Current Bibliography, 1994

Compiled by

Jonathan Gross

DePaul University

This bibliography, a regular feature of the Keats-Shelley Journal, is a register of the literary interest in Byron, Hazlitt, Hunt, Shelley, Mary Shelley, Keats, and their circles from January through December 1994. We are particularly grateful to the following for assistance: Jennie Burroughs, Ted Scholz, Jonathan Etes, and the class of English 471: Bibliography and Literary Research (1994-1995) at DePaul University. This bibliography has been supported by a grant from the University Research Council at DePaul University.

Through 1999 this bibliography was compiled by Jonathan David Gross. Beginning in 2000, inquiries, corrections, and suggested entries should be sent to the new Bibliographer, Kyle Grimes, Universitiy of Alabama, Birmingham, kgrimes@uab.edu.

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Bushloper, Lida. "Author-Emended Printed Material in the Huntington Library." HLQ 57 (1994): 64-78.

Erdman, David V. and Brian J. Dendle, eds. The Romantic Movement: A Selective and Critical Bibliography for 1993. West Cornwall: Locust Hill, 1994.

Loesberg, Jonathan. "Recent Studies in the Nineteenth Century." SEL 34 (1994): 877-932.

Barbarese, J.T. "Romantic Roots of Modernism: Hart Crane, Ezra Pound and theAmerican Idiom (Romanticism)." Diss. Temple U, 1994. DAI 55-04A (1994): 961-1298.

Barth J. Robert, S.J. "Hopkins as a Romantic: A Coleridgean's View." WC 25 (1994): 107-13.

Batten, Margaret Guinn. "The Orphaned Imagination: Home, Loss, and Melancholia in English Romantic Poetry." Diss. Duke U, 1994. DAI 55-08A (1994):2399-2678.

Baum, Joan. Mind-Forg'd Manacles: Slavery and the English Romantic Poets. New York: Archon, 1994.

Bennett, Andrew. Keats, Narrative and Audience: The Posthumous Life of Writing.Cambridge, Eng.: Cambridge UP 1994.

Focuses on recent literary theory discussions concerning narrative, reading, the nature of the audience for poetry, and the Romantic "invention" of posterity.

Bennett, Rachel. "Romantic Irony and Problems of Closure in English Romantic Lyric (John Keats, Percy Shelley, William Wordsworth, Samuel Taylor and Coleridge." Thesis. U of Regina, Can., 1994. MAI 33-05 (1994): 1398.

Bloom, Harold. The Western Canon: The Books and School of the Ages. London and New York: Harcourt Brace, 1994.

Brewer, William D. The Shelley Byron Conversation. Gainesville: UP of Florida, 1994.

Catlin, Alan. Shelley and The Romantics. Easthampton, MA: Adastra P, 1994.

Clark, David L., and Donald C. Goellnicht, eds. New Romanticisms: Theory and Critical Practice. Toronto: U of Toronto P, 1994.

Cox, Philip. "Blake, Hayley and Milton: A Reassessment." ES 75 (1994): 430-41.

Dabundo, Laura Susan, ed. New Essays on Women Novelists of the Romantic Period. Dallas: Contemporary Research, 1994.

Dalles, Mary Patricia. "Crystallization and Self: Revisioning Passionate Love in Stendhal's De l'amour, John Keats's Fanny Brawne Poems, William Hazlitt's Liber Amoris, Ann Batten Cristall's Poetical Sketches, and Mary Shelley's Mathilda." Diss. U of Colorado, 1993. Ann Arbor: DAI 55.4 1994.

Davies, Lloyd Guy. On Reading Nature: Romanticism, Textuality, and the Alps. Diss. Duke U, 1993. Ann Arbor: DAI, 1994. 3039A.

Dunbar, Clement. "Current Bibliography." KSJ 43 (1994): 226-67.

Ellis, David. "Lawrence, Wordsworth, and 'Anthropomorphic Lust.'" CQ 23 (1994): 230-42.

Favret, Mary A. "Telling Tales About Genre: Poetry in the Romantic Novel." SN 26, 2 (Summer 1994): 153-72.

Gully, Jennifer Elizabeth. "Spaces of Orgin: Figures of the Archetypal Femminine in Wordsworth, Shelley, Keats, Crane, and Bishop." Thesis. U of Utah, 1994. WorldCat. Online. OCLC. 22 Sept. 1997.

Hansen, Mark. "From Heidegger to Horror: The Disfiguration of the Machine in Romantic Literature and Cultural Theory." Diss. U of California, Irvine, 1994. DAI 55 (1994): 557A.

Jackson, Jessamyn. Why Novels Make Bad Mothers." Novel: A Forum on Fiction 27 (1994): 161-74.

Janowitz, Anne. "'A Voice From Across the Sea': Communitatianism at the Limits of Romanticism." At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism . ed. Mary A Favret and Nicola Watson. Bloomington: Indiana UP, 1994. 83-100.

Johnson, Nancy E. "Rights, Property and the Law in the English Jacobin Novel." Mosaic 27 (1994): 99-120.

Kahf, Moja. "The Muslim Woman in Western Literature from Romance to Romanticism." Diss. Rutgers State U of New Jersey, Ann Arbor: DAI, 1994. AA19511487.

Kehler, Grace. "Rewriting Shakespeare: Othello, Romanticism, and Bourgeois Ideology." WC 25 (1994): 41-45.

King-Hele, Desmond. "Disenchanted Darwinians: Wordsworth, Coleridge, and Blake." WC 25 (1994): 114-18.

Kroeber, Karl. Ecological Literary Criticism: Romantic Imaging and the Biology of the Mind. New York: Columbia UP, 1994.

Kroeber examines Shelley's fascination with the human mind as a socializing agent within the context of other Romantic writers' interest in natural processes.

Kucich, Greg. "Inventing Revolutionary History: Romanticism and the Politics of Literary Tradition." WC 25 (1994): 138-45.

Linkin, Harriet Kramer. "Isn't it Romantic: Angela Carter's Bloody Revision of the Romantic Aesthetic in 'The Earl-King.'" Contemporary Literature 35 (1994): 305-23.

Loesberg, Jonathan. "Recent Studies in the Nineteenth Century." SEL 34 (1994): 877-919.

Low, Lisa and Anthony John Harding, eds. Milton, the Metaphysicals, and Romanticism. Cambridge Eng.: Cambridge UP, 1994.

Mao, Douglas. "The Genius of the Sea: Coleridge's Ancient Mariner at Steven's Key West." TSLL 36 (1994): 75-98.

Martin, Rebecca Ellen. "The Spectacle of Suffering: Repetition and Closure in the Eighteenth-Century Gothic Novel." Diss. City U of New York, 1994.

McGann, Jerome J. "Canonade." NLH 25 (1994): 487-504.

Nichols, Ashton. "Liberationist Sexuality and Nonviolent Resistence: The Legacy of Blake and Shelley in Morris's News from Nowhere." JWMS 10.4 (1994): 20-27.

Oerlemans, Onno Dag. "'The Meanest Thing that Feels': Anthropomorphizing Animals in Romanticism." Mosaic 27 (1994): 1-32.

Peter, Agnes. "An Essay in Romantic Typology: Holderin and Shelley: An Inquiry Based On Heidegger's Lectures on Holderin." Neohelicon 21 (1994): 71-86.

Prasch, Thomas. "The Making of an English Working Past: The Rediscovery of Gerrard Winstanley and Late Victorian English Radicalism." WC 25 (1994): 166-72.

Purinton, Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark: U of Delaware P, 1994.

Rajan, Tilottama, and Angela Esterhammer, eds. WC 25 (1994): 6-56.

Redfield, Marc. "Gender, Aesthetics, and the Bildungsroman." WC 25 (1994): 17-21.

Sanders, Andrew. The Short Oxford History of English Literature. Oxford: Oxford UP, 1994.

Schroth, Randall Evans. A Pantheon of Dragons: Images of Vermicular Monstrance in English Literature from "Beowulf" through "The Cantos". Diss. U of Colorado, 1994, Ann Arbor: DAI, 1994.

Sharafuddin, Mohammed. Islam and Romantic Orientalism: Literary Encounters with the Orient. London: Tauris, 1994.

Szabados, Béla. "Reading Rousseau through the Eyes of Embarrassment." BJA 34 (1994): 266-77.

Sheen, Michael, narr. Great Poets of the Romantic Age. Audiocassette. Naxos Audiobooks, 1994.

Simmons, Clare A. "Prejudged by Foes': The Late Romantic Recanonization of Archbishop Laud." WC 25 (1994): 150-54.

Siskin, Clifford. "Eighteenth Century Periodicals and the Romantic Rise of the Novel." SN 26 (1994): 26-42.

Siskin focuses on William Godwin as an innovative author of the 18^th Century who helped create a new kind of "involved" reader.

Spacks, Patricia Meyer. "Oscillations of Sensibility." NLH 25 (1994): 505-20.

Tucker, Herbert F. "House Arrest: The Domestication of English Poetry in the 1820s" NLH 25 (1994): 521-48.

Turner, Cheryl. Living by the Pen: Women Writers in the Eighteenth Century. New York: Routledge, 1994

Voisine, Jacques. "Quatre poetes epistoliers: Gray, Burns, Keats, Byron." EA: 47.3 (1994): 267-83.

Wallace, Jennifer. "'An Invitation and An Argument': Anthologizing the Romantic Ideology." CAM 23 (1994): 171-79.

Ward, Geoff. Romantic Literature: A Guide to Romantic Literature, 1780-1830. London: Bloomsbury, 1994.

Wordsworth, Jonathan. Romantic Women Writers. Kendal: Wordsworth Trust, 1994.

