a utopia forever
deferred—liberalism also asserts, departing from
Hobbes, that the individuals thus enslaved to their
contingent motives and interests are nonetheless
"free." It credits them with the power of deliberating
on and choosing in accordance with nothing but their
own interests—their political "liberties" and
"rights" having been guaranteed by the modern
nation—and unconstrained by anything else. In a
formal-logical and in a metaphysical sense, this
conflation of liberty qua "rational choice"
with a freedom that is inscrutably volitional proves at
once illogical and dangerous. It is no accident that
virtually all of the great nineteenth-century novelists
take a jaundiced or ironic view of the prevailing,
expedient view of history as the progressive, rational,
and dialectically (self-regulating) realization of
freedom. More programmatically than Flaubert or George
Eliot, Dostoevsky zeroes in on the vexing, not to say
terrifying, implications of "freedom" conceived as
absolute indeterminacy when, through the grim eloquence
of his Grand Inquisitor, he chastises Christ for going
"into the world . . . empty-handed, with some promise
of freedom, which they in their simplicity and innate
lawlessness cannot even comprehend, which they dread
and fear—for nothing has ever been more
insufferable for a man and for human society than
freedom! . . . Man has no more tormenting care than to
find someone to whom he can hand over as quickly as
possible that gift of freedom with which the miserable
creature is born" (252; 254). According to the Grand
Inquisitor, there are only two ways to remedy this
dilemma: either focus on the means ("bread") or
(quasi-Aristotelian) ends of life: "with bread you were
given an indisputable banner: give man bread and he
will bow down to you, for there is nothing more
indisputable than bread. But if at the same time
someone else takes over his conscience—oh, then
he will even throw down your bread and follow him who
has seduced his conscience. In this you were right. For
the mystery of man is not only in living, but in what
one lives for. Without a firm idea of what he lives
for, man will not consent to live" (Dostoevsky 254).
Schopenhauer's and Dostoevsky's critiques reveal
Liberalism's propensity to conflate liberty with
freedom and to construction of subjectivity largely
ex negativo—that is, as a strictly
formal or pragmatic concept of agency achieved by
jettisoning any norms, values, and frameworks that
would coordinate the discrete projects of modernity's
vita activa with a significant
telos.
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Martha Nussbaum, Alasdair McIntyre, and Charles
Taylor have extended that critique by challenging the
methods and assumptions about selfhood in such
disciplinary formations as behaviorism, rational-choice
theory, or Foucauldian deconstruction. In closing, let
me draw attention to Charles Taylor's particularly
strident criticism of liberalism's central premise,
namely, that any "framework" (including the purely
formal, anti-normative project of modern reason) is but
a historically contingent, perhaps altogether arbitrary
construct realized vicariously through the aggregate
effort of so many self-interested, "punctual"
selves—each singular agent understanding his or
her project within a world conceived as a value-neutral
tabula rasa for an entrepreneurial
intelligence. Writ large as the Napoleonic fantasy of
l a carrière ouverte aux talents, the
projects of classical liberalism (of Humboldt, Louis
Philippe, Bentham, Mill, Macauley, Gladstone, and
Bismarck) invariably proceed from the utopion vision of
a harmonious national community in the theoretical
future. Since the attainment of that vision pivots on
the absence of any actual normative framework and
ethical constraint on free agency in the present,
economic liberalism in particular accepts pervasive
material injustice and social inequality—indeed
the broader reality of historical life tout
court—as a necessarily fluid and inherently
provisional state that is not to be constrained by
normative commitments of any kind. This "naturalist
fallacy," as Charles Taylor calls it, thus dismisses
frameworks as
things we invent, not answers to questions which
inescapably pre-exist for us independent of our
answer or inability to answer. To see frameworks as
orientations, however, does cast them in this latter
light. One orients oneself in a space which exists
independently of one's success or failure in finding
one's bearings, which, moreover, makes the task of
finding these bearings inescapable. Within this
picture, the notion of inventing a qualitative
distinction out of whole cloth makes no sense. For
one can only adopt such distinctions as to
make sense to one within one's basic orientation. . .
. The portrait of an agent free from all frameworks
rather spells for us a person in the grip of an
appalling identity crisis. Such a person wouldn't
know where he stood on issues of fundamental
importance, would have no orientation in these issues
whatever, would not be able to answer for himself on
them. If one wants to add to the portrait by saying
that the person doesn't suffer this absence of
frameworks as a lack, isn't in other words in a
crisis at all, then one rather has a picture of
frightening dissociation. (Taylor 30-31)
A fundamental challenge to the current
field of critical theory, and indeed to literary and
cultural studies broadly speaking, is to reflect on the
extent of its commitment to the constructivist position
that Taylor here critiques. To do so certainly does not
entail signing on to Taylor 's project in its entirety
(any more than to the partially cognate arguments of
Arendt, McIntyre, and Milbank). Yet as the foregoing
reflections suggest, a significant body of
nineteenth-century writing (novelistic and
philosophical) makes a strong case for why it is no
longer possible for contemporary critique to predicate
its own specialized type of lucidity on the nominalist,
constructivist, and individualist model of rationality
that classical liberalism had derived from Descartes.
As I argue in greater detail elsewhere (Pfau), today's
specialized, institutionally embedded, and
professionalized mode of intellectual production will
likely fail to recognize itself as yet another symptom
of a wholly "deregulated" modernity by construing the
endless accumulation of new critical perspectives as
the practical realization of liberty. Yet the
emancipatory gestures of contemporary critique will
likely ring hollow for as long as the irrational and
ineffable underpinnings of modern
"liberty"—premised on what Schelling called the
"non-ground" (Ungrund) of freedom—remain
unexamined.
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