|
|
| AARON'S...........1 | |||
| Aaron's | breastplate, and the seven | The Eve of St. Mark, Line 33 | |
| ABASH'D...........1 | |||
| May be confounded and | abash'd | withal, | Lamia, Part II, Line 58 |
| ABATE.............1 | |||
| O'erpowered me - it sank. Then 'gan | abate | Endymion: A Poetic Romance, Book III, Line 674 | |
| ABBOT.............11 | |||
| ETHELBERT, an | Abbot | Otho the Great, Dramatis Personae, 8 | |
| Let not the | abbot | pass. | Otho the Great, Act III, SCENE II, First Voice, Line 54b |
| Thou cursed | abbot | , why | Otho the Great, Act III, SCENE II, Otho, Line 57b |
| Old | abbot | , stand here forth. Lady Erminia, | Otho the Great, Act III, SCENE II, Otho, Line 111 |
| Sit. And now, | abbot | , what have you to say? | Otho the Great, Act III, SCENE II, Otho, Line 112 |
| What more to the purpose, | abbot | ? | Otho the Great, Act III, SCENE II, Otho, Line 127b |
| Abbot | , speak their names. | Otho the Great, Act III, SCENE II, Otho, Line 155b | |
| I will confess, O holy | abbot | !- How! | Otho the Great, Act IV, SCENE I, Auranthe, Line 99 |
| Prince Gersa's freeing | Abbot | Ethelbert, | Otho the Great, Act V, SCENE III, Gonfrid, Line 7 |
| The lady weeping, the old | abbot | cowl'd. | Otho the Great, Act V, SCENE III, Gonfrid, Line 12 |
| A kind forbearance, holy | abbot | . Come, | Otho the Great, Act V, SCENE IV, Otho, Line 6 |
| ABBOT'S...........1 | |||
| Let us be calm, and hear the | abbot's | plea | Otho the Great, Act III, SCENE II, Otho, Line 100 |
| ABIDE.............1 | |||
| And, for my sake, let this young maid | abide | Endymion: A Poetic Romance, Book IV, Line 865 | |
| ABJECT............2 | |||
| On | abject | Caesars - not the stoutest band | To a Young Lady Who Sent Me a Laurel Crown, Line 12 |
| What | abject | things, what mockeries must ye be, | Otho the Great, Act I, SCENE II, Gersa, Line 101 |
| ABLAZE............1 | |||
| Poor skull, thy fingers set | ablaze | , | O Some Skulls in Beauley Abbey, near Inverness, Line 43 |
| ABLE..............3 | |||
| Able | to face an owl's, they still are dight | Endymion: A Poetic Romance, Book III, Line 10 | |
| Have I been | able | to endure that voice? | Endymion: A Poetic Romance, Book IV, Line 299 |
| to behold. The young man, a philosopher, otherwise staid and discreet, | able | to | Lamia, Keats's Footnote from Burton, |
| ABLUTION..........1 | |||
| Of pure | ablution | round earth's human shores, | Bright star, would I were stedfast as thou art, Line 6 |
| ABODE.............1 | |||
| Cynthia! where art thou now? What far | abode | Endymion: A Poetic Romance, Book III, Line 72 | |
| ABODES............1 | |||
| Among the | abodes | of mortals here below, | Endymion: A Poetic Romance, Book IV, Line 628 |
| ABOUND............2 | |||
| I will tell thee my blisses, which richly | abound | On Receiving a Curious Shell..., Line 19 | |
| I too have my blisses, which richly | abound | On Receiving a Curious Shell..., Line 43 | |
| ABOVE.............56 | |||
| So fled thy soul into the realms | above | , | As from the darkening gloom a silver dove, Line 4 |
| Above | the ingrate world and human fears. | Oh Chatterton! how very sad thy fate, Line 12 | |
| The little chapel with the cross | above | Calidore: A Fragment, Line 42 | |
| And sports with half his tail | above | the waves. | To My Brother George (epistle), Line 52 |
| Above | the ocean-waves. The stalks, and blades, | To My Brother George (epistle), Line 125 | |
| Above | a cloud, and with a gradual swim | I stood tip-toe upon a little hill, Line 114 | |
| Thee must I praise | above | all other glories | I stood tip-toe upon a little hill, Line 123 |
| The freshness of the space of heaven | above | , | Endymion: A Poetic Romance, Book I, Line 85 |
| So all have set my heavier grief | above | Endymion: A Poetic Romance, Book I, Line 527 | |
| And once, | above | the edges of our nest, | Endymion: A Poetic Romance, Book I, Line 670 |
| Old ditties sigh | above | their father's grave; | Endymion: A Poetic Romance, Book I, Line 788 |
| When all | above | was faint with mid-day heat. | Endymion: A Poetic Romance, Book I, Line 878 |
| Why it is thus, one knows in heaven | above | : | Endymion: A Poetic Romance, Book II, Line 128 |
| Disparts a dew-lipp'd rose. | Above | his head, | Endymion: A Poetic Romance, Book II, Line 407 |
| Then heighten'd just | above | the silvery heads | Endymion: A Poetic Romance, Book II, Line 603 |
| My breath of life, where art thou? High | above | , | Endymion: A Poetic Romance, Book II, Line 687 |
| And sing | above | this gentle pair, like lark | Endymion: A Poetic Romance, Book II, Line 720 |
| He saw the giant sea | above | his head. | Endymion: A Poetic Romance, Book II, Line 1023 |
| Above | , around, and at his feet; save things | Endymion: A Poetic Romance, Book III, Line 121 | |
| Cruel enchantress! So | above | the water | Endymion: A Poetic Romance, Book III, Line 413 |
| Sitting upon a rock | above | the spray, | Endymion: A Poetic Romance, Book III, Line 646 |
| Written in star-light on the dark | above | : | Endymion: A Poetic Romance, Book III, Line 1021 |
| Above | the crystal circlings white and clear; | Endymion: A Poetic Romance, Book IV, Line 340 | |
| Above | their heads, and follow them untir'd.- | Endymion: A Poetic Romance, Book IV, Line 353 | |
| Are visible | above | : the Seasons four,- | Endymion: A Poetic Romance, Book IV, Line 421 |
| Can I prize thee, fair maid, all price | above | , | Endymion: A Poetic Romance, Book IV, Line 473 |
