Current Bibliography, 1996

*runs from 1/96 - 5/97

Compiled by

Jonathan Gross

DePaul University

This bibliography covers articles, reviews, and book-length studies of Byron, Hazlitt, Hunt, Percy and Mary Shelley, Keats, and their circles from January 1996 through May 1997. A few exceptions have been made, particularly when a book published in 1995 is alluded to repeatedly in reviews published in 1996. Some effort will be made to include bibliographical material for January 1994-December 1995 in the next installment. (Eventually, this archive will include all back issues of the bibliography.) Works that appear with a lower case letter "a" next to the number were added after the index was compiled. When information was unavailable, dissertations and masters essays appear without catalog information.

I would like to take this opportunity to thank Clement Dunbar for his meticulous work as bibliographer for the Keats Shelley Journal. In compiling the present bibliography, I have gained a renewed appreciation for the splendid job he has done. Special thanks to Brett Withers, Jonathan Etes, and John Pendell, Jr. for research assistance; and to Michelle Nichols for superb copy-editing and indexing. Any remaining errors are mine alone.

Through 1999 this bibliography was compiled by Jonathan David Gross. Beginning in 2000, inquiries, corrections, and suggested entries should be sent to the new Bibliographer, Kyle Grimes, Universitiy of Alabama, Birmingham, kgrimes@uab.edu.

Jump to section within this document:

Goode, Clement Tyson. George Gordon, Lord Byron: A Comprehensive, Annotated Research Bibliography of Secondary Materials in English, 1973-1994. Lanham, Md.: Scarecrow P, 1997.

Appelbaum, Stanley. English Romantic Poetry: An Anthology. New York: Dover, 1996.

Includes Blake, Wordsworth, Coleridge, Byron, Shelley, Keats.

Ashfield, Andrew, and Peter De Bolla, eds. The Sublime: A Reader in 18th-Century Aesthetic Theory. Cambridge: Cambridge UP, 1996.

An anthology offering Scottish (Gerard, Duff, Reid, Beattie, Hume, Blair, Kames, Smith, Ferguson) and Irish (Lawson, Ussher) perspectives on the sublime. Six sections, the last of which is titled "From the Picturesque to the Political" (Chambers, Price, Marshall, Godwin, Burke, Wollstonecraft, Williams).

Beiser, Frederick. The Early Political Writings of German Romantics. Cambridge: Cambridge UP, 1996.

Discusses the early German romantics' ambition to find "a middle path between conservatism and liberalism, between a community ethic and individual freedom. This text contains all essential political writings of Friedrich Schlegel, Schleiermacher, and Novalis from 1797 to 1803."

Benedict, Barbara M. Making the Modern Reader: Cultural Mediation in Early Modern Literary Anthologies. Princeton: Princeton UP, 1996.

Bent, Ian, ed. Music Theory in the Age of Romanticism. Cambridge: Cambridge UP, 1996.

Historians of music theory discuss politics, gender, metaphor, intersubjectivity, and cognition in the music of Mozart, Beethoven, Schubert, and Berlioz.

Botting, Fred. Gothic. New York: Routledge, 1996.

Bowie, Andrew. From Romanticism to Critical Theory. New York: Routledge, 1996.

Brinks, Ellen. "Dispossessing Figures: Masculinity in Gothic Romanticism" (Samuel Taylor Coleridge, George Wilhelm Friedrich Hegel, John Keats, Lord Byron, Sigmund Freud) [Doctoral dissertation, Princeton University, 1997], DAI, 58-01A, 155.

Traces "constructions of masculinity and disruptive effects of erotic desire in literary, philosophical, and scientific narratives." Treats Byron's Oriental Tales, Keats's Hyperion and The Fall of Hyperion, among other works.

Burwick, Frederick. Poetic Madness and the Romantic Imagination. University Park: Pennsylvania State UP, 1996.

Bygrave, Stephen, ed. Romantic Writings. New York: Routledge, 1996.

Canuel, Mark E. "Romantic Emancipation: Religion and the Nation in British Letters, 1790-1830" [Doctoral dissertation, Johns Hopkins Univ., 1996], DAI, 57-05A, 2046.

Discusses the relationship between personal belief and the formation of a national community. "Britain's self-constitution depended less upon religious agreement than upon secular institutions that minimized the importance of agreement: the nation was a community in the absence of communion." Includes discussion of Bentham, Shelley, Edgeworth, Radcliffe, Wordsworth ("Excursion" and "Ecclesiastical Sonnets"), and Byron ("Oriental" tales, and Cain).

Day, Aidan. Romanticism. New York: Routledge, 1996.

Dickie, George. The Century of Taste: The Philosophical Odyssey of Taste in the Eighteenth Century. Oxford: Oxford UP, 1996.

Traces modern theory of taste from Frances Hutcheson to Alexander Gerard, Archibald Allison, Hume, and Kant. Argues that Kant's aesthetic writings have been overrated.

Dunn, James Adam. "Studies in the Hermeneutics of Violence in Second Generation British Romanticism" [Doctoral dissertation, Univ. of Washington, 1996], DAI, 57-07A (1996), 3032.

Violence finds a new language in the early nineteenth century that spawns "the post-Romantic dialects of thinkers like Georges Bataille and Rene Girard." Deconstruction and "dialectic of violence" used to discuss Keats's "Lamia," Mary Shelley's Frankenstein, Charlotte Dacre's four novels, and a number of works, including poetry and prose, by Percy Shelley.

Fulford, Tim. Landscape, Liberty, and Authority: Poetry, Criticism, and Politics from Thomson to Wordsworth. Cambridge: Cambridge UP, 1996.

Landscape description formed part of a larger debate over the nature of liberty and authority in "a Britain developing its sense of nationhood."

Garrard, Greg. "Radical Pastoral?" SIR, 35.3 (Fall 1996), 449-65.

Gilmartin, Kevin. Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England. Cambridge: Cambridge UP, 1996.

Final chapter on Leigh Hunt; afterword on William Hazlitt.

Gonda, Caroline. Reading Daughters' Fictions, 1709-1834. Cambridge: Cambridge UP, 1996.

Discusses representations of incest in Manley, Barker, and Haywood; tyrannical parents in Richardson and Sarah Scott; Evelina and Camilla; gothic fiction; Elizabeth Inchbald; Mary Brunton; and Maria Edgeworth.

Hamilton, Paul. "The New Romanticism: Philosophical Stand-Ins in English Romantic Discourse," Textual Practice, 11.1 (Spring 1997), 109-29.

"Idealist philosophy when used as a frame for reading English writing of the Romantic period is usually assumed to endorse the exclusive canonical tradition that innovative recent research has made it its main business to displace."

Hawkes, David. Ideology. New York: Routledge, 1996.

Henderson, Andrea K. Romantic Identities: Varieties of Subjectivity. New York: Cambridge UP, 1996.

Discusses Lord Byron's Prisoner of Chillon, Walter Scott's Heart of Midlothian, and Percy Shelley's Cenci.

Hoagwood, Terence. Politics, Philosophy, and the Production of Romantic Texts. DeKalb: Northern Illinois UP, 1996.

Holmes, Richard. Footsteps; Adventures of a Romantic Biographer. New York: Random House, Inc., 1996.

Holmes, Richard. "The Romantic Circle (19th Century English Poets: Lord Byron, Wordsworth, Coleridge, Lamb and Southey)," NYRB, 44.6 (Apr. 10, 1997), 34.

Byron epitomized and popularized the Romantic portrait in 1812. In 1796, Joseph Cottle anticipated this rage for portraits of poets by commissioning pencil portraits of the then unknown William Wordsworth, Robert Southey, Samuel Taylor Coleridge, and Charles Lamb.

Holst, Dolvers. Fables Less and Less Fabulous: English Fables and Parables of the Nineteenth Century and Their Illustrations. Delaware: U of Delaware P, 1996.

Hunt, Lynn. The French Revolution and Human Rights. New York: St. Martin's Press, 1996.

Jehlen, Myra, and Michael Warner, eds. The English Literatures of America, 1500-1800. New York: Routledge, 1997.

Kirschner, Suzanne R. The Religious and Romantic Origins of Psychoanalysis. Cambridge: Cambridge UP, 1996.

Cultural and religious sources of contemporary psychoanalytic theories of the development of the self. Chapter 7 on "Romantic thought: from worldly mysticism to natural supernaturalism.

Kuzniar, Alice A., ed. Outing Goethe and His Age. Stanford: Stanford UP, 1996.

Leader, Zachary. Revision and Romantic Authorship. Oxford: Clarendon P, 1996.

Leblanc, Jacqueline Christine. "Critique in Aesthetic Ideology: Aesthetic Politics in Romanticism and Critical Theory" [Doctoral dissertation, Univ. of Massachusetts, 1996], DAI, 57-07A (1996), 3037.