Zolbrod, Paul G. "New Life in Old Titles: Recasting the Canon in Native American Context." North Dakota Quarterly 62.1 (1994-1995), 40-53.

Anderson, Vicki Jo. History Reborn, Volume I. Cottonwood: Zirchon Historical Research Institute, 1994.

Biographies of a variety of historical personages, including Lord George Gordon Byron.

Anderson, Vicki Jo. The Other Eminent Men of Wiford Woodruff. Cottonwood: Zirchon Historical Research Institute, 1994.

Biographies of a variety of historical personages, including Lord George Gordon Byron.

The Bad Lord Byron. Dir. David Macdonald. Timeless Video, 1994.

The video release of the 1949 film detailing the notorious life and loves of Lord Byron.

Baeza, Jose. Historias de Lord Byron. Mexico: Porrua, 1994.

Bagabas, Omar Abdullah. Byron's Representation of the Orient in 'Childe Harold's Pilgrimage', 'Don Juan' and 'The Oriental Tales'. Diss. U of Essex, 1993. Ann Arbor: DAI, 1994. 95067450.

Baker, Nigel. "Byron and Childe Harold in Portugal." BJ 22 (1994): 43-49.

Bate, Jonathan. "Apeing Romanticism." English Comedy. ed. Michael Cordner, Peter Holland, and John Kerrigan. Cambridge, Eng.: Cambridge UP, 1994: 221-40.

Beaumont, Gwen. "Byron's Friend Napier." BJ 22 (1994): 80.

Bouzza, A. "Lord Byron's Pack." The Nabokovian 33 (1994): 15-16.

Brewer, William D. The Shelley-Byron Conversation. Gainesville: UP of Florida, 1994.

Brownstein, Rachel M. "Romanticism, a Romance: Jane Austen and Lord Byron, 1813-1815." Persuasions 16 (1994): 175.

Byron, George Gordon. Lord Byron: Selected Poems. New York: Gramercy Books, 1994.

Byron, George Gordon. "Childe Harold's Pilgrimage." Venice. San Francisco: Chronicle Books, 1994.

This book contains works by a variety of authors writing on the city of Venice.

Byron, George Gordon. The Works of Lord Byron: with an Introduction and Bibliography. Hertfordshire, Eng.: Wordsworth Editions, 1994.

Christensen, Jerome. "Don Picaro: Lord Byron and the Reclassification of the Picaresque." The Picaresque: A Symposium on the Rogue's Tale. ed. Carmen Benito-Vessels and Michael Zappala. Newark: U of Delaware P, 1994.

Cochran, Peter. "The Transmission of the Texts of Byron's The Vision of Judgement." N&Q 41 (1994): 344-47.

Cochran, Peter. "A Note on the Text of Manfred II." BJ 22 (1994): 79.

Cox, Jeffrey N. "A Materialist Critique of English Romantic Drama." Crit 36 (1994): 464-7.

Survey of individual plays by various playwrights, followed by a more detailed account of Byron's dramas and how they corresponded with the political, economic and social scenes of the time.

Cronin, Richard. "Mapping Childe Harold I and II." BJ 22 (1994): 14.

Davies, Lloyd Guy. On Reading Nature: Romanticism, Textuality, and the Alps. Diss. Duke U, 1993. Ann Arbor: DAI, 1994. 3039A.

Diakanova, Nina. "Heine as an Interpreter of Byron." BJ 22 (1994): 63-65.

Elison, Budini. Byron and Poetic Action: A Study in Mobility. Diss. U of Texas, 1993.Ann Arbor, 1994.: DAI 94066870.

Elledge, Paul. "Talking Through the Grate: Interdict and Mediation in Byron's Pilgrimage, Canto 3." Essays in Literature 21.2 (1994): 200-18.

The fact that Byron's wife abandoned him is crucial to understanding his thoughts and feelings in the third canto of the poem.

Freeman, Brian Gilbert. Ironist Theory and Literature: The Economic Nexus of Public and Private Discourse in Rousseau, Byron, Scott, and Balzac. Diss. Harvard, U 1993. Ann Arbor: DAI, 1994. 94081232.

Furseth, Eric Paul. The Ethics of Perversity: The Wisdom of Sacrifice in Byron's Historical Tragedies. Diss. Washington State U, 1993. Ann Arbor: DAI, 1994. 94066873.

Giddey, Ernest. "Repetition in Byron's Don Juan: A Few Reflections." Repetition. ed. Andreas Fischer. Tubingen: Narr, 1994. 145-56.

Gidding, Joshua Walden. "Byron After Wordsworth: Byron's Poetic Relation to Wordsworth." Diss. U. of Southern California, 1994.

The effect of Wordsworth's poetry on Lord Byron.

Greenleaf, Monika. "Pushkin's Byronic Apprenticeship: A Problem in Cultural Syncretism." The Russian Review 53.3 (1994): 382-99.

Explains Pushkin's adaptation and revision of the Byronic style to achieve a relationship with the public equivalent to that of Byron's.

Hansel, Fanny Mendelssohn. Three Songs on Poems by Lord Byron: High Voice and Piano. Bryn Mawr, PA: Arts Venture, 1994.

Hope, Alan and John Whitehouse. "HMS Byron." BJ 22 (1994): 91-96.

Jorvit, Michael M. Michael Horvit: A Composer Portrait. Albany Records, 1994.

Recording including several works based on the poetry of Lord Byron.

Joukovsky, Nicholas A. "Wordsworth's Lost Article on Byron and Southey." RES (1994): 496-516.

The Writer presents Wordsworth's "response to Byron's attack on Southey in the appendix to The Two Foscari."

Kahf, Mohja. "The Muslim Woman in Western Literature from Romance to Romanticism." Diss. Rutgers State U of New Jersey, Ann Arbor: DAI, 1994. AA19511487.

Keates, Jonathan. "The Intelligence of Byron's plays." Review of Byron's Historical Dramas, by Richard Lansdown. TLS 18 (Feb. 1994): 6.

Kelsall, Malcolm. "Totemism and Totalitarianism: Pope, Byron, and the Hanoverian Monarchy." Forum for Modern Language Studies 30.4 (1994): 329-40.

"Letters of Poets and Potentates Sold to Restore Stately Home." Guardian 13 Oct. 1994.

Signed letters from George III and Lord Byron sold at Christie's auction house in London on Oct. 12, 1994.

Levine, A. "Kansas City Composer Meets Regency Dandy--Virgil Thomson's Lord Byron." Opera and the Golden West: the Past, Present, and Future of Opera in the USA. Hampstead: Fairleigh Dickinson UP, 1994. 217-32.

MacDonald, D.L. "Childhood Abuse as Romantic Reality: The Case of Byron." Literature and Psychology 40.1-2 (1994): 24-48.

This article explores the effect of child abuse on Lord Byron's personal life and writings.

Marchand, Leslie A. ed. 'What Comes Uppermost': Byron's Letters and Journals. Newark: U of Delaware P, 1994.

McCalla, Arthur H. "Byron and Ballanche's Historical Theodicy." Nineteenth-Century French Studies 22 (1994): 379.

Mendelssohn-Bartholdy, Felix. Mendelssohn Songs. Hyperion, 1994.

A recording of the composer's works, some of which were inspired by Lord Byron's poetry.

Mitgang, Herbert. "How Writers Thought For All the World to See." New York Times 28 July 1994, late ed.: C11.

Includes description of exhibit in NYPL Berg Collection: 250 original manuscripts and a letter from Lord Byron.

Morillo, John Dixon. "Uneasy Feeling: The Discourse of the Passions in Neoclassical and Romantic Poetry." Diss. U of Chicago, 1994.

Explores the historical and political context of John Dennis, Alexander Pope, William Wordsworth, and Lord Byron as it relates to the element of passion in their works.

Murphy, Martin. "Lady Caroline Lamb, Lady Holland and the Page Beating." BJ 22 (1994): 91-92.

Pasco, Allan H. "Toppling from Mt. Olympus: The Romantic Hero." Epoch and Epoch: Essays on the Interpretation and History of a Genre. ed. Steven M. Oberhelman, Kelly Van, and Richard J. Golsan.: Texas Tech UP, 1994. 233-47.

Platero, Daniele Calvo. Lordos Vyron. Athena: "Nea Synora" Ekdotikos Organismos Livane, 1994.

Purinton, Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, andJoanna Baillie. Newark: U of Delaware P, 1994.

Queenan, Joe. "A Sure Tip-off." Barron's, 6 May 1994, 55.

Rawes, Alan. "Was Byron or Was He Not? Further Thoughts on Byron's Numerology." BJ 22 (1994): 87.

Redfield, Kay Jameson. "Images in Psychiatry: George Gordon, Lord Byron 1788-1824." American Journal of Psychiatry 151 (1994): 480-81.

Reiner, Carl. Carl Reiner & Mel Brooks: 2000 and thirteen. Rhino Records, 1994.

Selections from the series of "2,000-year-old man". These sketches performed by Carl Reiner and Mel Brooks, including some comedy based on Lord Byron.

Rommel, Thomas. "So Soft, So Sweet, So Delicately Clear: A Computer-Assisted Analysis of Accumulated Words and Phrases in Lord Byron's Epic Poem Don Juan." Literary and Linguistic Computing 9.1 (1994): 7-12.

Rosa, George M. "Byron, Mme de Stael, Schlegel, and the Religious Motif in Armance." CL 46 (1994): 346-71.

An exploration of the effect that Lord Byron's history at Coppet had on Stendhal's Armance.

Saglia, Diego. "Spain and Byron's Construction of Place." BJ 22 (1994): 14.

Scrivener, Michael. "Zion Alone is Forbidden: Historicizing Antisemitism in Byron's The Age of Bronze." KSJ 43 (1994): 75-97.

