The Liberating and Debilitating Imagination in Joanna Baillie’s Orra and The Dream

Works Cited

Baillie, Joanna.  The Dramatic and Poetical Works.  2nd Ed.  London:  Longman, Brown, Green and Longmans, 1851.

———. The Dream:  A Tragedy, in Prose, in Three Acts.  The Dramatic and Poetical Works.  260–276.

———.  Orra.  The Broadview Anthology of Romantic Drama.  Ed. Jeffrey N. Cox and Michael Gamer.  Peterborough:  Ontario:  Broadview P, 2003.  134–164.

Burke, Edmund.  A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful.  Ed. James L. Boulton.  London:  Routledge and Kegan Paul, 1958.

Burwick, Frederick.  “Joanna Baillie, Matthew Baillie, and the Pathology of the Passions.”  Crochunis  48–68.

Carlson, Julie A.  “Baillie’s Orra: Shrinking in Fear.”  Crochunis  206–220.

Carney, Sean.  “The Passion of Joanna Baillie:  Playwright as Martyr.”  Theatre Journal 52 (2000):  227–252.

Chrochunis, Thomas C., ed. Joanna Baillie, Romantic Dramatist.  London: Routledge, 2004.

Elliott, Nathan.  “‘Unball’d Sockets’ and ‘The Mockery of Speech’:  Diagnostic Anxiety and the Theater of Joanna Baillie.”  European Romantic Review 18.1 (January 2007):  83–103.

Hewitt, Regina.  Symbolic Interactions:  Social Problems and Literary Interventions in the Works of Baillie, Scott, and Landor.  Lewisburg, PA:  Bucknell UP, 2006.

Hoeveler, Diane Long.  “Joanna Baillie and the Gothic Body:  Reading Extremities in Orra and De Monfort.”  Gothic Studies 3.2 (2001):  117–133.

Lever, Evelyne.  Marie Antoinette:  The Last Queen of France.  Trans. Catherine Temerson.  New York:  Farrar, Straus and Giroux, 2000.

Micale, Mark S.  Approaching Hysteria:  Disease and Its Interpretations.  Princeton:  Princeton UP, 1995.

Schama, Simon.  Citizens:  A Chronicle of the French Revolution.  New York: Alfred A. Knopf, 1989.