Karen Fang, Romantic Writing and the Empire of Signs: Periodical Culture and Post-Napoleonic Authorship (Charlottesville: University of Virginia Press, 2010). 248 pp. (Cloth; ISBN: 978-0-8139-2874-6; $35.00).
University of North Texas
Karen Fang’s examination of post-Napoleonic periodical culture in Britain focuses on the works of Charles Lamb, James Hogg, Letitia Landon, and Lord Byron, their individual experiences with imperialism, and how they translated those experiences for British periodicals. Periodical culture, according to Fang, was the nexus of empire and capital, consumption and commodification--a privileged formation that brought imperial exoticism to the domestic consumer, in the "visual and textual representation[s] within newspapers and magazines" (2). Jon Klancher's work figures heavily here, especially his sense that "the professionalization of the early-nineteenth-century periodical marketplace" constituted a "fundamentally different cultural economy": as such, Fang follows Klancher in reading the semiotics of the imperial project, an "'empire of signs, a phrase he derives from contemporary Romantic metaphors of the mind” to develop her own examination of the more material, “geographical exoticism” in British periodicals (7).