Schroth, Randall Evans. A Patheon of Dragons: Images of Vermicular Monstrance in English Literature from "Beowulf" through "The Cantos". Diss. U of Colorado, !994. Ann Arbor: DAI, 1994.

Sharafuddin, Mohammed. Islam and Romantic Orientalism: Literary Encounters with the Orient. London: Tauris, 1994.

Sheen, Michael, narr. Great Poets of the Romantic Age. Audiocassette. Naxos Audiobooks, 1994.

Siskin, Clifford. "The Lyric Mix: Romanticism, Genre, and the Fate of Literature." WC 25.1 (1994): 7-10.

Soderholm, James. "Byron's Luddic Lyrics." SEL 34 (1994): 739-51.

Thomson, Alastair W. "In My Turn: Byron's 'The Vision of Judgement'." ES 75 (1994): 523-35.

Voisine, Jacques. "Quatre Poetes Epistoliers; Gray, Burns, Keats, Byron." EA 47.3 (1994): 267-83.

Wasserman, J.G. " 'A Buzz in a Box': The Reopening of the Drury Lane Theater." BJ 22 (1994): 70-79.

Watson, Nicola J. "Transfiguring Byronic Identity." At the Limits of Romanticism: Essays in Cultural, Feminist and Materialist Criticism. ed. Mary Favret and Nicola J Watson. Bloomington: Indiana P, 1994.

Wolf, Manfred. "The Aphorism." Etc. 51 (1994): 432-39.

The author examines aphorisms in their historical context, citing examples from a number of writers, including Lord Byron.

Womack, Kenneth. "$2f as in Byron: Addressing the Need for a Standardized System of Russian Transliteration in the Humanities." Editors' Notes 13.1 (1994): 31-6.

"A poet's season." Editorial. The New York Times 24 Sept. 1994, late ed.: 18. Reflections on John Keats's poem Ode to Autumn.

Abraham, Shane. "John Keats and the Fever of Creation." Thesis. Coe College, 1994. WordCat. Online. OCLC. 22 Sept. 1997.

Austin, Allen C. "Toward Resolving Keat's Grecian Urn Ode." Context for Criticism. ed. Donald Keesey. Mountain View: Mayfield, 1994. 48-58.

Bennett, Andrew. Keats, Narrative and Audience: The Posthumous Life of Writing. Cambridge, Eng.: Cambridge UP 1994.

Focuses on recent discussions concerning narrative, readers and reading, the nature of the audience for poetry, and the Romantic "invention" of posterity.

Bennett, Rachel. "Romantic Irony and Problems of Closure in English Romantic Lyric (John Keats, Percy Shelley, William Wordsworth, Samuel Taylor and Coleridge." Thesis. U of Regina, Can., 1994. MAI 33-05 (1994): 1398. Dissertations Abstract Online. OCLC. 22 Sept. 1997.

Bernal, Jose Luis. "Pintura y poesia en el prerafaelismo." Goya. 241-42 (July/Oct.1994): 82-90.

Examines the influence of Keats, Mallory, and especially stories from the Arthurian Cycle on pre-Raphaelite paintings. Online. MLA. 20 Sept. 1997.

Bewell, Alan. "Keats's Realm of Flora." New Romanticisms: Theory and Critical Practice. ed. David L Clark and Donald C. Goellnicht. Toronto: U of Toronto P 71-100.

Bishop, M.G.H. "The Genius of Disease: Culture Dependent Illness - Keats, Mozart and Margaret Atwood." JRSM 87.2 (1994): 67-9. Medline. Online. OCLC. 20 Sept. 1997.

Brann, Eva T. H. "Pictures in Poetry: Keats's Ode on a Grecian Urn." Context for Criticism ed. Donald Keesey. Mountain View: Mayfield, 1994. 236-40.

Brooks, Cleanth. "Keats's Sylvan Historian: History Without Footnotes." Context for Criticism ed. Donald Keesey. Mountain View: Mayfield, 1994. 105-11.

Caplan, Caralee. "Cultivated Nature: Keats's To Autumn and the Georgic Tradition." Thesis. Harvard U, 1994. WorldCat. Online. OCLC. 22 Sept.1997.

Clark, Tom. Junkets on a Sad Planet: Scenes from the Life of John Keats. Santa Rosa: Black Sparrow Press, 1994.

Cook, Elizabeth, ed. John Keats. Oxford: Oxford UP, 1994. Selected Poems.

Crinquand, Sylvie. "La Corresponence privee, simulacre d'autobiographie?" Caliban 34 (1994): 147-54.

Crisman, William. "Industrialism and the Fate of Personal Distance in Keats's Isabella and Lamia." ERR 4.2 (1994): 113-32.

Dalles, Mary Patricia. "Crystallization and Self: Revisioning Passionate Love in Stendhal's De l'amour, John Keats's Fanny Brawne Poems, William Hazlitt's Liber Amoris, Ann Batten Cristall's Poetical Sketches, and Mary Shelley's Mathilda." Diss. U of Colorado, 1993. Ann Arbor: DAI 55.4 1994.

Dodson, Charles B. "Genji, Keats, and 'Mono No Aware'" Annual Meeting of the College English Association. Overland Park, KS. April 1994.

10 page paper on teaching multicultural literature: Explains concepts in Japanese novels with the help of western texts (Keats's Ode on Melancholy).

Edgecombe, Rodney Stenning. "Keats's The Eve of St Agnes." Exp 52.2 (1994): 77-79.

Compares The Eve of St. Agnes with Epithalamion and Spenser's The Faerie Queene.

Edgecombe, Rodney Stenning. "On Looking into Chapman's Musaeus: A note on Possible Influence." KSJ 43 (1994): 27-34.

Gaillard, Theodore L., Jr. "Keat's Ode on Melancholy." Exp 53 (1994): 18-23.

Goellnicht, Donald C. "The Politics of Reading and Writing: Periodical Reviews of Keats's Poems." New Romanticisms: Theory and Critical Practice. ed. David L. Clark and Donald C. Goellnicht. Toranto: U of Toronto P, 1994. 101-31.

Goolsby, Joanna L. "Coleridge, Keats, and Collins: Lured by the Poppy." Thesis. Southwest TX State U, 1994. WorldCat. Online. OCLC. 22 Sept. 1997.

Gully, Jennifer Elizabeth. "Spaces of Orgin: Figures of the Archetypal Feminine in Wordsworth, Shelley, Keats, Crane, and Bishop." Thesis. U of UT, 1994, WorldCat. Online. OCLC. 22 Sept. 1997.

Harding Rains, A.J. and M.A. Rains. "Keats' A Tragedy in Three Acts 1815-1821 with Coda." JRSM 87.12 (1994): 742-8.

A history of Keats's death from tuberculosis. Medline. Online. OCLC. 5 Sept. 1997.

Hartel, Gail L. "Lair of the Dragon: Keats as Failed Mythic Hero." Diss. IN State U, 1994.

Hashimoto, Hisae. "Two Conflicting Motifs in Endymion: From 'Ideal' to 'Doubt'." LC (1994): 73-89.

Hayman, Bruce. "Rhythm and Syntax in On First Looking into Chapman's Homer." KSJ 43 (1994): 24-27

Hecht, Jamey. "Scarcity and Poetic Election in Two Sonnets of Keats." ELH 61 (1994): 103-20. Examines Keats's "matter of becoming" a poet, as expressed in On First Looking into Chapman's Homer and When I Have Fears.

Hecht, Jamey. Dissenting Modernisms: The Consruction of the Transcendental Term in Hart Crane and Dylan Thomas with Introductory Chapters on John Keats and Walt Whitman. Diss. Brandeis U, 1994. Ann Arbor: UMI, 1995. WorldCat. Online. OCLC. 20 Sept. 1997.

Heiserman Perkins, Lisa. "Keats's Mere Speculations." KSJ 43 (1994): 56-74.

Hewitt, Regina. "Expanding the Literary Horizon: Romantic Poets and Postmodern Sociologists." Sociological Quarterly 35.2 (1994): 195-213.

"Keats's use of unrealistic elements and an identifiable point of view to deploy them in his texts suggest ways in which sociologists might adapt literary conceptualization to foreground their understanding of the behavior they study."

Hoeveler, Diane Long. "Decapitating Romance: Class, Fetish, and Ideology in Keats's Isabella." NCL 49.3 (1994): 321-38.

"John Keats: Poet (1795-1821)." Famous Authors. Prod., dir., writ. Malcolm Hossick. ed. Mark Shademan. Landmark Media. Falls Church, Va.: 1994.

Jones, Elizabeth Susan. "Bodily Accommodations Topography in the Poetry of John Keats." Diss. U of Toronto, 1994. DAI 55-12A (1994): 3852A.

Using the ecological theories of Jay Appleton, a dialectic between prospect (a detached, picturesque view of the eighteenth century "public" poet) and a refuge (a domesticated, sensual engagement with nature of the "private" poet). WorldCat. Online. OCLC. 22 Sept. 1997.

Jones, Jennie. "The Eve of St. Agnes as a Turning Point in the Poetry of John Keats." Thesis. U of MS, 1994. WorldCat. Online. OCLC. 22 Sept. 1997.

Kahf, Moja. "The Muslim Woman in Western Literature from Romance to Romanticism." Diss. Rutgers State U of New Jersey, Ann Arbor: DAI, 1994. AA19511487.

Keats, John. Selected Poems. Read by Fredrick Davidson. 2 sound Cassettes. Ashland, OR: Blackstone Audio Books, 1994.

Keesey, Donald. Introduction. Context for Criticism. ed. Donald Keesey. MountainView: Mayfield, 1994. 1-16.

Compares Keats's Ode on a Grecian Urn to Kate Chopin's The Awakening.