| But when I came to feel how far | above | Endymion: A Poetic Romance, Book IV, Line 741 | |
| Beauty, in things on earth and things | above | ; | Lines on Seeing a Lock of Milton's Hair, Line 21 |
| Too high | above | our head, | God of the meridian, Line 10 |
| Two witch's eyes | above | a cherub's mouth, | Dear Reynolds, as last night I lay in bed, Line 6 |
| A white sail shews | above | the green-head cliff, | Dear Reynolds, as last night I lay in bed, Line 23 |
| Above | some giant, pulsing underground. | Dear Reynolds, as last night I lay in bed, Line 40 | |
| Red whortle-berries droop | above | my head, | Isabella; or, The Pot of Basil, Line 298 |
| And she forgot the blue | above | the trees, | Isabella; or, The Pot of Basil, Line 418 |
| Not | above | There was a naughty boy, Line 81 | |
| Lifted dry | above | the main, | Not Aladdin magian, Line 17 |
| Your honest countenance all things | above | , | Upon my life, Sir Nevis, I am piqu'd, MRS. C-, Line 34 |
| And shaped and tinted her | above | all peers. | Nature withheld Cassandra in the skies, Line 4 |
| Above | tree tops and towers play, | The Eve of St. Mark, Line 62 | |
| Forest on forest hung | above | his head | Hyperion: A Fragment, Book I, Line 6 |
| Of peaceful sway | above | man's harvesting, | Hyperion: A Fragment, Book I, Line 110 |
| Above | her, on a crag's uneasy shelve, | Hyperion: A Fragment, Book II, Line 64 | |
| More horrid still. | Above | a sombre cliff | Hyperion: A Fragment, Book II, Line 86 |
| Above | us in their beauty, and must reign | Hyperion: A Fragment, Book II, Line 227 | |
| Lift their eyes | above | the bubbles, | Song of Four Fairies: Fire, Air, Earth, and Water, BREAMA, Line 36 |
| All breathing human passion far | above | , | Ode on a Grecian Urn, Line 28 |
| And, do ye mind, | above | all things, proclaim | Otho the Great, Act IV, SCENE I, Auranthe, Line 70 |
| To the wide-spreaded night | above | her towers. | Lamia, Part I, Line 354 |
| Above | the lintel of their chamber door, | Lamia, Part II, Line 14 | |
| And peaceful sway | above | man's harvesting, | The Fall of Hyperion: A Dream, CANTO I, Line 415 |
| Above | , above | What can I do to drive away, Line 21 | |
| Above, | above | What can I do to drive away, Line 21 | |
| Ah! if you prize my subdued soul | above | To Fanny, Line 49 | |
| "I know a many Berthas!" "Mine's | above | The Jealousies, Line 372 | |
| Above | a pearl-built minster, hovering near; | The Jealousies, Line 579 | |
| Above | the plains of Gobi,- desert, bleak; | The Jealousies, Line 659 | |
| ABROACH...........1 | |||
| When the barrel's set | abroach | , | Extracts from an Opera, FOLLY'S SONG Line 9 |
| ABROAD............16 | |||
| With convuls'd clenches waving it | abroad | , | Endymion: A Poetic Romance, Book III, Line 231 |
| His eyes | abroad | , to see how shadows shifted | Endymion: A Poetic Romance, Book IV, Line 921 |
| Sit thee there, and send | abroad | , | Fancy, Line 25 |
| Abroad | and in the homely room; | The Eve of St. Mark, Line 68 | |
| Who as they walk | abroad | make tinkling with their feet. | Character of C.B., Line 27 |
| And many else were free to roam | abroad | , | Hyperion: A Fragment, Book II, Line 31 |
| Then Thea spread | abroad | her trembling arms | Hyperion: A Fragment, Book II, Line 89 |
| While thou art pouring forth thy soul | abroad | Ode to a Nightingale, Line 57 | |
| I think I have a better fame | abroad | . | Otho the Great, Act I, SCENE II, Otho, Line 108 |
| For couriers are | abroad | to seek you out. | Otho the Great, Act I, SCENE III, Sigifred, Line 124 |
| I see how far the slander is | abroad | . | Otho the Great, Act II, SCENE II, Erminia, Line 41 |
| Which, lifting sweet | abroad | its timid green, | Otho the Great, Act II, SCENE II, Ethelbert, Line 136 |
| Yet why do I delay to spread | abroad | Otho the Great, Act III, SCENE II, Ethelbert, Line 152 | |
| But lets it sometimes pace | abroad | majestical, | Lamia, Part II, Line 59 |
| Sometimes whoever seeks | abroad | may find | To Autumn, Line 13 |
| They are no birds when eagles are | abroad | . | The Fall of Hyperion: A Dream, CANTO I, Line 192 |
| ABRUPT............5 | |||
| Of | abrupt | thunder, when Ionian shoals | Endymion: A Poetic Romance, Book I, Line 310 |
| With all its lines | abrupt | and angular: | Endymion: A Poetic Romance, Book II, Line 228 |
| Abrupt | in middle air? Yet earthward bend | Endymion: A Poetic Romance, Book II, Line 653 | |
| Abrupt | , in middle air, his way was lost; | Endymion: A Poetic Romance, Book II, Line 656 | |
| As griev'd to force it on you so | abrupt | ; | Otho the Great, Act IV, SCENE II, Gersa, Line 71 |
| ABSENCE...........5 | |||
| And so long | absence | from thee doth bereave | Endymion: A Poetic Romance, Book II, Line 775 |
| Of a poor three hours' | absence | ? but we'll gain | Isabella; or, The Pot of Basil, Line 205 |
| How her short | absence | might be unsurmised, | Isabella; or, The Pot of Basil, Line 341 |
| And for your | absence | may I guess the cause? | Otho the Great, Act IV, SCENE II, Gersa, Line 67 |
| For thine imperial | absence | ? Pho! I can | The Jealousies, Line 534 |
| ABSENT............1 | |||
| O pardon me - I'm | absent | now and then. | Pensive they sit, and roll their languid eyes, Line 20 |
| ABSOLUTION........1 | |||
| Letting her | absolution | pass | O Some Skulls in Beauley Abbey, near Inverness, Line 29 |
| ABSORB'D..........1 | |||
| Came the amazement, that, | absorb'd | in it, | Endymion: A Poetic Romance, Book II, Line 248 |
| ABSORBS...........1 | |||