Discusses the aesthetic theories of Friedrich Schiller, William Wordsworth, Helen Maria Williams, and Percy Bysshe Shelley, as well as the Frankfurt School (Herbert Marcuse, Theodor Adorno), Paul De Man, and Carl Schmitt. Contends that Romantic theory "extends the possibilities for political action by refusing a narrow field of empiricism."

Mann, David D., and Susan Garland Mann. British Women Playwrights, 1660-1823. Indiana: Indiana UP, 1996.

Mann, David D., and Susan Garland Mann. Women Playwrights in England, Ireland, and Scotland, 1660-1823. Indiana: Indiana UP, 1996.

Matlak, Richard E., and Anne Mellor, eds. British Literature 1780-1830. New York: Harcourt Brace, 1996.

McCarthy, Thomas J. "'Epistolary Intercourse': Sympathy and the English Romantic Letter," ERR, 6.2 (Winter 1996), 162-182.

Discusses letters of Burns, Shelley, Coleridge, and others.

McFarland, Thomas. Paradoxes of Freedom: The Romantic Mystique of a Transcendence. Oxford: Oxford UP, 1996.

McGann, Jerome. The Poetics of Sensibility: A Revolution in Literary Style. Oxford: Oxford UP, 1996.

Covers poetry of sensibility or poetry of sentiment, principally by women. Includes discussion of such writers as Ann Batten Cristall, Benardin, Coleridge, Erasmus Darwin, Thomas Gray, Francis Greville, Felicia Hemans, William Jones, Keats, Ossian, Mary Robinson, Schiller, Shelley, Wordsworth, and Anne Yearsley.

Mesick, Gary Lloyd, Jr. "Fatality of Language: Wit in British Literature since the Renaissance" [Doctoral dissertation, Harvard Univ., 1996], DAI, 57-02A (1996), 695.

Discusses Hazlitt in the context of "wit's rise and fall as a critical term." Special attention given to the work of Montaigne, Castiglione, Lyly, Jonson, Hobbes, Locke, Dryden, Pope, Addison, Johnson, Hazlitt, Wilde, Freud, and Sontag.

Moore, Geoffrey. Romantic Poets: Byron, Keats, Shelley, Wordsworth. London: London Bridge, 1996.

Morgan, David. "German Character and Artistic Form: The Cultural Politics of German Art Theory, 173-1814," ERR, 6.2 (Winter 1996), 183-212.

Morlang, Werner. "Gefiederte Sprachballe," Du, 4 (1996), 8.

Brief biography of Thomas L. Peacock.

Mullan, John, ed. Lives of the Great Romantics: Shelley, Byron, & Wordsworth by Their Contemporaries. 3 vols. (vol. 1, Shelley, ed. John Mullan; vol. 2, Byron, ed. Chris Hart; vol. 3, Wordsworth, ed. Peter Swaab). Brookfield, Vt.: Ashgate Publishing Company, 1996.

Nisbet, H. B., and Claude Rawson, eds. The Cambridge History of Literary Criticism. Vol. 4. Cambridge: Cambridge UP, 1997.

Comprehensive account of the history of literary criticism in Britain and Europe between 1660 and 1800. "Poetry, after 1740" by William Keach; "Medieval revival and the Gothic," by Peter Sabor, and contributions by Felicity Nussbaum, Pat Rogers, Terry Castle, and others. Five separate sections devoted to criticism and tradition, genres, language and style, themes and movements, literature and other disciplines.

Noe, Denise. "The Mute Speak," The Humanist, 56 (Mar./Apr. 1996), 13-16.

Nussbaum, Felicity. "'An Affectionate and Voluntary Sacrifice': Sati, Rape, and Marriage in British Narratives of the East." NCC, 19.4 (1996), 347-72.

O'Brien, Kathleen Paula. "Chinks in the Armor: Romantic, Gothic, and Gothic Romantic Imagination" [Doctoral dissertation, Univ. of Oregon, 1996], DAI, 57-07A (1996), 3039.

Discusses gothic imagination as expressed in Radcliffe (The Romance of the Forest and The Mysteries of Udolpho), Lewis (The Monk), and Shelley (Frankenstein) as challenging the idealistic claims for the imagination made by Coleridge, Keats, and P. Shelley.

O'Neill, Michael and Donald Reiman, eds. Fair-Copy Manuscripts of Shelley's Poems in European and American Libraries. Vol. 8 of The Manuscripts of the Younger Romantics: Shelley, ed. Donald H. Reiman. New York & London: Garland P, 1996.

Includes Percy Bysshe Shelley's holographs and copies in the hand of Mary W. Shelley, located in the United States, England, Scotland, Ireland, and Switzerland, as well as the holograph draft of Keats's "Robin Hood."

Pasco, Allan H., and John T. Booker. The Play of Terror in Nineteenth-Century France. Newark: U of Delaware P, 1996.

Paulson, Ronald. The Beautiful, Novel, and Strange: Aesthetics and Heterodoxy. Baltimore: Johns Hopkins UP, 1996.

Pinch, Adela. Strange Fits of Passion: Epistemologies of Emotion, Hume to Austen. Stanford: Stanford UP, 1996.

Pite, Ralph. "How Green Were the Romantics," SIR, 35.3 (Fall 1996), 357-74.

Poetry Criticism: Excerpts from Criticism of the Works of the Most Significant and Widely Studied Poets of World Literature. Vol. 16. Detroit: Gale, 1997.

Includes Byron's Giaour, John Keats's "Lamia," and Southey's Thalaba the Destroyer.

Prickett, Stephen. Origins of Narrative: The Romantic Appropriation of the Bible. Cambridge: Cambridge UP, 1996.

Redfield, Marc. Phantom Formations: Aesthetic Ideology and the Bildungsroman. Ithaca: Cornell UP, 1996.

Richardson, Alan, and Sonia Hofkosh. Romanticism, Race, and Imperial Culture, 1780-1834. Indianapolis: Indiana UP, 1996.

Richter, David. The Progress of Romance: Literary Historiography and the Gothic Novel. Columbus: Ohio State UP, 1996.

Romantic Circles (Website). Neil Fraistat, Steven Jones, Donald H. Reiman, Carl Stahmer, eds. http://www.rc.umd.edu.

Romantics/Victorians: Studies in Nineteenth-Century British Poetry, Novel and Art in Honor of Thomas Richard Sullivan. Rio Piedras, Puerto Rico: Editorial Edil, Decanato de Estudios Graduados e Investigacion, Universidad de Puerto Rico, 1997.

Rowland, William, Jr. Literature and the Marketplace: Romantic Writers and Their Audiences in Great Britain and the United States. Lincoln: U of Nebraska P, 1996.

Shrum, W. M. Fringe and Fortune: The Role of Critics in High and Popular Art. Princeton: Princeton UP, 1996.

Shteir, Ann B. Cultivating Women, Cultivating Science: Flora's Daughters and Botany in England, 1760-1860. Baltimore: Johns Hopkins UP, 1996.

Simon, Peregrine. "Lord Eldon and the Poets: A Lawyer's Perspective," KSR, 10 (Spring 1996), 243-67.

Small, Helen. Love's Madness: Medicine, the Novel, and Female Insanity, 1800-1865. Oxford: Oxford UP, 1996.

Inter-disciplinary study of insanity, focusing on love-mad women, reassesses the ways British medical writers and novelists thought about madness, femininity, and narrative convention. Discusses novels by Jane Austen, Sir Walter Scott, Charlotte Brontë, Wilkie Collins, and Charles Dickens, as well as works by Charles Maturin, Lady Caroline Lamb, and Edward Bulwer-Lytton.

Spence, W. Peter. The Birth of Romantic Radicalism: War, Popular Politics and English Radical Reformism, 1800-1815. New York: Scolar Press, 1996.

Stewart, Garrett. Dear Reader: The Conscripted Audience in Nineteenth-Century British Fiction. Baltimore: Johns Hopkins UP, 1996.

Swann, Karen. "Literary Gentlemen and Lovely Ladies: The Debate on the Character of Christabel" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson (New York: St. Martin's Press, 1996), pp. 74-91.

Traill, Nancy H. Possible Worlds of the Fantastic. Toronto: U of Toronto P, 1996.

Turner, M. E., J. V. Beckett, and B. Afton. Agricultural Rent in England, 1690-1914. Cambridge: Cambridge UP, 1996.

Studies agricultural rent in England from 1690 to the First World War, "concentrating on the mechanisms by which rent was paid by tenants to landlords and building up a rent index which provides a definitive picture of the pattern of rent over the period."

Unseld, Siegfried. Goethe and His Publishers. Chicago: U of Chicago P, 1996.

Wagner, Jennifer Ann. A Moment's Monument: Revisionary Poetics and the Nineteenth-Century English Sonnet. Madison, New Jersey: Fairleigh Dickinson P, 1996.

Walder, Dennis, ed. The Realist Novel: An Introductory Textbook. New York: Routledge, 1996.

Wang, Orrin N. C. Fantastic Modernity: Dialectical Readings in Romanticism and Theory. Baltimore: Johns Hopkins UP, 1996.