Kelly, James T. "Dimensions of Negative Capability in the Poetries of John Keats and William Carlos Williams." Thesis. Fordham U, 1994. WorldCat. Online.OCLC. 22 Sept. 1997.

Lau, Beth. "Keats's Marginalia in Paradise Lost." Milton, the Metaphysicals, and Romanticism. ed. Lisa Low and Anthony John Harding. Cambridge, Eng.: Cambridge UP, 1994. 151-71.

Lau, Beth. "Keats's Markings in Chaucer's Troilus and Criseyde." KSJ 43 (1994): 39-55.

Lopez, Debbie Lynn. "Adam's Nightmare: John Keats's Legacy to Herman Melvile and Nathaniel Hawthorne." Diss. Harvard U, 1994. DAI 5503A (1994): 567A.

An interpretation of Keat's Lamia as Lilith, or the serpent entering the Garden of Eden. American writers, such as Hawthorn and Melville, use the "spectres" of Lilith and Lamia. Dissertations Abstract Online.

Low, Lisa. "Marvell through Keats and Stevens: The Early Meditation Poem." Milton the Metaphysicals and Romanticism. ed. Lisa Low and Anthony John Harding. Cambridge, Eng.: Cambridge Up, 1994. 241-57.

Marvasti, Mahti Alim. "A comparison and Contrast Between Neoclassicism and Romanticism: Dryden and Pope vs. Wordsworth and Keats.: Thesis. CA State U, MAI 33-06 (1994). Dissertations Abstract Online. Online. OCLC. 20 Sept. 1997.

Metzger, Lore. "Silence and Slow Time: Pastoral Topi in Keats's Odes." Context for Criticism. ed. Donald Keesey. Mountain View: Mayfield, 1994. 314-17.

Minham, J. "Word Like a Bell: John Keats, Music and the Romantic Poet." RES 45 (1994): 456-57.

Literary criticism, comparison of music and poems.

Mitchell, Thomas R. "Keats's 'Outlawry' in Robin Hood." SEL 34.4 (1994): 753-69.

Moore, Geoffrey. John Keats. New York: Clarkson Potter, 1994.

Morris, Mavis Kendra. "Beauty, Truth, and the Imagination: Images of Art in Keats's Poetry." Thesis. Williams College, 1994. WorldCat. Online. OCLC. 22 Sept. 1997.

Morrison, Lucy. "Through the Ages: Theme Maintenance, Unacknowledged Debt, and Recourse to the Past - Thomas Chatterton, John Keats, and Hilda Doolittle." Thesis. IL State U, 1994. WorldCat. Online. OCLC. 22 Sept. 1997.

Nelson, Bonnie. "The Visions of Jane West and John Keats: Another Source for Ode to a Nightingale." KSJ 43 (1994): 34-38.

Nichols, Ashton. "Liberationist Sexuality and Nonviolent Resistence: The Legacy of Blake and Shelly in Morris's News from Nowhere." JWMS 10.4 (1994): 20-27.

Perkins, Lisa Heiserman. "Keats's Mere Speculations." KSJ 43 (1994): 56-74.

Polloczek, Dieter. "To Empathize and Complete - Geoffrey Hartman's Readings of Keats." Deutsche Vierteljahrsscrift fur Literaturwissenschaft und Geistesgeschichte 68 (1994): 248-62. MLA. Online. OCLC. 20 Sept. 1997.

Pyle, Forest. "Keats's Materialism." SIR 33.1 (1994): 57-80.

Roe, John. "A Shakespearean Echo Transformed in Keat's 'On First Looking into Chapman's Homer.'" KSR 8 (1993-1994): 21-26.

Rollins, Mark J. "The Keatsian Sublime in Context." Thesis. Auburn U, 1994. WorldCat. Online. OCLC. Sept. 1997.

Schroth, Randall Evans. A Pantheon of Dragons: Images of Vermicular Monstrance in English Literature from "Beowulf" through "The Cantos." Diss. U of Colorado, 1994. Ann Arbor: DAI, 1994.

Scott, Grant F. "The Muse in Chains: Keats, Durer, and the Politics of Form." SEL (1994): 271-93.

Scott, Grant F. The Sculpted Word: Keats, Ekphrasis, and the Visual Arts. Hanover: UP of New England, 1994.

"Explores the psychological, generic, historic and cultural dimension of Keats's use of ekphrasis in a number of specific poems."

Sider, Michael J. "The Dialogical Keats: Studies in a Bakhtinian Approach to Keats's Narrative Poem." Diss. U of Western Ontario, 1993. DAI 54.8 (1994): 3046A.

Sorensen, Peter J. "On Keats's 'Unheard Melodies.'" KSR 8 (1993-1994): 27-31.

Sperry, Stuart M. Keats the Poet. Princeton, NJ: Princeton UP, 1994.

Steinman, Daniel. "The Decided Mind of John Keats." Diss. Harvard U, 1994. WorldCat. Online. OCLC. 22 Sept. 1997.

Students at the Lake Highland Preparatory School Orlando. "An Ode to Marketers: It's Keats's Birthday." Advertising Age 65 (1994): 32.

A marketing campaign launched by students on the bicentennial of Keats's birth.

Szabados, Bela. "Reading Rousseau Through The Eyes Of Embarrassment." British Journal of Aesthetics 34 (1994): 266-77.

Author discusses embarrassment in Rousseau's Confessions and compares it with Christopher Rick's Keats and Embarrassment.

Taylor, Anya. "Coleridge, Keats, Lamb, and Seventeenth-Century Drinking Songs." Milton, the Metaphysicals, and Romanticism. ed. Lisa Low and Anthony John Harding. Cambridge, Eng.: Cambridge UP, 1994. 221-40.

Tenreiro, Mary-Zoe Conroy. "Keats's Struggle with Immortality." Thesis. CA State U, 1994. MAI 33-06 (1994). Dissertations Abstract Online. Online. OCLC. 22 Sept. 1997.

Voisine, Jacques. "Quatre poetes epistoliers: Gray, Burns, Keats, Byron."EA 47.3 (1994): 267-83.

Watkins, Daniel P. "Coming to the Sacrifice." Context for Criticism. ed. Donald Keesey. Mountain View: Mayfield, 1994. 462-76.

Weisman, Karen A. "Starving Before the Actual: Amy Clampitt's 'Voyages: A Homage to John Keats." Crit 36.1 (1994): 119-137.

Clampitt's "Post-Romantic" poetry expresses her quest for articulation through everyday concrete experiences, similar to Keats's own quest in "becoming a poet."

Wellens, Oskar. "John Payne Collier: The First Perceptive Critic of John Keats." KSR 8 (1993-1994): 32-47.

Wilson, Douglas. "Reading the Urn: Death in Keats's Arcadia." Context for Criticism. ed. Donald Keesey. Mountain View: Mayfield, 1994. 166-78.

Wilson, Jennifer Ann. "Ethereal Fingerpointings - Tracing Keats's Poetic of Androgyny." Thesis. San Fransisco State U, 1994. WorldCat. Online. OCLC.22 Sept. 1997.

Zhu, Hui. "On Artistic Features of the Verses by Li He and John Keats." Waiguoyu (1994): 62-65. Online. 22 Sept. 1997.

Zolbrod, Paul G. "New Life in Old Titles: Recasting the Canon in Native American Context." North Dakota Quarterly 62.1 (1994-1995), 40-53.

Baum, Joan. Mind-Forg'd Manacles-Slavery and the English Romantic Poets. Connecticut: The Shoe String Press, Inc., 1994.

Carefully examines William Hazlitt's relentless support for literature that exposed and criticized oppression and slavery during the Romantic period. Studies anti-slavery and anti-racist sentiment contained in both letters and criticism.

Cochran, Peter. "More Hazlitt Quotations: The Bible, Milton, Dryden, Rochester, Boileau and John Dennis." N&Q 41 (1994): 343-47.

Quotations excerpted from The Complete Works of William Hazlitt, which was edited by P.P. Howe in a 21 volume set.

Dalles, Mary Patricia. "Crystallization and the Self: Revisioning Passionate Love in Stendhal's De lamour, John Keats's Fanny Brawne poems, William Hazlitt's Liber Amoris, Ann Baten Cristall's Poetical Sketches, and Mary Shelley's Mathilda." Diss. U of Colorado, 1993. Ann Arbor: DAI, 1994.

Danahay, Martin A. "Mirrors of Masculine Desire: Narcissus and Pygmalion in Victorian Representation." VP 32 (1994): 35-53.

By exploring the myth of Pygmalion,Victorian artists are said to be fulfilling their own narcissistic desires. Hazlitt's infatuation with Sarah Walker in Liber Amoris is used as an example for his own "illicit Narcissism".

Edgecombe, Rodney Stenning. Leigh Hunt and the Poetry of Fancy. London: Fairleigh Dickinson UP, 1994.

This work attempts to show the "Rococo" refuge Hunt took within his poetry, and how he "refuel[ed] his exhausted spirit" through it. The book is not a "revaluation" of his poems, but merely shows the reader ways of enjoying his minor poetry from a "decidedly minor poet".

Edgecombe, Rodney Stenning. "The 'Waters' in Bleak House, Chapter 1." N&Q 41 (1994): 353. A retort to an article titled "Dickens's Meglosaurus " (N&Q, December 93, 78-9).

The rebuttal in this article states that Hunt's The Town and the opening paragraphs of Dickens's Bleak House renders no "mild chronological puzzle".

Favret, Mary A. "A Home for Art: Painting, Poetry and Domestic Interiors." At the Limits of Romanticism: Essays in Cultural, Feminist and Materialist Criticism. ed. Mary A Favret and Nicolas J. Watson. Bloomington: Indiana UP, 1994.

This essay expounds on Hazlitt's theory of a mental art gallery.