| Some hungry spell that loveliness | absorbs | ; | Lamia, Part II, Line 259 |
| ABYSM.............2 | |||
| And down some swart | abysm | he had gone, | Endymion: A Poetic Romance, Book II, Line 376 |
| To watch the | abysm | -birth of elements. | Endymion: A Poetic Romance, Book III, Line 28 |
| ABYSS.............4 | |||
| Alone preserved me from the drear | abyss | Endymion: A Poetic Romance, Book I, Line 904 | |
| Curves hugely: now, far in the deep | abyss | , | Endymion: A Poetic Romance, Book II, Line 232 |
| My strange love came - Felicity's | abyss | ! | Endymion: A Poetic Romance, Book III, Line 176 |
| A Seraph chosen from the bright | abyss | Isabella; or, The Pot of Basil, Line 317 | |
| ABYSSINIA.........1 | |||
| I saw parch'd | Abyssinia | rouse and sing | Endymion: A Poetic Romance, Book IV, Line 259 |
| ACCENT............5 | |||
| The soul delighted on each | accent | dwells,- | Ode to Apollo, Line 15 |
| Eas'd in one | accent | his o'er-burden'd soul, | Endymion: A Poetic Romance, Book III, Line 229 |
| In human | accent | : ' Potent goddess! chief | Endymion: A Poetic Romance, Book III, Line 539 |
| Of | accent | feminine, so courteous." | The Fall of Hyperion: A Dream, CANTO I, Line 215 |
| And dolorous | accent | from a tragic harp | The Fall of Hyperion: A Dream, CANTO I, Line 444 |
| ACCENTING.........1 | |||
| Would come in this-like | accenting | ; how frail | The Fall of Hyperion: A Dream, CANTO I, Line 352 |
| ACCENTS...........6 | |||
| Nor listen to | accents | that, almost adoring, | To Some Ladies, Line 3 |
| Mid-way between our homes:- your | accents | bland | To Charles Cowden Clarke, Line 122 |
| Most fondly lipp'd, and then these | accents | came: | Endymion: A Poetic Romance, Book I, Line 964 |
| Knelt to receive those | accents | halcyon. | Endymion: A Poetic Romance, Book III, Line 923 |
| At these voluptuous | accents | , he arose, | The Eve of St. Agnes, Line 317 |
| Would come in these like | accents | ; O how frail | Hyperion: A Fragment, Book I, Line 50 |
| ACCEPT............1 | |||
| Will't please your Highness enter, and | accept | Otho the Great, Act I, SCENE II, Conrad, Line 77 | |
| ACCLAIM...........1 | |||
| When 'mid | acclaim | , and feasts, and garlands gay, | Endymion: A Poetic Romance, Book II, Line 888 |
| ACCOMPLISH'D......2 | |||
| These things | accomplish'd | :- If he utterly | Endymion: A Poetic Romance, Book III, Line 696 |
| Bright eyes, | accomplish'd | shape, and lang'rous waist! | The day is gone, and all its sweets are gone, Line 4 |
| ACCOMPLISHED......1 | |||
| attempt, rather than a deed | accomplished | . The two first books, and indeed the | Endymion: A Poetic Romance, Preface, paragraph2 |
| ACCOMPLISHMENT....1 | |||
| A full | accomplishment | ! The thing is done, | Endymion: A Poetic Romance, Book IV, Line 18 |
| ACCORD............1 | |||
| But one, whose gentleness did well | accord | Isabella; or, The Pot of Basil, Line 395 | |
| ACCORDING.........2 | |||
| Let me behold, | according | as thou said'st, | The Fall of Hyperion: A Dream, CANTO I, Line 289 |
| Soon as ( | according | to his promises) | The Jealousies, Line 127 |
| ACCORDS...........1 | |||
| That with its tyrant temper best | accords | , | Ode to Apollo, Line 28 |
| ACCOUNT...........2 | |||
| To their spirit's perch, their being's high | account | , | Endymion: A Poetic Romance, Book III, Line 14 |
| "But how shall I | account | , illustrious fay! | The Jealousies, Line 533 |
| ACCOUNTED.........1 | |||
| And they shall be | accounted | poet kings | Sleep and Poetry, Line 267 |
| ACCOUNTS..........1 | |||
| Why were they proud? Because red-lin'd | accounts | Isabella; or, The Pot of Basil, Line 125 | |
| ACCURSED..........2 | |||
| And 'scape at once from Hope's | accursed | bands; | Isabella; or, The Pot of Basil, Line 230 |
| Accursed | , blasted! O, thou golden crown, | Otho the Great, Act IV, SCENE I, Auranthe, Line 78 | |
| ACHE..............9 | |||
| How chang'd, how full of | ache | , how gone in woe! | Endymion: A Poetic Romance, Book III, Line 80 |
| All my thirst for sweet heart- | ache | ! | Welcome joy, and welcome sorrow, Line 29 |
| It made sad Isabella's eyelids | ache | , | Isabella; or, The Pot of Basil, Line 327 |
| To think how they may | ache | in icy hoods and mails. | The Eve of St. Agnes, Line 18 |
| Or I shall drowse beside thee, so my soul doth | ache | ." | The Eve of St. Agnes, Line 279 |
| And grinn'd as all his ugliness did | ache | , | When they were come unto the Faery's court, Line 49 |
| Oft made Hyperion | ache | . His palace bright, | Hyperion: A Fragment, Book I, Line 176 |
| I | ache | to think on't. | Otho the Great, Act V, SCENE III, Theodore, Line 13b |
| Make great Hyperion | ache | . His palace bright, | The Fall of Hyperion: A Dream, CANTO II, Line 24 |
| ACHED.............2 | |||
| And | ached | for wings, because I knew the three: | Ode on Indolence, Line 24 |
| I | ached | to see what things the hollow brain | The Fall of Hyperion: A Dream, CANTO I, Line 276 |
| ACHES.............2 | |||
| It | aches | in loneliness - is ill at peace | Isabella; or, The Pot of Basil, Line 220 |
| My heart | aches | , and a drowsy numbness pains | Ode to a Nightingale, Line 1 |
| ACHIEVE...........1 | |||
| His name upon the harp-string, should | achieve | Endymion: A Poetic Romance, Book I, Line 725 | |
| ACHIEVEMENT.......1 | |||
| Say, I intreat thee, what | achievement | high | Endymion: A Poetic Romance, Book III, Line 714 |
| ACHILLES..........1 | |||