Warner, Michael. The English Literatures of America, 1500-1800. New York: Routledge, 1996.

Warner, William, et al., eds. Cultural Institutions of the Novel. Durham: Duke UP, 1996.

Watkins, Daniel. P. Sexual Power in British Romantic Poetry. Gainsville: UP of Florida, 1996.

Weinberg, M. Grazia Sumeli. "The Myth of Don Juan and Feminine Sensibility: A New Turning Point?" Journal of European Studies, 26.2 (1996), 141-51.

Wesling, Donald. The Scissors of Meter: Grammetrics and Reading. Ann Arbor: U of Michigan P, 1996.

Whelan, Kevin. The Tree of Liberty: Radicalism, Catholicism, and the Construction of Irish Identity, 1760-1830. Notre Dame: U of Notre Dame P, 1996.

White, Keith. John Keats and the Loss of Romantic Innocence. Amsterdam and Atlanta: Editions Rodopi BV, 1996.

Wyatt, John. Wordsworth and the Geologists. Cambridge UP, 1996.

D'Olivet, Fabre. Cain: A Dramatic Mystery in Three Acts by Lord Byron. Kila: Kessinger Publishing Company, 1996.

Lord Byron: Selected Poems. Edited with a preface by Susan Wolfson and Peter J. Manning. New York: Penguin Books, 1996.

McGann, Jerome, ed. Byron: Selected Poetry. New York: Clarendon P, 1997.

Written on Board the Lisbon Packet, by Lord Byron (June 30, 1809). London, Chester Music, 1997.

Music score for high voice and piano. Musical settings.

Adams, Bernard. "The Thorvaldson Bust of Byron," KSR, 10 (Spring 1996), 205-19.

Auchincloss, Eric. "Byron's Weight," TLS, 4896 (Jan. 31, 1997), 15.

Letter to the editor which describes Byron's height of 5 feet 8 1/2 inches as average for his time. Byron's weight fluctuated from 150 to 203 pounds.

Bate, Jonathan. "Living with the Weather," SIR, 35.3 (Fall 1996), 431.

Discusses Byron's "Darkness," Keats's "To Autumn," and Coleridge's "Frost at Midnight" for their sensitivity to the environment and for their depiction of the fragility of humanity's relationship to nature.

Beatty, Bernard. "Cain's Legacy and Cain's Tradition," WC, 27.1 (Winter 1996), 4-9.

Bull, Cornelius. "Open Thy Byron," NYTBR (Jan. 5, 1997), 4.

Letter to the editor responds to Douglas Hofstadter.

Burns, Edward. "Byron's Cain at the RSC," BJ (1996), 77-81.

Celebrating Women in Mathematics and Science. Reston, Va.: National Council of Teachers of Mathematics, 1996.

Discusses Ada Byron Lovelace.

Cochran, Peter. "Byron Revisions," TLS, N4871 (Aug. 9, 1996), 17.

Cochran, Peter. "Mary Shelley's Fair Copying of Don Juan," KSR, 10 (Spring 1996), 221-41.

Cochran, Peter. "'Nobody has seen it': Byron's First Letter Announcing Manfred," BJ (1996), 68-76.

Coignard, Jerome. "Anand Delacroix lisait Byron," Beaux Arts Magazine, 144 (1996), 54-62.

Cowan, Thomas Dale. Gay Men and Women Who Enriched the World. 2nd ed. Los Angeles: Alyson Publications, 1996.

Discusses Madame de Staël and Lord Byron, among others.

Cronin, Richard. "Asleep in Italy: Byron and Shelley in 1819," KSR, 10 (Spring 1996), 151-81.

Douglas, Paul. "Playing Byron: Lady Caroline Lamb's Glenarvon and the Music of Isaac Nathan," ERR, 8.1 (Winter 1997), 1-24.

Edgar, Chad L. "The Negotiations of the Romantic Popular Poet: A Comparison of the Careers of Felicia Hemans and Lord Byron" [Doctoral dissertation, New York Univ., 1996], DAI, 57-03A, 1147.

Discusses careers of Byron and Hemans as shaped by their literary reviewers. "A comparison of their stories describes the mediating influence of gender and class upon the negotiation of a place in the literary system of the Romantic period."

Fletcher, Christopher. "Lord Byron: Unrecorded Autograph Poems," N&Q, 43.4 (Dec. 1996), 425.

Foot, Michael. "Labour's Ex-Leader Speaks about Parliament, Tony Blair, Rupert Murdoch, and Byron. Interview," NSS, 10.435 (Jan. 10, 1997), 30.

George, Laura J. "Byron, Brummell, and the Fashionable Figure," BJ (1996), 33-41.

Gidding, Josh. "The Thorn in Byron's Side: Wordsworth and the Preface to Don Juan," BJ (1996), 52-58.

Goode, Clement Tyson. George Gordon, Lord Byron: A Comprehensive, Annotated Research Bibliography of Secondary Materials in English, 1973-1994. Lanham, Md.: Scarecrow P, 1997.

Gross, Jonathan David, ed. Byron's "Corbeau Blanc": The Life and Letters of Lady Melbourne, 1751-1818. Houston: Rice UP, 1997.

The mother of Queen Victoria's first prime minister (William Lamb), Lady Melbourne was a leading Whig hostess who corresponded with the Prince Regent, Georgiana, Duchess of Devonshire, Caroline Lamb, and Lord Byron, during the poet's years of fame in England (1812-1816). This edited volume includes an introduction, over 100 previously unpublished letters, a glossary, and sixty illustrations.

Harris, Jason Paul. "Cain and Manfred: A Rebellious Progression towards Freedom. An Existential Analysis of the Progress of Rebellion in Two of Lord Byron's Dramas" [M.A. thesis, Univ. of Louisville, 1996], MAI, 34-06 (1996), 2172.

Discusses authentic freedom and existential sensibility "not previously credited to Byron" in Manfred and Cain.

Haslett, Moyra. Byron's Don Juan and the Don Juan Legend. New York: Clarendon P, 1997.

Hinton, Marita Adrena. "Byronism, 'Homelessness,' and the 'Uncanny': A Transgeneric Study of the Novel" [M.A. thesis, Univ. of Alabama in Huntsville], MAI, 35-02 (1996), 407.

Discusses Byron's Manfred, Lermontov's A Hero of Our Own Times, Princess Ligovskaya, and Dostoevsky's The Demon through the lens of Lukacs' theory of the novel and Freud's concept of the "uncanny."

Holland, Tom. Lord of the Dead; The Secret History of Byron. New York: Pocket Books, 1996.

Holland, Tom. Supping with Panthers. London: Little Brown, 1996.

Includes discussion of Byron.

Hynes, Jennifer Ann. "Harriet Beecher Stowe and Her Circle of Female Friends: Wo/mentors and Rivals in Life and in Print" [Doctoral dissertation, Univ. of South Carolina, 1996], DAI, 57-07A (1996), 3020.

Focuses on networking among nineteenth-century American and British women writers through Stowe's editorship of the weekly newspaper Hearth and Home (1869). Discusses Harriet Beecher Stowe and her female literary contemporaries, including George Eliot, Elizabeth Gaskell, Elizabeth Barrett Browning, Lady Byron, Annie Adams Fields, Catherine Beecher, and others. Stowe's relations with women make her a model of "wo/mentor"--a female version of the mentor that combines professional and personal components. Racial prejudices attenuate her nurturing of African-American authors such as Harriet Jacobs and Sojourner Truth.

Imlah, Mick. "Lord Byron's Cain (the Pit)." TLS, 4845 (Feb. 9, 1996), 19.

Jones, Christine Kenyon. "Byron, Keats and the Fantasy of Consumption," BJ (1996), 24-32.

Jones, Jill. My Lady Caroline. New York: St Martin's, 1996.

Fiction.

Joukovsky, Nicholas A. Wordsworth's Lost Article on Byron and Southey. RES, 45.180 (Nov. 1, 1994), 496.

La Noue, Terence. Lord Byron's Swim, mixed media on canvas. Art in America, 84 (1996), 17.

LaChance, Charles. "Naive and Knowledgeable Nihilism in Byron's Gothic Verse," PLL, 32.4 (Fall 1996), 339-68.

Lloyd-Jones, Ralph. "Parry's Polarities: Lord Byron and William Parry, Arctic Explorer," BJ (1996), 59-67.

Makolkin, Anna. "Victorian Precursors of Freud: Deromanticizing Byron," NCP, 22.2 (Fall 1995), 63-74.

Minc, Alain. Antiportraits. Paris: Gallimard, 1996.

Chapter four discusses Byron: "Disraeli et Churchill: Le Byron conquerant et le Falstaff resistant."

Para, J. B. "On the Ruins of Mesolongian (From Byron to Delacroix, Poets and Painters Have Drawn Inspiration from This Place)," Europe Revue Litteraire Mensuelle, 75.813 (1997), 240-42.

Parry, C. Hubert H. (Charles Ubert Hastings), 1848-1918. English Lyrics (fourth set). London: Novello & Co., Ltd., 38 pages.