Hofkosh, Sonia. "Sexual Politics and Literary History: William Hazlitt's Keswick Escapade and Sarah Hazlitt's Journal." At the Limits of Romanticism: Essays in Cultural, Feminist and Materialist Criticism. ed. Mary A Favret and Nicolas J. Watson. Bloomington: Indiana UP, 1994. 125-42.

Jones, Stanley. "More Hazlitt Quotations: The Bible, Milton, Dryden, Rochester, Boileau/John Dennis." N&Q n.s. 41 (1994): 343-44.

Lapp, Robert K. "Contest for Cultural Authority: Hazlitt's review of The Statesman's Manual." English Studies in Canada 20 (1994): 41-60.

Lew, Laurie Kane. "Figuring a Tradition: Romantic Poetics and the Writings of English Painting, 1769-1860." Diss. U of Chicago, 1994. DAI 55 (1994): AAG9501518.

An interdisciplinary and historically focused study of a genre of critical prose which examines the works of Reynolds, Hazlitt and Ruskin.

Lopate, Phillip, ed. The Art of the Personal Essay: An Anthology from the Classical Era to the Present. New York: Anchor-Doubleday, 1994.

This comprehensive volume of essays includes Hazlitt and regards him as a superior essayist.

Perkins, David. "Wordsworth, Hunt, and the Romantic Understanding of Meter." JEGP 93(1994): 1-17.

Priestley, John Boyton. William Hazlitt. Plymouth, Eng.: Northcote House, 1994.

A short piece; only 69 pages elucidating Hazlitt's life and work.

Backes, Anthony. "Revisiting 'Frankenstein': A Study in Reading and Education." EJ 83 (1994): 33-36.

Bande, Usha. "Rebellion, Reform and Regeneration in Shelley's Poetry." AJES 16 (1994): 105-113.

Bann, Stephen. Introduction. Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994.

Barbarese, J.T. "Romantic Roots of Modernism: Hart Crane, Ezra Pound, and the American Idiom (Romanticism, Crane Hart, Pound, Ezra)." Diss. Temple U, 1994. DAI 55-04A (1994): 961-1298.

Batchelor, Rhonda. "The Rise and Fall of Eighteenth Century's Authentic Feminine Voice." ECF 4 (1994): 347-68.

Batchelor examines the presence of gender and politics within the historical context of the emerging feminized consciousness. Frankenstein is described as the depistion of a revolutionary domestic culture.

Batten, Margaret Guinn. "The Orphaned Imagination: Home, Loss, and Melancholia in English Romantic Poetry." Diss. Duke U, 1994. DAI 55-08A (1994): 2399-2678.

Beebe, Randall Lee. "'The Web of Being': Shelley's Allegories of History." Diss. Pennsylvania State U, 1994.

Bennett, Betty T. "The Editor of Letters as Critic: A Denial of 'Blameless Neutrality.'" Transactions of the Society for Textual Scholarship 6 (1994): 213-223.

Bennett, Betty T. Mary Diana Dods, a Gentleman and a Scholar. Johns Hopkins paperbacks ed. Baltimore: Johns Hopkins UP, 1994.

Biography of a friend of Mary Shelley.

Bennett, Rachel. "Romantic Irony and Problems of Closure in the English Romantic Lyric." Diss. U of Regina, 1994.

Berger, Arthur Asa. "Eleven Ways of Looking at the Gulf War." Etc. 51 (1994):

Discusses media representations of Saddam Hussein as a Frankenstein-like monster during the Gulf War.

Bishop, M.G.H. "The Making and Re-Making of Man: Mary Shelley, or, the Modern Pandora, and Gene Therapy." JRSM 87.12 (1994).

Biswas, Ajoy R. "Humour and Satire in Shelley." AJES 16 (1994): 114-124.

Blood, Roger. "Allegory and Dramatic Representation in The Cenci." SIR 33:3 (1994): 355-89.

Bloom, Harold, ed. Classic Horror Writers. New York: Chelsea House Publishers, Includes a biography on Mary Shelley.

Bode, Christoph. "Shelley's 'Mont-Blanc': The Aesthetic 'Aufhebung' of a Philosophical Anitomy." Ed. Horst Hohne. RD. Essen: Blaue Eule, 1994. 286-99.

Bode, Christoph. "'Look on My Works, Ye Mighty, and Despair!:' Notes on the Non- Teachibility of Poetry." A&E 53 (1994): 139-52.

Bohls, Elizabeth A. "Standards of Taste, Discourses of 'Race,' and the Aesthetic Education of a Monster: Critique of Empire in Frankenstein." ECL 18 (1994): 22-36.

Bolton, Elizabeth Susan. "Transcendence and Transgression: From the Sublime to the Grotesque." Yale U, 1994. DAI 54 (1994): 4082A.

Borroff, Edith. Three Songs. San Antonio: Southern Music Company, 1994.

Includes two songs which employ poems by Shelley as lyrics.

Bowen, Arlene. "'Colui da cu' io tolsi / Lo bello stilo:' Dante's Presence in Mary Shelley's Mathilda." IC 12 (1994): 59-84.

Branagh, Kenneth. Mary Shelley's Frankenstein: the Classic Tale of Terror Reborn on Film. New York: New Market P, 1994.

Brewer, William D. "Mary Shelley on the Therapeutic Value of Language." PL&L 30:4 (1994): 387-407.

Brewer, William D. The Shelley-Byron Conversation. Gainesville: UP of Florida, 1994.

Brigham, Linda C. "The Postmodern Semiotics of Prometheus Unbound." SIR 33:1 (1994): 31-56.

Bronfen, Elisabeth. "Rewriting the Family: Mary Shelley's Frankenstein in its Biographical / Textual Context." Frankenstein, Creation andMontrosity. Ed. Stephen Bann. London: Reaktion, 1994. Ed. Stephen Bann. London: Reaktion, 1994.

Bruhm, Steven. Gothic Bodies: The Politics of Pain in Romantic Fiction. Philadelphia: U of Pennsylvania P, 1994.

Bukovinsky, Janet. Women of Words: A Personal Introduction to Thirty-Five ImportantWriters. Philadelphia: Running P, 1994.

Byrne, Deidre. "The Meaning of Frankenstein." Journal of Literary Studies 10.1 (1994): 170-84.

Catlin, Alan. Shelley and The Romantics. Easthampton, MA: Adastra P, 1994.

Campbell, Ian. "Jekyll, Hyde, Frankenstein and the Uncertain Self." CVE 40 (1994): 51-62.

Catalog of Books and Manuscipts, Keats-Shelley Memorial House. Rome, New York: G.K. Hall, 1994.

Chandler, James. "Ricardo and the Poets: Representing Common-Wealth in the Year of Peterloo." WC 25:2 (1994): 82-86.

Discusses the impact of modern history on Shelley's poetry. He focuses on Shelley's anticipation of historical change in "England 1819."

Chapman, Sara S., Beth Engeler and Karen Kelly. "Mary Shelley." Troy/Albany: Sage Colleges/WAMC Public Radio, 1994.

Recording of a radio discussion wherein Engeler interviews Mary Shelley scholars, Chapman, and Kelly about the life of the author and how her Frankenstein in many ways reflected her own life.

Chappell, Michael. "De-Fencing the Poet: The Political Dilemma of the Poet and the People in Milton's Second Defense and Shelley's Defense of Poetry." Milton, the Metaphysicals, and Romanticism, ed. Lisa Low and John Anthony Harding. Cambridge: Cambridge UP, 1994. 135-50.

Chen, Kuo-Jung. "The Gothic Narrative Structure: A Generic Reading of Four English Novels." U of Wisconsin, 1994. DAI 55 (1994): 970A.

Chichester, Teddi Lynn. "Entering the Stream of Sound: The Reader and The Masque in Shelley's Prometheus Unbound." CQ 30:2 (1994): 85-97.

Clairmont, Clara Mary Jane. The Clairmont Correspondence: Letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin. Baltimore: Johns Hopkins UP, 1994.

Familial letters concerning the Godwins, Mary Wollstonecraft, and Mary Shelley.

Clark, David L., and Donald C. Goellnicht, eds. New Romanticisms: Theory and CriticalPractice. Toronto: U of Toronto P, 1994.

Clark, Timothy. "Orientations Towards a Theory of Inspiration (with Shelley as a Closing Example)." CR 34 (1994): 85-112.

Colloque Mary Shelley Autour de Frankenstein: Actes Colloque Mary Shelley, 14-15 janvier 1994. Poitiers: U de Poitiers, U.F.R. Langues et Litteratures, 1994.

Cordaro, Joseph. "Long Day's Journey Into Frankenstein." EONR 18:1-2 (1994): 116-28.

Craig, Siobhan. "Monstrous Dialogues: Erotic Discourse and the Dialogic Constitution of the Subject in Frankenstein." A Dialogue of Voices: Feminist Literary Theory and Bakhtin. Ed. Karen Hohne and Helen Wussow. Minneapolis: U of Minnesota P, 1994. 83-96.

Cross, Ashley Jill. Fashionable Discourse and Impressionable Minds: Language and Feminine Subjectivity from Locke to Mary Shelley. Diss. Brown U, 1994. Ann Arbor: UMI, 1994.

Cuebas, Laura Ann. "Individuation in Text and Life: A Jungian Interpretation of Mary Wollstonecraft Shelley's Matilda." Diss. Southwest Missouri State U, 1994.

Curry, Peggy L. "Representing the Biblical Judith in Literature Minds: Language and Feminine Subjectivity from Locke to Mary Shelley (Locke, John Shelley, Mary, Percy Bysshe, Wordsworth, William)." Diss. Brown U, 1994. DAI 55-07A (1994): 1964-2232.

Dabundo, Laura Susan, ed. New Essays on Women Novelists of the Romantic Period. Dallas: Contemporary Research Press, 1994.

