• the living spirit of love

    The sexist stereotypes in which this tribute is expressed can be (as they have been)
    laid at Mary Shelley's doorstep. But it is, after all, Victor who is speaking, and
    his monologue is telling the reader a great deal about him that he does not seem to
    realize. Since this is a technique by which fictional characterization is traditionally
    accomplished, perhaps the reader will want to hold him as a character fully responsible
    for his own sentiments. The Preface, we will remember, went out of its way to separate
    the author from her characters (I:Pref:2).

    Leaving Victor's perspective to the side, we may, as readers, surely honor the affectionate
    warmth with which Elizabeth assumes her nurturing domestic role and melds her small
    community together. We might wish, however, to suspend judgment on its absolute value
    until later events can confirm that it profits her as much as it does those she so
    selflessly serves.