"When We Two Parted"; "Thine Eyes Still Shined for Me"; "Bright Star;" Keats. U of Auckland Library.

Rodriguez, Cathy Douglas. "Lord Byron's Heroines" [M.A. thesis, Old Dominion Univ., 1996].

Rutherford, Andrew, ed. Lord Byron: The Critical Heritage. New York: Routledge, 1996.

Saglia, Diego. Byron and Spain: Itinerary in the Writing of Place. Lewiston: E. Mellen Press, 1996.

Salzburg University Studies: Romantic Reassessment. V.120 Salzburg: Salzburg U, 1996.

Byron in Spain and in relationship to Spanish literature.

Simpson, Michael. "Ancestral Voices Prophesying What? The Moving Text in Byron's Marino Faliero and Sardanapalus," TSLL, 38.3-4 (Fall-Winter 1996), 302.

Byron's plays avoid political censorship by not being performed publicly; texts shift between theatrical and novelistic conventions, projecting an ideal audience.

Simpson, Michael. "Byron's Cain at the Barbican Centre, London (19th November 1995 to 7th March 1996)," ERR, 8.1 (Winter 1997), 41-46.

Soderholm, James. Fantasy, Forgery, and the Byron Legend. U of Kentucky P, 1996.

Spence, Gordon. "Byron's Polynesian Fantasy," BJ (1996), 42-51.

Spencer, Donald D. Great Men and Women of Computing. Ormond Beach, Fla.: Camelot, 1996.

Discusses Ada Byron.

Tchaikovsky, Peter Ilich. Manfred Symphony in B Minor, Op. 58. London Symphony Orchestra, conducted by Sir Gordon Goossens. Sound disc (66 min.); program notes included in booklet (6 pgs.). New York: Everet, 1996.

Thedens, Laura Marie Belding. "A Psycho-Sexual History of Lord Byron" [M.A. thesis, Univ. of Northern Iowa, 1996].

Thum, D. Maureen. "The Exotic Woman: Challenging and Ethnocentric Masculinist Codes in Nineteenth- and Twentieth-Century British Literature" [Doctoral dissertation, Michigan State Univ., 1996], DAI, 57-05A, 2052.

Part 1 discusses "culturally constructed images of the female Other" in three Western traditions: Primitivism, Orientalism, and the Cult of the South. Part 2 examines "exoticist strategies" in Montesquieu's Persian Letters (1721). Includes an account of Byron's The Island.

Toole, Betty Alexandra. "Ada Byron, Lady Lovelace, An Analyst and Metaphysician," IEEE Annals of the History of Computing, 18.3 (1996), 4.

Villena, Luis Antonio de. El Burdel de Lord Byron: Una novela lirica. Barcelona: Planeta, 1995.

Waterman, David F. "Byron's Reflexive Orientalism in Cantos V and VI of Don Juan," EA, 49.1 (1996), 29-39.

Wu, Duncan. "Appropriating Byron: Lady Caroline Lamb's 'A New Canto,'" WC, 26.3 (Summer 1995), 140.

Wu, Duncan. "Keats and Byron: A Reassessment," BJ 24 (1996), 12-23.

Hazlitt, William. "The Picture" in The Oxford Book of English Love Stories,. ed. John Sutherland. New York: Oxford UP, 1996.

Born, Daniel. "Nonviolence and Nationalism in Leigh Hunt's Early Liberal Rhetoric," NCP, 23.1 (Spring 1996), 25-39.

Cox, Jeffrey N. "Staging Hope: Genre, Myth, and Ideology in the Dramas of the Hunt Circle," TSLL, 38.3-4 (Fall/Winter 1996), 245-64.

Harling, Philip. "Leigh Hunt's Examiner and the Language of Patriotism," The English Historical Review, 111 (Nov. 1996), 1159-81.

Jones, Stanley. "Further Quotations and Reminiscences in Hazlitt: Daniel, the Bible, Milton, Paine, Dorset," N&Q, 43.1 (Mar. 1996), 37-38.

Jones, Stanley. "LONDON: French 19th- and 20th-Century Art (Lefevre, Stoppenbach and Delestre, Noortman, Hazlitt, Gooden and Fox, Wildenstein, Agnews, Alan Cristea, Michael Parkin)," The Burlington Magazine, 138.1122, 615.

Kidwai, A. R. "Leigh Hunt's "Abraham and the Fire-Worshipper": A Possible Source," N&Q, 43 (Mar. 1996), 44-45.

Discusses influence of Sadi.

Moody, Jane. "'Fine Word, Legitimate!': Toward a Theatrical History of Romanticism," TSLL, 38 (Fall/Winter 1996), 223-44.

Includes a discussion of Hazlitt.

Natarajan, Uttara. "Hazlitt and the Real Language of Poetry," PQ, 75.2 (Spring 1996), 215-30.

Priestley, J. B. William Hazlitt. Jackson: UP of Mississippi, 1996.

Root, Christina. "Jacobin Poetics and Napoleonic Politics: Hazlitt's Critique of Wordsworth," ERR, 6.2 (Winter 1996), 227-45.

Schroeder, Horst. "An Unacknowledged Quotation in 'Pen, Pencil, and Poison,'" N&Q, 43.1 (1996), 51-52.

Oscar Wilde's use of William Hazlitt's borrowing from Edward Young.

Wu, Duncan. "Leigh Hunt's 'Cockney' Aesthetics," KSR, 10 (Spring 1996), 77-97.

Aquien, Pascal. "John Keats," QL, N690 (Apr. 1, 1996), 4.

A second printing of Poèmes et Poésies by Keats, translated by Paul Gaul Gallimard (1910). Preface by Marc Porée, critical apparatus, chronology, and useful bibliography.

John Keats. London: J. M. Dent, 1996.

Keats, John. "The Eve of St. Agnes, la vispera de Santa Ines." [Edicion bilingue; Huelva]: Universidad de Huelva, 1996.

The Poetry of Keats. New York: Caedmon, 1996. Arranged by Ralph Richardson. Sound cassette (50 min.).

Aamodt, Terrie. "Escape from 'Slow-Time': Sculpture and Tactile Temporality in Keats's Later Poems," Topic, 46 (Spring 1996), 45-56.

Abse, Bathsheba. "Rome," KSR, 10 (Spring 1996), 9-12.

Keats's Bicentenary Poetry Celebration.

Aquien, Pascal. "Keats 200 Ans," QL, N686 (Feb. 1, 1996), 4.

An edition of Poèsie (Dec. 1995), published by Belin, commemorates the 200th anniversary of the birth of John Keats. Essays by Eric Dayre, Marc Porée, Claude Mouchard (on Keats and du Bos), and Harold Bloom.

Aske, Martin. "Keats, the Critics, and the Politics of Envy" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 46-65.

Barnard, John. "Charles Cowden Clarke's 'Cockney' Commonplace Book" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 65-87.

Barnard, John. "Keats Echoes Kirke White," RES, 47.187 (1996), 389-92.

Barton, Paul David. "Keat's Struggle with Death and Suffering and His Resulting Apotheosis as Post-Deity of Beauty and Truth" [M.A. thesis, Villanova Univ., 1996].

Bode, Christopher. John Keats: Play On. Heidelberg: Carl Winter Universitsverlag C. Winter, 1996.

Branscomb, Jack. "Edwin Arlington Robinson's Wretched Wight: 'Miniver Cheevy' and 'La Belle Dame Sans Merci,'" ANQ, 9.1 (1996), 17-21.

Brown, David Blayney. Benjamin Robert Haydon, 1786-1846: Painter and Writer, Friend of Wordsworth and Keats. [Grasmere, Cumbria]: Wordsworth Trust, 1996.

Brown, E. "One for Keats and One for Me," Poetry Review, 86.4 (1996), 4-5.

Carter, R. "John Keats (1795-1821): Poet and Physician," World Journal of Surgery, 20.3 (1996), 375.

Cavaliero, Roderick. "Celebratory Bicentennial Tributes to Keats and Leopardi: Loreto, Macerata and Recanati, July 1-4, 1995," KSR, 10 (Spring 1996), 1-4.

Chadwick, Marjorie Bourne. "The Burden of the Mystery: Keats' Great Odes" [Doctoral dissertation, Univ. of Houston, 1996], DAI, 57-07A (1996), 3031.

Viewed as an ode cycle, these poems are the "lyric equivalent of a Kunstlerroman, a self-reflexive account of the poet-artist's desire for the authority to be a 'mighty Poet of the human Heart.'"

Cho, Kwang Yeon. "Keats's Revision of Wordsworth's Notions of Nature (John Keats, William Wordsworth)" MAI, 35-01 (1996), 68.

Discusses "La Belle Dame Sans Merci," "Ode on a Grecian Urn," and "The Fall of Hyperion."

Christie, William. "Impassioned Clay: Reading the Grecian Urn," Sydney Studies in English, 21 (1995-96), 56-80.