Dalles, Mary Patricia. "Crystallization and Self: Revisioning Passionate Love in Stendhal's Del'amour, John Keats's Fanny Brawne Poems, William Hazlitt's Liber Amoris, Ann Batten Cristall's Poetical Sketches, and Mary Shelley's Mathilda." Diss. U of Colorado, 1993. Ann Arbor: DAI 55.4 1994.

Dawson, Martha. "'This Subject for Heroic Song': The Dialect of Passivity and Violence in Spenser, Milton, Shelley." Diss. U of Miami, 1993. DAI 54 (1994): 4100A.

Dietrich, Bryan David. "The Monstrance: A Collection of Poems." Diss. U of North Texas, 1994.

Dobrutsky, Jay Stephen. "Too Much in the Son: 'Hamlet' and the Nineteenth-Century Novel of Male Development." Diss. U of Virginia, 1994. DAI (1994): 3019A.

Duff, David. Romance and Revolution: Shelley and the Politics of a Genre. Cambridge, Eng.: Cambridge UP, 1994.

Dutoit, Thomas. "Re-specting the Face as the Moral (of) Fiction in Mary Shelley's Frankenstein." MLN 109 (1994): 847-71.

Edwards, Elizabeth. Margaret Brown: "Shelley Was Her Life." Boscombe: Armchair Promotions on Behalf of the Shelley Theatre and Museum Appeal,1994.

Egri, Peter. Ertek es Kepzelet: Shelley, Turner, Field es Chopin. Budapest: Akademiai Kiado, 1994.

Endo, Paul. "Shelley, Stevens, and the Non-Idealist Sublime." Diss. U of Toronto, 1993. DAI 55 (1994): 547A.

Erdman, David V. and Brian J. Dendle, eds. The Romantic Movement: A Selective and Critical Bibliography for 1993. West Cornwall: Locust Hill Press, 1994.

The Essential Frankenstein. Ed. Leonard Wolf. Laserdisc. Byron Preiss Multimedia, 1994.

Everest, Kelvin. "Shelley." The Penguin History of Literature: The Romantic Period. Ed. David B. Pirie. London: Penguin Books, 1994. 311-41.

Faure, Phillippe. Je ne Suis pas Frankenstein: D'apres Frankenstein de Mary Shelley. Paris: Actes sud-Papiers, 1994.

Feldman, Paula R. and Diana Scott-Kilvert, eds. The Journals of Mary Shelley. Baltimore: Johns Hopkins UP, 1994.

Ferber, Michael. The Poetry of Shelley. London: Viking Press, 1994.

Ferre, Rosario. "From Ire to Irony." Callaloo 17 (1994): 900.

Irony as a tool in the writings of Mary Shelley, Anne Radcliffe, and the Brontes.

Fischlin, Daniel, ed. Negation, Critical Theory, and Postmodern Textuality. Boston: Kluwer Academic Publishers, 1994.

Fischman, Susan. "'Like the Sound of His Own Voice': Gender, Audition, and Echo in Alastor." KSJ 43 (1994): 141-69.

Ford, Susan Allen. "'A Name More Dear': Daughters, Fathers, and Desire in A Simple Story, The False Friend, and Mathilda." Re-Visiting Romanticism: British Women Writers, 1776-1837. Ed. Carol Shiner Wilson and Joel Haefner. Philadelphia: U of Pennsylvania P, 1994. 51-71.

Fraistat, Neil. "Illegitimate Shelley: Radical Piracy and the Textual Edition as Cultural Performance." PMLA 109 (1994): 409-23.

Frank Enstein. Videocassette. Video Treasures, 1994. Children's film.

Frank, James A.J.L. and J.V. Field. "Frankenstein and the Spark of Being." HT 44 (1994): 47-53.

Franklin, George. "Instances of Meeting: Shelley and Eliot: A Study in Affinity." ELH 61 (1994): 955-90.

Freeborn, Richard. "Frankenstein and Bazarov." NZSJ (1994): 33-44.

Freeman, John. "The Rebirth of Nature--And the Rebirth of Shelley?" BJ (1994): 50-62.

Frentz, Thomas S. and Janice Hocker Rushing. "The Frankenstein Myth in Contemporary Cinema." Critical Questions: Invention, Creativity, and the Criticism of Discourse and Media. Ed. William L. Northstine, Carole Blair, and Gary A. Copeland. New York: St. Martin's, 1994. 155-82.

Gallet, R. "Shelley et le Divin." Le Divin: Discours Encyclopediques. Ed. Denis Hue. Caen: Paradigme, 1994. 139-46.

Gibson, Patricia Guizerix. "Mary Shelley's Frankenstein: Imagination and Isolation, Reflections of a Life." Diss. Mississippi College, 1994.

Goldfarb, Nancy Dena. "The Poetics of Drowning: Readings in the Poetry of Holderlin, Wordsworth, Shelley, Mallarme, and Stevens." Diss. U of Michigan, 1994.

Goslee, Nancy Moore. "Pursuing Revision in Shelley's Ode to Liberty." Texas Studies in Language and Literature 36 (1994): 166-83.

Gould, Stephen Jay. "The Monster's Human Nature." NH 103.6 (1994): 14-22.

Grant, Michael. "James Whale's Frankenstein: The Horror Film and the Symbolic Biology of the Cinematic Monster." Frankenstein, Creation and Monstrosity, Ed. Stephen Bann. London: Reaktion, 1994. 113-35.

Grimes, Kyle. "Censorship, Violence, and Political Rhetoric: The Revolt of Islam in Its Time." KSJ 43 (1994): 98-116.

Gully, Jennifer Elizabeth. "Spaces of Orgin: Figures of the Archetypal Femminine in Wordsworth, Shelley, Keats, Crane, and Bishop." Theses. U of Utah, 1994. WorldCat. Online OCLC. 22 Sept. 1997.

Hansen, Mark. "From Heidegger to Horror: The Defiguration of the Machine in Romantic Literature and Cultural Theory." Diss. U of California, Irvine, 1994. DAI 55 (1994): 557A.

Hasan, Seemin. "The Mythic Mode in Shelley's Lyrics of 1820." AJES 16 (1994): 125-32.

Herson, Ellen Brown. "Teaching Virtue: The Contemplative Poetics of Shelley and Hoelderlin." Diss. Princeton U, 1994.

Higdon, David Leon. "Frankenstein as the Founding Myth in Gary Larson's The Far Side (with appendices)." JPC 28 (1994): 49-60.

Hindle, Maurice. Mary Shelley, Frankenstein, or the Modern Prometheus. New York: Penguin, 1994.

Hohne, Horst, ed. Romantic Discourse: Papers Delivered at the Symposium on the Bicentary of the Birth of Percy Bysshe Shelley, Ahrenshoop, October 2-5, 1992. Essen: Die Blaue Eule, 1994.

Hohne, Karen and Helen Wussow, eds. A Dialogue of Voices: Feminist Literary Theory and Bakhtin. Minneapolis: U of Minnesota P, 1994.

Hollinger, Veronica. "Putting on the Feminine: Gender and Negativity in Frankenstein and The Handmaid's Tale." Negation, Critical Theory, and Postmodern Textuality. Ed. Daniel Fishclin. Dordrecht: Kluwer Acad., 1994. 203-24.

Hopkins, Chris. "Shelley Rewriting Romanticism: Poetry as Political Critique." Ed. Horst Hohne. Romantic Discourses. Essen: Blaue Eule, 1994. 286-99.

Hopkins, Lisa. A Hall of Mirrors: Mary Shelley's Frankenstein. Sheffield: Sheffield City Polytechnic, 1994.

Hovhaness, Alan. Love's Philosophy: Wedding Song: High Voice and Piano, Op. New York: C.F. Peters, 1994.

English words by Shelley.

Howard, Jacqueline, ed. Reading Gothic Fiction: A Bakhtinian Approach. Oxford: Clarendon Press, 1994.

Utilizes a Bakhtinian approach to explore the historical, social, and cultural contexts of Gothic fiction, which then allows it to be posited in a feminist perspective.

James, A.J.L. and J.V. Field. "Frankenstein and the Spark of Being." HT 44 (1994): 47-53.

James, Louis. "Frankenstein's Monster in Two Traditions." Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 77-94.

Janowitz, Anne. "'A Voice From Across the Sea': Communitarianism at the Limits of Romanticism." At the Limits of Romanticism: Essays in Cultural, Feminist, and Materialist Criticism. Ed. Mary A. Favret and Nicola J. Watson. Bloomington: Indiana UP, 1994. 83-100.

Jones, Stephen, ed. The Mammoth Book of Frankenstein. New York: Carroll & Graf Publishers, 1994.

An anthology of short stories inspired by Frankenstein.

Jones, Steven. Shelley's Satire: Violence, Exhortation, and Authority. DeKalb: Northern Illinois UP, 1994.

Jones, Steven. "'Choose Reform or Civil War': Shelley, the English Revolution, and the Problem of Succession." WC 25 (1994): 145-49.

Jordanova, Ludmilla. "Melancholy Reflection: Constructing an Identity for Unveilers of Nature." Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 1994. 60-76.

Kahf, Mohja. "The Muslim Woman in Western Literature from Romance to Romanticism." Diss. Rutgers, The State U of New Jersey, 1994.

Kaye, Richard. A Study Guide to Mary Shelley's Frankenstein. Audiocassette. Time Warner AudioBooks, 1994.

Kemode, M. and P. Kirkham. "Making Frankenstein and the Monster." Review of Mary Shelley's Frankenstein, dir. Kenneth Branagh. S&S 1994: 6-9.

"Kenneth Branagh's 'Frankenstein' Close to Book." Showbiz Today. CNN, Atlanta. 8 Nov. 1994.