| Achilles | by the hair and bent his neck; | Hyperion: A Fragment, Book I, Line 29 | |
| ACHING............13 | |||
| While I kiss to the melody, | aching | all through. | Hush, hush, tread softly, hush, hush, my dear, Line 24 |
| With | aching | neck and swimming eyes, | The Eve of St. Mark, Line 55 |
| One hand she press'd upon that | aching | spot | Hyperion: A Fragment, Book I, Line 42 |
| O | aching | time! O moments big as years! | Hyperion: A Fragment, Book I, Line 64 |
| In fearless yet in | aching | ignorance? | Hyperion: A Fragment, Book III, Line 107 |
| Bidding adieu; and | aching | Pleasure nigh, | Ode on Melancholy, Line 23 |
| With such an | aching | heart, such swooning throbs | Otho the Great, Act IV, SCENE I, Auranthe, Line 107 |
| With pleasant weight, the amorous- | aching | earth, | Otho the Great, Act IV, SCENE II, Ludolph, Line 26 |
| Upon her | aching | forehead be there hung | Lamia, Part II, Line 223 |
| He sank supine beside the | aching | ghost. | Lamia, Part II, Line 294 |
| One hand she press'd upon that | aching | spot | The Fall of Hyperion: A Dream, CANTO I, Line 344 |
| Let once again these | aching | arms be placed, | What can I do to drive away, Line 50 |
| As when with ravished, | aching | , vassal eyes, | To Fanny, Line 14 |
| ACORNS............1 | |||
| Acorns | ripe down-pattering, | Fancy, Line 65 | |
| ACQUAINT..........1 | |||
| And long he travers'd to and fro, to | acquaint | Endymion: A Poetic Romance, Book II, Line 269 | |
| ACQUIESCENCE......1 | |||
| So smile | acquiescence | , and give me thy hand, | O come, dearest Emma!, Line 19 |
| ACROSS............19 | |||
| Like to streaks | across | the sky, | Hadst thou liv'd in days of old, Line 10 |
| Across | the lake; sequester'd leafy glades, | Calidore: A Fragment, Line 47 | |
| Like silver streaks | across | a dolphin's fin, | To My Brother George (epistle), Line 50 |
| Across | the lawny fields, and pebbly water; | To Charles Cowden Clarke, Line 88 | |
| Slowly | across | the chequer'd shadows pass. | I stood tip-toe upon a little hill, Line 68 |
| A little cloud would move | across | the blue. | Endymion: A Poetic Romance, Book I, Line 88 |
| Stretching | across | a void, then guiding o'er | Endymion: A Poetic Romance, Book II, Line 600 |
| From eve to morn | across | the firmament. | Endymion: A Poetic Romance, Book III, Line 146 |
| And in that agony, | across | my grief | Endymion: A Poetic Romance, Book III, Line 411 |
| His fingers went | across | it - All were mute | Endymion: A Poetic Romance, Book III, Line 1003 |
| Across | the gold autumn's whole kingdoms of corn? | Apollo to the Graces, Line 6 | |
| There is a joy in footing slow | across | a silent plain, | There is a joy in footing slow across a silent plain, Line 1 |
| Ring-doves may fly convuls'd | across | to some high cedar'd lair; | There is a joy in footing slow across a silent plain, Line 20 |
| A cloud | across | the moon,- the lights bring in! | Fragment of Castle-builder, CASTLE BUILDER, Line 46 |
| She linger'd still. Meantime, | across | the moors, | The Eve of St. Agnes, Line 74 |
| A pallid gleam | across | his features stern: | Hyperion: A Fragment, Book II, Line 349 |
| Across | the teaboard draws a long wet mark. | Pensive they sit, and roll their languid eyes, Line 13 | |
| Steady thy laden head | across | a brook; | To Autumn, Line 20 |
| She frown'd; a monstrous owl | across | us flies | The Jealousies, Line 655 |
| ACT...............6 | |||
| women." Terence's Eunuch. | Act | 2. Sc. 4 | Fill for me a brimming bowl, Epigraph |
| For a mere | act | of duty. | Otho the Great, Act I, SCENE II, Conrad, Line 181a |
| So | act | the lion with this silly gnat? | Otho the Great, Act III, SCENE II, Ludolph, Line 223 |
| Apollo's presence when in | act | to strike | Lamia, Part II, Line 79 |
| Cried I, with | act | adorant at her feet, | The Fall of Hyperion: A Dream, CANTO I, Line 283 |
| And ears | act | with that pleasant unison of sense | The Fall of Hyperion: A Dream, CANTO I, Line 442 |
| ACTING............1 | |||
| Was | acting | , that could give so dread a stress | The Fall of Hyperion: A Dream, CANTO I, Line 279 |
| ACTION............3 | |||
| Or word, or look, or | action | of despair. | Hyperion: A Fragment, Book II, Line 40 |
| In will, in | action | free, companionship, | Hyperion: A Fragment, Book II, Line 210 |
| With hope that gloss of words, or suppliant | action | , | Otho the Great, Act IV, SCENE I, Albert, Line 128 |
| ACTIONS...........2 | |||
| Actions | of rage and passion; even as | Hyperion: A Fragment, Book I, Line 333 | |
| Not trenching on our | actions | personal. | King Stephen Act I, SCENE IV, Maud, Line 13 |
| ACTS..............3 | |||
| And all those | acts | which Deity supreme | Hyperion: A Fragment, Book I, Line 111 |
| A Tragedy in Five | Acts | Otho the Great, Subtitle | |
| And all those | acts | which deity supreme | The Fall of Hyperion: A Dream, CANTO I, Line 416 |
| ACUTEST...........1 | |||
| Revolve these facts in your | acutest | mood, | Otho the Great, Act I, SCENE I, Conrad, Line 35 |
| ADAM'S............1 | |||
| From Pyrrha's pebbles or old | Adam's | seed. | Lamia, Part I, Line 333 |
| ADAMANTINE........1 | |||
| With fervour seize their | adamantine | lyres, | Ode to Apollo, Line 5 |
| ADD...............1 | |||
| Through sunny air. | Add | too, the sweetness | Hadst thou liv'd in days of old, Line 23 |
| ADDER.............1 | |||
| Adder | -eyed Dusketha, speak, | Song of Four Fairies: Fire, Air, Earth, and Water, SALAMANDER, Line 67 | |
