The Cambridge Companion to William Blake, ed. Morris Eaves. Cambridge and New York: Cambridge UP, 2003. 326 pp. ISBN-10: 0521781477(Hdbk)/0521786770(Ppbk), $90.00/$27.99
R. Paul Yoder
University of Arkansas at Little Rock
Each volume in the Cambridge Companion series provides a sort of snapshot of the state of the art concerning its given subject at the time of its publication, and this is certainly the case with the Cambridge Companion to William Blake. Morris Eaves has put together an excellent collection of overview essays on Blake’s contexts and works. After Eaves’ Introduction, the book is divided unevenly into two parts: “Perspectives” and “Blake’s Works.” All essays in both parts include endnotes and suggestions for further reading. The point of the essays is not so much to make new arguments as to synthesize the body of critical knowledge into a useful companionable form, and in this the volume succeeds quite well. The only glaring omission from the collection is a discussion of Blake and gender, a difficult issue for which a summary essay, if not a true synthesis, would be especially useful.