Colin Jager, The Book of God: Secularization and Design in the Romantic Era (Philadelphia: University of Pennsylvania Press, 2007). xiv + 274 pp (Hdbk., $59.95; ISBN 978-0-8122-3979-9).
St. Jerome's University in the University of Waterloo
The prospect of reading Nature as the Book of God in and around the Romantic period immediately calls up both the precise, “rational religion” of the eighteenth century (how much can be known of the true God without Revelation?) and the vague, evocative pantheism that has traditionally defined high Romanticism. Colin Jager navigates a way between the two, and the topic of design, seemingly only one small detail in the larger relations of theology, philosophy and literature, reveals itself as influentially everywhere, much like the hand of God. Design becomes a deft little needle to embroider the broad fabric to which Jager sets himself, a repatterning of the relation between Romanticism and modern secularism. The project points suggestively toward multiple significances of the concept of design, and ways to rethink Nature and Reason in early and late Romanticism, and in modernity. More explicitly, the book considers how to read religion in Romantic literature where it might seem most elusive, critiques Romantic criticism through its own investments in a certain narrative of modernity, and extrapolates that critique into a revisionary theory of secularization that accounts for the persistence of divine design and human faith.