| ADDER'S...........1 | |||
| The leaves of willow and of | adder's | tongue; | Lamia, Part II, Line 224 |
| ADDING............1 | |||
| Into his mantle, | adding | wings to haste, | Lamia, Part I, Line 367 |
| ADIEU.............33 | |||
| Adieu | , valiant Eric! with joy thou art crown'd; | On Receiving a Curious Shell..., Line 41 | |
| Be lull'd with songs of mine. Fair world, | adieu | ! | To My Brother George (epistle), Line 103 |
| Why westward turn? 'Twas but to say | adieu | ! | To My Brother George (epistle), Line 141 |
| And weep? Or did ye wholly bid | adieu | Sleep and Poetry, Line 215 | |
| Thou shouldst mount up to with me. Now | adieu | ! | Endymion: A Poetic Romance, Book II, Line 578 |
| Adieu | , sweet love, adieu!' - As shot stars fall, | Endymion: A Poetic Romance, Book III, Line 600 | |
| Adieu, sweet love, | adieu | !' - As shot stars fall, | Endymion: A Poetic Romance, Book III, Line 600 |
| Adieu | to Ganges and their pleasant fields! | Endymion: A Poetic Romance, Book IV, Line 33 | |
| No more delight - I bid | adieu | to all. | Endymion: A Poetic Romance, Book IV, Line 141 |
| Adieu | , my daintiest Dream! although so vast | Endymion: A Poetic Romance, Book IV, Line 656 | |
| And bid a long | adieu | ." | Endymion: A Poetic Romance, Book IV, Line 763a |
| Why stand we here? | Adieu | , ye tender pair! | Endymion: A Poetic Romance, Book IV, Line 902 |
| Adieu | !" Whereat those maidens, with wild stare, | Endymion: A Poetic Romance, Book IV, Line 903 | |
| But at the setting I must bid | adieu | Endymion: A Poetic Romance, Book IV, Line 932 | |
| Adieu | ! for, once again, the fierce dispute | On Sitting Down to Read King Lear Once Again, Line 5 | |
| The Spirit mourn'd " | Adieu | !"- dissolv'd, and left | Isabella; or, The Pot of Basil, Line 321 |
| Their lips touch'd not, but had not bade | adieu | , | Ode to Psyche, Line 17 |
| Make your best bow to her and bid | adieu | ; | On Fame ("Fame, like a wayward girl"), Line 13 |
| Adieu | ! the fancy cannot cheat so well | Ode to a Nightingale, Line 73 | |
| Adieu | ! adieu! thy plaintive anthem fades | Ode to a Nightingale, Line 75 | |
| Adieu! | adieu | ! thy plaintive anthem fades | Ode to a Nightingale, Line 75 |
| Your leaves, nor ever bid the spring | adieu | ; | Ode on a Grecian Urn, Line 22 |
| Bidding | adieu | ; and aching Pleasure nigh, | Ode on Melancholy, Line 23 |
| So, ye three ghosts, | adieu | ! Ye cannot raise | Ode on Indolence, Line 51 |
| Adieu | - adieu - I fly, adieu! | Shed no tear - O shed no tear, Line 17 | |
| Adieu - | adieu | - I fly, adieu! | Shed no tear - O shed no tear, Line 17 |
| Adieu - adieu - I fly, | adieu | ! | Shed no tear - O shed no tear, Line 17 |
| Adieu | , adieu! | Shed no tear - O shed no tear, Line 19 | |
| Adieu, | adieu | ! | Shed no tear - O shed no tear, Line 19 |
| Now - one | adieu | for Albert!- Come away! | Otho the Great, Act V, SCENE II, Ludolph, Line 60 |
| It cannot be - | adieu | !" So said, she rose | Lamia, Part I, Line 286 |
| Adieu | ! adieu! I'm off for Angle-land! | The Jealousies, Line 599 | |
| Adieu! | adieu | ! I'm off for Angle-land! | The Jealousies, Line 599 |
| ADIEUS............3 | |||
| Faint fare-thee-wells, and sigh-shrilled | adieus | !- | Endymion: A Poetic Romance, Book I, Line 690 |
| 'Mong which it gurgled blythe | adieus | , to mock | Endymion: A Poetic Romance, Book I, Line 938 |
| Let me sob over thee my last | adieus | , | Endymion: A Poetic Romance, Book III, Line 587 |
| ADIEUX............1 | |||
| When | adieux | have grown old and goodbyes | Sweet, sweet is the greeting of eyes, Line 3 |
| ADMINISTER........1 | |||
| Fit time be chosen to | administer | . | Otho the Great, Act V, SCENE IV, Ethelbert, Line 5 |
| ADMIRAL...........2 | |||
| On the | admiral | staff - and to philosophize | Dear Reynolds, as last night I lay in bed, Line 73 |
| That since belong'd to | Admiral | De Witt, | The Jealousies, Line 416 |
| ADMIRAL'S.........1 | |||
| About the great Athenian | admiral's | mast? | Endymion: A Poetic Romance, Book II, Line 23 |
| ADMIRATION........3 | |||
| To turn my | admiration | , though unpossess'd | Woman! when I behold thee flippant, vain, Line 20 |
| To | admiration | . But to be a favorite- | Otho the Great, Act I, SCENE I, Auranthe, Line 46 |
| They hold the Emperor in | admiration | . | Otho the Great, Act III, SCENE II, Second Lady, Line 16 |
| ADMIRE............2 | |||
| To | admire | the visor arched so gracefully | Calidore: A Fragment, Line 130 |
| Can I | admire | how crystal-smooth it felt, | Endymion: A Poetic Romance, Book III, Line 383 |
| ADMIRED...........1 | |||
| Admired | it with a connoisseuring look, | The Jealousies, Line 417 | |
| ADMIRING..........1 | |||
| Of all the realm, | admiring | of his deeds. | King Stephen Act I, SCENE IV, Chester, Line 56 |
| ADMITTED..........1 | |||
| Such things as thou art are | admitted | oft | The Fall of Hyperion: A Dream, CANTO I, Line 178 |
| ADMONITIONS.......1 | |||
| Of | admonitions | to the winds and seas, | Hyperion: A Fragment, Book I, Line 109 |
| ADO...............2 | |||
| So, without more | ado | , | Unfelt, unheard, unseen, Line 16 |
| "Do put them out, and, without more | ado | , | The Jealousies, Line 483 |
| ADON'.............1 | |||
| The endless sleep of this new-born | Adon' | , | Endymion: A Poetic Romance, Book II, Line 554 |
| ADONIAN...........1 | |||
| The | Adonian | feast; whereof she saw no more, | Lamia, Part I, Line 320 |
| ADONIS............3 | |||
| That same | Adonis | , safe in the privacy | Endymion: A Poetic Romance, Book II, Line 479 |
