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Romanticism and Contemporary Poetry and PoeticsSociopolitical (i.e., Romantic) Difficulty in Modern Poetry and Aesthetics*Robert Kaufman, Stanford University
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Works Cited Adorno, Theodor. "The Essay as Form," Notes to Literature. Ed. Rolf Tiedemann, trans. Shierry Weber Nicholsen, 2 vols. New York: Columbia University Press, 1991-1992, 1: 3-23; "Der Essay als Form," Noten zur Literatur 1: 9-49. ---. "Keine Angst vor dem Elfenbeinturm" (May 5, 1969 interview with Adorno in Der Spiegel); trans. Gerhard Richter under the title "Who's Afraid of the Ivory Tower? A Conversation with Theodor W. Adorno," ed. and with an introduction by Richter, Monatashefte für Deutschsprachige Literatur und Kultur 94:1 (Spring 2002): 10-23. ---. "On Lyric Poetry and Society," Notes to Literature, 1: 37-54; "Rede über Lyrik und Gesellschaft." In Adorno, Noten zur Literatur. Ed. Tiedemann, 4 vols. Frankfurt am Main: Suhrkamp, 1958-1974, 1: 73-104. ---., and Walter Benjamin. Briefwechsel 1928-1940. Ed. Henri Lonitz. Frankfurt: Suhrkamp, 1994; trans. Nicholas Walker under the title The Complete Correspondence, 1928-1940. Cambridge, Mass.: Harvard University Press, 1999. Benjamin, Walter. "The Paris of the Second Empire in Baudelaire." In Benjamin, Charles Baudelaire: A Lyric Poet in the Era of High Capitalism. Trans. Harry Zohn. London: New Left Books, 1973, pp. 9-106; "Das Paris des Second Empire bei Baudelaire," Gesammelte Schriften, prepared with the cooperation of Theodor W. Adorno and Gershom Scholem, ed. Rolf Tiedemann and Hermann Schweppenhäuser (Frankfurt: Suhrkamp, 1972-1999) [7 vols. in 14 individual vols., plus 3 Supplement vols.], 1.2: 431-603. ---. "On Some Motifs in Baudelaire." In Benjamin, Illuminations: Essays and Reflections. New York: Schocken, 1969. Ed. and introduced by Hannah Arendt, trans. Harry Zohn, pp. 217-251, 155-200; "Über einige Motive bei Baudelaire," Gesammelte Schriften. Most of these texts are likewise found in Benjamin, Illuminationen: Ausgewählte Schriften vol. 1.2: 605-653. ---. "Theses on the Philosophy of History," Illuminations, pp. 253-264; "Über den Begriff der Geschichte," Gesammelte Schriften 1.2: 693-704. Bernstein, J.M. Adorno: Disenchantment and Ethics. Cambridge: Cambridge University Press, 2001. Cascardi, Anthony J. Consequences of Enlightenment. Cambridge: Cambridge University Press, 1999. Caygill, Howard. Art of Judgment. Oxford: Blackwell, 1989. Ferguson, Frances. Solitude and the Sublime: Romanticism and the Aesthetics of Individuation. New York: Routledge, 1992. Fischer, Ernst. The Necessity of Art. Trans. Anna Bostock. 1957; London, 1963. Guest, Barbara. If So, Tell Me. London: Reality Street Editions, 1999. ---. Quill, Solitary, APPARITION. Sausalito: Post-Apollo Press, 1996. ---. Rocks on a Platter: Notes on Literature. Hanover and London: Wesleyan University Press, 1999. ---., and Anne Dunn. Stripped Tales. Berkeley: Kelsey St. Press, 1995. ---., and Laurie Reid. Symbiosis. Berkeley: Kelsey St. Press, 2000. Jackson, Carlton. Picking Up the Tab: The Life and Movies of Martin Ritt. Bowling Green: Bowling Green State University Popular Press, 1994. Kaufman, Robert. "A Future for Modernism: Barbara Guest’s Recent Poetry." American Poetry Review 29:4 (July/August 2000): 11-16. ---. "Adorno's Social Lyric, and Literary Criticism Today: Poetics, Aesthetics, Modernity." In The Cambridge Companion to Adorno. Ed. Tom Huhn. Forthcoming from Cambridge University Press. ---. "Aura, Still,." October 99 (Winter 2002): 45-80. ---. "Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde." Critical Inquiry 27:2 (Winter 2001): 354-384. ---. "Red Kant, or The Persistence of the Third Critique in Adorno and Jameson." Critical Inquiry 26: 4 (Summer 2000): 682-724. Paananen, Victor N. "Dylan Thomas As Social Writer: Toward a Caudwellian Reading." Nature, Society, and Thought 3:2 (1990): 167-178. Palmer, Michael. At Passages. New York: New Directions, 1995. ---. The Circular Gates. Los Angeles: Black Sparrow Press, 1974. ---. Codes Appearing: Poems 1979-1988. New York: New Directions, 2001. ---. The Lion Bridge: Selected Poems 1972-1995. New York: New Directions, 1998. ---. The Promises of Glass. New York: New Directions, 2000. ---. "Some Notes on Shelley, Poetics, and the Present." Sulfur 33 (1993): 273-281; also published in Keats-Shelley Journal 42 (1993): 37-47. ---. Sun. San Francisco: North Point Press, 1988. Strauss, David Levi. "Aporia and Amnesia." Review of Michael Palmer’s At Passages. In The Nation, December 23, 1996, pp. 26-29. |
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