Cortazar, Julio. Imagen de John Keats. Madrid: Alfaguara, 1996.

Cronin, Richard. "Keats and the Politics of Cockney Style," SEL, 36.4 (Aug. 1996), 785-806.

Cruzperez, Francisco Jose. "Julio Cortazar, lector de John Keats," Cuadernos-Hispanoamericanos, N555 (Sept. 1996), 115-23.

Everest, Kelvin. "Isabella in the Market-Place: Keats and Feminism" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 107-26.

Faherty, Terence. The Lost Keats. New York: Harlequin Books, 1996.

Mystery novel.

Fattorosi, Louis J., and Robert R. Brown, illustrator. The Golden Lyre: Plays & Satire. 2nd ed. Lakewood: Viminal Books, 1997.

Friedman, Geraldine. The Insistence of History: Revolution in Burke, Wordsworth, Keats, & Baudelaire. Stanford: Stanford UP, 1996.

Gallagher, David. "Roll Over, Keats!" Village Voice (Dec. 3, 1996), 23.

Gee, Christina. "Hampstead (Keats Bicentennial Poetry Celebration)," KSR, 10 (Spring 1996), 5-8.

Gilbert, Suzanne. "Romantic Ballad-making (William Wordsworth, Samuel Taylor Coleridge, Sir Walter Scott, John Keats, Lyric Poetry) [Doctoral dissertation, University of Georgia, 1996], DAI, 57-07A (1996), 3033.

Ballads "offered Romantic poets a way to explore and express the 'emotional core' of their subject, transforming narratives of external conflict into highly personal expression." Discusses ballad as a discourse of "family romance."

Halpern, Nick. "Mist and Crag: The Poetry of Keats's Walking Tour," Topic, 46 (Spring 1996), 13-24.

Hampton, Wilborn. "Play Review: Keats," New York Times (late New York edition, Aug. 27, 1996), C12.

Hartley, Lucy. "The Grammar of Expression? Physiognomy and the Language of the Emotions in Nineeenth-Century England" [Doctoral dissertation, University of York (United Kingdom), 1996], DAI, 57-04C (1996), 1073.

Discusses Keats's "Isabella; or, The Pot of Basil" as the "intersection of pictorial realism and theatrical performance that conspires to perplex the established physiognomic order of the visible."

Hillringhouse, Mark. "Sound and Silence in the Poetry of Coleridge and Keats" [M.A. thesis, Montclair State Univ., 1996].

Hoagwood, Terence Allan. "Keats, Fictionality, and Finance: The Fall of Hyperion" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 127-42.

Jones, Andrew O. "At a House in Hampstead: A Personal Account of Keats's Place in American Culture," Topic, 46 (Spring 1996), 1-6.

Jones, Elizabeth. "Keats in the Suburbs," KSJ, 45 (1996), 23-43.

"A cultural and geographical explanation for the force of contemporary critical reaction to the less traditional aspects of his poetry."

Keats: Bicentenary Readings. Edinburg: Edinburgh UP, 1997.

Keats: Truth and Imagination. Broomall: Chelsea House Publishers, 1997.

"Keats's Inspiration." TLS, 4845 (Feb. 9, 1996), 17.

Kelley, Theresa M. "Keats, Ekphrasis and History" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 212-37.

Kempinski, Tom. "John Keats V Bob Dylan: The Judge's Verdict," Plays and Players (Feb. 1997), 20-21.

Kennedy, Thomas C. "Platonism in Keats's 'Ode on a Grecian Urn,'" PQ, 75.1 (Winter 1996), 85-107.

Kercsmar, Rhonda Ray. "Keats's Violation of Romance: Transgression in 'The Eve of St. Agnes,'" Topic, 46 (Spring 1996), 25-36.

Kerrigan, John. "Writing Numbers: Keats, Hopkins, and the History of Chance" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 280-308.

Kim, Sung Ryol. "Browning's Vision of Keats: 'Cleon' and the 'Mansion of Many Apartments' Letter," VP, 34.2 (1996), 223-33.

Kirkup, James. "Basho and Keats," KSR, 10 (Spring 1996), 65-76.

Kitson, Peter. Coleridge, Keats, and Shelley. New York: St. Martin's P, 1996.

Kucich, Greg. "Keats's Literary Tradition and the Politics of Historiographical Invention" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 238-61.

Landman, Janet. "Keats and Embarassment" in The Emotions: Social, Cultural and Biological Dimensions (London: Thousand Oaks, Sage Publications, 1996).

Ledden, Mark Brady. "Revolutionary Plots: Romanticism and Shapes of Time" (Helen Maria Williams, Laetitia Matilda Hawkins, William Wordsworth, John Keats). [Doctoral dissertation, Emory University, 1996], DAI, 57-12A (1996), 5164.

These authors did not use aesthetic works to evade political tensions. Fourth chapter treats Hyperion and the great odes of 1819 alongside Leigh Hunt's Examiner editorials.

Mason Jr., Kenneth M. "Keats and the Act of Translation: The Discovery of Voice in 'On First Looking into Chapma's Homer,'" Topic, 46 (Spring 1996), 7-12.

Matthews, G. M., ed. John Keats. New York: Routledge, 1996.

McClelland, Fleming. "Does Madeline Sleep, or Does She Wake? The Hoodwinking of Porphyro," KSR, 10 (Spring 1996), 31-34.

Discusses Keats's "Eve of St. Agnes."

Moise, Edward. "An Archaism in John Keats's 'Ode to a Nightingale,'" N&Q, 43.4 (Dec. 1996), 425.

Mori, Masaki. Epic Grandeur: Toward a Comparative Poetics of the Epic. Albany: State U of New York P, 1997.

Morrison, Lucy. "Chatterton and Keats: The Need for Close Examination," KSR, 10 (Spring 1996), 35-50.

Najarian, James Hiester. "The 'Unmanly' Poet: Keats and the Poetics of Desire (John Keats, Matthew Arnold, Gerard Manley Hopkins, Walter Pater, Elizabeth Gaskell, Wilfred Owen), DAI, 57-11A (1996), 4756.

Treats Victorian reactions to Keats's verse and biography. "Keats's perceived liminal gender stance affected these writers' poetic relationship to Keats."

Newey, Vincent. "Keats, History, and the Poets" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 165-93.

Nowviskie, Bethany. "John Keats: A Hypermedia Guide." http://www.wfu.edu/~nowvibp4/keats.htm [URL inactive 2/99]

O'Hearn, Daniel. "Black Border: Keats's Urn and the Displacement of Fear," Topic, 46 (Spring 1996), 38-44.

Olsen-Smith, Steven. "An Orthodox Poet and a Liberal Publisher: Henry Francis Lyte to Charles Ollier, 23 June 1821," Collections, 9 (1996), 15-30.

O'Neill, Michael. "'When This Warm Scribe My Hand': Writing and History in Hyperion and The Fall of Hyperion" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 143-64.

Perkins, David. "Has the Literary Past a Future? Prospects for Keats Studies," WC, 27.1 (Winter 1996), 54.

Phinney, A. W. "Keats in the Museum: Between Aesthetics and History: 'Ode on a Grecian Urn'" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson (New York: St. Martin's Press, 1996), pp. 132-53.

Pinsker, Sanford. "Fair Youth beneath the Spanish Steps," Topic, 46 (Spring 1996), 37.

Plumly, Stanley. "Constable's Clouds for Keats" [poem], American Poetry Review, 25 (Sept./Oct. 1996), 26.

Poole, Gary. "Romantic Community: Wordsworth, Keats and the Sublime" [M.A. thesis, Univ. of Denver, 1996].

Ratner, Rochelle. "John Keats: Poem," LJ, 121.6 (1996), 139.

Reed, W. L. "Soul Making: Art, Therapy and Theology in Keats, Hillman, and Bakhtin," Religion and Literature, 29.1 (1997), 145.

Roe, Nicholas. "The Genius of the Cut-throat," TLS, 4871 (Aug. 9, 1996), 19.

Discusses Benjamin Robert Haydon (1786-1846).

Roe, Nicholas. "Introduction" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 1-16.

Roe, Nicholas. John Keats and the Culture of Dissent. Oxford: Clarendon P, 1997.

Overturns received ideas about Keats as a poet of "beauty" and "sensuousness," highlighting the political perspectives of his works. Offers new research about Keats's early life that opens new perspectives on his poetry.

Roe, Nicholas. "John Keats at Enfield School," KSR, 10 (Spring 1996), 13-30.

The Education of John Keats.

Roe, Nicholas. "Keats's Commonwealth" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 194-211.

Roe, Nicholas. "Keats's Lisping Sedition" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson. (New York: St. Martin's Press, 1996), pp. 114-31.

Roe, Nicholas, ed. Keats and History. Oxford: Oxford UP, 1995.

Roe, Nicholas, and David Perkins. "Keats and History," WC, 27.4 (1996), 203-205.

Roth, Mary Beth. Negative Capability in the Dramas of John Keats. [Honors essay: Dept. of English, Chapel Hill: U of N. Carolina, 1996].