| Pigeons and doves: | Adonis | something mutter'd, | Endymion: A Poetic Romance, Book II, Line 497 |
| Cupid well-natured, my | Adonis | kind; | Endymion: A Poetic Romance, Book III, Line 919 |
| ADONIS'...........1 | |||
| On soft | Adonis' | shoulders, made him still | Endymion: A Poetic Romance, Book II, Line 521 |
| ADORANT...........1 | |||
| Cried I, with act | adorant | at her feet, | The Fall of Hyperion: A Dream, CANTO I, Line 283 |
| ADORATION.........3 | |||
| My sudden | adoration | , my great love! | Extracts from an Opera, [sixth section] Line 7 |
| From | adoration | , and my foolish tongue | Otho the Great, Act III, SCENE II, Ludolph, Line 8 |
| Due | adoration | , thus began to adore; | Lamia, Part I, Line 255 |
| ADORE.............7 | |||
| Heavens! how desperately do I | adore | Woman! when I behold thee flippant, vain, Line 10 | |
| We sing, and we | adore | ! | Endymion: A Poetic Romance, Book III, Line 967 |
| I cannot choose but kneel here and | adore | . | Endymion: A Poetic Romance, Book IV, Line 302 |
| He could not help but kiss her and | adore | . | Endymion: A Poetic Romance, Book IV, Line 455 |
| Due adoration, thus began to | adore | ; | Lamia, Part I, Line 255 |
| But wept alone those days, for why should she | adore | ? | Lamia, Part I, Line 321 |
| In the clear panel, more he could | adore | ,- | The Jealousies, Line 277 |
| ADORED............1 | |||
| Pearls, while on land they wither'd and | adored | . | Lamia, Part I, Line 16 |
| ADORING...........2 | |||
| Nor listen to accents that, almost | adoring | , | To Some Ladies, Line 3 |
| Full of | adoring | tears and blandishment, | Lamia, Part I, Line 135 |
| ADORINGS..........1 | |||
| And soft | adorings | from their loves receive | The Eve of St. Agnes, Line 48 |
| ADORN.............2 | |||
| Roses, and pinks, and violets, to | adorn | To Leigh Hunt, Esq., Line 7 | |
| That time thou didst | adorn | , with amber studs, | Endymion: A Poetic Romance, Book I, Line 924 |
| ADORNED...........1 | |||
| Or, for such trifles, rob th' | adorned | world | Otho the Great, Act II, SCENE II, Gersa, Line 88 |
| ADORNING..........1 | |||
| Adorning | bondage with the pleasant gloss | King Stephen Act I, SCENE IV, Chester, Line 51 | |
| ADORNMENT.........1 | |||
| For meet | adornment | a full thousand years; | Nature withheld Cassandra in the skies, Line 2 |
| ADOWN.............6 | |||
| He sinks | adown | a solitary glen, | Endymion: A Poetic Romance, Book II, Line 77 |
| Those two sad streams | adown | a fearful dell. | Endymion: A Poetic Romance, Book II, Line 1009 |
| "I saw Osirian Egypt kneel | adown | Endymion: A Poetic Romance, Book IV, Line 257 | |
| Her brother kiss'd her too, and knelt | adown | Endymion: A Poetic Romance, Book IV, Line 998 | |
| And Peggy too - | adown | the glen | Ah! ken ye what I met the day, Line 23 |
| No sooner thought of than | adown | he lay, | When they were come unto the Faery's court, Line 92 |
| ADVANCE...........1 | |||
| I will | advance | a terrible right arm | Hyperion: A Fragment, Book I, Line 248 |
| ADVANCING.........1 | |||
| ( | advancing | from the back of the stage, whither he had | Otho the Great, Act I, SCENE II, S.D. to Line 85 |
| ADVANTAGE.........1 | |||
| Advantage | of your chance discoveries | Otho the Great, Act I, SCENE I, Auranthe, Line 116 | |
| ADVENTURE.........1 | |||
| Great Emperor! to | adventure | , like a lover true." | The Jealousies, Line 486 |
| ADVENTURESOME.....1 | |||
| And now at once, | adventuresome | , I send | Endymion: A Poetic Romance, Book I, Line 58 |
| ADVENTUROUS.......1 | |||
| Adventurous | knights take up their dinted shields: | To a Friend Who Sent Me Some Roses, Line 4 | |
| ADVERSE...........1 | |||
| Where lions tug | adverse | , if love grow not | Otho the Great, Act I, SCENE III, Ludolph, Line 100 |
| ADVERTISE.........1 | |||
| He dies! 'Tis well she do not | advertise | Otho the Great, Act V, SCENE I, Conrad, Line 14 | |
| ADVICE............1 | |||
| Sage | advice | ; | Otho the Great, Act V, SCENE IV, Ethelbert, Line 24b |
| ADVICES...........2 | |||
| No more | advices | , no more cautioning; | Otho the Great, Act II, SCENE I, Ludolph, Line 1 |
| With good | advices | ; and I here remain, | Otho the Great, Act II, SCENE I, Ludolph, Line 10 |
| ADVISE............1 | |||
| Yet you were about to | advise | more,- I listen. | Otho the Great, Act V, SCENE IV, Otho, Line 28 |
| ADVISED...........1 | |||
| Advised | , not school'd, I would be, and henceforth | King Stephen Act I, SCENE IV, Maud, Line 14 | |
| ADVISERS..........1 | |||
| To sage | advisers | let me ever bend | King Stephen Act I, SCENE IV, Maud, Line 10 |
| AEAEA'S...........1 | |||
| Aeaea's | isle was wondering at the moon:- | Endymion: A Poetic Romance, Book III, Line 415 | |
| AEOLIAN...........3 | |||
| 'Tis still! - Wild warblings from the | AEolian | lyre | Ode to Apollo, Line 34 |
| And young | AEolian | harps personified, | Dear Reynolds, as last night I lay in bed, Line 18 |
| Could e'er have touch'd there. Sounds | AEolian | Lamia, Part I, Line 386 | |
| AERIAL............3 | |||
| In elegant, pure, and | aerial | minds. | To Some Ladies, Line 28 |
| Perhaps to see shapes of light, | aerial | lymning, | Sleep and Poetry, Line 33 |
| So happy was he, not the | aerial | blowing | Endymion: A Poetic Romance, Book IV, Line 552 |
| AERIE.............1 | |||
| In gulf or | aerie | , mountains or deep dells, | Endymion: A Poetic Romance, Book III, Line 94 |
| AETHON............1 | |||