Ketterer, David. "The Marriage Conundrum: A Biographical-Historical-Feminist Approach to Frankenstein." Review of Frankenstein: Mary Shelley's Wedding Guest, by Mary Lowe-Evans. Science-Fiction Studies (Mar. 1994): 113-115.

Kroeber, Karl. Ecological Literary Criticism: Romantic Imaging and the Biology of the Mind. New York: Columbia UP, 1994.

Kroeber examines Shelley's fascination with the human mind as a socializing agent within the context of other Romantic writers' interest in natural processes.

Lake, Paul. Among the Immortals: A Novel. Brownville, OR: Story Line Press,

A novel featuring Shelley.

Langford, Michele K. ed. Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic in the Arts. New York: Greenwood, 1994.

Lecercle, Jean-Jacques. Frankenstein: Mythe et Philosophie. 2nd ed. Paris: Presses U de France, 1994.

Lee, Alvin, ed. The Legacy of Northrop Frye. Toronto: U of Toronto P, 1994.

Lee, Chong Ho. "Mary Shelley's Frankenstein as Ecriture Feminine and Critique of Civilation." JELL 40 (1994): 3.

Lee, Monika. "Shelley's A Defense of Poetry and Fyre: A Theory of Synchronicity." The Legacy of Northrop Frye. Ed. Alvin Lee and Robert D. Denham. Toronto: U of Toronto P, 1994. 190-200.

Lesesne, Teri S., et al. "Artistic and Scientific Visions." Review by The Monster Factory, by Richard Rainey. Journal for Reading 37 (1994): 614-5.

Linkin, Harriet Kramer. "Shelley's Power as Perceiver." ERR 4 (1994): 151-62.

Loesberg, Jonathan. "Recent Studies in the Nineteenth Century." SEL 34 (1994): 877-919.

Lomax, William. "Epic Reversal in Mary Shelley's The Last Man: Romantic Irony and the Roots of Science Fiction." Ed. Michele K. Langford. Contours of the Fantastic: Selected Essays from the Eighth International Conference on the Fantastic Arts, New York: Greenwood, 1994. 7-17.

Lomax, William. "Temporal Configurations in Engish Romantic Literature." Diss. U of California at Los Angeles, 1994.

Lovenstein, Jonathan. Blake Songs and Other Works. Titanic, 1994.

Low, Lisa and Anthony John Harding, eds. Milton, the Metaphysicals, andRomanticism. Cambridge, Eng.: Cambridge UP, 1994.

Maclean, Mary. "Monstre et signature: Mary Shelly et le pouvoir créateur." Romantisme 85 (1994): 27-36.

Madigan, Thomas J. "Defending Dr. Frankenstein." FI 14 (1994): 48.

Martin, Rebecca Ellen. "The Spectacle of Suffering: Repetition and Closure in the Eighteenth-Century Gothic Novel." Diss. City U of New York, 1994.

Mary Shelley: National Museum of Women in the Arts. Audiocassette. Sage Colleges; WAMC Public Radio, 1994.

Mary Shelley's Frankenstein. Dir. Kenneth Branagh. Perf. Kenneth Branagh, Robert DeNiro, Tom Hulce, Helena Bonham Carter, and Aidan Quinn. TriStar Pictures, 1994.

Mary Wollstonecraft Shelley: Frankenstein, the Making of the Monster. Videocassette. Films for the Humanities, 1994.

McEathron, Scott. "Death as 'Refuge and Ruin': Shelley's 'A Vision of the Sea' and Coleridge's 'The Rime of the Ancient Mariner.'" KSJ 43 (1994): 170-92.

Mellor, Anne K. "A Novel of Their Own: Romantic Women's Fiction, 1790-1830."

The Columbia History of the British Novel. Ed. John Richetti. New York: Columbia UP, 1994. 327-51.

The popularity of female Romantic authors such as Shelley, Gardner, Radcliffe, Ferrier, and West is explored within the context of patriarchal ideology. Mellor asserts that Frankenstein can be seen as a novel about a man trying to have a baby without a woman.

Mills, Howard. "'The World of Substance': Lawrence, Hardy, Cezanne, and Shelley." English 43 (1994): 209-22.

Mishra, Vijay. The Gothic Sublime. Albany: State U of New York P, 1994.

History and criticism of British Romanticism, Gothic literature, and horror tales, including works by Percy Shelley and Mary Shelley.

Mochi, Giovanna. "Sulle Tracce della Poesia: II Poeta e il Narratore nell"Alastor' di Shelley." Semeia: Itinerai per Marcello Pagnini. Ed. Loretta Innocenti, Franco Marucci, and Paola Pugliatti. Bologna: Mulino, 1994. 309-20.

Morillo, John. "Vegetating Radicals and Imperial Politics: Shelley's Triumph of Life as Revision of Southey's Pilgrimage to Waterloo." KSJ 43 (1994): 117-40.

Morton, Timothy. Shelley and the Revolution in Taste: The Body and the Natural World. Cambridge, Eng.: Cambridge UP, 1994.

Nair, Sharada. "Poetic Constitutions of History: The Case of Shelley." TexP 8 (1994): 10-14.

Neth, Michael ed. The Hellas Notebook. The Bodelian Shelley Manuscripts Ser. 16. New York: Garland, 1994.

Nichols, Ashton. "Liberationist Sexuality and Nonviolent Resistance: The Legacy of Blake and Shelley in Morris's News From Nowhere." JWMS 10 (1994): 20-27.

O'Leary, Crystal L. "Transcending Monstrous Flesh: A Revision of the Hero's Mythic Quest." Diss. Winthrop U, 1994.

Olorenshaw, Robert. "Narrating the Monster from Mary Shelley to Bram Stoker." Frankenstein, Creation and Monstrosity. Ed. Stephen Bann. London: Reaktion, 158-76.

Olorenshaw explores the roles Frankensteins's monster and Count Dracula play in the two novels. Shelley's novel is a break with the Gothic tradition and a precursor of science fiction.

O'Neill, Michael. The Bodleian Shelley Manuscripts: A Facsimile Edition with Full Transcriptions and Scholarly Appartus. New York: Garland, 1994.

O'Neill, Michael. Shelley. Longman Critical Readers Ser. White Plains, New Jersey: Longman P, 1994.

Oost, Regina B. "Bringing Horror Home: The Writer, the Market, and the Second-Generation Gothic Novel." Diss. U of Utah, 1994.

Oventile, Robert Saviano. "In the Tones of Humanity: Coleridge, Shelley, and the Sublime." Diss. U of California, Irvine, 1994. DAI 55 (1994): 1267A.

Parker, Daniel, et al. "Making Frankenstein and the Monster." S&S 4 (1994): 6-9.

Pereira, Beatriz Pacheco. Frankenstein: Starring Mary Shelley, James Whale, Boris Karloff e os Outros. Porto: Cinema Novo, 1994.

Peter, Agnes. "An Essay in Romantic Typology: Holderlin and Shelley: An Inquiry Based On Heidegger's Lectures on Holderlin." Neohelicon 21 (1994): 71-86.

Pettingell, Phoebe. "Poetic Jekylls and Hydes." Review of Dr. Johnson and Mr. Savage, by Richard Holmes and The Fading Smile: Poets in Boston, from Robert Frost to Robert Lowell to Sylvia Plath, 1955-1960, by Peter Davidson. New Leader 10 Oct. 1994: 14-15.

Includes biography of Shelley.

Pfaus, Geraldine N. "Shelley's Revolutionary Drama." Diss. of Texas, Austin, DAI 54 (1994): 3045A.

Pfister, Manfred. Teachable Poems from Sting to Shelley. Heidelberg: C. Winter, 1994.

Pon, Cynthia. Negativity, Transition, and Crossing: Communication of Differences in the Poetry of Shelley, Hoderlin and Baudelaire. Diss. U of Michigan, 1994. Ann Arbor: UMI, 1996.

Porter, Peter. Percy Bysshe Shelley. Great English Poets Ser. New York: Crown P Group, 1994.

Price, A.W. "Shelley, Plato and the Political Imagination." Platonism and the English Imagination. Eds. Anna Baldwin and Sarah Hutton. Cambridge, Eng.: Cambridge UP, 1994.

Purinton, Marjean D. Romantic Ideology Unmasked: The Mentally Constructed Tyrannies in Dramas of William Wordsworth, Lord Byron, Percy Shelley, and Joanna Baillie. Newark: U of Delaware P, 1994.

Rabkin, Eric S. "The Male Body in Science Fiction." Michigan Quarterly Review (1994): 203-16.

Rabkin asserts that the male body depicted in the science fiction genre is the site of anxiety. Mary Shelley's Frankenstein was the first work of this type. It was written by an anxious, isolated, as-yet unmarried mother searching for community.

Raisada, Harish. "Shelley's Radical Humanism." AJES 16 (1994): 64-87.

Rajan, Tilottama. "Mary Shelley's Mathilda: Melancholy and the Political Economy of Romanticism." SN 26 (1994): 43-68.

Rajan, Tilottama. "'The Web of Human Things': Narrative and Identity in Alastor." Ed. David L. Clark and Donald C. Goellnicht. New Romanticism: Theory and Critical Practice. Toronto: U of Toronto P, 1994. 27-51.

Reichardt, Jasia. "Artificial Life and the Myth of Frankenstein." Frankenstein, Creation and Monstrosity, Ed. Stephen Bann. London: Reaktion, 1994. 136-57.

Rende, Carol Anne. "Anne Rice's Recreation of Mary Shelley's Frankenstein." Diss. West Chester U, 1994.

Richardson, Alan. "From Emile to Frankenstein: The Education of Monsters." Literature, Education, and Romanticism: Reading as Social Practice, 1780-1832. Ed. Alan Richardson. New York: Cambridge UP, 1994.