Rowley, Rebecca K. "The Politics of Dreaming: The Relationship between Dreams and Politics in the Work of Keats, Shelley, De Quincey, and Tennyson" [Doctoral dissertation, Univ. of New Mexico, 1996].

Rudanko, Juhani. Linguistic Analysis & Text Interpretation: Essays on the Bill of Rights & on Keats, Shakespeare & Dreiser. Lanham: UP of America, 1997.

Sen, Aveek. "Frigid Ecstasies": Keats, Fuseli, and the Languages of Academic Hellenism," CLB (Apr. 1, 1996), 94.

Stevenson, J. V. "Keats and the Aristocratic," KSR, 10 (Spring 1996), 51-64.

Stillinger, Jack. "Poets Who Revise, Poets Who Don't, and Critics Who Should (Issues of Authorship Seen in the Works of Keats and Coleridge)," The Journal of Aesthetic Education, 30 (1996), 199-233.

Trott, Nicola. "Keats and the Prison House of History" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 262-79.

Ulmer, William A. "Adonais and the Death of Poetry" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson (New York: St. Martin's Press, 1996).

University of North Carolina, Department of English, et al. Negative Capability in the Dramas of John Keats. Chapel Hill: U of North Carolina, 1996.

Watkins, Daniel P. "History, Self, and Gender in 'Ode to Psyche'" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 88-106.

Wendorf, Richard. "John Keats: 1795-1995," TLS, 4841 (1996), 28.

Whitaker, Muriel. "Looking at Elaine: Keats, Tennyson, and the Directions of the Poetic Gaze" in Arthurian Women: A Casebook (New York: Garland P, 1996).

White, Keith D. John Keats and the Loss of Romantic Innocence. Atlanta: Rodopi, 1996.

Wiens, Jason Lee. "Searching the 'Pre-': The (Child's) Voice in George Bowering's 'Autobiology'" [M.A. thesis, University of Western Ontario (Canada)], MAI, 35-03 (1996), 656.

Locates sources for Bowering's poem, "Autobiology" (1972), in the writings of Gertrude Stein, Charles Olson, and John Keats.

Wolfson, Susan. "Feminizing Keats" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson (New York: St. Martin's Press, 1996), pp. 92-113.

Wolfson, Susan. "Keats Enters History: Autopsy, Adonais, and the Fame of Keats" in Keats and History, ed. Nicholas Roe (Oxford: Oxford UP, 1995), pp. 17-45.

Woof, Robert. John Keats. New Brunswick: Rutgers UP, 1996.

Woof, Robert. "Keats's Inspiration," TLS, 4845 (Feb. 9, 1996), 17.

Letter to the editor responds to Fabienne Smith.

Woudhuysen, H. R. "Cast of Hundreds," TLS, 4886 (Nov. 22, 1996), 32.

Woudhuysen, H. R. "The Masks of Keats," TLS, 4886 (Nov. 22, 1996), 32.

Crook, Nora, ed. The Novels and Selected Works of Mary Shelley. Betty T. Bennett, Consulting ed. 8 vols. London: Pickering & Chatto, 1996.

Crook, Nora and Timothy Webb, eds. The Faust Draft Notebook: A Facsimile of Bodleian Ms. Shelley Adds. E.18: Including Drafts of Scenes from the Faust of Goethe. New York & London: Garland P, 1996.

Fraistat, Neil, and Melissa J. Sites, eds. "On the Medusa of Leonardo da Vinci," by Percy Bysshe Shelley: A Romantic Circles Hypertext Edition, with dialogic commentary, collaborative bibliography, and critical essays. http://www.rc.umd.edu/editions/shelley/medusa/mforum.html

Goslee, Nancy Moore, ed. The Homeric Hymns and "Prometheus" Drafts Notebook. Vol. 18 of The Manuscripts of the Younger Romantics: Shelley, ed. Donald H. Reiman. New York & London: Garland P, 1996.

This notebook was used by Shelley in England (1817-18) to translate several of the Homeric Hymns and then, over the next several years, to draft short personal lyrics and difficult passages for longer public poems such as Prometheus Unbound, The Sensitive Plant, The Mask of Anarchy, and Epipsychidion.

Jones, Steven E., ed. The Last Man, by Mary W. Shelley: A Romantic Circles Hypertext Edition. http://www.rc.umd.edu/editions/mws/lastman/

Electronic edition of 1826 novel, complete with hypermedia links to contextual and intertextual materials including poems, short fiction, essays, paintings, engravings, maps, and portions of a musical score (with brief audio files).

Quinn, Mary A., ed. Percy Bysshe Shelley; Shelley's 1821-1822 Huntington Notebook, a Facsimile of Huntington Ms. HM 2111. Vol. 7 of The Manuscripts of the Younger Romantics: Shelley, ed. Donald H. Reiman. New York & London: Garland P, 1996.

Reiman, Donald H., and Neil Fraistat, eds. "The Devil's Walk," by Percy Bysshe Shelley: A Romantic Circles Hypertext Edition. http://www.rc.umd.edu/editions/shelley/devil/1dwcover.html

Hypertext critical edition drawn from the texts and notes of the five-volume Complete Poetry of Percy Bysshe Shelley, edited by Reiman and Fraistat, to be published by Johns Hopkins University Press beginning August 1998.

Reiman, Donald H., and Michael O'Neill, eds. Fair-Copy Manuscripts of Shelley's Poems in European & American Libraries. Vol. 8 of The Manuscripts of the Younger Romantics: Shelley, ed. Donald H. Reiman. New York & London: Garland P, 1997.

Robinson, Charles E., ed. The Frankenstein Notebooks: A Facsimile Edition of Mary Shelley's Manuscript Novel, 1816-17. 2 vols. New York & London: Garland P, 1996.

Reproduces 400 photofacsimiles of the 1816-17 draft of Frankenstein and the 1817 fair copy; parallel texts of the manuscript transcript and the 1818 text are printed on the facing page, demonstrating the gestation of the novel.

Shelley, Mary Wollstonecraft. Frankenstein. New York: Acclaim Books, 1996.

Shelley, Mary Wollstonecraft. Frankenstein: The 1818 Text, Contexts, Nineteenth-Century Responses, Modern Criticism. New York: W. W. Norton, 1996.

Shelley, Mary Wollstonecraft. "The Trial of Love" in The Oxford Book of English Love Stories, ed. by John Sutherland. New York: Oxford UP, 1996.

Shelley, Mary Wollstonecraft. Valperga. Brookfield, Vt.: Ashgate Publishing Co., 1996.

Weinberg, Alan, ed. Additional Materials in the Hand of Mary W. Shelley: Mss. Shelley Adds. C.5 and Shelley Adds. D.6. 2 vols. Vol. 22 of The Manuscripts of the Younger Romantics: Shelley, ed. Donald H. Reiman. New York & London: Garland P, 1997.

A Facsimile and Full Transcript of Bodleian Mss. Shelley Adds. D.6, Including Fair-Copies for A Philosophical View of Reform and Other Extant Writings; pt. 2 A Facsimile and Full Transcript of Bodleian Ms. Shelley Adds. C.5, Including . . . Chained, Dante's First Canzone from The Convivio, and Ypsilanti's Cry of War to the Greeks, Mary Shelley's Brief "Life of Shelley" and Other Writings.

Alexander, Meena. "Shelley's India: Territory and Text, Some Problems of Decolonization" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 169-178.

An, Young-Ok. "Beatrice's Gaze Revisited: Anatomizing the Cenci," Criticism: A Quarterly for Literature and the Arts, 38 (1996), 27-68.

An, Young-Ok. "Between Prometheus and the Monster: Gender Configurations in Romantic Revolutionary Poetics" [Doctoral dissertation, Univ. of Southern California, 1996], DAI, 57-09A (1996), 3945.

"Traces the inscription of gendered subjectivity in the radical poetics of the post-French Revolutionary era" and finds in their work "fragmented female desires that can be refigured through feminist critical practices."

Archaimbault, Delores. "A Woman Alone and Writing: Anti-Ideology and Artistic Irony in Writings of Mary Shelley" [M.A. thesis, Eastern Illinois Univ., 1996].

Barcus, James Edgar, ed. Percy Bysshe Shelley: The Critical Heritage. [1975] New York: Routledge, 1996.

Bennett, Andrew. "Shelley in Posterity" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 215-223.

Bennett, Betty T. "Charles Robinson," KSJ, 45 (1996), 12-15.

Bennett, Betty T. and Stuart Curran, eds. Shelley: Poet and Legislator of the World. Baltimore: Johns Hopkins UP, 1996.

Bloom, Harold, ed. Mary Shelley's Frankenstein. Broomall: Chelsea House Publishers, 1996.

Bowen, A. "Mary Shelley's Rose-Eating Cat, Lucian, and Frankenstein," KSJ, 45 (1996), 16-19.