| Heaven's gates, and | Aethon | snort his morning gold | Endymion: A Poetic Romance, Book III, Line 364 |
| AETNA'S...........1 | |||
| Or of old | AEtna's | pulpy wine-presses, | Otho the Great, Act V, SCENE V, Ludolph, Line 123 |
| AFAR..............7 | |||
| Brightening the half veil'd face of heaven | afar | : | To Hope, Line 45 |
| While the trumpets sound | afar | ; | Ode to Apollo, Line 10 |
| Of human hearts: for lo! I see | afar | , | Sleep and Poetry, Line 125 |
| Up went the hum celestial. High | afar | Endymion: A Poetic Romance, Book II, Line 581 | |
| Leading | afar | past wild magnificence, | Endymion: A Poetic Romance, Book II, Line 598 |
| Let my foes choke, and my friends shout | afar | , | Lamia, Part II, Line 62 |
| Beheld | afar | off, in the hooded shade | The Jealousies, Line 660 |
| AFFAIR............2 | |||
| You far outstrip my spleen in this | affair | . | Otho the Great, Act III, SCENE II, Otho, Line 99 |
| "Monstrous | affair | ! Pshaw! pah! what ugly minx | The Jealousies, Line 163 |
| AFFAIRS...........1 | |||
| In their | affairs | , requiring trusty hands. | Isabella; or, The Pot of Basil, Line 228 |
| AFFECT............2 | |||
| Here's a true churchman! he'd | affect | O Some Skulls in Beauley Abbey, near Inverness, Line 37 | |
| Do not | affect | amazement, hypocrite, | Otho the Great, Act IV, SCENE I, Albert, Line 160 |
| AFFECTION.........3 | |||
| While whisperings of | affection | Calidore: A Fragment, Line 84 | |
| How glorious this | affection | for the cause | Addressed to Haydon, Line 9 |
| Of sisterly | affection | . Can I want | Endymion: A Poetic Romance, Book I, Line 473 |
| AFFECTIONATE......1 | |||
| And that | affectionate | light, those diamond things, | Endymion: A Poetic Romance, Book IV, Line 717 |
| AFFLICT...........1 | |||
| Iced in the great lakes, to | afflict | mankind; | What can I do to drive away, Line 38 |
| AFFLICTED.........2 | |||
| Knows thee not, thus | afflicted | , for a God; | Hyperion: A Fragment, Book I, Line 56 |
| Knows thee not, so | afflicted | , for a God; | The Fall of Hyperion: A Dream, CANTO I, Line 358 |
| AFFORDS...........1 | |||
| Against his lineage: not one breast | affords | The Eve of St. Agnes, Line 88 | |
| AFFRAY............1 | |||
| Affray | his ears, though but in dying tone:- | The Eve of St. Agnes, Line 260 | |
| AFFRAYED..........1 | |||
| Her blue | affrayed | eyes wide open shone: | The Eve of St. Agnes, Line 296 |
| AFFRIGHT..........6 | |||
| Affright | - Spenser. | Oh Chatterton! how very sad thy fate, Keats's note to Line 6 | |
| Affright | you? Did our old lamenting Thames | Sleep and Poetry, Line 212 | |
| Affright | this lethargy! I cannot quell | Endymion: A Poetic Romance, Book II, Line 769 | |
| More wildering than all that hoarse | affright | ; | Endymion: A Poetic Romance, Book III, Line 528 |
| "Ah! why wilt thou | affright | a feeble soul? | The Eve of St. Agnes, Line 154 |
| It might | affright | him, fill him with suspicion | Otho the Great, Act V, SCENE IV, Physician, Line 54 |
| AFFRIGHTED........4 | |||
| Indeed I am - thwarted, | affrighted | , chidden, | Endymion: A Poetic Romance, Book IV, Line 753 |
| Affrighted | do we gaze | God of the meridian, Line 11 | |
| By her | affrighted | servants. Next day, hous'd | Upon my life, Sir Nevis, I am piqu'd, Line 72 |
| Affrighted | , kept her still, and let him pass | Hyperion: A Fragment, Book II, Line 99 | |
| AFLOAT............1 | |||
| Afloat | , and pillowing up the majesty | Endymion: A Poetic Romance, Book III, Line 999 | |
| AFRAID............8 | |||
| Came blushing, waning, willing, and | afraid | , | Endymion: A Poetic Romance, Book I, Line 635 |
| My foolish tongue, and listening, half | afraid | , | Endymion: A Poetic Romance, Book I, Line 960 |
| Most delicate, as though | afraid | to smutch | Endymion: A Poetic Romance, Book II, Line 90 |
| Stifle thine heart no more;- nor be | afraid | Endymion: A Poetic Romance, Book II, Line 979 | |
| As dancingly as thine. Be not | afraid | , | Endymion: A Poetic Romance, Book III, Line 307 |
| Nor | afraid | There was a naughty boy, Line 66 | |
| And where the very brooks as if | afraid | When they were come unto the Faery's court, Line 7 | |
| And still the cup was full,- while he, | afraid | Lamia, Part I, Line 253 | |
| AFRESH............2 | |||
| Open | afresh | your round of starry folds, | I stood tip-toe upon a little hill, Line 47 |
| Put her new lips to his, and gave | afresh | Lamia, Part I, Line 294 | |
| AFRIC'S...........1 | |||
| Beneath the waves like | Afric's | ebony, | Imitation of Spenser, Line 17 |
| AFRICAN...........1 | |||
| Son of the old moon-mountains | African | ! | To the Nile, Line 1 |
| AFTER.............66 | |||
| And | after | parting beds of simple flowers, | Imitation of Spenser, Line 6 |
| After | a night of some quaint jubilee | To George Felton Mathew, Line 27 | |
| With | after | times.- The patriot shall feel | To My Brother George (epistle), Line 73 |
| No, nor when supper came, nor | after | that,- | To Charles Cowden Clarke, Line 119 |
| Yeaned in | after | times, when we are flown, | Sleep and Poetry, Line 257 |
| Thought | after | thought to nourish up the flame | Sleep and Poetry, Line 398 |
| After | dark vapours have oppressed our plains | After dark vapours have oppressed our plains, Line 1 | |
| For thee in | after | years. | Think not of it, sweet one, so, Line 12 |
| With ebon-tipped flutes: close | after | these, | Endymion: A Poetic Romance, Book I, Line 147 |