Roberts, Hugh John. "'The Boundless Realm of Unending Change': Shelley and the Politics of Poetry." Diss. McGill U, 1994.

Ruefle, Mary. "The Death of Shelley." Ploughshares 20 (1994): 166. A poem.

Sailer, Wolfram. Wissen, Arbeit and Liebe in Mary Shelley's Frankenstein: Studien Zur Romantischen Mythenumdeutung. Essen: Verlag Die Blaue Eule, 1994.

Santagostino, Federica. "Storia e Fiction in Perkin Warbeck di Mary Shelley." Confronto Letterario: Querderni del Dipartimento di Lingue e Letterature Straniere Moderne dell'Fasano di Puglia 11.21 (1994): 111-18.

Sayres, William G. "Compounding the Crime: Ingratitude and the Murder Conviction of Justine Moritz in Frankenstein." ELN 31 (1994): 48-54.

Schefer, Jean-Louis. "The Bread and the Blood." Frankenstein, Creation and Monstrosity, Ed. Stephen Bann. London: Reaktion, 1994. 177-92.

Frankenstein and Dracula are compared and then portrayed as novels that explore human goals and Aspirations. Schefer also examines the conflicting guilt of Frankenstein as he grapples with the decision to correct or destroy his creation.

Schlig, Michael Steven. "The Mirror Metaphor in Modern Spanish Literary Aesthetics." Diss. U of Texas at Austin, 1994. Includes a discussion of Shelley's use of mirrors as metaphor.

Schroth, Randall Evans. A Pantheon of Dragons: Images of Vermicular Monstrance in English Literature from "Beowulf" through "The Cantos". Diss. U of Colorado, 1994, Ann Arbor: DAI, 1994.

Shelly, Bryan. Shelley and Scripture: The Interpreting Angel. Oxford: Clarendon Press, 1994.

Sheen, Michael, narr. Great Poets of the Romantic Age. Audiocassette. Naxos Audiobooks, 1994.

Including works by Percy Bysshe Shelley.

Shelley, Bryan. Shelley and Scripture: The Interpreting Angel. Oxford: Clarendon P, 1994.

Shelley, Mary. Frankenstein. Ed. Marilyn Butler. Oxford World Classic ed. New York: OUP, 1994.

Shelley, Mary. Frankenstein: Mary Shelley. Peterborough, Ont.: Broadview Press, 1994.

Shelley, Percy Bysshe. The Complete Poems of Percy Bysshe Shelley. 1994 Modern Library ed. New York: Modern Library, 1994.

Shelley, Percy Bysshe. The Defence of Poetry Fair Copies: A Facsimile of Bodleian Manuscripts. .Shelley e.6 and adds.d.8. Ed. Michael O'Neill. The Bodleian Shelley Manuscripts Vol. 20. New York: Garland, 1994.

Shelley, Percy Bysshe. Drafts for Laon & Cythna, Cantos V-XII: Bodleian Manuscripts Shelley adds.e.10. Ed. Stephen E. Jones. The Bodleian Shelley Manuscripts Vol. 17. New York: Garland, 1994.

Shelley, Percy Bysshe. The Hellas Notebook: Bodleian Manuscript Shelley adds. e.7. Ed. Donald H. Reiman and Michael J Neth. The Bodleian Shelley Manuscripts Vol. 16. New York: Garland, 1994.

Shelley, Percy Bysshe. Percy Bysshe Shelley. New York: C.N. Potter, 1994.

Shelley, Percy Bysshe. Percy Bysshe Shelley: Selected Poems. London: Bloomsbury Classics, 1994.

Shelley, Percy Bysshe. Percy Bysshe Shelley: Selected Poems. New York: Gramercy Books, 1994.

Shelley, Percy Bysshe. Shelley's 1819-1821 Huntington Notebook. Ed. Mary A. Quinn. Manuscripts of the Younger Romantics & the Bodleian Shelley Manuscripts Vol. 6. New York: Garland, 1994.

Shelley, Percy Bysshe. Treasury of Percy Bysshe Shelley. Read by Robert Eddison and Robert Speaight. Audiocassette. Musical Heritage Society, 1994.

Shelley, Percy Bysshe. Usueh-lai shu ch'ing shih hsuan. Trans. Hsi-ling Yang. Ed. Yao-te Lin. Taipei: Kuei Kuan t'u shu ku fen hy hsien kung ssu, 1994.

Translation of selected Shelley poems into Chinese.

Siano, Brian. "Frankenstein Must Be Destroyed: Chasing the Monster of TV Violence." Humanist 54 (1994): 20-5.

TV violence, like Dr. Frankenstein, creates monsters.

Silver, Alain. More Things Than are Dreamt of : Masterpieces of Supernatural Horror, from Mary Shelley to Stephen King. New York: Limelight Editions, 1994.

Simmons, Eileen A. "'Frankenstein' for the Twenty-First Century: An Exploration of Contemporary Issues." EJ 83 (1994): 30-32.

Siskin, Clifford. "Eighteenth Century Periodicals and the Romantic Rise of the Novel." SN 26 (1994): 26-42.

Looks at the conditions contributing to the rise of desire for fiction, especially fictional novels, in the latter 18th century. Siskin portrays William Godwin as an innovative author of the period who played a part in creating a new kind of "involved" reader.

Smith, Andrew. "The Gothic Sublime: A Study of the Changing Function of Sublimity in Representations of Subjectivity in Nineteenth Century Fantasy Fiction." Diss. U of Southampton, 1994.

Smith, Crosbie. "Frankenstein and Natural Magic." Ed. Stephen Bann. Frankenstein, Creation and Monstrosity. London: Reaktion, 1994. 39-59.

Smith, Jessica Ann. "The Politics of Audience: Tyranny and Dialogism in the Poetry of Shelley." Diss. Cornell U, 1994.

Snodgrass, Jeffrey L. "Reason, Analysis, Imagination, and Synthesis: Shelley'sInventive Paradigm." Thesis, M.A. St. Cloud State U, 1994.

Stocking, Marion K., ed. The Clairmont Correspondences: Letters of Claire Clairmont, Charles Clairmont, and Fanny Imlay Godwin. Baltimore: Johns Hopkins UP, 1994.

Suarez, Gonzalo. Remando al Viento. Gijon: Sociedad Mixta de Turismo y Festejos de Gijon, 1994. Symposium on the Bicentenary of the Birth of Percy Bysshe Shelley. Romantic Discourses: Papers Delivered at the Symposium on the Bicentenary of the Birth of Percy Bysshe Shelley, Ahrenshoop, October 2-5, 1992. Essen: Verlag Die Blaue Eule, 1994.

Thorpe, Doug. "The Mall of America." Parabola 19 (1994): 25-9.

The writer compares the creation of a huge shopping center with the doubles created in the stories of Frankenstein and Dr. Jekyll.

Three Classic Horror Stories. Read by Jonathan Hyde, Richard E. Grant, and Richard Pasco. Audiocassette. Penguin Audiobooks, 1994.

Three Faces of Evil: Frankenstein, Dracula, and Dr. Jekyll & Mr. Hyde. Laserdisc. Queue, Inc., 1994.

The True Story of Frankenstein. Prod. Zora Brown. Host Roger Moore. Narr. Eli Wallach. Vidiocassette. A&E Home Video, 1994.

Vandenberg, David Duane. "Reading the Book of Nature in E.T.A. Hoffman, Herman Melville and Mary Shelley." Diss. U of North Carolina at Chapel Hill, 1994.

Wagenknecht, David, ed. "Romanticism and its Public (a Symposium)." SIR 33 (1994): 523-88.

A special issue on Romanticism containing the publication of a forum presented at the 1993 MLA convention which explores the "protean shapes of the public realm" of Britain between 1780 and 1830 and how the multi-faceted public created Romanticism.

Wagner, Jennifer A. "'I am Cast as a Monster': Shelley's Frankenstein and the Haunting of Howard Brenton's Bloody Poetry." MD 3 (1994): 588-602.

Wall, Shelley. "Baffled Narrative in Julian and Maddalo." New Romanticism: Theory and Critical Practice. Ed. David L. Clark and Donald C. Goellnicht. Toronto: U of Toronto P, 1994. 52-66.

Walpole, Horace, William Beckford, Matthew Lewis, and Mary Shelley. Four Gothic Novels. Oxford: Oxford UP, 1994.

Ward, Geoff. Romantic Literature: A Guide to Romantic Literature, 1780-1830. London: Bloomsbury, 1994.

Weinstone, Ann. "Resisting Monsters: Notes on Solaris." SFS 21 (1994): 173-90.

Weisman, Karen A. Imageless Truths: Shelley's Poetic Fictions. Philadelphia: U of Pennsylvania P, 1994.

White, Deborah Elise. "Action, Suffering, and Allegory: Shelley's 'Revolt of Islam.'" Diss. Yale U, 1993. DAI 54 (1994): 4454A.

Wilson, Carol Shiner and Joel Haefner, eds. Revisioning Romaniticism: British Women Writers, 1776-1837. Philadelphia: U of Pennsylvania P, 1994.

History and criticism of Romantic female writers, including Mary Shelley.

Wilson, Daniel. "'Applaud the Deed': The Theatre of Lyricism in Shelley's Adonais." WC 25 (1994): 10-14.

Wordsworth, Jonathan. Romantic Women Writers. Kendal: Wordsworth Trust, 1994.

Zaidi, Zahida. "Contemporary of Prometheus Unbound." AJES 16 (1994): 88-104.

Zimmerman, Donald M. "Locke, Wordsworth, and Shelley: UnLocke-ing the Substance of the Immortality Ode and Mont Blanc." Diss. U of South Carolina, 1994.