Romanticism and Contemporary Poetry and Poetics

Darkness Audible: Negative Capability and Mark Doty?s "Nocturne in Black and Gold"

Ellen Keck Stauder, Reed College

Works Cited

Blanchot, Maurice. "The Gaze of Orpheus." The Gaze of Orpheus. Trans. Lydia Davis. Ed. P. Adams Sitney. Barrytown: Station Hill P, 1981. 99-104.

Doty, Mark. Atlantis. New York: Harper, 1995.

---. "Here in Hell." <http://www.bostonreview.net/BR23.3/doty.html>

---. "John Keats?s ?Endymion?." The Paris Review 154 (Spring 2000): 232-235.

---. My Alexandria. Urbana: University of Illinois Press, 1993.

---. "Rooting for the Damned." In The Poet?s Dante. Ed. Peter Hawkins, Rachel Jacoff. New York: Farrar, Straus and Giroux, 2001. 370-379.

---. Still Life with Oysters and Lemon. Boston: Beacon, 2001.

Harden, Mark. "James McNeill Whistler." www.glyphs.com/art/whistler/.

Holden, Donald. Whistler Landscapes and Seascapes. Washington, D.C.: Watson-Guptill, 1969.

Kaufman, Robert. "Negatively Capable Dialectics: Keats, Vendler, Adorno, and the Theory of the Avant-Garde." Critical Inquiry 27 (Winter 2001): 354-384.

Keats, John. Complete Poems. Ed. Jack Stillinger. Cambridge, MA: Harvard U P, 1978.

---. The Letters of John Keats. Ed. Hyder Rollins. 2 vols. Cambridge: Cambridge University Press, 1958.

Klein, Michael. "?That Which is Left is Who I Am?: A Talk with Mark Doty." Provincetown Arts (1994): 18-21, 131-134.

Mann, William. "Introduction and Synopsis." Liner notes. The Magic Flute. By Mozart. The Philharmonia Orchestra. Cond. Otto Klemperer. LP. Angel, 1964.

Plimpton, George. "Notice." The Paris Review 154 (Spring 2000): 20-21.

Schikaneder, Emanuel. Libretto. The Magic Flute. By Mozart. The Philharmonia Orchestra. Cond. Otto Klemperer. LP. Angel, 1964.

Tiffany, Daniel. "Lyric Substance: On Riddles, Materialism, and Poetic Obscurity." Critical Inquiry 28 (Autumn 2001): 72-98.