Brigham, Linda. "Count Cenci's Abysmal Credit," TSLL, 38 (Fall/Winter 1996), 340-58.

Brigham, Linda. "Prometheus Unbound and the Postmodern Political Dilemma" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 253-62.

Bunnell, Charlene E. "'All the World's a Stage': Dramatic Sensibility in Mary Shelley's Novels" [Doctoral dissertation, Univ. of Delaware, 1995], DAI, 56.8 (Feb. 1996), 3135A.

Butler, Marilyn. "Shelley and the Empire in the East" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 158-68.

Cafarelli, Annette Wheeler. "The Transgressive Double Standard: Shelleyan Utopianism and Feminist Social History" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 88-104.

Caldwell, Janis McLarren. "Thick Narrative: Objectivity and Ethics in Victorian Science and Literature" [Doctoral dissertation, Univ. of Washington, 1996], DAI, 57-07A (1996), 3030.

Examines autobiographical, scientific, critical, and fictional "thick narratives" to piece together "a portion of the history of objectivity." Introduction discusses Paul Ricoeur's claim that there is no identity without narrative. Each writer draws from scientific and/or aesthetic discourse about objectivity while endorsing a state of subjectivity that coincides with object recognition. Discusses importance of sympathy for Mary Shelley, wonder for Charles Darwin, prosopopoeia for John Ruskin, and conflictual engagement for Charlotte Brontë.

Cass, Jeffrey. "The Contestatory Gothic in Mary Shelley's Frankenstein and J. W. Polidori's Ernestus Berchtold: The Spectre of a Colonialist Paradigm," The Journal of the Association for the Interdisciplinary Study of the Arts, 1.2 (Spring 1996), 33-41.

Chichester, Teddi Lynn. "Shelley's Imaginative Transsexualism in 'Laon and Cythna,'" KSJ, 45 (1996), 77-101.

Clark, Timothy, and Jerrold E. Hogle, eds. Evaluating Shelley. Edinburgh: Edinburgh UP, 1996.

Clayton, Jay. "Concealed Circuits: Frankenstein's Monster, the Medusa, and the Cyborg." Raritan, 15 (Spring, 1996), 53-69.

Colbert, Benjamin. "'Strange Truths in Undiscovered Lands': P. B. Shelley and the Literature of Travel" [Doctoral dissertation, Univ. of California, Los Angeles, 1996], DAI, 57-02A (1996), 690.

Shelley as a travel writer drawing on historiographical and aesthetic discourses (e.g. manners and national character, Rousseauistic primitivism, the sublime, the beautiful, and the picturesque) embedded in travel literature on Europe of the French revolutionary and post-revolutionary period. Shelley "privileges the traveler-poet's imagination as the site of cultural appropriation of and resistance to self and social disintegration." In Alastor, Shelley counters Wordsworth's view of England's moral self-sufficiency with a syncretic travelogue that privileges the poet-traveler as "citizen of the world," accredited by a picturesque sensibility.

Colwell, Frederic S. "Figures in Promethean Landscape," KSJ, 45 (1996), 118-31.

Cronin, Richard. "Shelleyan Incest and the Romantic Legacy," KSJ, 45 (1996), 61-77.

Crook, Nora. "Authorship of Mary Shelley Novels," TLS, 4889 (Dec. 13, 1996), 17.

Daffron, Benjamin Eric. "Feeling Double: The Trouble with Sympathy in British Literature and Culture, 1740-1830" [Doctoral dissertation, State Univ. of New York at Buffalo, 1996], DAI, 57-06A (1996), 2489.

The ethical posture of sympathy both impedes and promotes social intercourse, by threatening to turn men into doubles of each other. Because male characters need women to resolve homoerotic tension and to bolster their masculinity, these texts highlight a crucial but ultimately oppressed role to which women have been relegated in the social order. Mary Shelley's Frankenstein links self aspiration to distinguish the self from others to male homophobia.

Dawson, P. M. S. "'The Empire of Man': Shelley and Ecology" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 232-39.

Donawerth, Jane. Frankenstein's Daughters: Women Writing Science Fiction. Syracuse: Syracuse UP, 1996.

Endo, Paul. "The Cenci: Recognizing the Shelleyan Sublime," TSLL, 38 (Fall-Winter 1996), 379-97.

Erkelenz, Michael. "The Genre and Politics of Shelley's 'Swellfoot the Tyrant,'" RES, 47.188 (1996), 500-520.

Erkelenz, Michael. "Unacknowledged Legislation: The Genre and Function of Shelley's 'Ode to Naples'" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 63-72.

Everest, Kelvin. "'Mechanism of a Kind Yet Unattempted': The Dramatic Action of Prometheus Unbound" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson (New York: St. Martin's Press, 1996), pp. 186-201.

Ferguson, Frances. "Shelley's 'Mont-Blanc': What the Mountain Said" in Coleridge, Keats, and Shelley, ed. Peter J. Kitson (New York: St. Martin's Press, 1996), pp. 172-85.

Ferguson, Moira. Colonialism and Gender from Mary Wollstonecraft to Jamaica Kincaid. New York: Columbia UP, 1996.

Finn, Mary, E. "The Ethics and Aesthetics of Shelley's The Cenci," SIR, 35 (Summer 1996), 177-97.

Florescu, Radu. In Search of Frankenstein: Exploring the Myths behind Mary Shelley's Monster. Jersey City: Parkwest Publications, Incorporated, 1997.

Fraistat, Neil. "Shelley Left and Right: The Rhetorics of the Early Textual Editions" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 105-13.

Fraser, Russell. "Remembering Shelley," Iowa Review, 27.1 (Spring 1997), 120-25.

Frosch, Thomas. "Psychological Dialectic in Shelley's 'Song of Apollo' and 'Song of Pan,'" KSJ, 45 (1996), 102-117.

Frost, R. J. "'It's Alive!' Frankenstein: The Film, the Feminist Novel, and Science Fiction," Foundation: The Review of Science Fiction, 67 (Summer 1996), 75-94.

Garrett, Margaret Davenport. "Writing and Re-Writing Incest in Mary Shelley's Mathilda," KSJ, 45 (1996), 44-60.

Giduz, Ellen Weber. "'Nothing but Itself': Moral Evil in Mary Shelley's Frankenstein and Nathaniel Hawthorne's The Blithedale Romance" [Doctoral dissertation, Univ. of North Carolina, 1996], DAI, 57-05A (Nov. 1996), 2026.

Griffith, Pauline R. Frankenstein: Permeative Myth of the Twentieth Century. Bowling Green: Bowling Green U Popular P, 1997. To be published July 1997.

Haines, Simon, ed. Shelley's Poetry: The Divided Self. New York: Saint Martin's P, Inc. 1997.

Discusses the self, emotions, and reason in literature.

Harrington-Austin, Eleanor Joyce. "Asia Loves Prometheus: Shelley's 'Postcoloniality' and the Discourses of India" [Doctoral dissertation, Tulane Univ., 1995], DAI, 57-07A (1996), 3035.

Haught, James A. "Percy Bysshe Shelley" in 2000 Years of Disbelief: Famous People with the Courage to Doubt (Amherst, N.Y.: Prometheus Books, 1996).

Hoagwood, Terence Allan. "Literary Art and Political Justice: Shelley, Godwin, and Mary Hays" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 30-38.

Höhne, Horst. "Shelley's 'Socialism' Revisisted" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 201-12.

Jewett, William. "Strange Flesh: Shelley and the Performance of Skepticism," TSLL, 38.3-4 (Fall 1996), 321-39.

Jones, Anne Hudson. "Literature and Medicine: Physician-Poets," The Lancet 349.9047 (Jan. 25, 1997), 275.

Briefly discusses Shelley's "Hymn of Apollo" for its insight into the relationship between medicine and poetry, physician and poet. Includes discussion of Keats as physician-poet, contrasting him with William Carlos Williams, Robert Bridges, Miroslav Holub, Dannie Abse, and John Stone.

Jones, Lilla Maria Crisafulli. "Shelley's Impact on Italian Literature" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 144-57.

Jones, Steven E. "Shelley's Satire of Succession and Brecht's Anatomy of Regression: 'The Mask of Anarchy' and Der anachronistische Zug oder Freiheit und Democracy" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 193-200.

Kabitoglou, E. Douka. "'The Name of Freedom': A Hermeneutic Reading of Hellas" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 129-43.

Kaufman, Robert. "Legislators of the Post-Everything World: Shelley's Defence of Adorno," ELH, 63.3 (Fall 1996), 707-33.

Keach, William. "Shelley and the Constitution of Political Authority" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 39-48.

Kelly, Gary. "From Avant-Garde to Vanguardism: The Shelleys' Romantic Feminism in 'Laon and Cythna' and Frankenstein" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 73-87.

Kercsmar, Rhonda Ray. "Displaced Apocalypse and Eschatological Anxiety in Frankenstein," SAQ, 95 (Summer 1996), 729-51.

Kipperman, Mark. "Shelley and the Ideology of the Nation: The Authority of the Poet" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996). pp. 49-59.