| And | after | him his sacred vestments swept. | Endymion: A Poetic Romance, Book I, Line 152 |
| Their share of the ditty. | After | them appear'd, | Endymion: A Poetic Romance, Book I, Line 163 |
| And, | after | lifting up his aged hands, | Endymion: A Poetic Romance, Book I, Line 195 |
| Many might | after | brighter visions stare: | Endymion: A Poetic Romance, Book I, Line 346 |
| After | the Argonauts, in blind amaze | Endymion: A Poetic Romance, Book I, Line 347 | |
| And, ever | after | , through those regions be | Endymion: A Poetic Romance, Book I, Line 383 |
| Seems all this poor endeavour | after | fame, | Endymion: A Poetic Romance, Book I, Line 847 |
| Hour | after | hour, to each lush-leav'd rill. | Endymion: A Poetic Romance, Book II, Line 52 |
| After | long toil and travelling, to miss | Endymion: A Poetic Romance, Book II, Line 145 | |
| After | a thousand mazes overgone, | Endymion: A Poetic Romance, Book II, Line 387 | |
| And | after | , straight in that inspired place | Endymion: A Poetic Romance, Book II, Line 837 |
| Swifter than centaurs | after | rapine bent.- | Endymion: A Poetic Romance, Book III, Line 536 |
| My soul page | after | page, till well-nigh won | Endymion: A Poetic Romance, Book III, Line 680 |
| After | some warm delight, that seems to perch | Endymion: A Poetic Romance, Book IV, Line 64 | |
| Didst thou not | after | other climates call, | Endymion: A Poetic Romance, Book IV, Line 142 |
| Night | after | night, and day by day, until | Endymion: A Poetic Romance, Book IV, Line 856 |
| So | after | my own heart! I knew, I knew | Endymion: A Poetic Romance, Book IV, Line 881 |
| Or like one who, in | after | ages, knelt | Endymion: A Poetic Romance, Book IV, Line 891 |
| After | a little sleep: or when in mine | Endymion: A Poetic Romance, Book IV, Line 893 | |
| His eyes went | after | them, until they got | Endymion: A Poetic Romance, Book IV, Line 905 |
| Leave to an | after | time | Lines on Seeing a Lock of Milton's Hair, Line 25 |
| After | its airy maze- | God of the meridian, Line 12 | |
| Night | after | night, when Phoebus was away, | O thou whose face hath felt the winter's wind, Line 7 |
| O fret not | after | knowledge - I have none, | O thou whose face hath felt the winter's wind, Line 9 |
| O fret not | after | knowledge - I have none, | O thou whose face hath felt the winter's wind, Line 11 |
| After | some beauty veiled far-away, | Extracts from an Opera, [first section] Line 4 | |
| Too much of pity | after | they are dead, | Isabella; or, The Pot of Basil, Line 92 |
| Time | after | time, to quiet her. Their crimes | Isabella; or, The Pot of Basil, Line 261 |
| And, | after | looking round the champaign wide, | Isabella; or, The Pot of Basil, Line 347 |
| After | the pilgrim in his wanderings, | Isabella; or, The Pot of Basil, Line 493 | |
| That he may stray league | after | league some great birthplace to find, | There is a joy in footing slow across a silent plain, Line 47 |
| After | so many hours of toil and quest, | The Eve of St. Agnes, Line 338 | |
| The Beadsman, | after | thousand aves told, | The Eve of St. Agnes, Line 377 |
| But | after | water-brooks this pilgrim's soul | Character of C.B., Line 16 |
| Touch'd his wide shoulders, | after | bending low | Hyperion: A Fragment, Book I, Line 24 |
| After | the full completion of fair day,- | Hyperion: A Fragment, Book I, Line 191 | |
| That fell, one | after | one, yet all at once, | Hyperion: A Fragment, Book II, Line 283 |
| That, | after | such a merry battle fought, | Otho the Great, Act I, SCENE II, Otho, Line 14 |
| After | whose spurring heels he sent me forth, | Otho the Great, Act I, SCENE III, Sigifred, Line 13 | |
| His crowded state | after | the victory. | Otho the Great, Act I, SCENE III, Ludolph, Line 93 |
| After | that, say and do whate'er you please. | Otho the Great, Act II, SCENE II, Erminia, Line 111 | |
| And be no more remember'd | after | death, | Otho the Great, Act III, SCENE II, Albert, Line 267 |
| After | my health, intreating, if I please, | Otho the Great, Act IV, SCENE I, Auranthe, Line 37 | |
| After | the page's story of the death | Otho the Great, Act V, SCENE III, Gonfrid, Line 4 | |
| And, | after | not long, thirsted, for thereby | The Fall of Hyperion: A Dream, CANTO I, Line 41 |
| Touch'd his wide shoulders, | after | bending low | The Fall of Hyperion: A Dream, CANTO I, Line 329 |
| Of change, hour | after | hour I curs'd myself: | The Fall of Hyperion: A Dream, CANTO I, Line 399 |
| After | the full completion of fair day, | The Fall of Hyperion: A Dream, CANTO II, Line 35 | |
| Is't madness or a hunger | after | death | King Stephen Act I, SCENE III, De Kaims, Line 14 |
| Where, | after | a long hypercritic howl | The Jealousies, Line 91 |
| That | after | marriage too, she never joy'd | The Jealousies, Line 112 |
| Or kiss thine eyes, or count thy locks, tress | after | tress?" | The Jealousies, Line 171 |
| And the next | after | that shall see him neck'd, | The Jealousies, Line 196 |
| The monster's always | after | something new," | The Jealousies, Line 545 |
| Gentlemen pensioners next; and | after | them, | The Jealousies, Line 586 |
| "Five minutes thirteen seconds | after | three, | The Jealousies, Line 676 |
| In | after | time a sage of mickle lore, | In after time a sage of mickle lore, Line 1 |
| AFTERWARDS........2 | |||
| The enchantment that | afterwards | befel? | Endymion: A Poetic Romance, Book I, Line 573 |
| For truth's sake, what woe | afterwards | befel, | Lamia, Part I, Line 395 |