June 2010

Richard Marggraf Turley, Keats's Boyish Imagination

Richard Marggraf Turley, Keats’s Boyish Imagination. Routledge, 2004. Xiv + 158pp. $145.00 (Hdbk; 0-415-28882-7)

Reviewed by
Jonathan Mulrooney
College of the Holy Cross

A concern with “maturity”—psychological, social, poetic—has informed critical discussions of Keats more than those of any other English poet. For much of the twentieth century, the concern was framed biographically: how is it that one so young could have developed so quickly? In 1988, Marjorie Levinson’s shattering Keats’s Life of Allegory: The Origins of a Style turned that question upon itself, claiming that profound cultural dispossession rather than transcendent formal mastery constituted the most radical element of Keats’s poetry. Measuring as it does the psychological (if not the psychoanalytic) valences of the poet’s verses, Levinson’s study continues to serve as a salutary counter to the historicisms that have illuminated Keats studies over the last three decades. As the social and material conditions within which the poems were produced and circulated have been recovered, we have recognized a serious political dimension to Keats’s aesthetic project. Yet Keats’s Life of Allegory reminds us that the formal standards by which we came to value Keats’s lyric form—and the lyric persona they enact—have not, even by virtue of Levinson’s inversion of them, been discarded. In short, Keats’s formal achievement endures in a way that historicism cannot entirely explain. We might reframe my opening question: how is it that an historically informed criticism might attend to matters such as stylistic and psychological “development” without embracing once again an exhausted Romantic ideology?


Robert Mitchell, Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity

Robert Mitchell, Sympathy and the State in the Romantic Era: Systems, State Finance, and the Shadows of Futurity. New York: Routledge, 2007. 280pp. $148.00 (Hdbk; ISBN 978-0-415-77142-9).

Reviewed by
Tobias Menely
Willamette University

Since when has public debate—about the state’s responsibility for the indigent, about foreign wars and homeland security, about the regulation of international commerce—been so thoroughly informed by issues of financial speculation and public debt? Since the eighteenth century, argues Robert Mitchell, when the parasitic greed of speculators and the dangerous expansion of national debt were the subject of plays and poems, pamphlets and speeches. Mitchell describes his ambitious, fascinating, and timely book Sympathy and the State in the Romantic Era as an example of a “new economic literary criticism” (206). Literary critics, he maintains, have as much to teach us as economists do about finance capitalism, a phenomenon (as we have recently learned) that reflects the exigencies of social psychology and imaginative speculation no less than the materialities of production and consumption. Mitchell links the development of a theoretical language of sympathetic identification with the crises in state finance that periodically rocked Britain in the century and a half after the establishment of the Bank of England. Elaborating on Thomas Haskell’s seminal work, “Capitalism and the Origins of Humanitarian Sensibility,” Mitchell shows that financial speculation, social sympathy, and humanitarian reform politics share a cognitive style defined by its “open sense of the future” (vii).