Kucich, Greg. "Eternity and the Ruins of Time: Shelley and the Construction of Cultural History" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 14-29.

Magarian, Barry. "Shelley's The Cenci: Moral Ambivalence and Self-Knowledge," KSR, 10 (Spring 1996), 181-204.

Mall, C. J. From Shelley to the Absurd: Collected Essays. Lewiston: Edwin Mellen P, 1996.

Marshall, Timothy. Murdering to Dissect: Graverobbing, Frankenstein & the Anatomy Literature. New York: St. Martin's P, 1996.

Maurois, Andre. Ariel, ou, La Vie de Shelley, 1927. American and French Research on the Treasury of the French Language, 1996.

McLane, Maureen Noelle. "Literature Species: Populations, 'Humanities,' and Frankenstein," ELH, 63.4 (Winter 1996), 959-88.

Miller, Calvin C. Spirit Like a Storm: The Story of Mary Shelley. Greensboro: Morgan Reynolds, Inc., 1996.

Morton, Timothy. "Shelley's Green Desert," SIR, 35.3 (Fall 1996), 409-30.

Moskal, J. "Emily Sunstein," KSJ, 45 (1996), 10-12.

Murphy, John F. "Time's Tale: The Temporal Poetics of Shelley's Alastor," KSJ, 45 (1996), 132-55.

Neff, D. S. "The 'Paradise of the Mothersons': Frankenstein and the Empire of the Nairs," JEGP, 95.2 (Apr. 1996), 204-22.

Negra, Diane. "Coveting the Feminine: Victor Frankenstein, Norman Bates, and Buffalo Bill," Literature Film Quarterly, 26.2 (1996), 193-200.

Parkin-Gounelas, Ruth. "Learning What We Have Forgotten: Repetition as Remembrance in Early Nineteenth-Century Gothic," ERR, 6.2 (Winter 1996), 213-26.

Paulin, John Patrick. "The 'Pathos' of Reason: Aesthetic Grounds for the Presentation of the Ethical Subject in Sophoclean and Shelleyan Tragedy" [Doctoral dissertation, Univ. of California, Berkeley, 1996], DAI, 57-09A (1996), 3925.

Considers ethical and aesthetic tragedies of Sophocles' Oedipus the King and Percy Shelley's Cenci. Argues that "tragic drama allows the subjective elements of cognition to come into their own right as an aesthetic state."

Peterfreund, Stuart. See above.

Plotnitsky, Arkady. "All Shapes of Light: The Quantum Mechanical Shelley" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 263-73.

Plug, Jan P. "Bordering Histories: History, Politics, and Language in the Romantic Tradition" [Doctoral dissertation, State Univ. of New York at Buffalo, 1996], DAI, 57-06A, 2468.

Discusses movement from nature to history and finally to historical knowledge in Alastor. Other texts discussed include Wordsworth's "Poems on the Naming of Places," Von Kleist's Der Zerbrochne Krug and Die Hermannsschlacht, and Yeats' politicized folk-art in his early prose writings. Literature intervenes in the political world and disrupts historical repetition.

Rajan, Tilottama. "Promethean Narrative: Overdetermined Form in Shelley's Gothic Fiction" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 240-52.

Reiman, Donald H. "Shelley and the Human Condition" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 3-13.

Roberts, Hugh John. "'The Boundless Realm of Unending Change': Shelley and the Politics of Poetry" [Doctoral dissertation, McGill Univ., 1994].

Roberts, Hugh John. "Chaos and Evolution: A Quantum Leap in Shelley's Process," KSJ, 45 (1996), 156-94.

Roberts, Hugh John. "Shelley among the Post-Kantians," SIR, 35.2 (1996), 295-329.

Roberts, Hugh John. Shelley & the Chaos of History: A New Politics of Poetry. University Park: Pennsylvania State UP, 1997.

Robinson, Charles E. "The Library as Laboratory: Preparing an Edition of Mary Shelley's Frankenstein Notebooks." Collections, 9 (1996), 48-61.

Rowley, Rebecca K. "The Politics of Dreaming: The Relationship between Dreams and Politics in the Work of Keats, Shelley, De Quincey, and Tennyson" [Doctoral dissertation, Univ. of New Mexico, 1996].

Ruge, Enno. The Trumpet of a Prophecy?: Studien zur Rezeption Percy Bysshe Shelleys im "Vormarz." Essen: Blaue Eule, 1996.

Seligo, Carlos Rezende. "The Origin of Science Fiction in the Monsters of Botany: Carolus Linnaeus, Erasmus Darwin, Mary Shelley" [Doctoral dissertation, Univ. of Washington, 1996], DAI, 57-09A, 3951.

Discusses Carl Linnaeus' fertilization of the first artificial hybrid. Contends that Erasmus Darwin expanded the implications of Linnaean botany in his own theory of evolution. Male desire was to guarantee progress in both nature and the Industrial Revolution. "Freudian critics have read Frankenstein's technical reproduction as a symptom of sexual repression of womb envy, but I argue that it is an expression of an asexual desire to reproduce we share with him."

Shaaban, Bouthaina. "Shelley and the Chartists" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 114-25.

Smith, Johanna M. Mary Shelley. New York: Twayne Publishers, 1996.

Spence, Gordon. "Adonais and Neoplatonism," KSR, 10 (Spring 1996), 139-50.

Stoneman, Patsy. "Catherine Earnshaw's Journey to Her Home among the Dead: Fresh Thoughts on Wuthering Heights and Epipsychidion," RES, 47.188 (1996), 521-33.

Strand, Ginger, and Sarah Zimmerman. "Finding an Audience: Beatrice Cenci, Percy Shelley, and the Stage," ERR, 6 (1996), 246.

Sunstein, E. W. "A William Godwin Letter, and Young Mary Godwin Part in 'Mounseer Nongtongpaw,'" KSJ, 45 (1996), 19-22.

Thompson, Terry W. "Wrapped in Darkness: Hecate in Chapter Sixteen of Frankenstein," ELN, 33.3 (Mar. 1996), 28-32.

Trobaugh, Elizabeth Ariel. "'A Prospect in the Mind': The Convergence of the Millennial Tradition and Enlightenment Philosophy in English Romantic Poetry" [Doctoral dissertation, Univ. of Massachusetts, 1996], DAI, 57-02A (1996), 698.

Discusses idea of progress in Blake's Jerusalem, Coleridge's "Rime of the Ancient Mariner," Wordsworth's The Prelude, and Shelley's Prometheus Unbound. "The spirit of scientific inquiry and the tradition of millenial prophecy come together in Romantic poetry to form a secular conception of human destiny and spiritual restoration."

Underwood, William Edward. "Sunlight as Work in British Romanticism: Poetry, Science, and Theories of Spontaneous Production" [Doctoral dissertation, Cornell Univ., 1997], DAI, 57-12A, 5167.

Traces analogies between work and natural force in the poetry and science of the British Romantic era, "focusing in particular on the emergence of the idea that all work (intellectual and physical) is done by the sun." Includes discussion of Cowper's "The Task" (1785) and Shelley's "Defense of Poetry" (1821).

Vardy, Alan Douglas. "Romantic Ethics" [Doctoral dissertation, Univ. of Washington, 1996], DAI, 57-09A (1996), 3953.

Questions "false" distinction between aesthetics and ethics in criticism of Coleridge and Wordsworth and argues against their conservatism. Discusses Blake's Visions and Milton; Shelley's response to "the aesthetic legacy and ethical problems of Coleridgean poetics"; compares Coleridge's "Hymn before Sun-rise in the Vale of Chamouni" and Shelley's "Mont Blanc"; new readings of "Hymn to Intellectual Beauty" and Prometheus Unbound.

Vine, Steven. "Filthy Types: Frankenstein, Figuration, Femininity," Critical Survey, 8.3 (1996), 246-58.

Wagner, Stephen, ed. The Carl H. Pforzheimer Collection of Shelley & His Circle: A History, a Biography, & a Guide. New York: New York Public Library, 1996.

Wallace, Jennifer. Shelley & Greece: Rethinking Romantic Hellenism. New York: St. Martin's P, 1997.

Weinberg, Alan Mendel. "Shelley's Humane Concern and the Demise of Apartheid" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 179-92.

Weisman, Karen A. "Shelley's Ineffable Quotidian" in Shelley: Poet and Legislator of the World, ed. Betty T. Bennett and Stuart Curran (Baltimore: Johns Hopkins UP, 1996), pp. 224-31.

Zimmerman, P. "Authorship of Mary Shelley's Novels," TLS, 4889 (Dec. 13, 1996), 17.

Zwickel, Marion Carol. "A Narratological Reading Emphasizing the Narrator/Narratee Relationships in Mary Shelley's Frankenstein, Charles Robert Maturin's Melmoth the Wanderer, and J. Sheridan Le Fanu's Carrmilla" [Doctoral dissertation, West Virginia Univ., 1995], DAI, 57:6 (1996), 2500A.